Filtering Introduction
**********************

Filtering in FFmpeg is enabled through the libavfilter library.

In libavfilter, a filter can have multiple inputs and multiple outputs. To illustrate the sorts of things that are possible, we consider the following filtergraph.

                [main]
input --> split ---------------------> overlay --> output
            |                             ^
            |[tmp]                  [flip]|
            +-----> crop --> vflip -------+

This filtergraph splits the input stream in two streams, then sends one stream through the crop filter and the vflip filter, before merging it back with the other stream by overlaying it on top. You can use the following command to achieve this:

     ffmpeg -i INPUT -vf "split [main][tmp]; [tmp] crop=iw:ih/2:0:0, vflip [flip]; [main][flip] overlay=0:H/2" OUTPUT

The result will be that the top half of the video is mirrored onto the bottom half of the output video.

Filters in the same linear chain are separated by commas, and distinct linear chains of filters are separated by semicolons. In our example, CROP,VFLIP are in one linear chain, SPLIT and OVERLAY are separately in another. The points where the linear chains join are labelled by names enclosed in square brackets. In the example, the split filter generates two outputs that are associated to the labels [MAIN] and [TMP].

The stream sent to the second output of SPLIT, labelled as [TMP], is processed through the CROP filter, which crops away the lower half part of the video, and then vertically flipped. The OVERLAY filter takes in input the first unchanged output of the split filter (which was labelled as [MAIN]), and overlay on its lower half the output generated by the CROP,VFLIP filterchain.

Some filters take in input a list of parameters: they are specified after the filter name and an equal sign, and are separated from each other by a colon.

There exist so-called SOURCE FILTERS that do not have an audio/video input, and SINK FILTERS that will not have audio/video output.

graph2dot
*********

The graph2dot program included in the FFmpeg tools directory can be used to parse a filtergraph description and issue a corresponding textual representation in the dot language.

Invoke the command:

     graph2dot -h

to see how to use graph2dot.

You can then pass the dot description to the dot program (from the graphviz suite of programs) and obtain a graphical representation of the filtergraph.

For example the sequence of commands:

     echo GRAPH_DESCRIPTION | \
     tools/graph2dot -o graph.tmp && \
     dot -Tpng graph.tmp -o graph.png && \
     display graph.png

can be used to create and display an image representing the graph described by the GRAPH_DESCRIPTION string. Note that this string must be a complete self-contained graph, with its inputs and outputs explicitly defined. For example if your command line is of the form:

     ffmpeg -i infile -vf scale=640:360 outfile

your GRAPH_DESCRIPTION string will need to be of the form:

     nullsrc,scale=640:360,nullsink

you may also need to set the NULLSRC parameters and add a FORMAT filter in order to simulate a specific input file.

Filtergraph description
***********************

A filtergraph is a directed graph of connected filters. It can contain cycles, and there can be multiple links between a pair of filters. Each link has one input pad on one side connecting it to one filter from which it takes its input, and one output pad on the other side connecting it to one filter accepting its output.

Each filter in a filtergraph is an instance of a filter class registered in the application, which defines the features and the number of input and output pads of the filter.

A filter with no input pads is called a "source", and a filter with no output pads is called a "sink".

Filtergraph syntax
==================

A filtergraph has a textual representation, which is recognized by the -filter/-vf/-af and -filter_complex options in ffmpeg and -vf/-af in ffplay, and by the avfilter_graph_parse_ptr() function defined in libavfilter/avfilter.h.

A filterchain consists of a sequence of connected filters, each one connected to the previous one in the sequence. A filterchain is represented by a list of ","-separated filter descriptions.

A filtergraph consists of a sequence of filterchains. A sequence of filterchains is represented by a list of ";"-separated filterchain descriptions.

A filter is represented by a string of the form: [IN_LINK_1]...[IN_LINK_N]FILTER_NAME@ID=ARGUMENTS[OUT_LINK_1]...[OUT_LINK_M]

FILTER_NAME is the name of the filter class of which the described filter is an instance of, and has to be the name of one of the filter classes registered in the program optionally followed by "@ID". The name of the filter class is optionally followed by a string "=ARGUMENTS".

ARGUMENTS is a string which contains the parameters used to initialize the filter instance. It may have one of two forms:

  * A ':'-separated list of KEY=VALUE pairs.

  * A ':'-separated list of VALUE. In this case, the keys are assumed to be the option names in the order they are declared. E.g. the fade filter declares three options in this order -- type, start_frame and nb_frames. Then the parameter list IN:0:30 means that the value IN is assigned to the option type, 0 to start_frame and 30 to nb_frames.

  * A ':'-separated list of mixed direct VALUE and long KEY=VALUE pairs. The direct VALUE must precede the KEY=VALUE pairs, and follow the same constraints order of the previous point. The following KEY=VALUE pairs can be set in any preferred order.

If the option value itself is a list of items (e.g. the format filter takes a list of pixel formats), the items in the list are usually separated by |.

The list of arguments can be quoted using the character ' as initial and ending mark, and the character \ for escaping the characters within the quoted text; otherwise the argument string is considered terminated when the next special character (belonging to the set []=;,) is encountered.

The name and arguments of the filter are optionally preceded and followed by a list of link labels. A link label allows one to name a link and associate it to a filter output or input pad. The preceding labels IN_LINK_1 ... IN_LINK_N, are associated to the filter input pads, the following labels OUT_LINK_1 ... OUT_LINK_M, are associated to the output pads.

When two link labels with the same name are found in the filtergraph, a link between the corresponding input and output pad is created.

If an output pad is not labelled, it is linked by default to the first unlabelled input pad of the next filter in the filterchain. For example in the filterchain

     nullsrc, split[L1], [L2]overlay, nullsink

the split filter instance has two output pads, and the overlay filter instance two input pads. The first output pad of split is labelled "L1", the first input pad of overlay is labelled "L2", and the second output pad of split is linked to the second input pad of overlay, which are both unlabelled.

In a filter description, if the input label of the first filter is not specified, "in" is assumed; if the output label of the last filter is not specified, "out" is assumed.

In a complete filterchain all the unlabelled filter input and output pads must be connected. A filtergraph is considered valid if all the filter input and output pads of all the filterchains are connected.

Libavfilter will automatically insert scale filters where format conversion is required. It is possible to specify swscale flags for those automatically inserted scalers by prepending sws_flags=FLAGS; to the filtergraph description.

Here is a BNF description of the filtergraph syntax:

     NAME             ::= sequence of alphanumeric characters and '_'
     FILTER_NAME      ::= NAME["@"NAME]
     LINKLABEL        ::= "[" NAME "]"
     LINKLABELS       ::= LINKLABEL [LINKLABELS]
     FILTER_ARGUMENTS ::= sequence of chars (possibly quoted)
     FILTER           ::= [LINKLABELS] FILTER_NAME ["=" FILTER_ARGUMENTS] [LINKLABELS]
     FILTERCHAIN      ::= FILTER [,FILTERCHAIN]
     FILTERGRAPH      ::= [sws_flags=FLAGS;] FILTERCHAIN [;FILTERGRAPH]

Notes on filtergraph escaping
=============================

Filtergraph description composition entails several levels of escaping. See the "Quoting and escaping" section in the ffmpeg-utils(1) manual (ffmpeg-utils) for more information about the employed escaping procedure.

A first level escaping affects the content of each filter option value, which may contain the special character : used to separate values, or one of the escaping characters \'.

A second level escaping affects the whole filter description, which may contain the escaping characters \' or the special characters [],; used by the filtergraph description.

Finally, when you specify a filtergraph on a shell commandline, you need to perform a third level escaping for the shell special characters contained within it.

For example, consider the following string to be embedded in the drawtext filter description text value:

     this is a 'string': may contain one, or more, special characters

This string contains the ' special escaping character, and the : special character, so it needs to be escaped in this way:

     text=this is a \'string\'\: may contain one, or more, special characters

A second level of escaping is required when embedding the filter description in a filtergraph description, in order to escape all the filtergraph special characters. Thus the example above becomes:

     drawtext=text=this is a \\\'string\\\'\\: may contain one\, or more\, special characters

(note that in addition to the \' escaping special characters, also , needs to be escaped).

Finally an additional level of escaping is needed when writing the filtergraph description in a shell command, which depends on the escaping rules of the adopted shell. For example, assuming that \ is special and needs to be escaped with another \, the previous string will finally result in:

     -vf "drawtext=text=this is a \\\\\\'string\\\\\\'\\\\: may contain one\\, or more\\, special characters"

Timeline editing
****************

Some filters support a generic enable option. For the filters supporting timeline editing, this option can be set to an expression which is evaluated before sending a frame to the filter. If the evaluation is non-zero, the filter will be enabled, otherwise the frame will be sent unchanged to the next filter in the filtergraph.

The expression accepts the following values:

t
     timestamp expressed in seconds, NAN if the input timestamp is unknown

n
     sequential number of the input frame, starting from 0

pos
     the position in the file of the input frame, NAN if unknown

w

h
     width and height of the input frame if video

Additionally, these filters support an enable command that can be used to re-define the expression.

Like any other filtering option, the enable option follows the same rules.

For example, to enable a blur filter (smartblur) from 10 seconds to 3 minutes, and a curves filter starting at 3 seconds:

     smartblur = enable='between(t,10,3*60)',
     curves    = enable='gte(t,3)' : preset=cross_process

See ffmpeg -filters to view which filters have timeline support.

Changing options at runtime with a command
******************************************

Some options can be changed during the operation of the filter using a command. These options are marked 'T' on the output of ffmpeg -h filter=<name of filter>. The name of the command is the name of the option and the argument is the new value.

Options for filters with several inputs (framesync)
***************************************************

Some filters with several inputs support a common set of options. These options can only be set by name, not with the short notation.

eof_action
     The action to take when EOF is encountered on the secondary input; it accepts one of the following values:

     repeat
          Repeat the last frame (the default).

     endall
          End both streams.

     pass
          Pass the main input through.

shortest
     If set to 1, force the output to terminate when the shortest input terminates. Default value is 0.

repeatlast
     If set to 1, force the filter to extend the last frame of secondary streams until the end of the primary stream. A value of 0 disables this behavior. Default value is 1.

Audio Filters
*************

When you configure your FFmpeg build, you can disable any of the existing filters using --disable-filters. The configure output will show the audio filters included in your build.

Below is a description of the currently available audio filters.

acompressor
===========

A compressor is mainly used to reduce the dynamic range of a signal. Especially modern music is mostly compressed at a high ratio to improve the overall loudness. It's done to get the highest attention of a listener, "fatten" the sound and bring more "power" to the track. If a signal is compressed too much it may sound dull or "dead" afterwards or it may start to "pump" (which could be a powerful effect but can also destroy a track completely). The right compression is the key to reach a professional sound and is the high art of mixing and mastering. Because of its complex settings it may take a long time to get the right feeling for this kind of effect.

Compression is done by detecting the volume above a chosen level threshold and dividing it by the factor set with ratio. So if you set the threshold to -12dB and your signal reaches -6dB a ratio of 2:1 will result in a signal at -9dB. Because an exact manipulation of the signal would cause distortion of the waveform the reduction can be levelled over the time. This is done by setting "Attack" and "Release". attack determines how long the signal has to rise above the threshold before any reduction will occur and release sets the time the signal has to fall below the threshold to reduce the reduction again. Shorter signals than the chosen attack time will be left untouched. The overall reduction of the signal can be made up afterwards with the makeup setting. So compressing the peaks of a signal about 6dB and raising the makeup to this level results in a signal twice as loud than the source. To gain a softer entry in the compression the knee flattens the hard edge at the threshold in the range of the chosen decibels.

The filter accepts the following options:

level_in
     Set input gain. Default is 1. Range is between 0.015625 and 64.

mode
     Set mode of compressor operation. Can be upward or downward. Default is downward.

threshold
     If a signal of stream rises above this level it will affect the gain reduction. By default it is 0.125. Range is between 0.00097563 and 1.

ratio
     Set a ratio by which the signal is reduced. 1:2 means that if the level rose 4dB above the threshold, it will be only 2dB above after the reduction. Default is 2. Range is between 1 and 20.

attack
     Amount of milliseconds the signal has to rise above the threshold before gain reduction starts. Default is 20. Range is between 0.01 and 2000.

release
     Amount of milliseconds the signal has to fall below the threshold before reduction is decreased again. Default is 250. Range is between 0.01 and 9000.

makeup
     Set the amount by how much signal will be amplified after processing. Default is 1. Range is from 1 to 64.

knee
     Curve the sharp knee around the threshold to enter gain reduction more softly. Default is 2.82843. Range is between 1 and 8.

link
     Choose if the average level between all channels of input stream or the louder(maximum) channel of input stream affects the reduction. Default is average.

detection
     Should the exact signal be taken in case of peak or an RMS one in case of rms. Default is rms which is mostly smoother.

mix
     How much to use compressed signal in output. Default is 1. Range is between 0 and 1.

Commands
--------

This filter supports the all above options as commands.

acontrast
=========

Simple audio dynamic range compression/expansion filter.

The filter accepts the following options:

contrast
     Set contrast. Default is 33. Allowed range is between 0 and 100.

acopy
=====

Copy the input audio source unchanged to the output. This is mainly useful for testing purposes.

acrossfade
==========

Apply cross fade from one input audio stream to another input audio stream. The cross fade is applied for specified duration near the end of first stream.

The filter accepts the following options:

nb_samples, ns
     Specify the number of samples for which the cross fade effect has to last. At the end of the cross fade effect the first input audio will be completely silent. Default is 44100.

duration, d
     Specify the duration of the cross fade effect. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax. By default the duration is determined by NB_SAMPLES. If set this option is used instead of NB_SAMPLES.

overlap, o
     Should first stream end overlap with second stream start. Default is enabled.

curve1
     Set curve for cross fade transition for first stream.

curve2
     Set curve for cross fade transition for second stream.

     For description of available curve types see afade filter description.

Examples
--------

  * Cross fade from one input to another:

          ffmpeg -i first.flac -i second.flac -filter_complex acrossfade=d=10:c1=exp:c2=exp output.flac

  * Cross fade from one input to another but without overlapping:

          ffmpeg -i first.flac -i second.flac -filter_complex acrossfade=d=10:o=0:c1=exp:c2=exp output.flac

acrossover
==========

Split audio stream into several bands.

This filter splits audio stream into two or more frequency ranges. Summing all streams back will give flat output.

The filter accepts the following options:

split
     Set split frequencies. Those must be positive and increasing.

order
     Set filter order for each band split. This controls filter roll-off or steepness of filter transfer function. Available values are:

     2nd
          12 dB per octave.

     4th
          24 dB per octave.

     6th
          36 dB per octave.

     8th
          48 dB per octave.

     10th
          60 dB per octave.

     12th
          72 dB per octave.

     14th
          84 dB per octave.

     16th
          96 dB per octave.

     18th
          108 dB per octave.

     20th
          120 dB per octave.

     Default is 4TH.

level
     Set input gain level. Allowed range is from 0 to 1. Default value is 1.

gains
     Set output gain for each band. Default value is 1 for all bands.

Examples
--------

  * Split input audio stream into two bands (low and high) with split frequency of 1500 Hz, each band will be in separate stream:

          ffmpeg -i in.flac -filter_complex 'acrossover=split=1500[LOW][HIGH]' -map '[LOW]' low.wav -map '[HIGH]' high.wav

  * Same as above, but with higher filter order:

          ffmpeg -i in.flac -filter_complex 'acrossover=split=1500:order=8th[LOW][HIGH]' -map '[LOW]' low.wav -map '[HIGH]' high.wav

  * Same as above, but also with additional middle band (frequencies between 1500 and 8000):

          ffmpeg -i in.flac -filter_complex 'acrossover=split=1500 8000:order=8th[LOW][MID][HIGH]' -map '[LOW]' low.wav -map '[MID]' mid.wav -map '[HIGH]' high.wav

acrusher
========

Reduce audio bit resolution.

This filter is bit crusher with enhanced functionality. A bit crusher is used to audibly reduce number of bits an audio signal is sampled with. This doesn't change the bit depth at all, it just produces the effect. Material reduced in bit depth sounds more harsh and "digital". This filter is able to even round to continuous values instead of discrete bit depths. Additionally it has a D/C offset which results in different crushing of the lower and the upper half of the signal. An Anti-Aliasing setting is able to produce "softer" crushing sounds.

Another feature of this filter is the logarithmic mode. This setting switches from linear distances between bits to logarithmic ones. The result is a much more "natural" sounding crusher which doesn't gate low signals for example. The human ear has a logarithmic perception, so this kind of crushing is much more pleasant. Logarithmic crushing is also able to get anti-aliased.

The filter accepts the following options:

level_in
     Set level in.

level_out
     Set level out.

bits
     Set bit reduction.

mix
     Set mixing amount.

mode
     Can be linear: lin or logarithmic: log.

dc
     Set DC.

aa
     Set anti-aliasing.

samples
     Set sample reduction.

lfo
     Enable LFO. By default disabled.

lforange
     Set LFO range.

lforate
     Set LFO rate.

acue
====

Delay audio filtering until a given wallclock timestamp. See the cue filter.

adeclick
========

Remove impulsive noise from input audio.

Samples detected as impulsive noise are replaced by interpolated samples using autoregressive modelling.

w
     Set window size, in milliseconds. Allowed range is from 10 to 100. Default value is 55 milliseconds. This sets size of window which will be processed at once.

o
     Set window overlap, in percentage of window size. Allowed range is from 50 to 95. Default value is 75 percent. Setting this to a very high value increases impulsive noise removal but makes whole process much slower.

a
     Set autoregression order, in percentage of window size. Allowed range is from 0 to 25. Default value is 2 percent. This option also controls quality of interpolated samples using neighbour good samples.

t
     Set threshold value. Allowed range is from 1 to 100. Default value is 2. This controls the strength of impulsive noise which is going to be removed. The lower value, the more samples will be detected as impulsive noise.

b
     Set burst fusion, in percentage of window size. Allowed range is 0 to 10. Default value is 2. If any two samples detected as noise are spaced less than this value then any sample between those two samples will be also detected as noise.

m
     Set overlap method.

     It accepts the following values:

     a
          Select overlap-add method. Even not interpolated samples are slightly changed with this method.

     s
          Select overlap-save method. Not interpolated samples remain unchanged.

     Default value is a.

adeclip
=======

Remove clipped samples from input audio.

Samples detected as clipped are replaced by interpolated samples using autoregressive modelling.

w
     Set window size, in milliseconds. Allowed range is from 10 to 100. Default value is 55 milliseconds. This sets size of window which will be processed at once.

o
     Set window overlap, in percentage of window size. Allowed range is from 50 to 95. Default value is 75 percent.

a
     Set autoregression order, in percentage of window size. Allowed range is from 0 to 25. Default value is 8 percent. This option also controls quality of interpolated samples using neighbour good samples.

t
     Set threshold value. Allowed range is from 1 to 100. Default value is 10. Higher values make clip detection less aggressive.

n
     Set size of histogram used to detect clips. Allowed range is from 100 to 9999. Default value is 1000. Higher values make clip detection less aggressive.

m
     Set overlap method.

     It accepts the following values:

     a
          Select overlap-add method. Even not interpolated samples are slightly changed with this method.

     s
          Select overlap-save method. Not interpolated samples remain unchanged.

     Default value is a.

adelay
======

Delay one or more audio channels.

Samples in delayed channel are filled with silence.

The filter accepts the following option:

delays
     Set list of delays in milliseconds for each channel separated by '|'. Unused delays will be silently ignored. If number of given delays is smaller than number of channels all remaining channels will not be delayed. If you want to delay exact number of samples, append 'S' to number. If you want instead to delay in seconds, append 's' to number.

all
     Use last set delay for all remaining channels. By default is disabled. This option if enabled changes how option delays is interpreted.

Examples
--------

  * Delay first channel by 1.5 seconds, the third channel by 0.5 seconds and leave the second channel (and any other channels that may be present) unchanged.

          adelay=1500|0|500

  * Delay second channel by 500 samples, the third channel by 700 samples and leave the first channel (and any other channels that may be present) unchanged.

          adelay=0|500S|700S

  * Delay all channels by same number of samples:

          adelay=delays=64S:all=1

adenorm
=======

Remedy denormals in audio by adding extremely low-level noise.

This filter shall be placed before any filter that can produce denormals.

A description of the accepted parameters follows.

level
     Set level of added noise in dB. Default is -351. Allowed range is from -451 to -90.

type
     Set type of added noise.

     dc
          Add DC signal.

     ac
          Add AC signal.

     square
          Add square signal.

     pulse
          Add pulse signal.

     Default is dc.

Commands
--------

This filter supports the all above options as commands.

aderivative, aintegral
======================

Compute derivative/integral of audio stream.

Applying both filters one after another produces original audio.

aecho
=====

Apply echoing to the input audio.

Echoes are reflected sound and can occur naturally amongst mountains (and sometimes large buildings) when talking or shouting; digital echo effects emulate this behaviour and are often used to help fill out the sound of a single instrument or vocal. The time difference between the original signal and the reflection is the delay, and the loudness of the reflected signal is the decay. Multiple echoes can have different delays and decays.

A description of the accepted parameters follows.

in_gain
     Set input gain of reflected signal. Default is 0.6.

out_gain
     Set output gain of reflected signal. Default is 0.3.

delays
     Set list of time intervals in milliseconds between original signal and reflections separated by '|'. Allowed range for each delay is (0 - 90000.0]. Default is 1000.

decays
     Set list of loudness of reflected signals separated by '|'. Allowed range for each decay is (0 - 1.0]. Default is 0.5.

Examples
--------

  * Make it sound as if there are twice as many instruments as are actually playing:

          aecho=0.8:0.88:60:0.4

  * If delay is very short, then it sounds like a (metallic) robot playing music:

          aecho=0.8:0.88:6:0.4

  * A longer delay will sound like an open air concert in the mountains:

          aecho=0.8:0.9:1000:0.3

  * Same as above but with one more mountain:

          aecho=0.8:0.9:1000|1800:0.3|0.25

aemphasis
=========

Audio emphasis filter creates or restores material directly taken from LPs or emphased CDs with different filter curves. E.g. to store music on vinyl the signal has to be altered by a filter first to even out the disadvantages of this recording medium. Once the material is played back the inverse filter has to be applied to restore the distortion of the frequency response.

The filter accepts the following options:

level_in
     Set input gain.

level_out
     Set output gain.

mode
     Set filter mode. For restoring material use reproduction mode, otherwise use production mode. Default is reproduction mode.

type
     Set filter type. Selects medium. Can be one of the following:

     col
          select Columbia.

     emi
          select EMI.

     bsi
          select BSI (78RPM).

     riaa
          select RIAA.

     cd
          select Compact Disc (CD).

     50fm
          select 50µs (FM).

     75fm
          select 75µs (FM).

     50kf
          select 50µs (FM-KF).

     75kf
          select 75µs (FM-KF).

Commands
--------

This filter supports the all above options as commands.

aeval
=====

Modify an audio signal according to the specified expressions.

This filter accepts one or more expressions (one for each channel), which are evaluated and used to modify a corresponding audio signal.

It accepts the following parameters:

exprs
     Set the '|'-separated expressions list for each separate channel. If the number of input channels is greater than the number of expressions, the last specified expression is used for the remaining output channels.

channel_layout, c
     Set output channel layout. If not specified, the channel layout is specified by the number of expressions. If set to same, it will use by default the same input channel layout.

Each expression in EXPRS can contain the following constants and functions:

ch
     channel number of the current expression

n
     number of the evaluated sample, starting from 0

s
     sample rate

t
     time of the evaluated sample expressed in seconds

nb_in_channels

nb_out_channels
     input and output number of channels

val(CH)
     the value of input channel with number CH

Note: this filter is slow. For faster processing you should use a dedicated filter.

Examples
--------

  * Half volume:

          aeval=val(ch)/2:c=same

  * Invert phase of the second channel:

          aeval=val(0)|-val(1)

afade
=====

Apply fade-in/out effect to input audio.

A description of the accepted parameters follows.

type, t
     Specify the effect type, can be either in for fade-in, or out for a fade-out effect. Default is in.

start_sample, ss
     Specify the number of the start sample for starting to apply the fade effect. Default is 0.

nb_samples, ns
     Specify the number of samples for which the fade effect has to last. At the end of the fade-in effect the output audio will have the same volume as the input audio, at the end of the fade-out transition the output audio will be silence. Default is 44100.

start_time, st
     Specify the start time of the fade effect. Default is 0. The value must be specified as a time duration; see the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax. If set this option is used instead of START_SAMPLE.

duration, d
     Specify the duration of the fade effect. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax. At the end of the fade-in effect the output audio will have the same volume as the input audio, at the end of the fade-out transition the output audio will be silence. By default the duration is determined by NB_SAMPLES. If set this option is used instead of NB_SAMPLES.

curve
     Set curve for fade transition.

     It accepts the following values:

     tri
          select triangular, linear slope (default)

     qsin
          select quarter of sine wave

     hsin
          select half of sine wave

     esin
          select exponential sine wave

     log
          select logarithmic

     ipar
          select inverted parabola

     qua
          select quadratic

     cub
          select cubic

     squ
          select square root

     cbr
          select cubic root

     par
          select parabola

     exp
          select exponential

     iqsin
          select inverted quarter of sine wave

     ihsin
          select inverted half of sine wave

     dese
          select double-exponential seat

     desi
          select double-exponential sigmoid

     losi
          select logistic sigmoid

     sinc
          select sine cardinal function

     isinc
          select inverted sine cardinal function

     nofade
          no fade applied

Examples
--------

  * Fade in first 15 seconds of audio:

          afade=t=in:ss=0:d=15

  * Fade out last 25 seconds of a 900 seconds audio:

          afade=t=out:st=875:d=25

afftdn
======

Denoise audio samples with FFT.

A description of the accepted parameters follows.

nr
     Set the noise reduction in dB, allowed range is 0.01 to 97. Default value is 12 dB.

nf
     Set the noise floor in dB, allowed range is -80 to -20. Default value is -50 dB.

nt
     Set the noise type.

     It accepts the following values:

     w
          Select white noise.

     v
          Select vinyl noise.

     s
          Select shellac noise.

     c
          Select custom noise, defined in bn option.

          Default value is white noise.

bn
     Set custom band noise for every one of 15 bands. Bands are separated by ' ' or '|'.

rf
     Set the residual floor in dB, allowed range is -80 to -20. Default value is -38 dB.

tn
     Enable noise tracking. By default is disabled. With this enabled, noise floor is automatically adjusted.

tr
     Enable residual tracking. By default is disabled.

om
     Set the output mode.

     It accepts the following values:

     i
          Pass input unchanged.

     o
          Pass noise filtered out.

     n
          Pass only noise.

          Default value is O.

Commands
--------

This filter supports the following commands:

sample_noise, sn
     Start or stop measuring noise profile. Syntax for the command is : "start" or "stop" string. After measuring noise profile is stopped it will be automatically applied in filtering.

noise_reduction, nr
     Change noise reduction. Argument is single float number. Syntax for the command is : "NOISE_REDUCTION"

noise_floor, nf
     Change noise floor. Argument is single float number. Syntax for the command is : "NOISE_FLOOR"

output_mode, om
     Change output mode operation. Syntax for the command is : "i", "o" or "n" string.

afftfilt
========

Apply arbitrary expressions to samples in frequency domain.

real
     Set frequency domain real expression for each separate channel separated by '|'. Default is "re". If the number of input channels is greater than the number of expressions, the last specified expression is used for the remaining output channels.

imag
     Set frequency domain imaginary expression for each separate channel separated by '|'. Default is "im".

     Each expression in REAL and IMAG can contain the following constants and functions:

     sr
          sample rate

     b
          current frequency bin number

     nb
          number of available bins

     ch
          channel number of the current expression

     chs
          number of channels

     pts
          current frame pts

     re
          current real part of frequency bin of current channel

     im
          current imaginary part of frequency bin of current channel

     real(b, ch)
          Return the value of real part of frequency bin at location (BIN,CHANNEL)

     imag(b, ch)
          Return the value of imaginary part of frequency bin at location (BIN,CHANNEL)

win_size
     Set window size. Allowed range is from 16 to 131072. Default is 4096

win_func
     Set window function. Default is hann.

overlap
     Set window overlap. If set to 1, the recommended overlap for selected window function will be picked. Default is 0.75.

Examples
--------

  * Leave almost only low frequencies in audio:

          afftfilt="'real=re * (1-clip((b/nb)*b,0,1))':imag='im * (1-clip((b/nb)*b,0,1))'"

  * Apply robotize effect:

          afftfilt="real='hypot(re,im)*sin(0)':imag='hypot(re,im)*cos(0)':win_size=512:overlap=0.75"

  * Apply whisper effect:

          afftfilt="real='hypot(re,im)*cos((random(0)*2-1)*2*3.14)':imag='hypot(re,im)*sin((random(1)*2-1)*2*3.14)':win_size=128:overlap=0.8"

afir
====

Apply an arbitrary Finite Impulse Response filter.

This filter is designed for applying long FIR filters, up to 60 seconds long.

It can be used as component for digital crossover filters, room equalization, cross talk cancellation, wavefield synthesis, auralization, ambiophonics, ambisonics and spatialization.

This filter uses the streams higher than first one as FIR coefficients. If the non-first stream holds a single channel, it will be used for all input channels in the first stream, otherwise the number of channels in the non-first stream must be same as the number of channels in the first stream.

It accepts the following parameters:

dry
     Set dry gain. This sets input gain.

wet
     Set wet gain. This sets final output gain.

length
     Set Impulse Response filter length. Default is 1, which means whole IR is processed.

gtype
     Enable applying gain measured from power of IR.

     Set which approach to use for auto gain measurement.

     none
          Do not apply any gain.

     peak
          select peak gain, very conservative approach. This is default value.

     dc
          select DC gain, limited application.

     gn
          select gain to noise approach, this is most popular one.

irgain
     Set gain to be applied to IR coefficients before filtering. Allowed range is 0 to 1. This gain is applied after any gain applied with GTYPE option.

irfmt
     Set format of IR stream. Can be mono or input. Default is input.

maxir
     Set max allowed Impulse Response filter duration in seconds. Default is 30 seconds. Allowed range is 0.1 to 60 seconds.

response
     Show IR frequency response, magnitude(magenta), phase(green) and group delay(yellow) in additional video stream. By default it is disabled.

channel
     Set for which IR channel to display frequency response. By default is first channel displayed. This option is used only when RESPONSE is enabled.

size
     Set video stream size. This option is used only when RESPONSE is enabled.

rate
     Set video stream frame rate. This option is used only when RESPONSE is enabled.

minp
     Set minimal partition size used for convolution. Default is 8192. Allowed range is from 1 to 32768. Lower values decreases latency at cost of higher CPU usage.

maxp
     Set maximal partition size used for convolution. Default is 8192. Allowed range is from 8 to 32768. Lower values may increase CPU usage.

nbirs
     Set number of input impulse responses streams which will be switchable at runtime. Allowed range is from 1 to 32. Default is 1.

ir
     Set IR stream which will be used for convolution, starting from 0, should always be lower than supplied value by nbirs option. Default is 0. This option can be changed at runtime via commands.

Examples
--------

  * Apply reverb to stream using mono IR file as second input, complete command using ffmpeg:

          ffmpeg -i input.wav -i middle_tunnel_1way_mono.wav -lavfi afir output.wav

aformat
=======

Set output format constraints for the input audio. The framework will negotiate the most appropriate format to minimize conversions.

It accepts the following parameters:

sample_fmts, f
     A '|'-separated list of requested sample formats.

sample_rates, r
     A '|'-separated list of requested sample rates.

channel_layouts, cl
     A '|'-separated list of requested channel layouts.

     See the Channel Layout section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the required syntax.

If a parameter is omitted, all values are allowed.

Force the output to either unsigned 8-bit or signed 16-bit stereo

     aformat=sample_fmts=u8|s16:channel_layouts=stereo

afreqshift
==========

Apply frequency shift to input audio samples.

The filter accepts the following options:

shift
     Specify frequency shift. Allowed range is -INT_MAX to INT_MAX. Default value is 0.0.

Commands
--------

This filter supports the above option as commands.

agate
=====

A gate is mainly used to reduce lower parts of a signal. This kind of signal processing reduces disturbing noise between useful signals.

Gating is done by detecting the volume below a chosen level THRESHOLD and dividing it by the factor set with RATIO. The bottom of the noise floor is set via RANGE. Because an exact manipulation of the signal would cause distortion of the waveform the reduction can be levelled over time. This is done by setting ATTACK and RELEASE.

ATTACK determines how long the signal has to fall below the threshold before any reduction will occur and RELEASE sets the time the signal has to rise above the threshold to reduce the reduction again. Shorter signals than the chosen attack time will be left untouched.

level_in
     Set input level before filtering. Default is 1. Allowed range is from 0.015625 to 64.

mode
     Set the mode of operation. Can be upward or downward. Default is downward. If set to upward mode, higher parts of signal will be amplified, expanding dynamic range in upward direction. Otherwise, in case of downward lower parts of signal will be reduced.

range
     Set the level of gain reduction when the signal is below the threshold. Default is 0.06125. Allowed range is from 0 to 1. Setting this to 0 disables reduction and then filter behaves like expander.

threshold
     If a signal rises above this level the gain reduction is released. Default is 0.125. Allowed range is from 0 to 1.

ratio
     Set a ratio by which the signal is reduced. Default is 2. Allowed range is from 1 to 9000.

attack
     Amount of milliseconds the signal has to rise above the threshold before gain reduction stops. Default is 20 milliseconds. Allowed range is from 0.01 to 9000.

release
     Amount of milliseconds the signal has to fall below the threshold before the reduction is increased again. Default is 250 milliseconds. Allowed range is from 0.01 to 9000.

makeup
     Set amount of amplification of signal after processing. Default is 1. Allowed range is from 1 to 64.

knee
     Curve the sharp knee around the threshold to enter gain reduction more softly. Default is 2.828427125. Allowed range is from 1 to 8.

detection
     Choose if exact signal should be taken for detection or an RMS like one. Default is rms. Can be peak or rms.

link
     Choose if the average level between all channels or the louder channel affects the reduction. Default is average. Can be average or maximum.

Commands
--------

This filter supports the all above options as commands.

aiir
====

Apply an arbitrary Infinite Impulse Response filter.

It accepts the following parameters:

zeros, z
     Set B/numerator/zeros/reflection coefficients.

poles, p
     Set A/denominator/poles/ladder coefficients.

gains, k
     Set channels gains.

dry_gain
     Set input gain.

wet_gain
     Set output gain.

format, f
     Set coefficients format.

     ll
          lattice-ladder function

     sf
          analog transfer function

     tf
          digital transfer function

     zp
          Z-plane zeros/poles, cartesian (default)

     pr
          Z-plane zeros/poles, polar radians

     pd
          Z-plane zeros/poles, polar degrees

     sp
          S-plane zeros/poles

process, r
     Set type of processing.

     d
          direct processing

     s
          serial processing

     p
          parallel processing

precision, e
     Set filtering precision.

     dbl
          double-precision floating-point (default)

     flt
          single-precision floating-point

     i32
          32-bit integers

     i16
          16-bit integers

normalize, n
     Normalize filter coefficients, by default is enabled. Enabling it will normalize magnitude response at DC to 0dB.

mix
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

response
     Show IR frequency response, magnitude(magenta), phase(green) and group delay(yellow) in additional video stream. By default it is disabled.

channel
     Set for which IR channel to display frequency response. By default is first channel displayed. This option is used only when RESPONSE is enabled.

size
     Set video stream size. This option is used only when RESPONSE is enabled.

Coefficients in tf and sf format are separated by spaces and are in ascending order.

Coefficients in zp format are separated by spaces and order of coefficients doesn't matter. Coefficients in zp format are complex numbers with I imaginary unit.

Different coefficients and gains can be provided for every channel, in such case use '|' to separate coefficients or gains. Last provided coefficients will be used for all remaining channels.

Examples
--------

  * Apply 2 pole elliptic notch at around 5000Hz for 48000 Hz sample rate:

          aiir=k=1:z=7.957584807809675810E-1 -2.575128568908332300 3.674839853930788710 -2.57512875289799137 7.957586296317130880E-1:p=1 -2.86950072432325953 3.63022088054647218 -2.28075678147272232 6.361362326477423500E-1:f=tf:r=d

  * Same as above but in zp format:

          aiir=k=0.79575848078096756:z=0.80918701+0.58773007i 0.80918701-0.58773007i 0.80884700+0.58784055i 0.80884700-0.58784055i:p=0.63892345+0.59951235i 0.63892345-0.59951235i 0.79582691+0.44198673i 0.79582691-0.44198673i:f=zp:r=s

  * Apply 3-rd order analog normalized Butterworth low-pass filter, using analog transfer function format:

          aiir=z=1.3057 0 0 0:p=1.3057 2.3892 2.1860 1:f=sf:r=d

alimiter
========

The limiter prevents an input signal from rising over a desired threshold. This limiter uses lookahead technology to prevent your signal from distorting. It means that there is a small delay after the signal is processed. Keep in mind that the delay it produces is the attack time you set.

The filter accepts the following options:

level_in
     Set input gain. Default is 1.

level_out
     Set output gain. Default is 1.

limit
     Don't let signals above this level pass the limiter. Default is 1.

attack
     The limiter will reach its attenuation level in this amount of time in milliseconds. Default is 5 milliseconds.

release
     Come back from limiting to attenuation 1.0 in this amount of milliseconds. Default is 50 milliseconds.

asc
     When gain reduction is always needed ASC takes care of releasing to an average reduction level rather than reaching a reduction of 0 in the release time.

asc_level
     Select how much the release time is affected by ASC, 0 means nearly no changes in release time while 1 produces higher release times.

level
     Auto level output signal. Default is enabled. This normalizes audio back to 0dB if enabled.

Depending on picked setting it is recommended to upsample input 2x or 4x times with aresample before applying this filter.

allpass
=======

Apply a two-pole all-pass filter with central frequency (in Hz) FREQUENCY, and filter-width WIDTH. An all-pass filter changes the audio's frequency to phase relationship without changing its frequency to amplitude relationship.

The filter accepts the following options:

frequency, f
     Set frequency in Hz.

width_type, t
     Set method to specify band-width of filter.

     h
          Hz

     q
          Q-Factor

     o
          octave

     s
          slope

     k
          kHz

width, w
     Specify the band-width of a filter in width_type units.

mix, m
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
     Specify which channels to filter, by default all available are filtered.

normalize, n
     Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

order, o
     Set the filter order, can be 1 or 2. Default is 2.

transform, a
     Set transform type of IIR filter.

     di

     dii

     tdii

     latt

Commands
--------

This filter supports the following commands:

frequency, f
     Change allpass frequency. Syntax for the command is : "FREQUENCY"

width_type, t
     Change allpass width_type. Syntax for the command is : "WIDTH_TYPE"

width, w
     Change allpass width. Syntax for the command is : "WIDTH"

mix, m
     Change allpass mix. Syntax for the command is : "MIX"

aloop
=====

Loop audio samples.

The filter accepts the following options:

loop
     Set the number of loops. Setting this value to -1 will result in infinite loops. Default is 0.

size
     Set maximal number of samples. Default is 0.

start
     Set first sample of loop. Default is 0.

amerge
======

Merge two or more audio streams into a single multi-channel stream.

The filter accepts the following options:

inputs
     Set the number of inputs. Default is 2.

If the channel layouts of the inputs are disjoint, and therefore compatible, the channel layout of the output will be set accordingly and the channels will be reordered as necessary. If the channel layouts of the inputs are not disjoint, the output will have all the channels of the first input then all the channels of the second input, in that order, and the channel layout of the output will be the default value corresponding to the total number of channels.

For example, if the first input is in 2.1 (FL+FR+LF) and the second input is FC+BL+BR, then the output will be in 5.1, with the channels in the following order: a1, a2, b1, a3, b2, b3 (a1 is the first channel of the first input, b1 is the first channel of the second input).

On the other hand, if both input are in stereo, the output channels will be in the default order: a1, a2, b1, b2, and the channel layout will be arbitrarily set to 4.0, which may or may not be the expected value.

All inputs must have the same sample rate, and format.

If inputs do not have the same duration, the output will stop with the shortest.

Examples
--------

  * Merge two mono files into a stereo stream:

          amovie=left.wav [l] ; amovie=right.mp3 [r] ; [l] [r] amerge

  * Multiple merges assuming 1 video stream and 6 audio streams in input.mkv:

          ffmpeg -i input.mkv -filter_complex "[0:1][0:2][0:3][0:4][0:5][0:6] amerge=inputs=6" -c:a pcm_s16le output.mkv

amix
====

Mixes multiple audio inputs into a single output.

Note that this filter only supports float samples (the AMERGE and PAN audio filters support many formats). If the AMIX input has integer samples then aresample will be automatically inserted to perform the conversion to float samples.

For example

     ffmpeg -i INPUT1 -i INPUT2 -i INPUT3 -filter_complex amix=inputs=3:duration=first:dropout_transition=3 OUTPUT

will mix 3 input audio streams to a single output with the same duration as the first input and a dropout transition time of 3 seconds.

It accepts the following parameters:

inputs
     The number of inputs. If unspecified, it defaults to 2.

duration
     How to determine the end-of-stream.

     longest
          The duration of the longest input. (default)

     shortest
          The duration of the shortest input.

     first
          The duration of the first input.

dropout_transition
     The transition time, in seconds, for volume renormalization when an input stream ends. The default value is 2 seconds.

weights
     Specify weight of each input audio stream as sequence. Each weight is separated by space. By default all inputs have same weight.

Commands
--------

This filter supports the following commands:

weights
     Syntax is same as option with same name.

amultiply
=========

Multiply first audio stream with second audio stream and store result in output audio stream. Multiplication is done by multiplying each sample from first stream with sample at same position from second stream.

With this element-wise multiplication one can create amplitude fades and amplitude modulations.

anequalizer
===========

High-order parametric multiband equalizer for each channel.

It accepts the following parameters:

params

     This option string is in format: "cCHN f=CF w=W g=G t=F | ..." Each equalizer band is separated by '|'.

     chn
          Set channel number to which equalization will be applied. If input doesn't have that channel the entry is ignored.

     f
          Set central frequency for band. If input doesn't have that frequency the entry is ignored.

     w
          Set band width in Hertz.

     g
          Set band gain in dB.

     t
          Set filter type for band, optional, can be:

          0
               Butterworth, this is default.

          1
               Chebyshev type 1.

          2
               Chebyshev type 2.

curves
     With this option activated frequency response of anequalizer is displayed in video stream.

size
     Set video stream size. Only useful if curves option is activated.

mgain
     Set max gain that will be displayed. Only useful if curves option is activated. Setting this to a reasonable value makes it possible to display gain which is derived from neighbour bands which are too close to each other and thus produce higher gain when both are activated.

fscale
     Set frequency scale used to draw frequency response in video output. Can be linear or logarithmic. Default is logarithmic.

colors
     Set color for each channel curve which is going to be displayed in video stream. This is list of color names separated by space or by '|'. Unrecognised or missing colors will be replaced by white color.

Examples
--------

  * Lower gain by 10 of central frequency 200Hz and width 100 Hz for first 2 channels using Chebyshev type 1 filter:

          anequalizer=c0 f=200 w=100 g=-10 t=1|c1 f=200 w=100 g=-10 t=1

Commands
--------

This filter supports the following commands:

change
     Alter existing filter parameters. Syntax for the commands is : "FN|f=FREQ|w=WIDTH|g=GAIN"

     FN is existing filter number, starting from 0, if no such filter is available error is returned. FREQ set new frequency parameter. WIDTH set new width parameter in Hertz. GAIN set new gain parameter in dB.

     Full filter invocation with asendcmd may look like this: asendcmd=c='4.0 anequalizer change 0|f=200|w=50|g=1',anequalizer=...

anlmdn
======

Reduce broadband noise in audio samples using Non-Local Means algorithm.

Each sample is adjusted by looking for other samples with similar contexts. This context similarity is defined by comparing their surrounding patches of size p. Patches are searched in an area of r around the sample.

The filter accepts the following options:

s
     Set denoising strength. Allowed range is from 0.00001 to 10. Default value is 0.00001.

p
     Set patch radius duration. Allowed range is from 1 to 100 milliseconds. Default value is 2 milliseconds.

r
     Set research radius duration. Allowed range is from 2 to 300 milliseconds. Default value is 6 milliseconds.

o
     Set the output mode.

     It accepts the following values:

     i
          Pass input unchanged.

     o
          Pass noise filtered out.

     n
          Pass only noise.

          Default value is O.

m
     Set smooth factor. Default value is 11. Allowed range is from 1 to 15.

Commands
--------

This filter supports the all above options as commands.

anlms
=====

Apply Normalized Least-Mean-Squares algorithm to the first audio stream using the second audio stream.

This adaptive filter is used to mimic a desired filter by finding the filter coefficients that relate to producing the least mean square of the error signal (difference between the desired, 2nd input audio stream and the actual signal, the 1st input audio stream).

A description of the accepted options follows.

order
     Set filter order.

mu
     Set filter mu.

eps
     Set the filter eps.

leakage
     Set the filter leakage.

out_mode
     It accepts the following values:

     i
          Pass the 1st input.

     d
          Pass the 2nd input.

     o
          Pass filtered samples.

     n
          Pass difference between desired and filtered samples.

          Default value is O.

Examples
--------

  * One of many usages of this filter is noise reduction, input audio is filtered with same samples that are delayed by fixed amount, one such example for stereo audio is:

          asplit[a][b],[a]adelay=32S|32S[a],[b][a]anlms=order=128:leakage=0.0005:mu=.5:out_mode=o

Commands
--------

This filter supports the same commands as options, excluding option order.

anull
=====

Pass the audio source unchanged to the output.

apad
====

Pad the end of an audio stream with silence.

This can be used together with ffmpeg -shortest to extend audio streams to the same length as the video stream.

A description of the accepted options follows.

packet_size
     Set silence packet size. Default value is 4096.

pad_len
     Set the number of samples of silence to add to the end. After the value is reached, the stream is terminated. This option is mutually exclusive with whole_len.

whole_len
     Set the minimum total number of samples in the output audio stream. If the value is longer than the input audio length, silence is added to the end, until the value is reached. This option is mutually exclusive with pad_len.

pad_dur
     Specify the duration of samples of silence to add. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax. Used only if set to non-zero value.

whole_dur
     Specify the minimum total duration in the output audio stream. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax. Used only if set to non-zero value. If the value is longer than the input audio length, silence is added to the end, until the value is reached. This option is mutually exclusive with pad_dur

If neither the pad_len nor the whole_len nor pad_dur nor whole_dur option is set, the filter will add silence to the end of the input stream indefinitely.

Examples
--------

  * Add 1024 samples of silence to the end of the input:

          apad=pad_len=1024

  * Make sure the audio output will contain at least 10000 samples, pad the input with silence if required:

          apad=whole_len=10000

  * Use ffmpeg to pad the audio input with silence, so that the video stream will always result the shortest and will be converted until the end in the output file when using the shortest option:

          ffmpeg -i VIDEO -i AUDIO -filter_complex "[1:0]apad" -shortest OUTPUT

aphaser
=======

Add a phasing effect to the input audio.

A phaser filter creates series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs are modulated so that they vary over time, creating a sweeping effect.

A description of the accepted parameters follows.

in_gain
     Set input gain. Default is 0.4.

out_gain
     Set output gain. Default is 0.74

delay
     Set delay in milliseconds. Default is 3.0.

decay
     Set decay. Default is 0.4.

speed
     Set modulation speed in Hz. Default is 0.5.

type
     Set modulation type. Default is triangular.

     It accepts the following values:

     triangular, t

     sinusoidal, s

aphaseshift
===========

Apply phase shift to input audio samples.

The filter accepts the following options:

shift
     Specify phase shift. Allowed range is from -1.0 to 1.0. Default value is 0.0.

Commands
--------

This filter supports the above option as commands.

apulsator
=========

Audio pulsator is something between an autopanner and a tremolo. But it can produce funny stereo effects as well. Pulsator changes the volume of the left and right channel based on a LFO (low frequency oscillator) with different waveforms and shifted phases. This filter have the ability to define an offset between left and right channel. An offset of 0 means that both LFO shapes match each other. The left and right channel are altered equally - a conventional tremolo. An offset of 50% means that the shape of the right channel is exactly shifted in phase (or moved backwards about half of the frequency) - pulsator acts as an autopanner. At 1 both curves match again. Every setting in between moves the phase shift gapless between all stages and produces some "bypassing" sounds with sine and triangle waveforms. The more you set the offset near 1 (starting from the 0.5) the faster the signal passes from the left to the right speaker.

The filter accepts the following options:

level_in
     Set input gain. By default it is 1. Range is [0.015625 - 64].

level_out
     Set output gain. By default it is 1. Range is [0.015625 - 64].

mode
     Set waveform shape the LFO will use. Can be one of: sine, triangle, square, sawup or sawdown. Default is sine.

amount
     Set modulation. Define how much of original signal is affected by the LFO.

offset_l
     Set left channel offset. Default is 0. Allowed range is [0 - 1].

offset_r
     Set right channel offset. Default is 0.5. Allowed range is [0 - 1].

width
     Set pulse width. Default is 1. Allowed range is [0 - 2].

timing
     Set possible timing mode. Can be one of: bpm, ms or hz. Default is hz.

bpm
     Set bpm. Default is 120. Allowed range is [30 - 300]. Only used if timing is set to bpm.

ms
     Set ms. Default is 500. Allowed range is [10 - 2000]. Only used if timing is set to ms.

hz
     Set frequency in Hz. Default is 2. Allowed range is [0.01 - 100]. Only used if timing is set to hz.

aresample
=========

Resample the input audio to the specified parameters, using the libswresample library. If none are specified then the filter will automatically convert between its input and output.

This filter is also able to stretch/squeeze the audio data to make it match the timestamps or to inject silence / cut out audio to make it match the timestamps, do a combination of both or do neither.

The filter accepts the syntax [SAMPLE_RATE:]RESAMPLER_OPTIONS, where SAMPLE_RATE expresses a sample rate and RESAMPLER_OPTIONS is a list of KEY=VALUE pairs, separated by ":". See the "Resampler Options" section in the ffmpeg-resampler(1) manual (ffmpeg-resampler) for the complete list of supported options.

Examples
--------

  * Resample the input audio to 44100Hz:

          aresample=44100

  * Stretch/squeeze samples to the given timestamps, with a maximum of 1000 samples per second compensation:

          aresample=async=1000

areverse
========

Reverse an audio clip.

Warning: This filter requires memory to buffer the entire clip, so trimming is suggested.

Examples
--------

  * Take the first 5 seconds of a clip, and reverse it.

          atrim=end=5,areverse

arnndn
======

Reduce noise from speech using Recurrent Neural Networks.

This filter accepts the following options:

model, m
     Set train model file to load. This option is always required.

mix
     Set how much to mix filtered samples into final output. Allowed range is from -1 to 1. Default value is 1. Negative values are special, they set how much to keep filtered noise in the final filter output. Set this option to -1 to hear actual noise removed from input signal.

asetnsamples
============

Set the number of samples per each output audio frame.

The last output packet may contain a different number of samples, as the filter will flush all the remaining samples when the input audio signals its end.

The filter accepts the following options:

nb_out_samples, n
     Set the number of frames per each output audio frame. The number is intended as the number of samples per each channel. Default value is 1024.

pad, p
     If set to 1, the filter will pad the last audio frame with zeroes, so that the last frame will contain the same number of samples as the previous ones. Default value is 1.

For example, to set the number of per-frame samples to 1234 and disable padding for the last frame, use:

     asetnsamples=n=1234:p=0

asetrate
========

Set the sample rate without altering the PCM data. This will result in a change of speed and pitch.

The filter accepts the following options:

sample_rate, r
     Set the output sample rate. Default is 44100 Hz.

ashowinfo
=========

Show a line containing various information for each input audio frame. The input audio is not modified.

The shown line contains a sequence of key/value pairs of the form KEY:VALUE.

The following values are shown in the output:

n
     The (sequential) number of the input frame, starting from 0.

pts
     The presentation timestamp of the input frame, in time base units; the time base depends on the filter input pad, and is usually 1/SAMPLE_RATE.

pts_time
     The presentation timestamp of the input frame in seconds.

pos
     position of the frame in the input stream, -1 if this information in unavailable and/or meaningless (for example in case of synthetic audio)

fmt
     The sample format.

chlayout
     The channel layout.

rate
     The sample rate for the audio frame.

nb_samples
     The number of samples (per channel) in the frame.

checksum
     The Adler-32 checksum (printed in hexadecimal) of the audio data. For planar audio, the data is treated as if all the planes were concatenated.

plane_checksums
     A list of Adler-32 checksums for each data plane.

asoftclip
=========

Apply audio soft clipping.

Soft clipping is a type of distortion effect where the amplitude of a signal is saturated along a smooth curve, rather than the abrupt shape of hard-clipping.

This filter accepts the following options:

type
     Set type of soft-clipping.

     It accepts the following values:

     hard

     tanh

     atan

     cubic

     exp

     alg

     quintic

     sin

     erf

param
     Set additional parameter which controls sigmoid function.

oversample
     Set oversampling factor.

Commands
--------

This filter supports the all above options as commands.

asr
===

Automatic Speech Recognition

This filter uses PocketSphinx for speech recognition. To enable compilation of this filter, you need to configure FFmpeg with --enable-pocketsphinx.

It accepts the following options:

rate
     Set sampling rate of input audio. Defaults is 16000. This need to match speech models, otherwise one will get poor results.

hmm
     Set dictionary containing acoustic model files.

dict
     Set pronunciation dictionary.

lm
     Set language model file.

lmctl
     Set language model set.

lmname
     Set which language model to use.

logfn
     Set output for log messages.

The filter exports recognized speech as the frame metadata lavfi.asr.text.

astats
======

Display time domain statistical information about the audio channels. Statistics are calculated and displayed for each audio channel and, where applicable, an overall figure is also given.

It accepts the following option:

length
     Short window length in seconds, used for peak and trough RMS measurement. Default is 0.05 (50 milliseconds). Allowed range is [0.01 - 10].

metadata

     Set metadata injection. All the metadata keys are prefixed with lavfi.astats.X, where X is channel number starting from 1 or string Overall. Default is disabled.

     Available keys for each channel are: DC_offset Min_level Max_level Min_difference Max_difference Mean_difference RMS_difference Peak_level RMS_peak RMS_trough Crest_factor Flat_factor Peak_count Noise_floor Noise_floor_count Bit_depth Dynamic_range Zero_crossings Zero_crossings_rate Number_of_NaNs Number_of_Infs Number_of_denormals

     and for Overall: DC_offset Min_level Max_level Min_difference Max_difference Mean_difference RMS_difference Peak_level RMS_level RMS_peak RMS_trough Flat_factor Peak_count Noise_floor Noise_floor_count Bit_depth Number_of_samples Number_of_NaNs Number_of_Infs Number_of_denormals

     For example full key look like this lavfi.astats.1.DC_offset or this lavfi.astats.Overall.Peak_count.

     For description what each key means read below.

reset
     Set number of frame after which stats are going to be recalculated. Default is disabled.

measure_perchannel
     Select the entries which need to be measured per channel. The metadata keys can be used as flags, default is all which measures everything. none disables all per channel measurement.

measure_overall
     Select the entries which need to be measured overall. The metadata keys can be used as flags, default is all which measures everything. none disables all overall measurement.

A description of each shown parameter follows:

DC offset
     Mean amplitude displacement from zero.

Min level
     Minimal sample level.

Max level
     Maximal sample level.

Min difference
     Minimal difference between two consecutive samples.

Max difference
     Maximal difference between two consecutive samples.

Mean difference
     Mean difference between two consecutive samples. The average of each difference between two consecutive samples.

RMS difference
     Root Mean Square difference between two consecutive samples.

Peak level dB

RMS level dB
     Standard peak and RMS level measured in dBFS.

RMS peak dB

RMS trough dB
     Peak and trough values for RMS level measured over a short window.

Crest factor
     Standard ratio of peak to RMS level (note: not in dB).

Flat factor
     Flatness (i.e. consecutive samples with the same value) of the signal at its peak levels (i.e. either MIN LEVEL or MAX LEVEL).

Peak count
     Number of occasions (not the number of samples) that the signal attained either MIN LEVEL or MAX LEVEL.

Noise floor dB
     Minimum local peak measured in dBFS over a short window.

Noise floor count
     Number of occasions (not the number of samples) that the signal attained NOISE FLOOR.

Bit depth
     Overall bit depth of audio. Number of bits used for each sample.

Dynamic range
     Measured dynamic range of audio in dB.

Zero crossings
     Number of points where the waveform crosses the zero level axis.

Zero crossings rate
     Rate of Zero crossings and number of audio samples.

asubboost
=========

Boost subwoofer frequencies.

The filter accepts the following options:

dry
     Set dry gain, how much of original signal is kept. Allowed range is from 0 to 1. Default value is 0.7.

wet
     Set wet gain, how much of filtered signal is kept. Allowed range is from 0 to 1. Default value is 0.7.

decay
     Set delay line decay gain value. Allowed range is from 0 to 1. Default value is 0.7.

feedback
     Set delay line feedback gain value. Allowed range is from 0 to 1. Default value is 0.9.

cutoff
     Set cutoff frequency in Hertz. Allowed range is 50 to 900. Default value is 100.

slope
     Set slope amount for cutoff frequency. Allowed range is 0.0001 to 1. Default value is 0.5.

delay
     Set delay. Allowed range is from 1 to 100. Default value is 20.

Commands
--------

This filter supports the all above options as commands.

asupercut
=========

Cut super frequencies.

The filter accepts the following options:

cutoff
     Set cutoff frequency in Hertz. Allowed range is 20000 to 192000. Default value is 20000.

order
     Set filter order. Available values are from 3 to 20. Default value is 10.

Commands
--------

This filter supports the all above options as commands.

atempo
======

Adjust audio tempo.

The filter accepts exactly one parameter, the audio tempo. If not specified then the filter will assume nominal 1.0 tempo. Tempo must be in the [0.5, 100.0] range.

Note that tempo greater than 2 will skip some samples rather than blend them in.  If for any reason this is a concern it is always possible to daisy-chain several instances of atempo to achieve the desired product tempo.

Examples
--------

  * Slow down audio to 80% tempo:

          atempo=0.8

  * To speed up audio to 300% tempo:

          atempo=3

  * To speed up audio to 300% tempo by daisy-chaining two atempo instances:

          atempo=sqrt(3),atempo=sqrt(3)

Commands
--------

This filter supports the following commands:

tempo
     Change filter tempo scale factor. Syntax for the command is : "TEMPO"

atrim
=====

Trim the input so that the output contains one continuous subpart of the input.

It accepts the following parameters:

start
     Timestamp (in seconds) of the start of the section to keep. I.e. the audio sample with the timestamp START will be the first sample in the output.

end
     Specify time of the first audio sample that will be dropped, i.e. the audio sample immediately preceding the one with the timestamp END will be the last sample in the output.

start_pts
     Same as START, except this option sets the start timestamp in samples instead of seconds.

end_pts
     Same as END, except this option sets the end timestamp in samples instead of seconds.

duration
     The maximum duration of the output in seconds.

start_sample
     The number of the first sample that should be output.

end_sample
     The number of the first sample that should be dropped.

start, end, and duration are expressed as time duration specifications; see the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils).

Note that the first two sets of the start/end options and the duration option look at the frame timestamp, while the _sample options simply count the samples that pass through the filter. So start/end_pts and start/end_sample will give different results when the timestamps are wrong, inexact or do not start at zero. Also note that this filter does not modify the timestamps. If you wish to have the output timestamps start at zero, insert the asetpts filter after the atrim filter.

If multiple start or end options are set, this filter tries to be greedy and keep all samples that match at least one of the specified constraints. To keep only the part that matches all the constraints at once, chain multiple atrim filters.

The defaults are such that all the input is kept. So it is possible to set e.g. just the end values to keep everything before the specified time.

Examples:

  * Drop everything except the second minute of input:

          ffmpeg -i INPUT -af atrim=60:120

  * Keep only the first 1000 samples:

          ffmpeg -i INPUT -af atrim=end_sample=1000

axcorrelate
===========

Calculate normalized cross-correlation between two input audio streams.

Resulted samples are always between -1 and 1 inclusive. If result is 1 it means two input samples are highly correlated in that selected segment. Result 0 means they are not correlated at all. If result is -1 it means two input samples are out of phase, which means they cancel each other.

The filter accepts the following options:

size
     Set size of segment over which cross-correlation is calculated. Default is 256. Allowed range is from 2 to 131072.

algo
     Set algorithm for cross-correlation. Can be slow or fast. Default is slow. Fast algorithm assumes mean values over any given segment are always zero and thus need much less calculations to make. This is generally not true, but is valid for typical audio streams.

Examples
--------

  * Calculate correlation between channels in stereo audio stream:

          ffmpeg -i stereo.wav -af channelsplit,axcorrelate=size=1024:algo=fast correlation.wav

bandpass
========

Apply a two-pole Butterworth band-pass filter with central frequency FREQUENCY, and (3dB-point) band-width width. The CSG option selects a constant skirt gain (peak gain = Q) instead of the default: constant 0dB peak gain. The filter roll off at 6dB per octave (20dB per decade).

The filter accepts the following options:

frequency, f
     Set the filter's central frequency. Default is 3000.

csg
     Constant skirt gain if set to 1. Defaults to 0.

width_type, t
     Set method to specify band-width of filter.

     h
          Hz

     q
          Q-Factor

     o
          octave

     s
          slope

     k
          kHz

width, w
     Specify the band-width of a filter in width_type units.

mix, m
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
     Specify which channels to filter, by default all available are filtered.

normalize, n
     Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
     Set transform type of IIR filter.

     di

     dii

     tdii

     latt

Commands
--------

This filter supports the following commands:

frequency, f
     Change bandpass frequency. Syntax for the command is : "FREQUENCY"

width_type, t
     Change bandpass width_type. Syntax for the command is : "WIDTH_TYPE"

width, w
     Change bandpass width. Syntax for the command is : "WIDTH"

mix, m
     Change bandpass mix. Syntax for the command is : "MIX"

bandreject
==========

Apply a two-pole Butterworth band-reject filter with central frequency FREQUENCY, and (3dB-point) band-width WIDTH. The filter roll off at 6dB per octave (20dB per decade).

The filter accepts the following options:

frequency, f
     Set the filter's central frequency. Default is 3000.

width_type, t
     Set method to specify band-width of filter.

     h
          Hz

     q
          Q-Factor

     o
          octave

     s
          slope

     k
          kHz

width, w
     Specify the band-width of a filter in width_type units.

mix, m
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
     Specify which channels to filter, by default all available are filtered.

normalize, n
     Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
     Set transform type of IIR filter.

     di

     dii

     tdii

     latt

Commands
--------

This filter supports the following commands:

frequency, f
     Change bandreject frequency. Syntax for the command is : "FREQUENCY"

width_type, t
     Change bandreject width_type. Syntax for the command is : "WIDTH_TYPE"

width, w
     Change bandreject width. Syntax for the command is : "WIDTH"

mix, m
     Change bandreject mix. Syntax for the command is : "MIX"

bass, lowshelf
==============

Boost or cut the bass (lower) frequencies of the audio using a two-pole shelving filter with a response similar to that of a standard hi-fi's tone-controls. This is also known as shelving equalisation (EQ).

The filter accepts the following options:

gain, g
     Give the gain at 0 Hz. Its useful range is about -20 (for a large cut) to +20 (for a large boost). Beware of clipping when using a positive gain.

frequency, f
     Set the filter's central frequency and so can be used to extend or reduce the frequency range to be boosted or cut. The default value is 100 Hz.

width_type, t
     Set method to specify band-width of filter.

     h
          Hz

     q
          Q-Factor

     o
          octave

     s
          slope

     k
          kHz

width, w
     Determine how steep is the filter's shelf transition.

mix, m
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
     Specify which channels to filter, by default all available are filtered.

normalize, n
     Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
     Set transform type of IIR filter.

     di

     dii

     tdii

     latt

Commands
--------

This filter supports the following commands:

frequency, f
     Change bass frequency. Syntax for the command is : "FREQUENCY"

width_type, t
     Change bass width_type. Syntax for the command is : "WIDTH_TYPE"

width, w
     Change bass width. Syntax for the command is : "WIDTH"

gain, g
     Change bass gain. Syntax for the command is : "GAIN"

mix, m
     Change bass mix. Syntax for the command is : "MIX"

biquad
======

Apply a biquad IIR filter with the given coefficients. Where B0, B1, B2 and A0, A1, A2 are the numerator and denominator coefficients respectively. and CHANNELS, C specify which channels to filter, by default all available are filtered.

Commands
--------

This filter supports the following commands:

a0

a1

a2

b0

b1

b2
     Change biquad parameter. Syntax for the command is : "VALUE"

mix, m
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
     Specify which channels to filter, by default all available are filtered.

normalize, n
     Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
     Set transform type of IIR filter.

     di

     dii

     tdii

     latt

bs2b
====

Bauer stereo to binaural transformation, which improves headphone listening of stereo audio records.

To enable compilation of this filter you need to configure FFmpeg with --enable-libbs2b.

It accepts the following parameters:

profile
     Pre-defined crossfeed level.

     default
          Default level (fcut=700, feed=50).

     cmoy
          Chu Moy circuit (fcut=700, feed=60).

     jmeier
          Jan Meier circuit (fcut=650, feed=95).

fcut
     Cut frequency (in Hz).

feed
     Feed level (in Hz).

channelmap
==========

Remap input channels to new locations.

It accepts the following parameters:

map
     Map channels from input to output. The argument is a '|'-separated list of mappings, each in the IN_CHANNEL-OUT_CHANNEL or IN_CHANNEL form. IN_CHANNEL can be either the name of the input channel (e.g. FL for front left) or its index in the input channel layout. OUT_CHANNEL is the name of the output channel or its index in the output channel layout. If OUT_CHANNEL is not given then it is implicitly an index, starting with zero and increasing by one for each mapping.

channel_layout
     The channel layout of the output stream.

If no mapping is present, the filter will implicitly map input channels to output channels, preserving indices.

Examples
--------

  * For example, assuming a 5.1+downmix input MOV file,

          ffmpeg -i in.mov -filter 'channelmap=map=DL-FL|DR-FR' out.wav

     will create an output WAV file tagged as stereo from the downmix channels of the input.

  * To fix a 5.1 WAV improperly encoded in AAC's native channel order

          ffmpeg -i in.wav -filter 'channelmap=1|2|0|5|3|4:5.1' out.wav

channelsplit
============

Split each channel from an input audio stream into a separate output stream.

It accepts the following parameters:

channel_layout
     The channel layout of the input stream. The default is "stereo".

channels
     A channel layout describing the channels to be extracted as separate output streams or "all" to extract each input channel as a separate stream. The default is "all".

     Choosing channels not present in channel layout in the input will result in an error.

Examples
--------

  * For example, assuming a stereo input MP3 file,

          ffmpeg -i in.mp3 -filter_complex channelsplit out.mkv

     will create an output Matroska file with two audio streams, one containing only the left channel and the other the right channel.

  * Split a 5.1 WAV file into per-channel files:

          ffmpeg -i in.wav -filter_complex
          'channelsplit=channel_layout=5.1[FL][FR][FC][LFE][SL][SR]'
          -map '[FL]' front_left.wav -map '[FR]' front_right.wav -map '[FC]'
          front_center.wav -map '[LFE]' lfe.wav -map '[SL]' side_left.wav -map '[SR]'
          side_right.wav

  * Extract only LFE from a 5.1 WAV file:

          ffmpeg -i in.wav -filter_complex 'channelsplit=channel_layout=5.1:channels=LFE[LFE]'
          -map '[LFE]' lfe.wav

chorus
======

Add a chorus effect to the audio.

Can make a single vocal sound like a chorus, but can also be applied to instrumentation.

Chorus resembles an echo effect with a short delay, but whereas with echo the delay is constant, with chorus, it is varied using using sinusoidal or triangular modulation. The modulation depth defines the range the modulated delay is played before or after the delay. Hence the delayed sound will sound slower or faster, that is the delayed sound tuned around the original one, like in a chorus where some vocals are slightly off key.

It accepts the following parameters:

in_gain
     Set input gain. Default is 0.4.

out_gain
     Set output gain. Default is 0.4.

delays
     Set delays. A typical delay is around 40ms to 60ms.

decays
     Set decays.

speeds
     Set speeds.

depths
     Set depths.

Examples
--------

  * A single delay:

          chorus=0.7:0.9:55:0.4:0.25:2

  * Two delays:

          chorus=0.6:0.9:50|60:0.4|0.32:0.25|0.4:2|1.3

  * Fuller sounding chorus with three delays:

          chorus=0.5:0.9:50|60|40:0.4|0.32|0.3:0.25|0.4|0.3:2|2.3|1.3

compand
=======

Compress or expand the audio's dynamic range.

It accepts the following parameters:

attacks

decays
     A list of times in seconds for each channel over which the instantaneous level of the input signal is averaged to determine its volume. ATTACKS refers to increase of volume and DECAYS refers to decrease of volume. For most situations, the attack time (response to the audio getting louder) should be shorter than the decay time, because the human ear is more sensitive to sudden loud audio than sudden soft audio. A typical value for attack is 0.3 seconds and a typical value for decay is 0.8 seconds. If specified number of attacks & decays is lower than number of channels, the last set attack/decay will be used for all remaining channels.

points
     A list of points for the transfer function, specified in dB relative to the maximum possible signal amplitude. Each key points list must be defined using the following syntax: x0/y0|x1/y1|x2/y2|.... or x0/y0 x1/y1 x2/y2 ....

     The input values must be in strictly increasing order but the transfer function does not have to be monotonically rising. The point 0/0 is assumed but may be overridden (by 0/out-dBn). Typical values for the transfer function are -70/-70|-60/-20|1/0.

soft-knee
     Set the curve radius in dB for all joints. It defaults to 0.01.

gain
     Set the additional gain in dB to be applied at all points on the transfer function. This allows for easy adjustment of the overall gain. It defaults to 0.

volume
     Set an initial volume, in dB, to be assumed for each channel when filtering starts. This permits the user to supply a nominal level initially, so that, for example, a very large gain is not applied to initial signal levels before the companding has begun to operate. A typical value for audio which is initially quiet is -90 dB. It defaults to 0.

delay
     Set a delay, in seconds. The input audio is analyzed immediately, but audio is delayed before being fed to the volume adjuster. Specifying a delay approximately equal to the attack/decay times allows the filter to effectively operate in predictive rather than reactive mode. It defaults to 0.

Examples
--------

  * Make music with both quiet and loud passages suitable for listening to in a noisy environment:

          compand=.3|.3:1|1:-90/-60|-60/-40|-40/-30|-20/-20:6:0:-90:0.2

     Another example for audio with whisper and explosion parts:

          compand=0|0:1|1:-90/-900|-70/-70|-30/-9|0/-3:6:0:0:0

  * A noise gate for when the noise is at a lower level than the signal:

          compand=.1|.1:.2|.2:-900/-900|-50.1/-900|-50/-50:.01:0:-90:.1

  * Here is another noise gate, this time for when the noise is at a higher level than the signal (making it, in some ways, similar to squelch):

          compand=.1|.1:.1|.1:-45.1/-45.1|-45/-900|0/-900:.01:45:-90:.1

  * 2:1 compression starting at -6dB:

          compand=points=-80/-80|-6/-6|0/-3.8|20/3.5

  * 2:1 compression starting at -9dB:

          compand=points=-80/-80|-9/-9|0/-5.3|20/2.9

  * 2:1 compression starting at -12dB:

          compand=points=-80/-80|-12/-12|0/-6.8|20/1.9

  * 2:1 compression starting at -18dB:

          compand=points=-80/-80|-18/-18|0/-9.8|20/0.7

  * 3:1 compression starting at -15dB:

          compand=points=-80/-80|-15/-15|0/-10.8|20/-5.2

  * Compressor/Gate:

          compand=points=-80/-105|-62/-80|-15.4/-15.4|0/-12|20/-7.6

  * Expander:

          compand=attacks=0:points=-80/-169|-54/-80|-49.5/-64.6|-41.1/-41.1|-25.8/-15|-10.8/-4.5|0/0|20/8.3

  * Hard limiter at -6dB:

          compand=attacks=0:points=-80/-80|-6/-6|20/-6

  * Hard limiter at -12dB:

          compand=attacks=0:points=-80/-80|-12/-12|20/-12

  * Hard noise gate at -35 dB:

          compand=attacks=0:points=-80/-115|-35.1/-80|-35/-35|20/20

  * Soft limiter:

          compand=attacks=0:points=-80/-80|-12.4/-12.4|-6/-8|0/-6.8|20/-2.8

compensationdelay
=================

Compensation Delay Line is a metric based delay to compensate differing positions of microphones or speakers.

For example, you have recorded guitar with two microphones placed in different locations. Because the front of sound wave has fixed speed in normal conditions, the phasing of microphones can vary and depends on their location and interposition. The best sound mix can be achieved when these microphones are in phase (synchronized). Note that a distance of ~30 cm between microphones makes one microphone capture the signal in antiphase to the other microphone. That makes the final mix sound moody. This filter helps to solve phasing problems by adding different delays to each microphone track and make them synchronized.

The best result can be reached when you take one track as base and synchronize other tracks one by one with it. Remember that synchronization/delay tolerance depends on sample rate, too. Higher sample rates will give more tolerance.

The filter accepts the following parameters:

mm
     Set millimeters distance. This is compensation distance for fine tuning. Default is 0.

cm
     Set cm distance. This is compensation distance for tightening distance setup. Default is 0.

m
     Set meters distance. This is compensation distance for hard distance setup. Default is 0.

dry
     Set dry amount. Amount of unprocessed (dry) signal. Default is 0.

wet
     Set wet amount. Amount of processed (wet) signal. Default is 1.

temp
     Set temperature in degrees Celsius. This is the temperature of the environment. Default is 20.

crossfeed
=========

Apply headphone crossfeed filter.

Crossfeed is the process of blending the left and right channels of stereo audio recording. It is mainly used to reduce extreme stereo separation of low frequencies.

The intent is to produce more speaker like sound to the listener.

The filter accepts the following options:

strength
     Set strength of crossfeed. Default is 0.2. Allowed range is from 0 to 1. This sets gain of low shelf filter for side part of stereo image. Default is -6dB. Max allowed is -30db when strength is set to 1.

range
     Set soundstage wideness. Default is 0.5. Allowed range is from 0 to 1. This sets cut off frequency of low shelf filter. Default is cut off near 1550 Hz. With range set to 1 cut off frequency is set to 2100 Hz.

slope
     Set curve slope of low shelf filter. Default is 0.5. Allowed range is from 0.01 to 1.

level_in
     Set input gain. Default is 0.9.

level_out
     Set output gain. Default is 1.

Commands
--------

This filter supports the all above options as commands.

crystalizer
===========

Simple algorithm to expand audio dynamic range.

The filter accepts the following options:

i
     Sets the intensity of effect (default: 2.0). Must be in range between 0.0 (unchanged sound) to 10.0 (maximum effect).

c
     Enable clipping. By default is enabled.

Commands
--------

This filter supports the all above options as commands.

dcshift
=======

Apply a DC shift to the audio.

This can be useful to remove a DC offset (caused perhaps by a hardware problem in the recording chain) from the audio. The effect of a DC offset is reduced headroom and hence volume. The astats filter can be used to determine if a signal has a DC offset.

shift
     Set the DC shift, allowed range is [-1, 1]. It indicates the amount to shift the audio.

limitergain
     Optional. It should have a value much less than 1 (e.g. 0.05 or 0.02) and is used to prevent clipping.

deesser
=======

Apply de-essing to the audio samples.

i
     Set intensity for triggering de-essing. Allowed range is from 0 to 1. Default is 0.

m
     Set amount of ducking on treble part of sound. Allowed range is from 0 to 1. Default is 0.5.

f
     How much of original frequency content to keep when de-essing. Allowed range is from 0 to 1. Default is 0.5.

s
     Set the output mode.

     It accepts the following values:

     i
          Pass input unchanged.

     o
          Pass ess filtered out.

     e
          Pass only ess.

          Default value is O.

drmeter
=======

Measure audio dynamic range.

DR values of 14 and higher is found in very dynamic material. DR of 8 to 13 is found in transition material. And anything less that 8 have very poor dynamics and is very compressed.

The filter accepts the following options:

length
     Set window length in seconds used to split audio into segments of equal length. Default is 3 seconds.

dynaudnorm
==========

Dynamic Audio Normalizer.

This filter applies a certain amount of gain to the input audio in order to bring its peak magnitude to a target level (e.g. 0 dBFS). However, in contrast to more "simple" normalization algorithms, the Dynamic Audio Normalizer *dynamically* re-adjusts the gain factor to the input audio. This allows for applying extra gain to the "quiet" sections of the audio while avoiding distortions or clipping the "loud" sections. In other words: The Dynamic Audio Normalizer will "even out" the volume of quiet and loud sections, in the sense that the volume of each section is brought to the same target level. Note, however, that the Dynamic Audio Normalizer achieves this goal *without* applying "dynamic range compressing". It will retain 100% of the dynamic range *within* each section of the audio file.

framelen, f
     Set the frame length in milliseconds. In range from 10 to 8000 milliseconds. Default is 500 milliseconds. The Dynamic Audio Normalizer processes the input audio in small chunks, referred to as frames. This is required, because a peak magnitude has no meaning for just a single sample value. Instead, we need to determine the peak magnitude for a contiguous sequence of sample values. While a "standard" normalizer would simply use the peak magnitude of the complete file, the Dynamic Audio Normalizer determines the peak magnitude individually for each frame. The length of a frame is specified in milliseconds. By default, the Dynamic Audio Normalizer uses a frame length of 500 milliseconds, which has been found to give good results with most files. Note that the exact frame length, in number of samples, will be determined automatically, based on the sampling rate of the individual input audio file.

gausssize, g
     Set the Gaussian filter window size. In range from 3 to 301, must be odd number. Default is 31. Probably the most important parameter of the Dynamic Audio Normalizer is the window size of the Gaussian smoothing filter. The filter's window size is specified in frames, centered around the current frame. For the sake of simplicity, this must be an odd number. Consequently, the default value of 31 takes into account the current frame, as well as the 15 preceding frames and the 15 subsequent frames. Using a larger window results in a stronger smoothing effect and thus in less gain variation, i.e. slower gain adaptation. Conversely, using a smaller window results in a weaker smoothing effect and thus in more gain variation, i.e. faster gain adaptation. In other words, the more you increase this value, the more the Dynamic Audio Normalizer will behave like a "traditional" normalization filter. On the contrary, the more you decrease this value, the more the Dynamic Audio Normalizer will behave like a dynamic range compressor.

peak, p
     Set the target peak value. This specifies the highest permissible magnitude level for the normalized audio input. This filter will try to approach the target peak magnitude as closely as possible, but at the same time it also makes sure that the normalized signal will never exceed the peak magnitude. A frame's maximum local gain factor is imposed directly by the target peak magnitude. The default value is 0.95 and thus leaves a headroom of 5%*. It is not recommended to go above this value.

maxgain, m
     Set the maximum gain factor. In range from 1.0 to 100.0. Default is 10.0. The Dynamic Audio Normalizer determines the maximum possible (local) gain factor for each input frame, i.e. the maximum gain factor that does not result in clipping or distortion. The maximum gain factor is determined by the frame's highest magnitude sample. However, the Dynamic Audio Normalizer additionally bounds the frame's maximum gain factor by a predetermined (global) maximum gain factor. This is done in order to avoid excessive gain factors in "silent" or almost silent frames. By default, the maximum gain factor is 10.0, For most inputs the default value should be sufficient and it usually is not recommended to increase this value. Though, for input with an extremely low overall volume level, it may be necessary to allow even higher gain factors. Note, however, that the Dynamic Audio Normalizer does not simply apply a "hard" threshold (i.e. cut off values above the threshold). Instead, a "sigmoid" threshold function will be applied. This way, the gain factors will smoothly approach the threshold value, but never exceed that value.

targetrms, r
     Set the target RMS. In range from 0.0 to 1.0. Default is 0.0 - disabled. By default, the Dynamic Audio Normalizer performs "peak" normalization. This means that the maximum local gain factor for each frame is defined (only) by the frame's highest magnitude sample. This way, the samples can be amplified as much as possible without exceeding the maximum signal level, i.e. without clipping. Optionally, however, the Dynamic Audio Normalizer can also take into account the frame's root mean square, abbreviated RMS. In electrical engineering, the RMS is commonly used to determine the power of a time-varying signal. It is therefore considered that the RMS is a better approximation of the "perceived loudness" than just looking at the signal's peak magnitude. Consequently, by adjusting all frames to a constant RMS value, a uniform "perceived loudness" can be established. If a target RMS value has been specified, a frame's local gain factor is defined as the factor that would result in exactly that RMS value. Note, however, that the maximum local gain factor is still restricted by the frame's highest magnitude sample, in order to prevent clipping.

coupling, n
     Enable channels coupling. By default is enabled. By default, the Dynamic Audio Normalizer will amplify all channels by the same amount. This means the same gain factor will be applied to all channels, i.e. the maximum possible gain factor is determined by the "loudest" channel. However, in some recordings, it may happen that the volume of the different channels is uneven, e.g. one channel may be "quieter" than the other one(s). In this case, this option can be used to disable the channel coupling. This way, the gain factor will be determined independently for each channel, depending only on the individual channel's highest magnitude sample. This allows for harmonizing the volume of the different channels.

correctdc, c
     Enable DC bias correction. By default is disabled. An audio signal (in the time domain) is a sequence of sample values. In the Dynamic Audio Normalizer these sample values are represented in the -1.0 to 1.0 range, regardless of the original input format. Normally, the audio signal, or "waveform", should be centered around the zero point. That means if we calculate the mean value of all samples in a file, or in a single frame, then the result should be 0.0 or at least very close to that value. If, however, there is a significant deviation of the mean value from 0.0, in either positive or negative direction, this is referred to as a DC bias or DC offset. Since a DC bias is clearly undesirable, the Dynamic Audio Normalizer provides optional DC bias correction. With DC bias correction enabled, the Dynamic Audio Normalizer will determine the mean value, or "DC correction" offset, of each input frame and subtract that value from all of the frame's sample values which ensures those samples are centered around 0.0 again. Also, in order to avoid "gaps" at the frame boundaries, the DC correction offset values will be interpolated smoothly between neighbouring frames.

altboundary, b
     Enable alternative boundary mode. By default is disabled. The Dynamic Audio Normalizer takes into account a certain neighbourhood around each frame. This includes the preceding frames as well as the subsequent frames. However, for the "boundary" frames, located at the very beginning and at the very end of the audio file, not all neighbouring frames are available. In particular, for the first few frames in the audio file, the preceding frames are not known. And, similarly, for the last few frames in the audio file, the subsequent frames are not known. Thus, the question arises which gain factors should be assumed for the missing frames in the "boundary" region. The Dynamic Audio Normalizer implements two modes to deal with this situation. The default boundary mode assumes a gain factor of exactly 1.0 for the missing frames, resulting in a smooth "fade in" and "fade out" at the beginning and at the end of the input, respectively.

compress, s
     Set the compress factor. In range from 0.0 to 30.0. Default is 0.0. By default, the Dynamic Audio Normalizer does not apply "traditional" compression. This means that signal peaks will not be pruned and thus the full dynamic range will be retained within each local neighbourhood. However, in some cases it may be desirable to combine the Dynamic Audio Normalizer's normalization algorithm with a more "traditional" compression. For this purpose, the Dynamic Audio Normalizer provides an optional compression (thresholding) function. If (and only if) the compression feature is enabled, all input frames will be processed by a soft knee thresholding function prior to the actual normalization process. Put simply, the thresholding function is going to prune all samples whose magnitude exceeds a certain threshold value. However, the Dynamic Audio Normalizer does not simply apply a fixed threshold value. Instead, the threshold value will be adjusted for each individual frame. In general, smaller parameters result in stronger compression, and vice versa. Values below 3.0 are not recommended, because audible distortion may appear.

threshold, t
     Set the target threshold value. This specifies the lowest permissible magnitude level for the audio input which will be normalized. If input frame volume is above this value frame will be normalized. Otherwise frame may not be normalized at all. The default value is set to 0, which means all input frames will be normalized. This option is mostly useful if digital noise is not wanted to be amplified.

Commands
--------

This filter supports the all above options as commands.

earwax
======

Make audio easier to listen to on headphones.

This filter adds `cues' to 44.1kHz stereo (i.e. audio CD format) audio so that when listened to on headphones the stereo image is moved from inside your head (standard for headphones) to outside and in front of the listener (standard for speakers).

Ported from SoX.

equalizer
=========

Apply a two-pole peaking equalisation (EQ) filter. With this filter, the signal-level at and around a selected frequency can be increased or decreased, whilst (unlike bandpass and bandreject filters) that at all other frequencies is unchanged.

In order to produce complex equalisation curves, this filter can be given several times, each with a different central frequency.

The filter accepts the following options:

frequency, f
     Set the filter's central frequency in Hz.

width_type, t
     Set method to specify band-width of filter.

     h
          Hz

     q
          Q-Factor

     o
          octave

     s
          slope

     k
          kHz

width, w
     Specify the band-width of a filter in width_type units.

gain, g
     Set the required gain or attenuation in dB. Beware of clipping when using a positive gain.

mix, m
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
     Specify which channels to filter, by default all available are filtered.

normalize, n
     Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
     Set transform type of IIR filter.

     di

     dii

     tdii

     latt

Examples
--------

  * Attenuate 10 dB at 1000 Hz, with a bandwidth of 200 Hz:

          equalizer=f=1000:t=h:width=200:g=-10

  * Apply 2 dB gain at 1000 Hz with Q 1 and attenuate 5 dB at 100 Hz with Q 2:

          equalizer=f=1000:t=q:w=1:g=2,equalizer=f=100:t=q:w=2:g=-5

Commands
--------

This filter supports the following commands:

frequency, f
     Change equalizer frequency. Syntax for the command is : "FREQUENCY"

width_type, t
     Change equalizer width_type. Syntax for the command is : "WIDTH_TYPE"

width, w
     Change equalizer width. Syntax for the command is : "WIDTH"

gain, g
     Change equalizer gain. Syntax for the command is : "GAIN"

mix, m
     Change equalizer mix. Syntax for the command is : "MIX"

extrastereo
===========

Linearly increases the difference between left and right channels which adds some sort of "live" effect to playback.

The filter accepts the following options:

m
     Sets the difference coefficient (default: 2.5). 0.0 means mono sound (average of both channels), with 1.0 sound will be unchanged, with -1.0 left and right channels will be swapped.

c
     Enable clipping. By default is enabled.

Commands
--------

This filter supports the all above options as commands.

firequalizer
============

Apply FIR Equalization using arbitrary frequency response.

The filter accepts the following option:

gain
     Set gain curve equation (in dB). The expression can contain variables:

     f
          the evaluated frequency

     sr
          sample rate

     ch
          channel number, set to 0 when multichannels evaluation is disabled

     chid
          channel id, see libavutil/channel_layout.h, set to the first channel id when multichannels evaluation is disabled

     chs
          number of channels

     chlayout
          channel_layout, see libavutil/channel_layout.h

     and functions:

     gain_interpolate(f)
          interpolate gain on frequency f based on gain_entry

     cubic_interpolate(f)
          same as gain_interpolate, but smoother

     This option is also available as command. Default is gain_interpolate(f).

gain_entry
     Set gain entry for gain_interpolate function. The expression can contain functions:

     entry(f, g)
          store gain entry at frequency f with value g

     This option is also available as command.

delay
     Set filter delay in seconds. Higher value means more accurate. Default is 0.01.

accuracy
     Set filter accuracy in Hz. Lower value means more accurate. Default is 5.

wfunc
     Set window function. Acceptable values are:

     rectangular
          rectangular window, useful when gain curve is already smooth

     hann
          hann window (default)

     hamming
          hamming window

     blackman
          blackman window

     nuttall3
          3-terms continuous 1st derivative nuttall window

     mnuttall3
          minimum 3-terms discontinuous nuttall window

     nuttall
          4-terms continuous 1st derivative nuttall window

     bnuttall
          minimum 4-terms discontinuous nuttall (blackman-nuttall) window

     bharris
          blackman-harris window

     tukey
          tukey window

fixed
     If enabled, use fixed number of audio samples. This improves speed when filtering with large delay. Default is disabled.

multi
     Enable multichannels evaluation on gain. Default is disabled.

zero_phase
     Enable zero phase mode by subtracting timestamp to compensate delay. Default is disabled.

scale
     Set scale used by gain. Acceptable values are:

     linlin
          linear frequency, linear gain

     linlog
          linear frequency, logarithmic (in dB) gain (default)

     loglin
          logarithmic (in octave scale where 20 Hz is 0) frequency, linear gain

     loglog
          logarithmic frequency, logarithmic gain

dumpfile
     Set file for dumping, suitable for gnuplot.

dumpscale
     Set scale for dumpfile. Acceptable values are same with scale option. Default is linlog.

fft2
     Enable 2-channel convolution using complex FFT. This improves speed significantly. Default is disabled.

min_phase
     Enable minimum phase impulse response. Default is disabled.

Examples
--------

  * lowpass at 1000 Hz:

          firequalizer=gain='if(lt(f,1000), 0, -INF)'

  * lowpass at 1000 Hz with gain_entry:

          firequalizer=gain_entry='entry(1000,0); entry(1001, -INF)'

  * custom equalization:

          firequalizer=gain_entry='entry(100,0); entry(400, -4); entry(1000, -6); entry(2000, 0)'

  * higher delay with zero phase to compensate delay:

          firequalizer=delay=0.1:fixed=on:zero_phase=on

  * lowpass on left channel, highpass on right channel:

          firequalizer=gain='if(eq(chid,1), gain_interpolate(f), if(eq(chid,2), gain_interpolate(1e6+f), 0))'
          :gain_entry='entry(1000, 0); entry(1001,-INF); entry(1e6+1000,0)':multi=on

flanger
=======

Apply a flanging effect to the audio.

The filter accepts the following options:

delay
     Set base delay in milliseconds. Range from 0 to 30. Default value is 0.

depth
     Set added sweep delay in milliseconds. Range from 0 to 10. Default value is 2.

regen
     Set percentage regeneration (delayed signal feedback). Range from -95 to 95. Default value is 0.

width
     Set percentage of delayed signal mixed with original. Range from 0 to 100. Default value is 71.

speed
     Set sweeps per second (Hz). Range from 0.1 to 10. Default value is 0.5.

shape
     Set swept wave shape, can be TRIANGULAR or SINUSOIDAL. Default value is SINUSOIDAL.

phase
     Set swept wave percentage-shift for multi channel. Range from 0 to 100. Default value is 25.

interp
     Set delay-line interpolation, LINEAR or QUADRATIC. Default is LINEAR.

haas
====

Apply Haas effect to audio.

Note that this makes most sense to apply on mono signals. With this filter applied to mono signals it give some directionality and stretches its stereo image.

The filter accepts the following options:

level_in
     Set input level. By default is 1, or 0dB

level_out
     Set output level. By default is 1, or 0dB.

side_gain
     Set gain applied to side part of signal. By default is 1.

middle_source
     Set kind of middle source. Can be one of the following:

     left
          Pick left channel.

     right
          Pick right channel.

     mid
          Pick middle part signal of stereo image.

     side
          Pick side part signal of stereo image.

middle_phase
     Change middle phase. By default is disabled.

left_delay
     Set left channel delay. By default is 2.05 milliseconds.

left_balance
     Set left channel balance. By default is -1.

left_gain
     Set left channel gain. By default is 1.

left_phase
     Change left phase. By default is disabled.

right_delay
     Set right channel delay. By defaults is 2.12 milliseconds.

right_balance
     Set right channel balance. By default is 1.

right_gain
     Set right channel gain. By default is 1.

right_phase
     Change right phase. By default is enabled.

hdcd
====

Decodes High Definition Compatible Digital (HDCD) data. A 16-bit PCM stream with embedded HDCD codes is expanded into a 20-bit PCM stream.

The filter supports the Peak Extend and Low-level Gain Adjustment features of HDCD, and detects the Transient Filter flag.

     ffmpeg -i HDCD16.flac -af hdcd OUT24.flac

When using the filter with wav, note the default encoding for wav is 16-bit, so the resulting 20-bit stream will be truncated back to 16-bit. Use something like -acodec pcm_s24le after the filter to get 24-bit PCM output.

     ffmpeg -i HDCD16.wav -af hdcd OUT16.wav
     ffmpeg -i HDCD16.wav -af hdcd -c:a pcm_s24le OUT24.wav

The filter accepts the following options:

disable_autoconvert
     Disable any automatic format conversion or resampling in the filter graph.

process_stereo
     Process the stereo channels together. If target_gain does not match between channels, consider it invalid and use the last valid target_gain.

cdt_ms
     Set the code detect timer period in ms.

force_pe
     Always extend peaks above -3dBFS even if PE isn't signaled.

analyze_mode
     Replace audio with a solid tone and adjust the amplitude to signal some specific aspect of the decoding process. The output file can be loaded in an audio editor alongside the original to aid analysis.

     analyze_mode=pe:force_pe=true can be used to see all samples above the PE level.

     Modes are:

     0, off
          Disabled

     1, lle
          Gain adjustment level at each sample

     2, pe
          Samples where peak extend occurs

     3, cdt
          Samples where the code detect timer is active

     4, tgm
          Samples where the target gain does not match between channels

headphone
=========

Apply head-related transfer functions (HRTFs) to create virtual loudspeakers around the user for binaural listening via headphones. The HRIRs are provided via additional streams, for each channel one stereo input stream is needed.

The filter accepts the following options:

map
     Set mapping of input streams for convolution. The argument is a '|'-separated list of channel names in order as they are given as additional stream inputs for filter. This also specify number of input streams. Number of input streams must be not less than number of channels in first stream plus one.

gain
     Set gain applied to audio. Value is in dB. Default is 0.

type
     Set processing type. Can be TIME or FREQ. TIME is processing audio in time domain which is slow. FREQ is processing audio in frequency domain which is fast. Default is FREQ.

lfe
     Set custom gain for LFE channels. Value is in dB. Default is 0.

size
     Set size of frame in number of samples which will be processed at once. Default value is 1024. Allowed range is from 1024 to 96000.

hrir
     Set format of hrir stream. Default value is STEREO. Alternative value is MULTICH. If value is set to STEREO, number of additional streams should be greater or equal to number of input channels in first input stream. Also each additional stream should have stereo number of channels. If value is set to MULTICH, number of additional streams should be exactly one. Also number of input channels of additional stream should be equal or greater than twice number of channels of first input stream.

Examples
--------

  * Full example using wav files as coefficients with amovie filters for 7.1 downmix, each amovie filter use stereo file with IR coefficients as input. The files give coefficients for each position of virtual loudspeaker:

          ffmpeg -i input.wav
          -filter_complex "amovie=azi_270_ele_0_DFC.wav[sr];amovie=azi_90_ele_0_DFC.wav[sl];amovie=azi_225_ele_0_DFC.wav[br];amovie=azi_135_ele_0_DFC.wav[bl];amovie=azi_0_ele_0_DFC.wav,asplit[fc][lfe];amovie=azi_35_ele_0_DFC.wav[fl];amovie=azi_325_ele_0_DFC.wav[fr];[0:a][fl][fr][fc][lfe][bl][br][sl][sr]headphone=FL|FR|FC|LFE|BL|BR|SL|SR"
          output.wav

  * Full example using wav files as coefficients with amovie filters for 7.1 downmix, but now in MULTICH HRIR format.

          ffmpeg -i input.wav -filter_complex "amovie=minp.wav[hrirs];[0:a][hrirs]headphone=map=FL|FR|FC|LFE|BL|BR|SL|SR:hrir=multich"
          output.wav

highpass
========

Apply a high-pass filter with 3dB point frequency. The filter can be either single-pole, or double-pole (the default). The filter roll off at 6dB per pole per octave (20dB per pole per decade).

The filter accepts the following options:

frequency, f
     Set frequency in Hz. Default is 3000.

poles, p
     Set number of poles. Default is 2.

width_type, t
     Set method to specify band-width of filter.

     h
          Hz

     q
          Q-Factor

     o
          octave

     s
          slope

     k
          kHz

width, w
     Specify the band-width of a filter in width_type units. Applies only to double-pole filter. The default is 0.707q and gives a Butterworth response.

mix, m
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
     Specify which channels to filter, by default all available are filtered.

normalize, n
     Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
     Set transform type of IIR filter.

     di

     dii

     tdii

     latt

Commands
--------

This filter supports the following commands:

frequency, f
     Change highpass frequency. Syntax for the command is : "FREQUENCY"

width_type, t
     Change highpass width_type. Syntax for the command is : "WIDTH_TYPE"

width, w
     Change highpass width. Syntax for the command is : "WIDTH"

mix, m
     Change highpass mix. Syntax for the command is : "MIX"

join
====

Join multiple input streams into one multi-channel stream.

It accepts the following parameters:

inputs
     The number of input streams. It defaults to 2.

channel_layout
     The desired output channel layout. It defaults to stereo.

map
     Map channels from inputs to output. The argument is a '|'-separated list of mappings, each in the INPUT_IDX.IN_CHANNEL-OUT_CHANNEL form. INPUT_IDX is the 0-based index of the input stream. IN_CHANNEL can be either the name of the input channel (e.g. FL for front left) or its index in the specified input stream. OUT_CHANNEL is the name of the output channel.

The filter will attempt to guess the mappings when they are not specified explicitly. It does so by first trying to find an unused matching input channel and if that fails it picks the first unused input channel.

Join 3 inputs (with properly set channel layouts):

     ffmpeg -i INPUT1 -i INPUT2 -i INPUT3 -filter_complex join=inputs=3 OUTPUT

Build a 5.1 output from 6 single-channel streams:

     ffmpeg -i fl -i fr -i fc -i sl -i sr -i lfe -filter_complex
     'join=inputs=6:channel_layout=5.1:map=0.0-FL|1.0-FR|2.0-FC|3.0-SL|4.0-SR|5.0-LFE'
     out

ladspa
======

Load a LADSPA (Linux Audio Developer's Simple Plugin API) plugin.

To enable compilation of this filter you need to configure FFmpeg with --enable-ladspa.

file, f
     Specifies the name of LADSPA plugin library to load. If the environment variable LADSPA_PATH is defined, the LADSPA plugin is searched in each one of the directories specified by the colon separated list in LADSPA_PATH, otherwise in the standard LADSPA paths, which are in this order: HOME/.ladspa/lib/, /usr/local/lib/ladspa/, /usr/lib/ladspa/.

plugin, p
     Specifies the plugin within the library. Some libraries contain only one plugin, but others contain many of them. If this is not set filter will list all available plugins within the specified library.

controls, c
     Set the '|' separated list of controls which are zero or more floating point values that determine the behavior of the loaded plugin (for example delay, threshold or gain). Controls need to be defined using the following syntax: c0=VALUE0|c1=VALUE1|c2=VALUE2|..., where VALUEI is the value set on the I-th control. Alternatively they can be also defined using the following syntax: VALUE0|VALUE1|VALUE2|..., where VALUEI is the value set on the I-th control. If controls is set to help, all available controls and their valid ranges are printed.

sample_rate, s
     Specify the sample rate, default to 44100. Only used if plugin have zero inputs.

nb_samples, n
     Set the number of samples per channel per each output frame, default is 1024. Only used if plugin have zero inputs.

duration, d
     Set the minimum duration of the sourced audio. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax. Note that the resulting duration may be greater than the specified duration, as the generated audio is always cut at the end of a complete frame. If not specified, or the expressed duration is negative, the audio is supposed to be generated forever. Only used if plugin have zero inputs.

latency, l
     Enable latency compensation, by default is disabled. Only used if plugin have inputs.

Examples
--------

  * List all available plugins within amp (LADSPA example plugin) library:

          ladspa=file=amp

  * List all available controls and their valid ranges for vcf_notch plugin from VCF library:

          ladspa=f=vcf:p=vcf_notch:c=help

  * Simulate low quality audio equipment using Computer Music Toolkit (CMT) plugin library:

          ladspa=file=cmt:plugin=lofi:controls=c0=22|c1=12|c2=12

  * Add reverberation to the audio using TAP-plugins (Tom's Audio Processing plugins):

          ladspa=file=tap_reverb:tap_reverb

  * Generate white noise, with 0.2 amplitude:

          ladspa=file=cmt:noise_source_white:c=c0=.2

  * Generate 20 bpm clicks using plugin C* Click - Metronome from the C* Audio Plugin Suite (CAPS) library:

          ladspa=file=caps:Click:c=c1=20'

  * Apply C* Eq10X2 - Stereo 10-band equaliser effect:

          ladspa=caps:Eq10X2:c=c0=-48|c9=-24|c3=12|c4=2

  * Increase volume by 20dB using fast lookahead limiter from Steve Harris SWH Plugins collection:

          ladspa=fast_lookahead_limiter_1913:fastLookaheadLimiter:20|0|2

  * Attenuate low frequencies using Multiband EQ from Steve Harris SWH Plugins collection:

          ladspa=mbeq_1197:mbeq:-24|-24|-24|0|0|0|0|0|0|0|0|0|0|0|0

  * Reduce stereo image using Narrower from the C* Audio Plugin Suite (CAPS) library:

          ladspa=caps:Narrower

  * Another white noise, now using C* Audio Plugin Suite (CAPS) library:

          ladspa=caps:White:.2

  * Some fractal noise, using C* Audio Plugin Suite (CAPS) library:

          ladspa=caps:Fractal:c=c1=1

  * Dynamic volume normalization using VLevel plugin:

          ladspa=vlevel-ladspa:vlevel_mono

Commands
--------

This filter supports the following commands:

cN
     Modify the N-th control value.

     If the specified value is not valid, it is ignored and prior one is kept.

loudnorm
========

EBU R128 loudness normalization. Includes both dynamic and linear normalization modes. Support for both single pass (livestreams, files) and double pass (files) modes. This algorithm can target IL, LRA, and maximum true peak. In dynamic mode, to accurately detect true peaks, the audio stream will be upsampled to 192 kHz. Use the -ar option or aresample filter to explicitly set an output sample rate.

The filter accepts the following options:

I, i
     Set integrated loudness target. Range is -70.0 - -5.0. Default value is -24.0.

LRA, lra
     Set loudness range target. Range is 1.0 - 20.0. Default value is 7.0.

TP, tp
     Set maximum true peak. Range is -9.0 - +0.0. Default value is -2.0.

measured_I, measured_i
     Measured IL of input file. Range is -99.0 - +0.0.

measured_LRA, measured_lra
     Measured LRA of input file. Range is  0.0 - 99.0.

measured_TP, measured_tp
     Measured true peak of input file. Range is  -99.0 - +99.0.

measured_thresh
     Measured threshold of input file. Range is -99.0 - +0.0.

offset
     Set offset gain. Gain is applied before the true-peak limiter. Range is  -99.0 - +99.0. Default is +0.0.

linear
     Normalize by linearly scaling the source audio. measured_I, measured_LRA, measured_TP, and measured_thresh must all be specified. Target LRA shouldn't be lower than source LRA and the change in integrated loudness shouldn't result in a true peak which exceeds the target TP. If any of these conditions aren't met, normalization mode will revert to DYNAMIC. Options are true or false. Default is true.

dual_mono
     Treat mono input files as "dual-mono". If a mono file is intended for playback on a stereo system, its EBU R128 measurement will be perceptually incorrect. If set to true, this option will compensate for this effect. Multi-channel input files are not affected by this option. Options are true or false. Default is false.

print_format
     Set print format for stats. Options are summary, json, or none. Default value is none.

lowpass
=======

Apply a low-pass filter with 3dB point frequency. The filter can be either single-pole or double-pole (the default). The filter roll off at 6dB per pole per octave (20dB per pole per decade).

The filter accepts the following options:

frequency, f
     Set frequency in Hz. Default is 500.

poles, p
     Set number of poles. Default is 2.

width_type, t
     Set method to specify band-width of filter.

     h
          Hz

     q
          Q-Factor

     o
          octave

     s
          slope

     k
          kHz

width, w
     Specify the band-width of a filter in width_type units. Applies only to double-pole filter. The default is 0.707q and gives a Butterworth response.

mix, m
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
     Specify which channels to filter, by default all available are filtered.

normalize, n
     Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
     Set transform type of IIR filter.

     di

     dii

     tdii

     latt

Examples
--------

  * Lowpass only LFE channel, it LFE is not present it does nothing:

          lowpass=c=LFE

Commands
--------

This filter supports the following commands:

frequency, f
     Change lowpass frequency. Syntax for the command is : "FREQUENCY"

width_type, t
     Change lowpass width_type. Syntax for the command is : "WIDTH_TYPE"

width, w
     Change lowpass width. Syntax for the command is : "WIDTH"

mix, m
     Change lowpass mix. Syntax for the command is : "MIX"

lv2
===

Load a LV2 (LADSPA Version 2) plugin.

To enable compilation of this filter you need to configure FFmpeg with --enable-lv2.

plugin, p
     Specifies the plugin URI. You may need to escape ':'.

controls, c
     Set the '|' separated list of controls which are zero or more floating point values that determine the behavior of the loaded plugin (for example delay, threshold or gain). If controls is set to help, all available controls and their valid ranges are printed.

sample_rate, s
     Specify the sample rate, default to 44100. Only used if plugin have zero inputs.

nb_samples, n
     Set the number of samples per channel per each output frame, default is 1024. Only used if plugin have zero inputs.

duration, d
     Set the minimum duration of the sourced audio. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax. Note that the resulting duration may be greater than the specified duration, as the generated audio is always cut at the end of a complete frame. If not specified, or the expressed duration is negative, the audio is supposed to be generated forever. Only used if plugin have zero inputs.

Examples
--------

  * Apply bass enhancer plugin from Calf:

          lv2=p=http\\\\://calf.sourceforge.net/plugins/BassEnhancer:c=amount=2

  * Apply vinyl plugin from Calf:

          lv2=p=http\\\\://calf.sourceforge.net/plugins/Vinyl:c=drone=0.2|aging=0.5

  * Apply bit crusher plugin from ArtyFX:

          lv2=p=http\\\\://www.openavproductions.com/artyfx#bitta:c=crush=0.3

mcompand
========

Multiband Compress or expand the audio's dynamic range.

The input audio is divided into bands using 4th order Linkwitz-Riley IIRs. This is akin to the crossover of a loudspeaker, and results in flat frequency response when absent compander action.

It accepts the following parameters:

args
     This option syntax is: attack,decay,[attack,decay..] soft-knee points crossover_frequency [delay [initial_volume [gain]]] | attack,decay ... For explanation of each item refer to compand filter documentation.

pan
===

Mix channels with specific gain levels. The filter accepts the output channel layout followed by a set of channels definitions.

This filter is also designed to efficiently remap the channels of an audio stream.

The filter accepts parameters of the form: "L|OUTDEF|OUTDEF|..."

l
     output channel layout or number of channels

outdef
     output channel specification, of the form: "OUT_NAME=[GAIN*]IN_NAME[(+-)[GAIN*]IN_NAME...]"

out_name
     output channel to define, either a channel name (FL, FR, etc.) or a channel number (c0, c1, etc.)

gain
     multiplicative coefficient for the channel, 1 leaving the volume unchanged

in_name
     input channel to use, see out_name for details; it is not possible to mix named and numbered input channels

If the `=' in a channel specification is replaced by `<', then the gains for that specification will be renormalized so that the total is 1, thus avoiding clipping noise.

Mixing examples
---------------

For example, if you want to down-mix from stereo to mono, but with a bigger factor for the left channel:

     pan=1c|c0=0.9*c0+0.1*c1

A customized down-mix to stereo that works automatically for 3-, 4-, 5- and 7-channels surround:

     pan=stereo| FL < FL + 0.5*FC + 0.6*BL + 0.6*SL | FR < FR + 0.5*FC + 0.6*BR + 0.6*SR

Note that ffmpeg integrates a default down-mix (and up-mix) system that should be preferred (see "-ac" option) unless you have very specific needs.

Remapping examples
------------------

The channel remapping will be effective if, and only if:

  * gain coefficients are zeroes or ones,

  * only one input per channel output,

If all these conditions are satisfied, the filter will notify the user ("Pure channel mapping detected"), and use an optimized and lossless method to do the remapping.

For example, if you have a 5.1 source and want a stereo audio stream by dropping the extra channels:

     pan="stereo| c0=FL | c1=FR"

Given the same source, you can also switch front left and front right channels and keep the input channel layout:

     pan="5.1| c0=c1 | c1=c0 | c2=c2 | c3=c3 | c4=c4 | c5=c5"

If the input is a stereo audio stream, you can mute the front left channel (and still keep the stereo channel layout) with:

     pan="stereo|c1=c1"

Still with a stereo audio stream input, you can copy the right channel in both front left and right:

     pan="stereo| c0=FR | c1=FR"

replaygain
==========

ReplayGain scanner filter. This filter takes an audio stream as an input and outputs it unchanged. At end of filtering it displays track_gain and track_peak.

resample
========

Convert the audio sample format, sample rate and channel layout. It is not meant to be used directly.

rubberband
==========

Apply time-stretching and pitch-shifting with librubberband.

To enable compilation of this filter, you need to configure FFmpeg with --enable-librubberband.

The filter accepts the following options:

tempo
     Set tempo scale factor.

pitch
     Set pitch scale factor.

transients
     Set transients detector. Possible values are:

     crisp

     mixed

     smooth

detector
     Set detector. Possible values are:

     compound

     percussive

     soft

phase
     Set phase. Possible values are:

     laminar

     independent

window
     Set processing window size. Possible values are:

     standard

     short

     long

smoothing
     Set smoothing. Possible values are:

     off

     on

formant
     Enable formant preservation when shift pitching. Possible values are:

     shifted

     preserved

pitchq
     Set pitch quality. Possible values are:

     quality

     speed

     consistency

channels
     Set channels. Possible values are:

     apart

     together

Commands
--------

This filter supports the following commands:

tempo
     Change filter tempo scale factor. Syntax for the command is : "TEMPO"

pitch
     Change filter pitch scale factor. Syntax for the command is : "PITCH"

sidechaincompress
=================

This filter acts like normal compressor but has the ability to compress detected signal using second input signal. It needs two input streams and returns one output stream. First input stream will be processed depending on second stream signal. The filtered signal then can be filtered with other filters in later stages of processing. See pan and amerge filter.

The filter accepts the following options:

level_in
     Set input gain. Default is 1. Range is between 0.015625 and 64.

mode
     Set mode of compressor operation. Can be upward or downward. Default is downward.

threshold
     If a signal of second stream raises above this level it will affect the gain reduction of first stream. By default is 0.125. Range is between 0.00097563 and 1.

ratio
     Set a ratio about which the signal is reduced. 1:2 means that if the level raised 4dB above the threshold, it will be only 2dB above after the reduction. Default is 2. Range is between 1 and 20.

attack
     Amount of milliseconds the signal has to rise above the threshold before gain reduction starts. Default is 20. Range is between 0.01 and 2000.

release
     Amount of milliseconds the signal has to fall below the threshold before reduction is decreased again. Default is 250. Range is between 0.01 and 9000.

makeup
     Set the amount by how much signal will be amplified after processing. Default is 1. Range is from 1 to 64.

knee
     Curve the sharp knee around the threshold to enter gain reduction more softly. Default is 2.82843. Range is between 1 and 8.

link
     Choose if the average level between all channels of side-chain stream or the louder(maximum) channel of side-chain stream affects the reduction. Default is average.

detection
     Should the exact signal be taken in case of peak or an RMS one in case of rms. Default is rms which is mainly smoother.

level_sc
     Set sidechain gain. Default is 1. Range is between 0.015625 and 64.

mix
     How much to use compressed signal in output. Default is 1. Range is between 0 and 1.

Commands
--------

This filter supports the all above options as commands.

Examples
--------

  * Full ffmpeg example taking 2 audio inputs, 1st input to be compressed depending on the signal of 2nd input and later compressed signal to be merged with 2nd input:

          ffmpeg -i main.flac -i sidechain.flac -filter_complex "[1:a]asplit=2[sc][mix];[0:a][sc]sidechaincompress[compr];[compr][mix]amerge"

sidechaingate
=============

A sidechain gate acts like a normal (wideband) gate but has the ability to filter the detected signal before sending it to the gain reduction stage. Normally a gate uses the full range signal to detect a level above the threshold. For example: If you cut all lower frequencies from your sidechain signal the gate will decrease the volume of your track only if not enough highs appear. With this technique you are able to reduce the resonation of a natural drum or remove "rumbling" of muted strokes from a heavily distorted guitar. It needs two input streams and returns one output stream. First input stream will be processed depending on second stream signal.

The filter accepts the following options:

level_in
     Set input level before filtering. Default is 1. Allowed range is from 0.015625 to 64.

mode
     Set the mode of operation. Can be upward or downward. Default is downward. If set to upward mode, higher parts of signal will be amplified, expanding dynamic range in upward direction. Otherwise, in case of downward lower parts of signal will be reduced.

range
     Set the level of gain reduction when the signal is below the threshold. Default is 0.06125. Allowed range is from 0 to 1. Setting this to 0 disables reduction and then filter behaves like expander.

threshold
     If a signal rises above this level the gain reduction is released. Default is 0.125. Allowed range is from 0 to 1.

ratio
     Set a ratio about which the signal is reduced. Default is 2. Allowed range is from 1 to 9000.

attack
     Amount of milliseconds the signal has to rise above the threshold before gain reduction stops. Default is 20 milliseconds. Allowed range is from 0.01 to 9000.

release
     Amount of milliseconds the signal has to fall below the threshold before the reduction is increased again. Default is 250 milliseconds. Allowed range is from 0.01 to 9000.

makeup
     Set amount of amplification of signal after processing. Default is 1. Allowed range is from 1 to 64.

knee
     Curve the sharp knee around the threshold to enter gain reduction more softly. Default is 2.828427125. Allowed range is from 1 to 8.

detection
     Choose if exact signal should be taken for detection or an RMS like one. Default is rms. Can be peak or rms.

link
     Choose if the average level between all channels or the louder channel affects the reduction. Default is average. Can be average or maximum.

level_sc
     Set sidechain gain. Default is 1. Range is from 0.015625 to 64.

Commands
--------

This filter supports the all above options as commands.

silencedetect
=============

Detect silence in an audio stream.

This filter logs a message when it detects that the input audio volume is less or equal to a noise tolerance value for a duration greater or equal to the minimum detected noise duration.

The printed times and duration are expressed in seconds. The lavfi.silence_start or lavfi.silence_start.X metadata key is set on the first frame whose timestamp equals or exceeds the detection duration and it contains the timestamp of the first frame of the silence.

The lavfi.silence_duration or lavfi.silence_duration.X and lavfi.silence_end or lavfi.silence_end.X metadata keys are set on the first frame after the silence. If mono is enabled, and each channel is evaluated separately, the .X suffixed keys are used, and X corresponds to the channel number.

The filter accepts the following options:

noise, n
     Set noise tolerance. Can be specified in dB (in case "dB" is appended to the specified value) or amplitude ratio. Default is -60dB, or 0.001.

duration, d
     Set silence duration until notification (default is 2 seconds). See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax.

mono, m
     Process each channel separately, instead of combined. By default is disabled.

Examples
--------

  * Detect 5 seconds of silence with -50dB noise tolerance:

          silencedetect=n=-50dB:d=5

  * Complete example with ffmpeg to detect silence with 0.0001 noise tolerance in silence.mp3:

          ffmpeg -i silence.mp3 -af silencedetect=noise=0.0001 -f null -

silenceremove
=============

Remove silence from the beginning, middle or end of the audio.

The filter accepts the following options:

start_periods
     This value is used to indicate if audio should be trimmed at beginning of the audio. A value of zero indicates no silence should be trimmed from the beginning. When specifying a non-zero value, it trims audio up until it finds non-silence. Normally, when trimming silence from beginning of audio the START_PERIODS will be 1 but it can be increased to higher values to trim all audio up to specific count of non-silence periods. Default value is 0.

start_duration
     Specify the amount of time that non-silence must be detected before it stops trimming audio. By increasing the duration, bursts of noises can be treated as silence and trimmed off. Default value is 0.

start_threshold
     This indicates what sample value should be treated as silence. For digital audio, a value of 0 may be fine but for audio recorded from analog, you may wish to increase the value to account for background noise. Can be specified in dB (in case "dB" is appended to the specified value) or amplitude ratio. Default value is 0.

start_silence
     Specify max duration of silence at beginning that will be kept after trimming. Default is 0, which is equal to trimming all samples detected as silence.

start_mode
     Specify mode of detection of silence end in start of multi-channel audio. Can be ANY or ALL. Default is ANY. With ANY, any sample that is detected as non-silence will cause stopped trimming of silence. With ALL, only if all channels are detected as non-silence will cause stopped trimming of silence.

stop_periods
     Set the count for trimming silence from the end of audio. To remove silence from the middle of a file, specify a STOP_PERIODS that is negative. This value is then treated as a positive value and is used to indicate the effect should restart processing as specified by START_PERIODS, making it suitable for removing periods of silence in the middle of the audio. Default value is 0.

stop_duration
     Specify a duration of silence that must exist before audio is not copied any more. By specifying a higher duration, silence that is wanted can be left in the audio. Default value is 0.

stop_threshold
     This is the same as start_threshold but for trimming silence from the end of audio. Can be specified in dB (in case "dB" is appended to the specified value) or amplitude ratio. Default value is 0.

stop_silence
     Specify max duration of silence at end that will be kept after trimming. Default is 0, which is equal to trimming all samples detected as silence.

stop_mode
     Specify mode of detection of silence start in end of multi-channel audio. Can be ANY or ALL. Default is ANY. With ANY, any sample that is detected as non-silence will cause stopped trimming of silence. With ALL, only if all channels are detected as non-silence will cause stopped trimming of silence.

detection
     Set how is silence detected. Can be rms or peak. Second is faster and works better with digital silence which is exactly 0. Default value is rms.

window
     Set duration in number of seconds used to calculate size of window in number of samples for detecting silence. Default value is 0.02. Allowed range is from 0 to 10.

Examples
--------

  * The following example shows how this filter can be used to start a recording that does not contain the delay at the start which usually occurs between pressing the record button and the start of the performance:

          silenceremove=start_periods=1:start_duration=5:start_threshold=0.02

  * Trim all silence encountered from beginning to end where there is more than 1 second of silence in audio:

          silenceremove=stop_periods=-1:stop_duration=1:stop_threshold=-90dB

  * Trim all digital silence samples, using peak detection, from beginning to end where there is more than 0 samples of digital silence in audio and digital silence is detected in all channels at same positions in stream:

          silenceremove=window=0:detection=peak:stop_mode=all:start_mode=all:stop_periods=-1:stop_threshold=0

sofalizer
=========

SOFAlizer uses head-related transfer functions (HRTFs) to create virtual loudspeakers around the user for binaural listening via headphones (audio formats up to 9 channels supported). The HRTFs are stored in SOFA files (see http://www.sofacoustics.org/ for a database). SOFAlizer is developed at the Acoustics Research Institute (ARI) of the Austrian Academy of Sciences.

To enable compilation of this filter you need to configure FFmpeg with --enable-libmysofa.

The filter accepts the following options:

sofa
     Set the SOFA file used for rendering.

gain
     Set gain applied to audio. Value is in dB. Default is 0.

rotation
     Set rotation of virtual loudspeakers in deg. Default is 0.

elevation
     Set elevation of virtual speakers in deg. Default is 0.

radius
     Set distance in meters between loudspeakers and the listener with near-field HRTFs. Default is 1.

type
     Set processing type. Can be TIME or FREQ. TIME is processing audio in time domain which is slow. FREQ is processing audio in frequency domain which is fast. Default is FREQ.

speakers
     Set custom positions of virtual loudspeakers. Syntax for this option is: <CH> <AZIM> <ELEV>[|<CH> <AZIM> <ELEV>|...]. Each virtual loudspeaker is described with short channel name following with azimuth and elevation in degrees. Each virtual loudspeaker description is separated by '|'. For example to override front left and front right channel positions use: 'speakers=FL 45 15|FR 345 15'. Descriptions with unrecognised channel names are ignored.

lfegain
     Set custom gain for LFE channels. Value is in dB. Default is 0.

framesize
     Set custom frame size in number of samples. Default is 1024. Allowed range is from 1024 to 96000. Only used if option type is set to FREQ.

normalize
     Should all IRs be normalized upon importing SOFA file. By default is enabled.

interpolate
     Should nearest IRs be interpolated with neighbor IRs if exact position does not match. By default is disabled.

minphase
     Minphase all IRs upon loading of SOFA file. By default is disabled.

anglestep
     Set neighbor search angle step. Only used if option INTERPOLATE is enabled.

radstep
     Set neighbor search radius step. Only used if option INTERPOLATE is enabled.

Examples
--------

  * Using ClubFritz6 sofa file:

          sofalizer=sofa=/path/to/ClubFritz6.sofa:type=freq:radius=1

  * Using ClubFritz12 sofa file and bigger radius with small rotation:

          sofalizer=sofa=/path/to/ClubFritz12.sofa:type=freq:radius=2:rotation=5

  * Similar as above but with custom speaker positions for front left, front right, back left and back right and also with custom gain:

          "sofalizer=sofa=/path/to/ClubFritz6.sofa:type=freq:radius=2:speakers=FL 45|FR 315|BL 135|BR 225:gain=28"

speechnorm
==========

Speech Normalizer.

This filter expands or compresses each half-cycle of audio samples (local set of samples all above or all below zero and between two nearest zero crossings) depending on threshold value, so audio reaches target peak value under conditions controlled by below options.

The filter accepts the following options:

peak, p
     Set the expansion target peak value. This specifies the highest allowed absolute amplitude level for the normalized audio input. Default value is 0.95. Allowed range is from 0.0 to 1.0.

expansion, e
     Set the maximum expansion factor. Allowed range is from 1.0 to 50.0. Default value is 2.0. This option controls maximum local half-cycle of samples expansion. The maximum expansion would be such that local peak value reaches target peak value but never to surpass it and that ratio between new and previous peak value does not surpass this option value.

compression, c
     Set the maximum compression factor. Allowed range is from 1.0 to 50.0. Default value is 2.0. This option controls maximum local half-cycle of samples compression. This option is used only if threshold option is set to value greater than 0.0, then in such cases when local peak is lower or same as value set by threshold all samples belonging to that peak's half-cycle will be compressed by current compression factor.

threshold, t
     Set the threshold value. Default value is 0.0. Allowed range is from 0.0 to 1.0. This option specifies which half-cycles of samples will be compressed and which will be expanded. Any half-cycle samples with their local peak value below or same as this option value will be compressed by current compression factor, otherwise, if greater than threshold value they will be expanded with expansion factor so that it could reach peak target value but never surpass it.

raise, r
     Set the expansion raising amount per each half-cycle of samples. Default value is 0.001. Allowed range is from 0.0 to 1.0. This controls how fast expansion factor is raised per each new half-cycle until it reaches expansion value. Setting this options too high may lead to distortions.

fall, f
     Set the compression raising amount per each half-cycle of samples. Default value is 0.001. Allowed range is from 0.0 to 1.0. This controls how fast compression factor is raised per each new half-cycle until it reaches compression value.

channels, h
     Specify which channels to filter, by default all available channels are filtered.

invert, i
     Enable inverted filtering, by default is disabled. This inverts interpretation of threshold option. When enabled any half-cycle of samples with their local peak value below or same as threshold option will be expanded otherwise it will be compressed.

link, l
     Link channels when calculating gain applied to each filtered channel sample, by default is disabled. When disabled each filtered channel gain calculation is independent, otherwise when this option is enabled the minimum of all possible gains for each filtered channel is used.

Commands
--------

This filter supports the all above options as commands.

stereotools
===========

This filter has some handy utilities to manage stereo signals, for converting M/S stereo recordings to L/R signal while having control over the parameters or spreading the stereo image of master track.

The filter accepts the following options:

level_in
     Set input level before filtering for both channels. Defaults is 1. Allowed range is from 0.015625 to 64.

level_out
     Set output level after filtering for both channels. Defaults is 1. Allowed range is from 0.015625 to 64.

balance_in
     Set input balance between both channels. Default is 0. Allowed range is from -1 to 1.

balance_out
     Set output balance between both channels. Default is 0. Allowed range is from -1 to 1.

softclip
     Enable softclipping. Results in analog distortion instead of harsh digital 0dB clipping. Disabled by default.

mutel
     Mute the left channel. Disabled by default.

muter
     Mute the right channel. Disabled by default.

phasel
     Change the phase of the left channel. Disabled by default.

phaser
     Change the phase of the right channel. Disabled by default.

mode
     Set stereo mode. Available values are:

     lr>lr
          Left/Right to Left/Right, this is default.

     lr>ms
          Left/Right to Mid/Side.

     ms>lr
          Mid/Side to Left/Right.

     lr>ll
          Left/Right to Left/Left.

     lr>rr
          Left/Right to Right/Right.

     lr>l+r
          Left/Right to Left + Right.

     lr>rl
          Left/Right to Right/Left.

     ms>ll
          Mid/Side to Left/Left.

     ms>rr
          Mid/Side to Right/Right.

     ms>rl
          Mid/Side to Right/Left.

     lr>l-r
          Left/Right to Left - Right.

slev
     Set level of side signal. Default is 1. Allowed range is from 0.015625 to 64.

sbal
     Set balance of side signal. Default is 0. Allowed range is from -1 to 1.

mlev
     Set level of the middle signal. Default is 1. Allowed range is from 0.015625 to 64.

mpan
     Set middle signal pan. Default is 0. Allowed range is from -1 to 1.

base
     Set stereo base between mono and inversed channels. Default is 0. Allowed range is from -1 to 1.

delay
     Set delay in milliseconds how much to delay left from right channel and vice versa. Default is 0. Allowed range is from -20 to 20.

sclevel
     Set S/C level. Default is 1. Allowed range is from 1 to 100.

phase
     Set the stereo phase in degrees. Default is 0. Allowed range is from 0 to 360.

bmode_in, bmode_out
     Set balance mode for balance_in/balance_out option.

     Can be one of the following:

     balance
          Classic balance mode. Attenuate one channel at time. Gain is raised up to 1.

     amplitude
          Similar as classic mode above but gain is raised up to 2.

     power
          Equal power distribution, from -6dB to +6dB range.

Commands
--------

This filter supports the all above options as commands.

Examples
--------

  * Apply karaoke like effect:

          stereotools=mlev=0.015625

  * Convert M/S signal to L/R:

          "stereotools=mode=ms>lr"

stereowiden
===========

This filter enhance the stereo effect by suppressing signal common to both channels and by delaying the signal of left into right and vice versa, thereby widening the stereo effect.

The filter accepts the following options:

delay
     Time in milliseconds of the delay of left signal into right and vice versa. Default is 20 milliseconds.

feedback
     Amount of gain in delayed signal into right and vice versa. Gives a delay effect of left signal in right output and vice versa which gives widening effect. Default is 0.3.

crossfeed
     Cross feed of left into right with inverted phase. This helps in suppressing the mono. If the value is 1 it will cancel all the signal common to both channels. Default is 0.3.

drymix
     Set level of input signal of original channel. Default is 0.8.

Commands
--------

This filter supports the all above options except delay as commands.

superequalizer
==============

Apply 18 band equalizer.

The filter accepts the following options:

1b
     Set 65Hz band gain.

2b
     Set 92Hz band gain.

3b
     Set 131Hz band gain.

4b
     Set 185Hz band gain.

5b
     Set 262Hz band gain.

6b
     Set 370Hz band gain.

7b
     Set 523Hz band gain.

8b
     Set 740Hz band gain.

9b
     Set 1047Hz band gain.

10b
     Set 1480Hz band gain.

11b
     Set 2093Hz band gain.

12b
     Set 2960Hz band gain.

13b
     Set 4186Hz band gain.

14b
     Set 5920Hz band gain.

15b
     Set 8372Hz band gain.

16b
     Set 11840Hz band gain.

17b
     Set 16744Hz band gain.

18b
     Set 20000Hz band gain.

surround
========

Apply audio surround upmix filter.

This filter allows to produce multichannel output from audio stream.

The filter accepts the following options:

chl_out
     Set output channel layout. By default, this is 5.1.

     See the Channel Layout section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the required syntax.

chl_in
     Set input channel layout. By default, this is STEREO.

     See the Channel Layout section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the required syntax.

level_in
     Set input volume level. By default, this is 1.

level_out
     Set output volume level. By default, this is 1.

lfe
     Enable LFE channel output if output channel layout has it. By default, this is enabled.

lfe_low
     Set LFE low cut off frequency. By default, this is 128 Hz.

lfe_high
     Set LFE high cut off frequency. By default, this is 256 Hz.

lfe_mode
     Set LFE mode, can be ADD or SUB. Default is ADD. In ADD mode, LFE channel is created from input audio and added to output. In SUB mode, LFE channel is created from input audio and added to output but also all non-LFE output channels are subtracted with output LFE channel.

angle
     Set angle of stereo surround transform, Allowed range is from 0 to 360. Default is 90.

fc_in
     Set front center input volume. By default, this is 1.

fc_out
     Set front center output volume. By default, this is 1.

fl_in
     Set front left input volume. By default, this is 1.

fl_out
     Set front left output volume. By default, this is 1.

fr_in
     Set front right input volume. By default, this is 1.

fr_out
     Set front right output volume. By default, this is 1.

sl_in
     Set side left input volume. By default, this is 1.

sl_out
     Set side left output volume. By default, this is 1.

sr_in
     Set side right input volume. By default, this is 1.

sr_out
     Set side right output volume. By default, this is 1.

bl_in
     Set back left input volume. By default, this is 1.

bl_out
     Set back left output volume. By default, this is 1.

br_in
     Set back right input volume. By default, this is 1.

br_out
     Set back right output volume. By default, this is 1.

bc_in
     Set back center input volume. By default, this is 1.

bc_out
     Set back center output volume. By default, this is 1.

lfe_in
     Set LFE input volume. By default, this is 1.

lfe_out
     Set LFE output volume. By default, this is 1.

allx
     Set spread usage of stereo image across X axis for all channels.

ally
     Set spread usage of stereo image across Y axis for all channels.

fcx, flx, frx, blx, brx, slx, srx, bcx
     Set spread usage of stereo image across X axis for each channel.

fcy, fly, fry, bly, bry, sly, sry, bcy
     Set spread usage of stereo image across Y axis for each channel.

win_size
     Set window size. Allowed range is from 1024 to 65536. Default size is 4096.

win_func
     Set window function.

     It accepts the following values:

     rect

     bartlett

     hann, hanning

     hamming

     blackman

     welch

     flattop

     bharris

     bnuttall

     bhann

     sine

     nuttall

     lanczos

     gauss

     tukey

     dolph

     cauchy

     parzen

     poisson

     bohman

     Default is hann.

overlap
     Set window overlap. If set to 1, the recommended overlap for selected window function will be picked. Default is 0.5.

treble, highshelf
=================

Boost or cut treble (upper) frequencies of the audio using a two-pole shelving filter with a response similar to that of a standard hi-fi's tone-controls. This is also known as shelving equalisation (EQ).

The filter accepts the following options:

gain, g
     Give the gain at whichever is the lower of ~22 kHz and the Nyquist frequency. Its useful range is about -20 (for a large cut) to +20 (for a large boost). Beware of clipping when using a positive gain.

frequency, f
     Set the filter's central frequency and so can be used to extend or reduce the frequency range to be boosted or cut. The default value is 3000 Hz.

width_type, t
     Set method to specify band-width of filter.

     h
          Hz

     q
          Q-Factor

     o
          octave

     s
          slope

     k
          kHz

width, w
     Determine how steep is the filter's shelf transition.

mix, m
     How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
     Specify which channels to filter, by default all available are filtered.

normalize, n
     Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
     Set transform type of IIR filter.

     di

     dii

     tdii

     latt

Commands
--------

This filter supports the following commands:

frequency, f
     Change treble frequency. Syntax for the command is : "FREQUENCY"

width_type, t
     Change treble width_type. Syntax for the command is : "WIDTH_TYPE"

width, w
     Change treble width. Syntax for the command is : "WIDTH"

gain, g
     Change treble gain. Syntax for the command is : "GAIN"

mix, m
     Change treble mix. Syntax for the command is : "MIX"

tremolo
=======

Sinusoidal amplitude modulation.

The filter accepts the following options:

f
     Modulation frequency in Hertz. Modulation frequencies in the subharmonic range (20 Hz or lower) will result in a tremolo effect. This filter may also be used as a ring modulator by specifying a modulation frequency higher than 20 Hz. Range is 0.1 - 20000.0. Default value is 5.0 Hz.

d
     Depth of modulation as a percentage. Range is 0.0 - 1.0. Default value is 0.5.

vibrato
=======

Sinusoidal phase modulation.

The filter accepts the following options:

f
     Modulation frequency in Hertz. Range is 0.1 - 20000.0. Default value is 5.0 Hz.

d
     Depth of modulation as a percentage. Range is 0.0 - 1.0. Default value is 0.5.

volume
======

Adjust the input audio volume.

It accepts the following parameters:

volume
     Set audio volume expression.

     Output values are clipped to the maximum value.

     The output audio volume is given by the relation:

          OUTPUT_VOLUME = VOLUME * INPUT_VOLUME

     The default value for VOLUME is "1.0".

precision
     This parameter represents the mathematical precision.

     It determines which input sample formats will be allowed, which affects the precision of the volume scaling.

     fixed
          8-bit fixed-point; this limits input sample format to U8, S16, and S32.

     float
          32-bit floating-point; this limits input sample format to FLT. (default)

     double
          64-bit floating-point; this limits input sample format to DBL.

replaygain
     Choose the behaviour on encountering ReplayGain side data in input frames.

     drop
          Remove ReplayGain side data, ignoring its contents (the default).

     ignore
          Ignore ReplayGain side data, but leave it in the frame.

     track
          Prefer the track gain, if present.

     album
          Prefer the album gain, if present.

replaygain_preamp
     Pre-amplification gain in dB to apply to the selected replaygain gain.

     Default value for REPLAYGAIN_PREAMP is 0.0.

replaygain_noclip
     Prevent clipping by limiting the gain applied.

     Default value for REPLAYGAIN_NOCLIP is 1.

eval
     Set when the volume expression is evaluated.

     It accepts the following values:

     once
          only evaluate expression once during the filter initialization, or when the volume command is sent

     frame
          evaluate expression for each incoming frame

     Default value is once.

The volume expression can contain the following parameters.

n
     frame number (starting at zero)

nb_channels
     number of channels

nb_consumed_samples
     number of samples consumed by the filter

nb_samples
     number of samples in the current frame

pos
     original frame position in the file

pts
     frame PTS

sample_rate
     sample rate

startpts
     PTS at start of stream

startt
     time at start of stream

t
     frame time

tb
     timestamp timebase

volume
     last set volume value

Note that when eval is set to once only the SAMPLE_RATE and TB variables are available, all other variables will evaluate to NAN.

Commands
--------

This filter supports the following commands:

volume
     Modify the volume expression. The command accepts the same syntax of the corresponding option.

     If the specified expression is not valid, it is kept at its current value.

Examples
--------

  * Halve the input audio volume:

          volume=volume=0.5
          volume=volume=1/2
          volume=volume=-6.0206dB

     In all the above example the named key for volume can be omitted, for example like in:

          volume=0.5

  * Increase input audio power by 6 decibels using fixed-point precision:

          volume=volume=6dB:precision=fixed

  * Fade volume after time 10 with an annihilation period of 5 seconds:

          volume='if(lt(t,10),1,max(1-(t-10)/5,0))':eval=frame

volumedetect
============

Detect the volume of the input video.

The filter has no parameters. The input is not modified. Statistics about the volume will be printed in the log when the input stream end is reached.

In particular it will show the mean volume (root mean square), maximum volume (on a per-sample basis), and the beginning of a histogram of the registered volume values (from the maximum value to a cumulated 1/1000 of the samples).

All volumes are in decibels relative to the maximum PCM value.

Examples
--------

Here is an excerpt of the output:

     [Parsed_volumedetect_0  0xa23120] mean_volume: -27 dB
     [Parsed_volumedetect_0  0xa23120] max_volume: -4 dB
     [Parsed_volumedetect_0  0xa23120] histogram_4db: 6
     [Parsed_volumedetect_0  0xa23120] histogram_5db: 62
     [Parsed_volumedetect_0  0xa23120] histogram_6db: 286
     [Parsed_volumedetect_0  0xa23120] histogram_7db: 1042
     [Parsed_volumedetect_0  0xa23120] histogram_8db: 2551
     [Parsed_volumedetect_0  0xa23120] histogram_9db: 4609
     [Parsed_volumedetect_0  0xa23120] histogram_10db: 8409

It means that:

  * The mean square energy is approximately -27 dB, or 10^-2.7.

  * The largest sample is at -4 dB, or more precisely between -4 dB and -5 dB.

  * There are 6 samples at -4 dB, 62 at -5 dB, 286 at -6 dB, etc.

In other words, raising the volume by +4 dB does not cause any clipping, raising it by +5 dB causes clipping for 6 samples, etc.

Audio Sources
*************

Below is a description of the currently available audio sources.

abuffer
=======

Buffer audio frames, and make them available to the filter chain.

This source is mainly intended for a programmatic use, in particular through the interface defined in libavfilter/buffersrc.h.

It accepts the following parameters:

time_base
     The timebase which will be used for timestamps of submitted frames. It must be either a floating-point number or in NUMERATOR/DENOMINATOR form.

sample_rate
     The sample rate of the incoming audio buffers.

sample_fmt
     The sample format of the incoming audio buffers. Either a sample format name or its corresponding integer representation from the enum AVSampleFormat in libavutil/samplefmt.h

channel_layout
     The channel layout of the incoming audio buffers. Either a channel layout name from channel_layout_map in libavutil/channel_layout.c or its corresponding integer representation from the AV_CH_LAYOUT_* macros in libavutil/channel_layout.h

channels
     The number of channels of the incoming audio buffers. If both CHANNELS and CHANNEL_LAYOUT are specified, then they must be consistent.

Examples
--------

     abuffer=sample_rate=44100:sample_fmt=s16p:channel_layout=stereo

will instruct the source to accept planar 16bit signed stereo at 44100Hz. Since the sample format with name "s16p" corresponds to the number 6 and the "stereo" channel layout corresponds to the value 0x3, this is equivalent to:

     abuffer=sample_rate=44100:sample_fmt=6:channel_layout=0x3

aevalsrc
========

Generate an audio signal specified by an expression.

This source accepts in input one or more expressions (one for each channel), which are evaluated and used to generate a corresponding audio signal.

This source accepts the following options:

exprs
     Set the '|'-separated expressions list for each separate channel. In case the channel_layout option is not specified, the selected channel layout depends on the number of provided expressions. Otherwise the last specified expression is applied to the remaining output channels.

channel_layout, c
     Set the channel layout. The number of channels in the specified layout must be equal to the number of specified expressions.

duration, d
     Set the minimum duration of the sourced audio. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax. Note that the resulting duration may be greater than the specified duration, as the generated audio is always cut at the end of a complete frame.

     If not specified, or the expressed duration is negative, the audio is supposed to be generated forever.

nb_samples, n
     Set the number of samples per channel per each output frame, default to 1024.

sample_rate, s
     Specify the sample rate, default to 44100.

Each expression in EXPRS can contain the following constants:

n
     number of the evaluated sample, starting from 0

t
     time of the evaluated sample expressed in seconds, starting from 0

s
     sample rate

Examples
--------

  * Generate silence:

          aevalsrc=0

  * Generate a sin signal with frequency of 440 Hz, set sample rate to 8000 Hz:

          aevalsrc="sin(440*2*PI*t):s=8000"

  * Generate a two channels signal, specify the channel layout (Front Center + Back Center) explicitly:

          aevalsrc="sin(420*2*PI*t)|cos(430*2*PI*t):c=FC|BC"

  * Generate white noise:

          aevalsrc="-2+random(0)"

  * Generate an amplitude modulated signal:

          aevalsrc="sin(10*2*PI*t)*sin(880*2*PI*t)"

  * Generate 2.5 Hz binaural beats on a 360 Hz carrier:

          aevalsrc="0.1*sin(2*PI*(360-2.5/2)*t) | 0.1*sin(2*PI*(360+2.5/2)*t)"

afirsrc
=======

Generate a FIR coefficients using frequency sampling method.

The resulting stream can be used with afir filter for filtering the audio signal.

The filter accepts the following options:

taps, t
     Set number of filter coefficents in output audio stream. Default value is 1025.

frequency, f
     Set frequency points from where magnitude and phase are set. This must be in non decreasing order, and first element must be 0, while last element must be 1. Elements are separated by white spaces.

magnitude, m
     Set magnitude value for every frequency point set by frequency. Number of values must be same as number of frequency points. Values are separated by white spaces.

phase, p
     Set phase value for every frequency point set by frequency. Number of values must be same as number of frequency points. Values are separated by white spaces.

sample_rate, r
     Set sample rate, default is 44100.

nb_samples, n
     Set number of samples per each frame. Default is 1024.

win_func, w
     Set window function. Default is blackman.

anullsrc
========

The null audio source, return unprocessed audio frames. It is mainly useful as a template and to be employed in analysis / debugging tools, or as the source for filters which ignore the input data (for example the sox synth filter).

This source accepts the following options:

channel_layout, cl

     Specifies the channel layout, and can be either an integer or a string representing a channel layout. The default value of CHANNEL_LAYOUT is "stereo".

     Check the channel_layout_map definition in libavutil/channel_layout.c for the mapping between strings and channel layout values.

sample_rate, r
     Specifies the sample rate, and defaults to 44100.

nb_samples, n
     Set the number of samples per requested frames.

duration, d
     Set the duration of the sourced audio. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax.

     If not specified, or the expressed duration is negative, the audio is supposed to be generated forever.

Examples
--------

  * Set the sample rate to 48000 Hz and the channel layout to AV_CH_LAYOUT_MONO.

          anullsrc=r=48000:cl=4

  * Do the same operation with a more obvious syntax:

          anullsrc=r=48000:cl=mono

All the parameters need to be explicitly defined.

flite
=====

Synthesize a voice utterance using the libflite library.

To enable compilation of this filter you need to configure FFmpeg with --enable-libflite.

Note that versions of the flite library prior to 2.0 are not thread-safe.

The filter accepts the following options:

list_voices
     If set to 1, list the names of the available voices and exit immediately. Default value is 0.

nb_samples, n
     Set the maximum number of samples per frame. Default value is 512.

textfile
     Set the filename containing the text to speak.

text
     Set the text to speak.

voice, v
     Set the voice to use for the speech synthesis. Default value is kal. See also the LIST_VOICES option.

Examples
--------

  * Read from file speech.txt, and synthesize the text using the standard flite voice:

          flite=textfile=speech.txt

  * Read the specified text selecting the slt voice:

          flite=text='So fare thee well, poor devil of a Sub-Sub, whose commentator I am':voice=slt

  * Input text to ffmpeg:

          ffmpeg -f lavfi -i flite=text='So fare thee well, poor devil of a Sub-Sub, whose commentator I am':voice=slt

  * Make ffplay speak the specified text, using flite and the lavfi device:

          ffplay -f lavfi flite=text='No more be grieved for which that thou hast done.'

For more information about libflite, check: http://www.festvox.org/flite/

anoisesrc
=========

Generate a noise audio signal.

The filter accepts the following options:

sample_rate, r
     Specify the sample rate. Default value is 48000 Hz.

amplitude, a
     Specify the amplitude (0.0 - 1.0) of the generated audio stream. Default value is 1.0.

duration, d
     Specify the duration of the generated audio stream. Not specifying this option results in noise with an infinite length.

color, colour, c
     Specify the color of noise. Available noise colors are white, pink, brown, blue, violet and velvet. Default color is white.

seed, s
     Specify a value used to seed the PRNG.

nb_samples, n
     Set the number of samples per each output frame, default is 1024.

Examples
--------

  * Generate 60 seconds of pink noise, with a 44.1 kHz sampling rate and an amplitude of 0.5:

          anoisesrc=d=60:c=pink:r=44100:a=0.5

hilbert
=======

Generate odd-tap Hilbert transform FIR coefficients.

The resulting stream can be used with afir filter for phase-shifting the signal by 90 degrees.

This is used in many matrix coding schemes and for analytic signal generation. The process is often written as a multiplication by i (or j), the imaginary unit.

The filter accepts the following options:

sample_rate, s
     Set sample rate, default is 44100.

taps, t
     Set length of FIR filter, default is 22051.

nb_samples, n
     Set number of samples per each frame.

win_func, w
     Set window function to be used when generating FIR coefficients.

sinc
====

Generate a sinc kaiser-windowed low-pass, high-pass, band-pass, or band-reject FIR coefficients.

The resulting stream can be used with afir filter for filtering the audio signal.

The filter accepts the following options:

sample_rate, r
     Set sample rate, default is 44100.

nb_samples, n
     Set number of samples per each frame. Default is 1024.

hp
     Set high-pass frequency. Default is 0.

lp
     Set low-pass frequency. Default is 0. If high-pass frequency is lower than low-pass frequency and low-pass frequency is higher than 0 then filter will create band-pass filter coefficients, otherwise band-reject filter coefficients.

phase
     Set filter phase response. Default is 50. Allowed range is from 0 to 100.

beta
     Set Kaiser window beta.

att
     Set stop-band attenuation. Default is 120dB, allowed range is from 40 to 180 dB.

round
     Enable rounding, by default is disabled.

hptaps
     Set number of taps for high-pass filter.

lptaps
     Set number of taps for low-pass filter.

sine
====

Generate an audio signal made of a sine wave with amplitude 1/8.

The audio signal is bit-exact.

The filter accepts the following options:

frequency, f
     Set the carrier frequency. Default is 440 Hz.

beep_factor, b
     Enable a periodic beep every second with frequency BEEP_FACTOR times the carrier frequency. Default is 0, meaning the beep is disabled.

sample_rate, r
     Specify the sample rate, default is 44100.

duration, d
     Specify the duration of the generated audio stream.

samples_per_frame
     Set the number of samples per output frame.

     The expression can contain the following constants:

     n
          The (sequential) number of the output audio frame, starting from 0.

     pts
          The PTS (Presentation TimeStamp) of the output audio frame, expressed in TB units.

     t
          The PTS of the output audio frame, expressed in seconds.

     TB
          The timebase of the output audio frames.

     Default is 1024.

Examples
--------

  * Generate a simple 440 Hz sine wave:

          sine

  * Generate a 220 Hz sine wave with a 880 Hz beep each second, for 5 seconds:

          sine=220:4:d=5
          sine=f=220:b=4:d=5
          sine=frequency=220:beep_factor=4:duration=5

  * Generate a 1 kHz sine wave following 1602,1601,1602,1601,1602 NTSC pattern:

          sine=1000:samples_per_frame='st(0,mod(n,5)); 1602-not(not(eq(ld(0),1)+eq(ld(0),3)))'

Audio Sinks
***********

Below is a description of the currently available audio sinks.

abuffersink
===========

Buffer audio frames, and make them available to the end of filter chain.

This sink is mainly intended for programmatic use, in particular through the interface defined in libavfilter/buffersink.h or the options system.

It accepts a pointer to an AVABufferSinkContext structure, which defines the incoming buffers' formats, to be passed as the opaque parameter to avfilter_init_filter for initialization.

anullsink
=========

Null audio sink; do absolutely nothing with the input audio. It is mainly useful as a template and for use in analysis / debugging tools.

Video Filters
*************

When you configure your FFmpeg build, you can disable any of the existing filters using --disable-filters. The configure output will show the video filters included in your build.

Below is a description of the currently available video filters.

addroi
======

Mark a region of interest in a video frame.

The frame data is passed through unchanged, but metadata is attached to the frame indicating regions of interest which can affect the behaviour of later encoding.  Multiple regions can be marked by applying the filter multiple times.

x
     Region distance in pixels from the left edge of the frame.

y
     Region distance in pixels from the top edge of the frame.

w
     Region width in pixels.

h
     Region height in pixels.

     The parameters X, Y, W and H are expressions, and may contain the following variables:

     iw
          Width of the input frame.

     ih
          Height of the input frame.

qoffset
     Quantisation offset to apply within the region.

     This must be a real value in the range -1 to +1.  A value of zero indicates no quality change.  A negative value asks for better quality (less quantisation), while a positive value asks for worse quality (greater quantisation).

     The range is calibrated so that the extreme values indicate the largest possible offset - if the rest of the frame is encoded with the worst possible quality, an offset of -1 indicates that this region should be encoded with the best possible quality anyway.  Intermediate values are then interpolated in some codec-dependent way.

     For example, in 10-bit H.264 the quantisation parameter varies between -12 and 51.  A typical qoffset value of -1/10 therefore indicates that this region should be encoded with a QP around one-tenth of the full range better than the rest of the frame.  So, if most of the frame were to be encoded with a QP of around 30, this region would get a QP of around 24 (an offset of approximately -1/10 * (51 - -12) = -6.3). An extreme value of -1 would indicate that this region should be encoded with the best possible quality regardless of the treatment of the rest of the frame - that is, should be encoded at a QP of -12.

clear
     If set to true, remove any existing regions of interest marked on the frame before adding the new one.

Examples
--------

  * Mark the centre quarter of the frame as interesting.

          addroi=iw/4:ih/4:iw/2:ih/2:-1/10

  * Mark the 100-pixel-wide region on the left edge of the frame as very uninteresting (to be encoded at much lower quality than the rest of the frame).

          addroi=0:0:100:ih:+1/5

alphaextract
============

Extract the alpha component from the input as a grayscale video. This is especially useful with the ALPHAMERGE filter.

alphamerge
==========

Add or replace the alpha component of the primary input with the grayscale value of a second input. This is intended for use with ALPHAEXTRACT to allow the transmission or storage of frame sequences that have alpha in a format that doesn't support an alpha channel.

For example, to reconstruct full frames from a normal YUV-encoded video and a separate video created with ALPHAEXTRACT, you might use:

     movie=in_alpha.mkv [alpha]; [in][alpha] alphamerge [out]

amplify
=======

Amplify differences between current pixel and pixels of adjacent frames in same pixel location.

This filter accepts the following options:

radius
     Set frame radius. Default is 2. Allowed range is from 1 to 63. For example radius of 3 will instruct filter to calculate average of 7 frames.

factor
     Set factor to amplify difference. Default is 2. Allowed range is from 0 to 65535.

threshold
     Set threshold for difference amplification. Any difference greater or equal to this value will not alter source pixel. Default is 10. Allowed range is from 0 to 65535.

tolerance
     Set tolerance for difference amplification. Any difference lower to this value will not alter source pixel. Default is 0. Allowed range is from 0 to 65535.

low
     Set lower limit for changing source pixel. Default is 65535. Allowed range is from 0 to 65535. This option controls maximum possible value that will decrease source pixel value.

high
     Set high limit for changing source pixel. Default is 65535. Allowed range is from 0 to 65535. This option controls maximum possible value that will increase source pixel value.

planes
     Set which planes to filter. Default is all. Allowed range is from 0 to 15.

Commands
--------

This filter supports the following commands that corresponds to option of same name:

factor

threshold

tolerance

low

high

planes

ass
===

Same as the subtitles filter, except that it doesn't require libavcodec and libavformat to work. On the other hand, it is limited to ASS (Advanced Substation Alpha) subtitles files.

This filter accepts the following option in addition to the common options from the subtitles filter:

shaping
     Set the shaping engine

     Available values are:

     auto
          The default libass shaping engine, which is the best available.

     simple
          Fast, font-agnostic shaper that can do only substitutions

     complex
          Slower shaper using OpenType for substitutions and positioning

     The default is auto.

atadenoise
==========

Apply an Adaptive Temporal Averaging Denoiser to the video input.

The filter accepts the following options:

0a
     Set threshold A for 1st plane. Default is 0.02. Valid range is 0 to 0.3.

0b
     Set threshold B for 1st plane. Default is 0.04. Valid range is 0 to 5.

1a
     Set threshold A for 2nd plane. Default is 0.02. Valid range is 0 to 0.3.

1b
     Set threshold B for 2nd plane. Default is 0.04. Valid range is 0 to 5.

2a
     Set threshold A for 3rd plane. Default is 0.02. Valid range is 0 to 0.3.

2b
     Set threshold B for 3rd plane. Default is 0.04. Valid range is 0 to 5.

     Threshold A is designed to react on abrupt changes in the input signal and threshold B is designed to react on continuous changes in the input signal.

s
     Set number of frames filter will use for averaging. Default is 9. Must be odd number in range [5, 129].

p
     Set what planes of frame filter will use for averaging. Default is all.

a
     Set what variant of algorithm filter will use for averaging. Default is p parallel. Alternatively can be set to s serial.

     Parallel can be faster then serial, while other way around is never true. Parallel will abort early on first change being greater then thresholds, while serial will continue processing other side of frames if they are equal or below thresholds.

Commands
--------

This filter supports same commands as options except option s. The command accepts the same syntax of the corresponding option.

avgblur
=======

Apply average blur filter.

The filter accepts the following options:

sizeX
     Set horizontal radius size.

planes
     Set which planes to filter. By default all planes are filtered.

sizeY
     Set vertical radius size, if zero it will be same as sizeX. Default is 0.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

bbox
====

Compute the bounding box for the non-black pixels in the input frame luminance plane.

This filter computes the bounding box containing all the pixels with a luminance value greater than the minimum allowed value. The parameters describing the bounding box are printed on the filter log.

The filter accepts the following option:

min_val
     Set the minimal luminance value. Default is 16.

bilateral
=========

Apply bilateral filter, spatial smoothing while preserving edges.

The filter accepts the following options:

sigmaS
     Set sigma of gaussian function to calculate spatial weight. Allowed range is 0 to 512. Default is 0.1.

sigmaR
     Set sigma of gaussian function to calculate range weight. Allowed range is 0 to 1. Default is 0.1.

planes
     Set planes to filter. Default is first only.

bitplanenoise
=============

Show and measure bit plane noise.

The filter accepts the following options:

bitplane
     Set which plane to analyze. Default is 1.

filter
     Filter out noisy pixels from bitplane set above. Default is disabled.

blackdetect
===========

Detect video intervals that are (almost) completely black. Can be useful to detect chapter transitions, commercials, or invalid recordings.

The filter outputs its detection analysis to both the log as well as frame metadata. If a black segment of at least the specified minimum duration is found, a line with the start and end timestamps as well as duration is printed to the log with level info. In addition, a log line with level debug is printed per frame showing the black amount detected for that frame.

The filter also attaches metadata to the first frame of a black segment with key lavfi.black_start and to the first frame after the black segment ends with key lavfi.black_end. The value is the frame's timestamp. This metadata is added regardless of the minimum duration specified.

The filter accepts the following options:

black_min_duration, d
     Set the minimum detected black duration expressed in seconds. It must be a non-negative floating point number.

     Default value is 2.0.

picture_black_ratio_th, pic_th
     Set the threshold for considering a picture "black". Express the minimum value for the ratio:

          NB_BLACK_PIXELS / NB_PIXELS

     for which a picture is considered black. Default value is 0.98.

pixel_black_th, pix_th
     Set the threshold for considering a pixel "black".

     The threshold expresses the maximum pixel luminance value for which a pixel is considered "black". The provided value is scaled according to the following equation:

          ABSOLUTE_THRESHOLD = LUMINANCE_MINIMUM_VALUE + PIXEL_BLACK_TH * LUMINANCE_RANGE_SIZE

     LUMINANCE_RANGE_SIZE and LUMINANCE_MINIMUM_VALUE depend on the input video format, the range is [0-255] for YUV full-range formats and [16-235] for YUV non full-range formats.

     Default value is 0.10.

The following example sets the maximum pixel threshold to the minimum value, and detects only black intervals of 2 or more seconds:

     blackdetect=d=2:pix_th=0.00

blackframe
==========

Detect frames that are (almost) completely black. Can be useful to detect chapter transitions or commercials. Output lines consist of the frame number of the detected frame, the percentage of blackness, the position in the file if known or -1 and the timestamp in seconds.

In order to display the output lines, you need to set the loglevel at least to the AV_LOG_INFO value.

This filter exports frame metadata lavfi.blackframe.pblack. The value represents the percentage of pixels in the picture that are below the threshold value.

It accepts the following parameters:

amount
     The percentage of the pixels that have to be below the threshold; it defaults to 98.

threshold, thresh
     The threshold below which a pixel value is considered black; it defaults to 32.

blend
=====

Blend two video frames into each other.

The blend filter takes two input streams and outputs one stream, the first input is the "top" layer and second input is "bottom" layer.  By default, the output terminates when the longest input terminates.

The tblend (time blend) filter takes two consecutive frames from one single stream, and outputs the result obtained by blending the new frame on top of the old frame.

A description of the accepted options follows.

c0_mode

c1_mode

c2_mode

c3_mode

all_mode
     Set blend mode for specific pixel component or all pixel components in case of ALL_MODE. Default value is normal.

     Available values for component modes are:

     addition

     grainmerge

     and

     average

     burn

     darken

     difference

     grainextract

     divide

     dodge

     freeze

     exclusion

     extremity

     glow

     hardlight

     hardmix

     heat

     lighten

     linearlight

     multiply

     multiply128

     negation

     normal

     or

     overlay

     phoenix

     pinlight

     reflect

     screen

     softlight

     subtract

     vividlight

     xor

c0_opacity

c1_opacity

c2_opacity

c3_opacity

all_opacity
     Set blend opacity for specific pixel component or all pixel components in case of ALL_OPACITY. Only used in combination with pixel component blend modes.

c0_expr

c1_expr

c2_expr

c3_expr

all_expr
     Set blend expression for specific pixel component or all pixel components in case of ALL_EXPR. Note that related mode options will be ignored if those are set.

     The expressions can use the following variables:

     N
          The sequential number of the filtered frame, starting from 0.

     X

     Y
          the coordinates of the current sample

     W

     H
          the width and height of currently filtered plane

     SW

     SH
          Width and height scale for the plane being filtered. It is the ratio between the dimensions of the current plane to the luma plane, e.g. for a yuv420p frame, the values are 1,1 for the luma plane and 0.5,0.5 for the chroma planes.

     T
          Time of the current frame, expressed in seconds.

     TOP, A
          Value of pixel component at current location for first video frame (top layer).

     BOTTOM, B
          Value of pixel component at current location for second video frame (bottom layer).

The blend filter also supports the framesync options.

Examples
--------

  * Apply transition from bottom layer to top layer in first 10 seconds:

          blend=all_expr='A*(if(gte(T,10),1,T/10))+B*(1-(if(gte(T,10),1,T/10)))'

  * Apply linear horizontal transition from top layer to bottom layer:

          blend=all_expr='A*(X/W)+B*(1-X/W)'

  * Apply 1x1 checkerboard effect:

          blend=all_expr='if(eq(mod(X,2),mod(Y,2)),A,B)'

  * Apply uncover left effect:

          blend=all_expr='if(gte(N*SW+X,W),A,B)'

  * Apply uncover down effect:

          blend=all_expr='if(gte(Y-N*SH,0),A,B)'

  * Apply uncover up-left effect:

          blend=all_expr='if(gte(T*SH*40+Y,H)*gte((T*40*SW+X)*W/H,W),A,B)'

  * Split diagonally video and shows top and bottom layer on each side:

          blend=all_expr='if(gt(X,Y*(W/H)),A,B)'

  * Display differences between the current and the previous frame:

          tblend=all_mode=grainextract

bm3d
====

Denoise frames using Block-Matching 3D algorithm.

The filter accepts the following options.

sigma
     Set denoising strength. Default value is 1. Allowed range is from 0 to 999.9. The denoising algorithm is very sensitive to sigma, so adjust it according to the source.

block
     Set local patch size. This sets dimensions in 2D.

bstep
     Set sliding step for processing blocks. Default value is 4. Allowed range is from 1 to 64. Smaller values allows processing more reference blocks and is slower.

group
     Set maximal number of similar blocks for 3rd dimension. Default value is 1. When set to 1, no block matching is done. Larger values allows more blocks in single group. Allowed range is from 1 to 256.

range
     Set radius for search block matching. Default is 9. Allowed range is from 1 to INT32_MAX.

mstep
     Set step between two search locations for block matching. Default is 1. Allowed range is from 1 to 64. Smaller is slower.

thmse
     Set threshold of mean square error for block matching. Valid range is 0 to INT32_MAX.

hdthr
     Set thresholding parameter for hard thresholding in 3D transformed domain. Larger values results in stronger hard-thresholding filtering in frequency domain.

estim
     Set filtering estimation mode. Can be basic or final. Default is basic.

ref
     If enabled, filter will use 2nd stream for block matching. Default is disabled for basic value of ESTIM option, and always enabled if value of ESTIM is final.

planes
     Set planes to filter. Default is all available except alpha.

Examples
--------

  * Basic filtering with bm3d:

          bm3d=sigma=3:block=4:bstep=2:group=1:estim=basic

  * Same as above, but filtering only luma:

          bm3d=sigma=3:block=4:bstep=2:group=1:estim=basic:planes=1

  * Same as above, but with both estimation modes:

          split[a][b],[a]bm3d=sigma=3:block=4:bstep=2:group=1:estim=basic[a],[b][a]bm3d=sigma=3:block=4:bstep=2:group=16:estim=final:ref=1

  * Same as above, but prefilter with nlmeans filter instead:

          split[a][b],[a]nlmeans=s=3:r=7:p=3[a],[b][a]bm3d=sigma=3:block=4:bstep=2:group=16:estim=final:ref=1

boxblur
=======

Apply a boxblur algorithm to the input video.

It accepts the following parameters:

luma_radius, lr

luma_power, lp

chroma_radius, cr

chroma_power, cp

alpha_radius, ar

alpha_power, ap

A description of the accepted options follows.

luma_radius, lr

chroma_radius, cr

alpha_radius, ar
     Set an expression for the box radius in pixels used for blurring the corresponding input plane.

     The radius value must be a non-negative number, and must not be greater than the value of the expression min(w,h)/2 for the luma and alpha planes, and of min(cw,ch)/2 for the chroma planes.

     Default value for luma_radius is "2". If not specified, chroma_radius and alpha_radius default to the corresponding value set for luma_radius.

     The expressions can contain the following constants:

     w

     h
          The input width and height in pixels.

     cw

     ch
          The input chroma image width and height in pixels.

     hsub

     vsub
          The horizontal and vertical chroma subsample values. For example, for the pixel format "yuv422p", HSUB is 2 and VSUB is 1.

luma_power, lp

chroma_power, cp

alpha_power, ap
     Specify how many times the boxblur filter is applied to the corresponding plane.

     Default value for luma_power is 2. If not specified, chroma_power and alpha_power default to the corresponding value set for luma_power.

     A value of 0 will disable the effect.

Examples
--------

  * Apply a boxblur filter with the luma, chroma, and alpha radii set to 2:

          boxblur=luma_radius=2:luma_power=1
          boxblur=2:1

  * Set the luma radius to 2, and alpha and chroma radius to 0:

          boxblur=2:1:cr=0:ar=0

  * Set the luma and chroma radii to a fraction of the video dimension:

          boxblur=luma_radius=min(h\,w)/10:luma_power=1:chroma_radius=min(cw\,ch)/10:chroma_power=1

bwdif
=====

Deinterlace the input video ("bwdif" stands for "Bob Weaver Deinterlacing Filter").

Motion adaptive deinterlacing based on yadif with the use of w3fdif and cubic interpolation algorithms. It accepts the following parameters:

mode
     The interlacing mode to adopt. It accepts one of the following values:

     0, send_frame
          Output one frame for each frame.

     1, send_field
          Output one frame for each field.

     The default value is send_field.

parity
     The picture field parity assumed for the input interlaced video. It accepts one of the following values:

     0, tff
          Assume the top field is first.

     1, bff
          Assume the bottom field is first.

     -1, auto
          Enable automatic detection of field parity.

     The default value is auto. If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
     Specify which frames to deinterlace. Accepts one of the following values:

     0, all
          Deinterlace all frames.

     1, interlaced
          Only deinterlace frames marked as interlaced.

     The default value is all.

cas
===

Apply Contrast Adaptive Sharpen filter to video stream.

The filter accepts the following options:

strength
     Set the sharpening strength. Default value is 0.

planes
     Set planes to filter. Default value is to filter all planes except alpha plane.

chromahold
==========

Remove all color information for all colors except for certain one.

The filter accepts the following options:

color
     The color which will not be replaced with neutral chroma.

similarity
     Similarity percentage with the above color. 0.01 matches only the exact key color, while 1.0 matches everything.

blend
     Blend percentage. 0.0 makes pixels either fully gray, or not gray at all. Higher values result in more preserved color.

yuv
     Signals that the color passed is already in YUV instead of RGB.

     Literal colors like "green" or "red" don't make sense with this enabled anymore. This can be used to pass exact YUV values as hexadecimal numbers.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

chromakey
=========

YUV colorspace color/chroma keying.

The filter accepts the following options:

color
     The color which will be replaced with transparency.

similarity
     Similarity percentage with the key color.

     0.01 matches only the exact key color, while 1.0 matches everything.

blend
     Blend percentage.

     0.0 makes pixels either fully transparent, or not transparent at all.

     Higher values result in semi-transparent pixels, with a higher transparency the more similar the pixels color is to the key color.

yuv
     Signals that the color passed is already in YUV instead of RGB.

     Literal colors like "green" or "red" don't make sense with this enabled anymore. This can be used to pass exact YUV values as hexadecimal numbers.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

Examples
--------

  * Make every green pixel in the input image transparent:

          ffmpeg -i input.png -vf chromakey=green out.png

  * Overlay a greenscreen-video on top of a static black background.

          ffmpeg -f lavfi -i color=c=black:s=1280x720 -i video.mp4 -shortest -filter_complex "[1:v]chromakey=0x70de77:0.1:0.2[ckout];[0:v][ckout]overlay[out]" -map "[out]" output.mkv

chromanr
========

Reduce chrominance noise.

The filter accepts the following options:

thres
     Set threshold for averaging chrominance values. Sum of absolute difference of U and V pixel components or current pixel and neighbour pixels lower than this threshold will be used in averaging. Luma component is left unchanged and is copied to output. Default value is 30. Allowed range is from 1 to 200.

sizew
     Set horizontal radius of rectangle used for averaging. Allowed range is from 1 to 100. Default value is 5.

sizeh
     Set vertical radius of rectangle used for averaging. Allowed range is from 1 to 100. Default value is 5.

stepw
     Set horizontal step when averaging. Default value is 1. Allowed range is from 1 to 50. Mostly useful to speed-up filtering.

steph
     Set vertical step when averaging. Default value is 1. Allowed range is from 1 to 50. Mostly useful to speed-up filtering.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

chromashift
===========

Shift chroma pixels horizontally and/or vertically.

The filter accepts the following options:

cbh
     Set amount to shift chroma-blue horizontally.

cbv
     Set amount to shift chroma-blue vertically.

crh
     Set amount to shift chroma-red horizontally.

crv
     Set amount to shift chroma-red vertically.

edge
     Set edge mode, can be SMEAR, default, or WARP.

Commands
--------

This filter supports the all above options as commands.

ciescope
========

Display CIE color diagram with pixels overlaid onto it.

The filter accepts the following options:

system
     Set color system.

     ntsc, 470m

     ebu, 470bg

     smpte

     240m

     apple

     widergb

     cie1931

     rec709, hdtv

     uhdtv, rec2020

     dcip3

cie
     Set CIE system.

     xyy

     ucs

     luv

gamuts
     Set what gamuts to draw.

     See system option for available values.

size, s
     Set ciescope size, by default set to 512.

intensity, i
     Set intensity used to map input pixel values to CIE diagram.

contrast
     Set contrast used to draw tongue colors that are out of active color system gamut.

corrgamma
     Correct gamma displayed on scope, by default enabled.

showwhite
     Show white point on CIE diagram, by default disabled.

gamma
     Set input gamma. Used only with XYZ input color space.

codecview
=========

Visualize information exported by some codecs.

Some codecs can export information through frames using side-data or other means. For example, some MPEG based codecs export motion vectors through the EXPORT_MVS flag in the codec flags2 option.

The filter accepts the following option:

mv
     Set motion vectors to visualize.

     Available flags for MV are:

     pf
          forward predicted MVs of P-frames

     bf
          forward predicted MVs of B-frames

     bb
          backward predicted MVs of B-frames

qp
     Display quantization parameters using the chroma planes.

mv_type, mvt
     Set motion vectors type to visualize. Includes MVs from all frames unless specified by FRAME_TYPE option.

     Available flags for MV_TYPE are:

     fp
          forward predicted MVs

     bp
          backward predicted MVs

frame_type, ft
     Set frame type to visualize motion vectors of.

     Available flags for FRAME_TYPE are:

     if
          intra-coded frames (I-frames)

     pf
          predicted frames (P-frames)

     bf
          bi-directionally predicted frames (B-frames)

Examples
--------

  * Visualize forward predicted MVs of all frames using ffplay:

          ffplay -flags2 +export_mvs input.mp4 -vf codecview=mv_type=fp

  * Visualize multi-directionals MVs of P and B-Frames using ffplay:

          ffplay -flags2 +export_mvs input.mp4 -vf codecview=mv=pf+bf+bb

colorbalance
============

Modify intensity of primary colors (red, green and blue) of input frames.

The filter allows an input frame to be adjusted in the shadows, midtones or highlights regions for the red-cyan, green-magenta or blue-yellow balance.

A positive adjustment value shifts the balance towards the primary color, a negative value towards the complementary color.

The filter accepts the following options:

rs

gs

bs
     Adjust red, green and blue shadows (darkest pixels).

rm

gm

bm
     Adjust red, green and blue midtones (medium pixels).

rh

gh

bh
     Adjust red, green and blue highlights (brightest pixels).

     Allowed ranges for options are [-1.0, 1.0]. Defaults are 0.

pl
     Preserve lightness when changing color balance. Default is disabled.

Examples
--------

  * Add red color cast to shadows:

          colorbalance=rs=.3

Commands
--------

This filter supports the all above options as commands.

colorchannelmixer
=================

Adjust video input frames by re-mixing color channels.

This filter modifies a color channel by adding the values associated to the other channels of the same pixels. For example if the value to modify is red, the output value will be:

     RED=RED*RR + BLUE*RB + GREEN*RG + ALPHA*RA

The filter accepts the following options:

rr

rg

rb

ra
     Adjust contribution of input red, green, blue and alpha channels for output red channel. Default is 1 for RR, and 0 for RG, RB and RA.

gr

gg

gb

ga
     Adjust contribution of input red, green, blue and alpha channels for output green channel. Default is 1 for GG, and 0 for GR, GB and GA.

br

bg

bb

ba
     Adjust contribution of input red, green, blue and alpha channels for output blue channel. Default is 1 for BB, and 0 for BR, BG and BA.

ar

ag

ab

aa
     Adjust contribution of input red, green, blue and alpha channels for output alpha channel. Default is 1 for AA, and 0 for AR, AG and AB.

     Allowed ranges for options are [-2.0, 2.0].

Examples
--------

  * Convert source to grayscale:

          colorchannelmixer=.3:.4:.3:0:.3:.4:.3:0:.3:.4:.3

  * Simulate sepia tones:

          colorchannelmixer=.393:.769:.189:0:.349:.686:.168:0:.272:.534:.131

Commands
--------

This filter supports the all above options as commands.

colorkey
========

RGB colorspace color keying.

The filter accepts the following options:

color
     The color which will be replaced with transparency.

similarity
     Similarity percentage with the key color.

     0.01 matches only the exact key color, while 1.0 matches everything.

blend
     Blend percentage.

     0.0 makes pixels either fully transparent, or not transparent at all.

     Higher values result in semi-transparent pixels, with a higher transparency the more similar the pixels color is to the key color.

Examples
--------

  * Make every green pixel in the input image transparent:

          ffmpeg -i input.png -vf colorkey=green out.png

  * Overlay a greenscreen-video on top of a static background image.

          ffmpeg -i background.png -i video.mp4 -filter_complex "[1:v]colorkey=0x3BBD1E:0.3:0.2[ckout];[0:v][ckout]overlay[out]" -map "[out]" output.flv

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

colorhold
=========

Remove all color information for all RGB colors except for certain one.

The filter accepts the following options:

color
     The color which will not be replaced with neutral gray.

similarity
     Similarity percentage with the above color. 0.01 matches only the exact key color, while 1.0 matches everything.

blend
     Blend percentage. 0.0 makes pixels fully gray. Higher values result in more preserved color.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

colorlevels
===========

Adjust video input frames using levels.

The filter accepts the following options:

rimin

gimin

bimin

aimin
     Adjust red, green, blue and alpha input black point. Allowed ranges for options are [-1.0, 1.0]. Defaults are 0.

rimax

gimax

bimax

aimax
     Adjust red, green, blue and alpha input white point. Allowed ranges for options are [-1.0, 1.0]. Defaults are 1.

     Input levels are used to lighten highlights (bright tones), darken shadows (dark tones), change the balance of bright and dark tones.

romin

gomin

bomin

aomin
     Adjust red, green, blue and alpha output black point. Allowed ranges for options are [0, 1.0]. Defaults are 0.

romax

gomax

bomax

aomax
     Adjust red, green, blue and alpha output white point. Allowed ranges for options are [0, 1.0]. Defaults are 1.

     Output levels allows manual selection of a constrained output level range.

Examples
--------

  * Make video output darker:

          colorlevels=rimin=0.058:gimin=0.058:bimin=0.058

  * Increase contrast:

          colorlevels=rimin=0.039:gimin=0.039:bimin=0.039:rimax=0.96:gimax=0.96:bimax=0.96

  * Make video output lighter:

          colorlevels=rimax=0.902:gimax=0.902:bimax=0.902

  * Increase brightness:

          colorlevels=romin=0.5:gomin=0.5:bomin=0.5

Commands
--------

This filter supports the all above options as commands.

colormatrix
===========

Convert color matrix.

The filter accepts the following options:

src

dst
     Specify the source and destination color matrix. Both values must be specified.

     The accepted values are:

     bt709
          BT.709

     fcc
          FCC

     bt601
          BT.601

     bt470
          BT.470

     bt470bg
          BT.470BG

     smpte170m
          SMPTE-170M

     smpte240m
          SMPTE-240M

     bt2020
          BT.2020

For example to convert from BT.601 to SMPTE-240M, use the command:

     colormatrix=bt601:smpte240m

colorspace
==========

Convert colorspace, transfer characteristics or color primaries. Input video needs to have an even size.

The filter accepts the following options:

all
     Specify all color properties at once.

     The accepted values are:

     bt470m
          BT.470M

     bt470bg
          BT.470BG

     bt601-6-525
          BT.601-6 525

     bt601-6-625
          BT.601-6 625

     bt709
          BT.709

     smpte170m
          SMPTE-170M

     smpte240m
          SMPTE-240M

     bt2020
          BT.2020

space
     Specify output colorspace.

     The accepted values are:

     bt709
          BT.709

     fcc
          FCC

     bt470bg
          BT.470BG or BT.601-6 625

     smpte170m
          SMPTE-170M or BT.601-6 525

     smpte240m
          SMPTE-240M

     ycgco
          YCgCo

     bt2020ncl
          BT.2020 with non-constant luminance

trc
     Specify output transfer characteristics.

     The accepted values are:

     bt709
          BT.709

     bt470m
          BT.470M

     bt470bg
          BT.470BG

     gamma22
          Constant gamma of 2.2

     gamma28
          Constant gamma of 2.8

     smpte170m
          SMPTE-170M, BT.601-6 625 or BT.601-6 525

     smpte240m
          SMPTE-240M

     srgb
          SRGB

     iec61966-2-1
          iec61966-2-1

     iec61966-2-4
          iec61966-2-4

     xvycc
          xvycc

     bt2020-10
          BT.2020 for 10-bits content

     bt2020-12
          BT.2020 for 12-bits content

primaries
     Specify output color primaries.

     The accepted values are:

     bt709
          BT.709

     bt470m
          BT.470M

     bt470bg
          BT.470BG or BT.601-6 625

     smpte170m
          SMPTE-170M or BT.601-6 525

     smpte240m
          SMPTE-240M

     film
          film

     smpte431
          SMPTE-431

     smpte432
          SMPTE-432

     bt2020
          BT.2020

     jedec-p22
          JEDEC P22 phosphors

range
     Specify output color range.

     The accepted values are:

     tv
          TV (restricted) range

     mpeg
          MPEG (restricted) range

     pc
          PC (full) range

     jpeg
          JPEG (full) range

format
     Specify output color format.

     The accepted values are:

     yuv420p
          YUV 4:2:0 planar 8-bits

     yuv420p10
          YUV 4:2:0 planar 10-bits

     yuv420p12
          YUV 4:2:0 planar 12-bits

     yuv422p
          YUV 4:2:2 planar 8-bits

     yuv422p10
          YUV 4:2:2 planar 10-bits

     yuv422p12
          YUV 4:2:2 planar 12-bits

     yuv444p
          YUV 4:4:4 planar 8-bits

     yuv444p10
          YUV 4:4:4 planar 10-bits

     yuv444p12
          YUV 4:4:4 planar 12-bits

fast
     Do a fast conversion, which skips gamma/primary correction. This will take significantly less CPU, but will be mathematically incorrect. To get output compatible with that produced by the colormatrix filter, use fast=1.

dither
     Specify dithering mode.

     The accepted values are:

     none
          No dithering

     fsb
          Floyd-Steinberg dithering

wpadapt
     Whitepoint adaptation mode.

     The accepted values are:

     bradford
          Bradford whitepoint adaptation

     vonkries
          von Kries whitepoint adaptation

     identity
          identity whitepoint adaptation (i.e. no whitepoint adaptation)

iall
     Override all input properties at once. Same accepted values as all.

ispace
     Override input colorspace. Same accepted values as space.

iprimaries
     Override input color primaries. Same accepted values as primaries.

itrc
     Override input transfer characteristics. Same accepted values as trc.

irange
     Override input color range. Same accepted values as range.

The filter converts the transfer characteristics, color space and color primaries to the specified user values. The output value, if not specified, is set to a default value based on the "all" property. If that property is also not specified, the filter will log an error. The output color range and format default to the same value as the input color range and format. The input transfer characteristics, color space, color primaries and color range should be set on the input data. If any of these are missing, the filter will log an error and no conversion will take place.

For example to convert the input to SMPTE-240M, use the command:

     colorspace=smpte240m

convolution
===========

Apply convolution of 3x3, 5x5, 7x7 or horizontal/vertical up to 49 elements.

The filter accepts the following options:

0m

1m

2m

3m
     Set matrix for each plane. Matrix is sequence of 9, 25 or 49 signed integers in SQUARE mode, and from 1 to 49 odd number of signed integers in ROW mode.

0rdiv

1rdiv

2rdiv

3rdiv
     Set multiplier for calculated value for each plane. If unset or 0, it will be sum of all matrix elements.

0bias

1bias

2bias

3bias
     Set bias for each plane. This value is added to the result of the multiplication. Useful for making the overall image brighter or darker. Default is 0.0.

0mode

1mode

2mode

3mode
     Set matrix mode for each plane. Can be SQUARE, ROW or COLUMN. Default is SQUARE.

Examples
--------

  * Apply sharpen:

          convolution="0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0"

  * Apply blur:

          convolution="1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1/9:1/9:1/9:1/9"

  * Apply edge enhance:

          convolution="0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:5:1:1:1:0:128:128:128"

  * Apply edge detect:

          convolution="0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:5:5:5:1:0:128:128:128"

  * Apply laplacian edge detector which includes diagonals:

          convolution="1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:5:5:5:1:0:128:128:0"

  * Apply emboss:

          convolution="-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2"

convolve
========

Apply 2D convolution of video stream in frequency domain using second stream as impulse.

The filter accepts the following options:

planes
     Set which planes to process.

impulse
     Set which impulse video frames will be processed, can be FIRST or ALL. Default is ALL.

The convolve filter also supports the framesync options.

copy
====

Copy the input video source unchanged to the output. This is mainly useful for testing purposes.

coreimage
=========

Video filtering on GPU using Apple's CoreImage API on OSX.

Hardware acceleration is based on an OpenGL context. Usually, this means it is processed by video hardware. However, software-based OpenGL implementations exist which means there is no guarantee for hardware processing. It depends on the respective OSX.

There are many filters and image generators provided by Apple that come with a large variety of options. The filter has to be referenced by its name along with its options.

The coreimage filter accepts the following options:

list_filters
     List all available filters and generators along with all their respective options as well as possible minimum and maximum values along with the default values.

          list_filters=true

filter
     Specify all filters by their respective name and options. Use LIST_FILTERS to determine all valid filter names and options. Numerical options are specified by a float value and are automatically clamped to their respective value range.  Vector and color options have to be specified by a list of space separated float values. Character escaping has to be done. A special option name default is available to use default options for a filter.

     It is required to specify either default or at least one of the filter options. All omitted options are used with their default values. The syntax of the filter string is as follows:

          filter=<NAME>@<OPTION>=<VALUE>[@<OPTION>=<VALUE>][@...][#<NAME>@<OPTION>=<VALUE>[@<OPTION>=<VALUE>][@...]][#...]

output_rect
     Specify a rectangle where the output of the filter chain is copied into the input image. It is given by a list of space separated float values:

          output_rect=x\ y\ width\ height

     If not given, the output rectangle equals the dimensions of the input image. The output rectangle is automatically cropped at the borders of the input image. Negative values are valid for each component.

          output_rect=25\ 25\ 100\ 100

Several filters can be chained for successive processing without GPU-HOST transfers allowing for fast processing of complex filter chains. Currently, only filters with zero (generators) or exactly one (filters) input image and one output image are supported. Also, transition filters are not yet usable as intended.

Some filters generate output images with additional padding depending on the respective filter kernel. The padding is automatically removed to ensure the filter output has the same size as the input image.

For image generators, the size of the output image is determined by the previous output image of the filter chain or the input image of the whole filterchain, respectively. The generators do not use the pixel information of this image to generate their output. However, the generated output is blended onto this image, resulting in partial or complete coverage of the output image.

The coreimagesrc video source can be used for generating input images which are directly fed into the filter chain. By using it, providing input images by another video source or an input video is not required.

Examples
--------

  * List all filters available:

          coreimage=list_filters=true

  * Use the CIBoxBlur filter with default options to blur an image:

          coreimage=filter=CIBoxBlur@default

  * Use a filter chain with CISepiaTone at default values and CIVignetteEffect with its center at 100x100 and a radius of 50 pixels:

          coreimage=filter=CIBoxBlur@default#CIVignetteEffect@inputCenter=100\ 100@inputRadius=50

  * Use nullsrc and CIQRCodeGenerator to create a QR code for the FFmpeg homepage, given as complete and escaped command-line for Apple's standard bash shell:

          ffmpeg -f lavfi -i nullsrc=s=100x100,coreimage=filter=CIQRCodeGenerator@inputMessage=https\\\\\://FFmpeg.org/@inputCorrectionLevel=H -frames:v 1 QRCode.png

cover_rect
==========

Cover a rectangular object

It accepts the following options:

cover
     Filepath of the optional cover image, needs to be in yuv420.

mode
     Set covering mode.

     It accepts the following values:

     cover
          cover it by the supplied image

     blur
          cover it by interpolating the surrounding pixels

     Default value is BLUR.

Examples
--------

  * Cover a rectangular object by the supplied image of a given video using ffmpeg:

          ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv

crop
====

Crop the input video to given dimensions.

It accepts the following parameters:

w, out_w
     The width of the output video. It defaults to iw. This expression is evaluated only once during the filter configuration, or when the w or out_w command is sent.

h, out_h
     The height of the output video. It defaults to ih. This expression is evaluated only once during the filter configuration, or when the h or out_h command is sent.

x
     The horizontal position, in the input video, of the left edge of the output video. It defaults to (in_w-out_w)/2. This expression is evaluated per-frame.

y
     The vertical position, in the input video, of the top edge of the output video. It defaults to (in_h-out_h)/2. This expression is evaluated per-frame.

keep_aspect
     If set to 1 will force the output display aspect ratio to be the same of the input, by changing the output sample aspect ratio. It defaults to 0.

exact
     Enable exact cropping. If enabled, subsampled videos will be cropped at exact width/height/x/y as specified and will not be rounded to nearest smaller value. It defaults to 0.

The OUT_W, OUT_H, X, Y parameters are expressions containing the following constants:

x

y
     The computed values for X and Y. They are evaluated for each new frame.

in_w

in_h
     The input width and height.

iw

ih
     These are the same as IN_W and IN_H.

out_w

out_h
     The output (cropped) width and height.

ow

oh
     These are the same as OUT_W and OUT_H.

a
     same as IW / IH

sar
     input sample aspect ratio

dar
     input display aspect ratio, it is the same as (IW / IH) * SAR

hsub

vsub
     horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

n
     The number of the input frame, starting from 0.

pos
     the position in the file of the input frame, NAN if unknown

t
     The timestamp expressed in seconds. It's NAN if the input timestamp is unknown.

The expression for OUT_W may depend on the value of OUT_H, and the expression for OUT_H may depend on OUT_W, but they cannot depend on X and Y, as X and Y are evaluated after OUT_W and OUT_H.

The X and Y parameters specify the expressions for the position of the top-left corner of the output (non-cropped) area. They are evaluated for each frame. If the evaluated value is not valid, it is approximated to the nearest valid value.

The expression for X may depend on Y, and the expression for Y may depend on X.

Examples
--------

  * Crop area with size 100x100 at position (12,34).

          crop=100:100:12:34

     Using named options, the example above becomes:

          crop=w=100:h=100:x=12:y=34

  * Crop the central input area with size 100x100:

          crop=100:100

  * Crop the central input area with size 2/3 of the input video:

          crop=2/3*in_w:2/3*in_h

  * Crop the input video central square:

          crop=out_w=in_h
          crop=in_h

  * Delimit the rectangle with the top-left corner placed at position 100:100 and the right-bottom corner corresponding to the right-bottom corner of the input image.

          crop=in_w-100:in_h-100:100:100

  * Crop 10 pixels from the left and right borders, and 20 pixels from the top and bottom borders

          crop=in_w-2*10:in_h-2*20

  * Keep only the bottom right quarter of the input image:

          crop=in_w/2:in_h/2:in_w/2:in_h/2

  * Crop height for getting Greek harmony:

          crop=in_w:1/PHI*in_w

  * Apply trembling effect:

          crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(n/10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(n/7)

  * Apply erratic camera effect depending on timestamp:

          crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(t*10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(t*13)"

  * Set x depending on the value of y:

          crop=in_w/2:in_h/2:y:10+10*sin(n/10)

Commands
--------

This filter supports the following commands:

w, out_w

h, out_h

x

y
     Set width/height of the output video and the horizontal/vertical position in the input video. The command accepts the same syntax of the corresponding option.

     If the specified expression is not valid, it is kept at its current value.

cropdetect
==========

Auto-detect the crop size.

It calculates the necessary cropping parameters and prints the recommended parameters via the logging system. The detected dimensions correspond to the non-black area of the input video.

It accepts the following parameters:

limit
     Set higher black value threshold, which can be optionally specified from nothing (0) to everything (255 for 8-bit based formats). An intensity value greater to the set value is considered non-black. It defaults to 24. You can also specify a value between 0.0 and 1.0 which will be scaled depending on the bitdepth of the pixel format.

round
     The value which the width/height should be divisible by. It defaults to 16. The offset is automatically adjusted to center the video. Use 2 to get only even dimensions (needed for 4:2:2 video). 16 is best when encoding to most video codecs.

reset_count, reset
     Set the counter that determines after how many frames cropdetect will reset the previously detected largest video area and start over to detect the current optimal crop area. Default value is 0.

     This can be useful when channel logos distort the video area. 0 indicates 'never reset', and returns the largest area encountered during playback.

cue
===

Delay video filtering until a given wallclock timestamp. The filter first passes on preroll amount of frames, then it buffers at most buffer amount of frames and waits for the cue. After reaching the cue it forwards the buffered frames and also any subsequent frames coming in its input.

The filter can be used synchronize the output of multiple ffmpeg processes for realtime output devices like decklink. By putting the delay in the filtering chain and pre-buffering frames the process can pass on data to output almost immediately after the target wallclock timestamp is reached.

Perfect frame accuracy cannot be guaranteed, but the result is good enough for some use cases.

cue
     The cue timestamp expressed in a UNIX timestamp in microseconds. Default is 0.

preroll
     The duration of content to pass on as preroll expressed in seconds. Default is 0.

buffer
     The maximum duration of content to buffer before waiting for the cue expressed in seconds. Default is 0.

curves
======

Apply color adjustments using curves.

This filter is similar to the Adobe Photoshop and GIMP curves tools. Each component (red, green and blue) has its values defined by N key points tied from each other using a smooth curve. The x-axis represents the pixel values from the input frame, and the y-axis the new pixel values to be set for the output frame.

By default, a component curve is defined by the two points (0;0) and (1;1). This creates a straight line where each original pixel value is "adjusted" to its own value, which means no change to the image.

The filter allows you to redefine these two points and add some more. A new curve (using a natural cubic spline interpolation) will be define to pass smoothly through all these new coordinates. The new defined points needs to be strictly increasing over the x-axis, and their X and Y values must be in the [0;1] interval.  If the computed curves happened to go outside the vector spaces, the values will be clipped accordingly.

The filter accepts the following options:

preset
     Select one of the available color presets. This option can be used in addition to the r, g, b parameters; in this case, the later options takes priority on the preset values. Available presets are:

     none

     color_negative

     cross_process

     darker

     increase_contrast

     lighter

     linear_contrast

     medium_contrast

     negative

     strong_contrast

     vintage

     Default is none.

master, m
     Set the master key points. These points will define a second pass mapping. It is sometimes called a "luminance" or "value" mapping. It can be used with r, g, b or all since it acts like a post-processing LUT.

red, r
     Set the key points for the red component.

green, g
     Set the key points for the green component.

blue, b
     Set the key points for the blue component.

all
     Set the key points for all components (not including master). Can be used in addition to the other key points component options. In this case, the unset component(s) will fallback on this all setting.

psfile
     Specify a Photoshop curves file (.acv) to import the settings from.

plot
     Save Gnuplot script of the curves in specified file.

To avoid some filtergraph syntax conflicts, each key points list need to be defined using the following syntax: x0/y0 x1/y1 x2/y2 ....

Examples
--------

  * Increase slightly the middle level of blue:

          curves=blue='0/0 0.5/0.58 1/1'

  * Vintage effect:

          curves=r='0/0.11 .42/.51 1/0.95':g='0/0 0.50/0.48 1/1':b='0/0.22 .49/.44 1/0.8'

     Here we obtain the following coordinates for each components:

     red
          (0;0.11) (0.42;0.51) (1;0.95)

     green
          (0;0) (0.50;0.48) (1;1)

     blue
          (0;0.22) (0.49;0.44) (1;0.80)

  * The previous example can also be achieved with the associated built-in preset:

          curves=preset=vintage

  * Or simply:

          curves=vintage

  * Use a Photoshop preset and redefine the points of the green component:

          curves=psfile='MyCurvesPresets/purple.acv':green='0/0 0.45/0.53 1/1'

  * Check out the curves of the cross_process profile using ffmpeg and gnuplot:

          ffmpeg -f lavfi -i color -vf curves=cross_process:plot=/tmp/curves.plt -frames:v 1 -f null -
          gnuplot -p /tmp/curves.plt

datascope
=========

Video data analysis filter.

This filter shows hexadecimal pixel values of part of video.

The filter accepts the following options:

size, s
     Set output video size.

x
     Set x offset from where to pick pixels.

y
     Set y offset from where to pick pixels.

mode
     Set scope mode, can be one of the following:

     mono
          Draw hexadecimal pixel values with white color on black background.

     color
          Draw hexadecimal pixel values with input video pixel color on black background.

     color2
          Draw hexadecimal pixel values on color background picked from input video, the text color is picked in such way so its always visible.

axis
     Draw rows and columns numbers on left and top of video.

opacity
     Set background opacity.

format
     Set display number format. Can be hex, or dec. Default is hex.

dblur
=====

Apply Directional blur filter.

The filter accepts the following options:

angle
     Set angle of directional blur. Default is 45.

radius
     Set radius of directional blur. Default is 5.

planes
     Set which planes to filter. By default all planes are filtered.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

dctdnoiz
========

Denoise frames using 2D DCT (frequency domain filtering).

This filter is not designed for real time.

The filter accepts the following options:

sigma, s
     Set the noise sigma constant.

     This SIGMA defines a hard threshold of 3 * sigma; every DCT coefficient (absolute value) below this threshold with be dropped.

     If you need a more advanced filtering, see expr.

     Default is 0.

overlap
     Set number overlapping pixels for each block. Since the filter can be slow, you may want to reduce this value, at the cost of a less effective filter and the risk of various artefacts.

     If the overlapping value doesn't permit processing the whole input width or height, a warning will be displayed and according borders won't be denoised.

     Default value is BLOCKSIZE-1, which is the best possible setting.

expr, e
     Set the coefficient factor expression.

     For each coefficient of a DCT block, this expression will be evaluated as a multiplier value for the coefficient.

     If this is option is set, the sigma option will be ignored.

     The absolute value of the coefficient can be accessed through the C variable.

n
     Set the BLOCKSIZE using the number of bits. 1<<N defines the BLOCKSIZE, which is the width and height of the processed blocks.

     The default value is 3 (8x8) and can be raised to 4 for a BLOCKSIZE of 16x16. Note that changing this setting has huge consequences on the speed processing. Also, a larger block size does not necessarily means a better de-noising.

Examples
--------

Apply a denoise with a sigma of 4.5:

     dctdnoiz=4.5

The same operation can be achieved using the expression system:

     dctdnoiz=e='gte(c, 4.5*3)'

Violent denoise using a block size of 16x16:

     dctdnoiz=15:n=4

deband
======

Remove banding artifacts from input video. It works by replacing banded pixels with average value of referenced pixels.

The filter accepts the following options:

1thr

2thr

3thr

4thr
     Set banding detection threshold for each plane. Default is 0.02. Valid range is 0.00003 to 0.5. If difference between current pixel and reference pixel is less than threshold, it will be considered as banded.

range, r
     Banding detection range in pixels. Default is 16. If positive, random number in range 0 to set value will be used. If negative, exact absolute value will be used. The range defines square of four pixels around current pixel.

direction, d
     Set direction in radians from which four pixel will be compared. If positive, random direction from 0 to set direction will be picked. If negative, exact of absolute value will be picked. For example direction 0, -PI or -2*PI radians will pick only pixels on same row and -PI/2 will pick only pixels on same column.

blur, b
     If enabled, current pixel is compared with average value of all four surrounding pixels. The default is enabled. If disabled current pixel is compared with all four surrounding pixels. The pixel is considered banded if only all four differences with surrounding pixels are less than threshold.

coupling, c
     If enabled, current pixel is changed if and only if all pixel components are banded, e.g. banding detection threshold is triggered for all color components. The default is disabled.

deblock
=======

Remove blocking artifacts from input video.

The filter accepts the following options:

filter
     Set filter type, can be WEAK or STRONG. Default is STRONG. This controls what kind of deblocking is applied.

block
     Set size of block, allowed range is from 4 to 512. Default is 8.

alpha

beta

gamma

delta
     Set blocking detection thresholds. Allowed range is 0 to 1. Defaults are: 0.098 for ALPHA and 0.05 for the rest. Using higher threshold gives more deblocking strength. Setting ALPHA controls threshold detection at exact edge of block. Remaining options controls threshold detection near the edge. Each one for below/above or left/right. Setting any of those to 0 disables deblocking.

planes
     Set planes to filter. Default is to filter all available planes.

Examples
--------

  * Deblock using weak filter and block size of 4 pixels.

          deblock=filter=weak:block=4

  * Deblock using strong filter, block size of 4 pixels and custom thresholds for deblocking more edges.

          deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05

  * Similar as above, but filter only first plane.

          deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05:planes=1

  * Similar as above, but filter only second and third plane.

          deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05:planes=6

decimate
========

Drop duplicated frames at regular intervals.

The filter accepts the following options:

cycle
     Set the number of frames from which one will be dropped. Setting this to N means one frame in every batch of N frames will be dropped. Default is 5.

dupthresh
     Set the threshold for duplicate detection. If the difference metric for a frame is less than or equal to this value, then it is declared as duplicate. Default is 1.1

scthresh
     Set scene change threshold. Default is 15.

blockx

blocky
     Set the size of the x and y-axis blocks used during metric calculations. Larger blocks give better noise suppression, but also give worse detection of small movements. Must be a power of two. Default is 32.

ppsrc
     Mark main input as a pre-processed input and activate clean source input stream. This allows the input to be pre-processed with various filters to help the metrics calculation while keeping the frame selection lossless. When set to 1, the first stream is for the pre-processed input, and the second stream is the clean source from where the kept frames are chosen. Default is 0.

chroma
     Set whether or not chroma is considered in the metric calculations. Default is 1.

deconvolve
==========

Apply 2D deconvolution of video stream in frequency domain using second stream as impulse.

The filter accepts the following options:

planes
     Set which planes to process.

impulse
     Set which impulse video frames will be processed, can be FIRST or ALL. Default is ALL.

noise
     Set noise when doing divisions. Default is 0.0000001. Useful when width and height are not same and not power of 2 or if stream prior to convolving had noise.

The deconvolve filter also supports the framesync options.

dedot
=====

Reduce cross-luminance (dot-crawl) and cross-color (rainbows) from video.

It accepts the following options:

m
     Set mode of operation. Can be combination of DOTCRAWL for cross-luminance reduction and/or RAINBOWS for cross-color reduction.

lt
     Set spatial luma threshold. Lower values increases reduction of cross-luminance.

tl
     Set tolerance for temporal luma. Higher values increases reduction of cross-luminance.

tc
     Set tolerance for chroma temporal variation. Higher values increases reduction of cross-color.

ct
     Set temporal chroma threshold. Lower values increases reduction of cross-color.

deflate
=======

Apply deflate effect to the video.

This filter replaces the pixel by the local(3x3) average by taking into account only values lower than the pixel.

It accepts the following options:

threshold0

threshold1

threshold2

threshold3
     Limit the maximum change for each plane, default is 65535. If 0, plane will remain unchanged.

Commands
--------

This filter supports the all above options as commands.

deflicker
=========

Remove temporal frame luminance variations.

It accepts the following options:

size, s
     Set moving-average filter size in frames. Default is 5. Allowed range is 2 - 129.

mode, m
     Set averaging mode to smooth temporal luminance variations.

     Available values are:

     am
          Arithmetic mean

     gm
          Geometric mean

     hm
          Harmonic mean

     qm
          Quadratic mean

     cm
          Cubic mean

     pm
          Power mean

     median
          Median

bypass
     Do not actually modify frame. Useful when one only wants metadata.

dejudder
========

Remove judder produced by partially interlaced telecined content.

Judder can be introduced, for instance, by pullup filter. If the original source was partially telecined content then the output of pullup,dejudder will have a variable frame rate. May change the recorded frame rate of the container. Aside from that change, this filter will not affect constant frame rate video.

The option available in this filter is:

cycle
     Specify the length of the window over which the judder repeats.

     Accepts any integer greater than 1. Useful values are:

     4
          If the original was telecined from 24 to 30 fps (Film to NTSC).

     5
          If the original was telecined from 25 to 30 fps (PAL to NTSC).

     20
          If a mixture of the two.

     The default is 4.

delogo
======

Suppress a TV station logo by a simple interpolation of the surrounding pixels. Just set a rectangle covering the logo and watch it disappear (and sometimes something even uglier appear - your mileage may vary).

It accepts the following parameters:

x

y
     Specify the top left corner coordinates of the logo. They must be specified.

w

h
     Specify the width and height of the logo to clear. They must be specified.

band, t
     Specify the thickness of the fuzzy edge of the rectangle (added to W and H). The default value is 1. This option is deprecated, setting higher values should no longer be necessary and is not recommended.

show
     When set to 1, a green rectangle is drawn on the screen to simplify finding the right X, Y, W, and H parameters. The default value is 0.

     The rectangle is drawn on the outermost pixels which will be (partly) replaced with interpolated values. The values of the next pixels immediately outside this rectangle in each direction will be used to compute the interpolated pixel values inside the rectangle.

Examples
--------

  * Set a rectangle covering the area with top left corner coordinates 0,0 and size 100x77, and a band of size 10:

          delogo=x=0:y=0:w=100:h=77:band=10

derain
======

Remove the rain in the input image/video by applying the derain methods based on convolutional neural networks. Supported models:

  * Recurrent Squeeze-and-Excitation Context Aggregation Net (RESCAN). See http://openaccess.thecvf.com/content_ECCV_2018/papers/Xia_Li_Recurrent_Squeeze-and-Excitation_Context_ECCV_2018_paper.pdf.

Training as well as model generation scripts are provided in the repository at https://github.com/XueweiMeng/derain_filter.git.

Native model files (.model) can be generated from TensorFlow model files (.pb) by using tools/python/convert.py

The filter accepts the following options:

filter_type
     Specify which filter to use. This option accepts the following values:

     derain
          Derain filter. To conduct derain filter, you need to use a derain model.

     dehaze
          Dehaze filter. To conduct dehaze filter, you need to use a dehaze model.

     Default value is derain.

dnn_backend
     Specify which DNN backend to use for model loading and execution. This option accepts the following values:

     native
          Native implementation of DNN loading and execution.

     tensorflow
          TensorFlow backend. To enable this backend you need to install the TensorFlow for C library (see https://www.tensorflow.org/install/install_c) and configure FFmpeg with --enable-libtensorflow

     Default value is native.

model
     Set path to model file specifying network architecture and its parameters. Note that different backends use different file formats. TensorFlow and native backend can load files for only its format.

It can also be finished with dnn_processing filter.

deshake
=======

Attempt to fix small changes in horizontal and/or vertical shift. This filter helps remove camera shake from hand-holding a camera, bumping a tripod, moving on a vehicle, etc.

The filter accepts the following options:

x

y

w

h
     Specify a rectangular area where to limit the search for motion vectors. If desired the search for motion vectors can be limited to a rectangular area of the frame defined by its top left corner, width and height. These parameters have the same meaning as the drawbox filter which can be used to visualise the position of the bounding box.

     This is useful when simultaneous movement of subjects within the frame might be confused for camera motion by the motion vector search.

     If any or all of X, Y, W and H are set to -1 then the full frame is used. This allows later options to be set without specifying the bounding box for the motion vector search.

     Default - search the whole frame.

rx

ry
     Specify the maximum extent of movement in x and y directions in the range 0-64 pixels. Default 16.

edge
     Specify how to generate pixels to fill blanks at the edge of the frame. Available values are:

     blank, 0
          Fill zeroes at blank locations

     original, 1
          Original image at blank locations

     clamp, 2
          Extruded edge value at blank locations

     mirror, 3
          Mirrored edge at blank locations

     Default value is mirror.

blocksize
     Specify the blocksize to use for motion search. Range 4-128 pixels, default 8.

contrast
     Specify the contrast threshold for blocks. Only blocks with more than the specified contrast (difference between darkest and lightest pixels) will be considered. Range 1-255, default 125.

search
     Specify the search strategy. Available values are:

     exhaustive, 0
          Set exhaustive search

     less, 1
          Set less exhaustive search.

     Default value is exhaustive.

filename
     If set then a detailed log of the motion search is written to the specified file.

despill
=======

Remove unwanted contamination of foreground colors, caused by reflected color of greenscreen or bluescreen.

This filter accepts the following options:

type
     Set what type of despill to use.

mix
     Set how spillmap will be generated.

expand
     Set how much to get rid of still remaining spill.

red
     Controls amount of red in spill area.

green
     Controls amount of green in spill area. Should be -1 for greenscreen.

blue
     Controls amount of blue in spill area. Should be -1 for bluescreen.

brightness
     Controls brightness of spill area, preserving colors.

alpha
     Modify alpha from generated spillmap.

Commands
--------

This filter supports the all above options as commands.

detelecine
==========

Apply an exact inverse of the telecine operation. It requires a predefined pattern specified using the pattern option which must be the same as that passed to the telecine filter.

This filter accepts the following options:

first_field

     top, t
          top field first

     bottom, b
          bottom field first The default value is top.

pattern
     A string of numbers representing the pulldown pattern you wish to apply. The default value is 23.

start_frame
     A number representing position of the first frame with respect to the telecine pattern. This is to be used if the stream is cut. The default value is 0.

dilation
========

Apply dilation effect to the video.

This filter replaces the pixel by the local(3x3) maximum.

It accepts the following options:

threshold0

threshold1

threshold2

threshold3
     Limit the maximum change for each plane, default is 65535. If 0, plane will remain unchanged.

coordinates
     Flag which specifies the pixel to refer to. Default is 255 i.e. all eight pixels are used.

     Flags to local 3x3 coordinates maps like this:

     1 2 3 4   5 6 7 8

Commands
--------

This filter supports the all above options as commands.

displace
========

Displace pixels as indicated by second and third input stream.

It takes three input streams and outputs one stream, the first input is the source, and second and third input are displacement maps.

The second input specifies how much to displace pixels along the x-axis, while the third input specifies how much to displace pixels along the y-axis. If one of displacement map streams terminates, last frame from that displacement map will be used.

Note that once generated, displacements maps can be reused over and over again.

A description of the accepted options follows.

edge
     Set displace behavior for pixels that are out of range.

     Available values are:

     blank
          Missing pixels are replaced by black pixels.

     smear
          Adjacent pixels will spread out to replace missing pixels.

     wrap
          Out of range pixels are wrapped so they point to pixels of other side.

     mirror
          Out of range pixels will be replaced with mirrored pixels.

     Default is smear.

Examples
--------

  * Add ripple effect to rgb input of video size hd720:

          ffmpeg -i INPUT -f lavfi -i nullsrc=s=hd720,lutrgb=128:128:128 -f lavfi -i nullsrc=s=hd720,geq='r=128+30*sin(2*PI*X/400+T):g=128+30*sin(2*PI*X/400+T):b=128+30*sin(2*PI*X/400+T)' -lavfi '[0][1][2]displace' OUTPUT

  * Add wave effect to rgb input of video size hd720:

          ffmpeg -i INPUT -f lavfi -i nullsrc=hd720,geq='r=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T)):g=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T)):b=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T))' -lavfi '[1]split[x][y],[0][x][y]displace' OUTPUT

dnn_processing
==============

Do image processing with deep neural networks. It works together with another filter which converts the pixel format of the Frame to what the dnn network requires.

The filter accepts the following options:

dnn_backend
     Specify which DNN backend to use for model loading and execution. This option accepts the following values:

     native
          Native implementation of DNN loading and execution.

     tensorflow
          TensorFlow backend. To enable this backend you need to install the TensorFlow for C library (see https://www.tensorflow.org/install/install_c) and configure FFmpeg with --enable-libtensorflow

     openvino
          OpenVINO backend. To enable this backend you need to build and install the OpenVINO for C library (see https://github.com/openvinotoolkit/openvino/blob/master/build-instruction.md) and configure FFmpeg with --enable-libopenvino (--extra-cflags=-I... --extra-ldflags=-L... might be needed if the header files and libraries are not installed into system path)

     Default value is native.

model
     Set path to model file specifying network architecture and its parameters. Note that different backends use different file formats. TensorFlow, OpenVINO and native backend can load files for only its format.

     Native model file (.model) can be generated from TensorFlow model file (.pb) by using tools/python/convert.py

input
     Set the input name of the dnn network.

output
     Set the output name of the dnn network.

Examples
--------

  * Remove rain in rgb24 frame with can.pb (see derain filter):

          ./ffmpeg -i rain.jpg -vf format=rgb24,dnn_processing=dnn_backend=tensorflow:model=can.pb:input=x:output=y derain.jpg

  * Halve the pixel value of the frame with format gray32f:

          ffmpeg -i input.jpg -vf format=grayf32,dnn_processing=model=halve_gray_float.model:input=dnn_in:output=dnn_out:dnn_backend=native -y out.native.png

  * Handle the Y channel with srcnn.pb (see sr filter) for frame with yuv420p (planar YUV formats supported):

          ./ffmpeg -i 480p.jpg -vf format=yuv420p,scale=w=iw*2:h=ih*2,dnn_processing=dnn_backend=tensorflow:model=srcnn.pb:input=x:output=y -y srcnn.jpg

  * Handle the Y channel with espcn.pb (see sr filter), which changes frame size, for format yuv420p (planar YUV formats supported):

          ./ffmpeg -i 480p.jpg -vf format=yuv420p,dnn_processing=dnn_backend=tensorflow:model=espcn.pb:input=x:output=y -y tmp.espcn.jpg

drawbox
=======

Draw a colored box on the input image.

It accepts the following parameters:

x

y
     The expressions which specify the top left corner coordinates of the box. It defaults to 0.

width, w

height, h
     The expressions which specify the width and height of the box; if 0 they are interpreted as the input width and height. It defaults to 0.

color, c
     Specify the color of the box to write. For the general syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils). If the special value invert is used, the box edge color is the same as the video with inverted luma.

thickness, t
     The expression which sets the thickness of the box edge. A value of fill will create a filled box. Default value is 3.

     See below for the list of accepted constants.

replace
     Applicable if the input has alpha. With value 1, the pixels of the painted box will overwrite the video's color and alpha pixels. Default is 0, which composites the box onto the input, leaving the video's alpha intact.

The parameters for X, Y, W and H and T are expressions containing the following constants:

dar
     The input display aspect ratio, it is the same as (W / H) * SAR.

hsub

vsub
     horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

in_h, ih

in_w, iw
     The input width and height.

sar
     The input sample aspect ratio.

x

y
     The x and y offset coordinates where the box is drawn.

w

h
     The width and height of the drawn box.

t
     The thickness of the drawn box.

     These constants allow the X, Y, W, H and T expressions to refer to each other, so you may for example specify y=x/dar or h=w/dar.

Examples
--------

  * Draw a black box around the edge of the input image:

          drawbox

  * Draw a box with color red and an opacity of 50%:

          drawbox=10:20:200:60:red@0.5

     The previous example can be specified as:

          drawbox=x=10:y=20:w=200:h=60:color=red@0.5

  * Fill the box with pink color:

          drawbox=x=10:y=10:w=100:h=100:color=pink@0.5:t=fill

  * Draw a 2-pixel red 2.40:1 mask:

          drawbox=x=-t:y=0.5*(ih-iw/2.4)-t:w=iw+t*2:h=iw/2.4+t*2:t=2:c=red

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

drawgraph
=========

Draw a graph using input video metadata.

It accepts the following parameters:

m1
     Set 1st frame metadata key from which metadata values will be used to draw a graph.

fg1
     Set 1st foreground color expression.

m2
     Set 2nd frame metadata key from which metadata values will be used to draw a graph.

fg2
     Set 2nd foreground color expression.

m3
     Set 3rd frame metadata key from which metadata values will be used to draw a graph.

fg3
     Set 3rd foreground color expression.

m4
     Set 4th frame metadata key from which metadata values will be used to draw a graph.

fg4
     Set 4th foreground color expression.

min
     Set minimal value of metadata value.

max
     Set maximal value of metadata value.

bg
     Set graph background color. Default is white.

mode
     Set graph mode.

     Available values for mode is:

     bar

     dot

     line

     Default is line.

slide
     Set slide mode.

     Available values for slide is:

     frame
          Draw new frame when right border is reached.

     replace
          Replace old columns with new ones.

     scroll
          Scroll from right to left.

     rscroll
          Scroll from left to right.

     picture
          Draw single picture.

     Default is frame.

size
     Set size of graph video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). The default value is 900x256.

rate, r
     Set the output frame rate. Default value is 25.

     The foreground color expressions can use the following variables:

     MIN
          Minimal value of metadata value.

     MAX
          Maximal value of metadata value.

     VAL
          Current metadata key value.

     The color is defined as 0xAABBGGRR.

Example using metadata from signalstats filter:

     signalstats,drawgraph=lavfi.signalstats.YAVG:min=0:max=255

Example using metadata from ebur128 filter:

     ebur128=metadata=1,adrawgraph=lavfi.r128.M:min=-120:max=5

drawgrid
========

Draw a grid on the input image.

It accepts the following parameters:

x

y
     The expressions which specify the coordinates of some point of grid intersection (meant to configure offset). Both default to 0.

width, w

height, h
     The expressions which specify the width and height of the grid cell, if 0 they are interpreted as the input width and height, respectively, minus thickness, so image gets framed. Default to 0.

color, c
     Specify the color of the grid. For the general syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils). If the special value invert is used, the grid color is the same as the video with inverted luma.

thickness, t
     The expression which sets the thickness of the grid line. Default value is 1.

     See below for the list of accepted constants.

replace
     Applicable if the input has alpha. With 1 the pixels of the painted grid will overwrite the video's color and alpha pixels. Default is 0, which composites the grid onto the input, leaving the video's alpha intact.

The parameters for X, Y, W and H and T are expressions containing the following constants:

dar
     The input display aspect ratio, it is the same as (W / H) * SAR.

hsub

vsub
     horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

in_h, ih

in_w, iw
     The input grid cell width and height.

sar
     The input sample aspect ratio.

x

y
     The x and y coordinates of some point of grid intersection (meant to configure offset).

w

h
     The width and height of the drawn cell.

t
     The thickness of the drawn cell.

     These constants allow the X, Y, W, H and T expressions to refer to each other, so you may for example specify y=x/dar or h=w/dar.

Examples
--------

  * Draw a grid with cell 100x100 pixels, thickness 2 pixels, with color red and an opacity of 50%:

          drawgrid=width=100:height=100:thickness=2:color=red@0.5

  * Draw a white 3x3 grid with an opacity of 50%:

          drawgrid=w=iw/3:h=ih/3:t=2:c=white@0.5

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

drawtext
========

Draw a text string or text from a specified file on top of a video, using the libfreetype library.

To enable compilation of this filter, you need to configure FFmpeg with --enable-libfreetype. To enable default font fallback and the FONT option you need to configure FFmpeg with --enable-libfontconfig. To enable the TEXT_SHAPING option, you need to configure FFmpeg with --enable-libfribidi.

Syntax
------

It accepts the following parameters:

box
     Used to draw a box around text using the background color. The value must be either 1 (enable) or 0 (disable). The default value of BOX is 0.

boxborderw
     Set the width of the border to be drawn around the box using BOXCOLOR. The default value of BOXBORDERW is 0.

boxcolor
     The color to be used for drawing box around text. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils).

     The default value of BOXCOLOR is "white".

line_spacing
     Set the line spacing in pixels of the border to be drawn around the box using BOX. The default value of LINE_SPACING is 0.

borderw
     Set the width of the border to be drawn around the text using BORDERCOLOR. The default value of BORDERW is 0.

bordercolor
     Set the color to be used for drawing border around text. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils).

     The default value of BORDERCOLOR is "black".

expansion
     Select how the TEXT is expanded. Can be either none, strftime (deprecated) or normal (default). See the Text expansion section below for details.

basetime
     Set a start time for the count. Value is in microseconds. Only applied in the deprecated strftime expansion mode. To emulate in normal expansion mode use the pts function, supplying the start time (in seconds) as the second argument.

fix_bounds
     If true, check and fix text coords to avoid clipping.

fontcolor
     The color to be used for drawing fonts. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils).

     The default value of FONTCOLOR is "black".

fontcolor_expr
     String which is expanded the same way as TEXT to obtain dynamic FONTCOLOR value. By default this option has empty value and is not processed. When this option is set, it overrides FONTCOLOR option.

font
     The font family to be used for drawing text. By default Sans.

fontfile
     The font file to be used for drawing text. The path must be included. This parameter is mandatory if the fontconfig support is disabled.

alpha
     Draw the text applying alpha blending. The value can be a number between 0.0 and 1.0. The expression accepts the same variables X, Y as well. The default value is 1. Please see FONTCOLOR_EXPR.

fontsize
     The font size to be used for drawing text. The default value of FONTSIZE is 16.

text_shaping
     If set to 1, attempt to shape the text (for example, reverse the order of right-to-left text and join Arabic characters) before drawing it. Otherwise, just draw the text exactly as given. By default 1 (if supported).

ft_load_flags
     The flags to be used for loading the fonts.

     The flags map the corresponding flags supported by libfreetype, and are a combination of the following values:

     default

     no_scale

     no_hinting

     render

     no_bitmap

     vertical_layout

     force_autohint

     crop_bitmap

     pedantic

     ignore_global_advance_width

     no_recurse

     ignore_transform

     monochrome

     linear_design

     no_autohint

     Default value is "default".

     For more information consult the documentation for the FT_LOAD_* libfreetype flags.

shadowcolor
     The color to be used for drawing a shadow behind the drawn text. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils).

     The default value of SHADOWCOLOR is "black".

shadowx

shadowy
     The x and y offsets for the text shadow position with respect to the position of the text. They can be either positive or negative values. The default value for both is "0".

start_number
     The starting frame number for the n/frame_num variable. The default value is "0".

tabsize
     The size in number of spaces to use for rendering the tab. Default value is 4.

timecode
     Set the initial timecode representation in "hh:mm:ss[:;.]ff" format. It can be used with or without text parameter. TIMECODE_RATE option must be specified.

timecode_rate, rate, r
     Set the timecode frame rate (timecode only). Value will be rounded to nearest integer. Minimum value is "1". Drop-frame timecode is supported for frame rates 30 & 60.

tc24hmax
     If set to 1, the output of the timecode option will wrap around at 24 hours. Default is 0 (disabled).

text
     The text string to be drawn. The text must be a sequence of UTF-8 encoded characters. This parameter is mandatory if no file is specified with the parameter TEXTFILE.

textfile
     A text file containing text to be drawn. The text must be a sequence of UTF-8 encoded characters.

     This parameter is mandatory if no text string is specified with the parameter TEXT.

     If both TEXT and TEXTFILE are specified, an error is thrown.

reload
     If set to 1, the TEXTFILE will be reloaded before each frame. Be sure to update it atomically, or it may be read partially, or even fail.

x

y
     The expressions which specify the offsets where text will be drawn within the video frame. They are relative to the top/left border of the output image.

     The default value of X and Y is "0".

     See below for the list of accepted constants and functions.

The parameters for X and Y are expressions containing the following constants and functions:

dar
     input display aspect ratio, it is the same as (W / H) * SAR

hsub

vsub
     horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

line_h, lh
     the height of each text line

main_h, h, H
     the input height

main_w, w, W
     the input width

max_glyph_a, ascent
     the maximum distance from the baseline to the highest/upper grid coordinate used to place a glyph outline point, for all the rendered glyphs. It is a positive value, due to the grid's orientation with the Y axis upwards.

max_glyph_d, descent
     the maximum distance from the baseline to the lowest grid coordinate used to place a glyph outline point, for all the rendered glyphs. This is a negative value, due to the grid's orientation, with the Y axis upwards.

max_glyph_h
     maximum glyph height, that is the maximum height for all the glyphs contained in the rendered text, it is equivalent to ASCENT - DESCENT.

max_glyph_w
     maximum glyph width, that is the maximum width for all the glyphs contained in the rendered text

n
     the number of input frame, starting from 0

rand(min, max)
     return a random number included between MIN and MAX

sar
     The input sample aspect ratio.

t
     timestamp expressed in seconds, NAN if the input timestamp is unknown

text_h, th
     the height of the rendered text

text_w, tw
     the width of the rendered text

x

y
     the x and y offset coordinates where the text is drawn.

     These parameters allow the X and Y expressions to refer to each other, so you can for example specify y=x/dar.

pict_type
     A one character description of the current frame's picture type.

pkt_pos
     The current packet's position in the input file or stream (in bytes, from the start of the input). A value of -1 indicates this info is not available.

pkt_duration
     The current packet's duration, in seconds.

pkt_size
     The current packet's size (in bytes).

Text expansion
--------------

If expansion is set to strftime, the filter recognizes strftime() sequences in the provided text and expands them accordingly. Check the documentation of strftime(). This feature is deprecated.

If expansion is set to none, the text is printed verbatim.

If expansion is set to normal (which is the default), the following expansion mechanism is used.

The backslash character \, followed by any character, always expands to the second character.

Sequences of the form %{...} are expanded. The text between the braces is a function name, possibly followed by arguments separated by ':'. If the arguments contain special characters or delimiters (':' or '}'), they should be escaped.

Note that they probably must also be escaped as the value for the text option in the filter argument string and as the filter argument in the filtergraph description, and possibly also for the shell, that makes up to four levels of escaping; using a text file avoids these problems.

The following functions are available:

expr, e
     The expression evaluation result.

     It must take one argument specifying the expression to be evaluated, which accepts the same constants and functions as the X and Y values. Note that not all constants should be used, for example the text size is not known when evaluating the expression, so the constants TEXT_W and TEXT_H will have an undefined value.

expr_int_format, eif
     Evaluate the expression's value and output as formatted integer.

     The first argument is the expression to be evaluated, just as for the EXPR function. The second argument specifies the output format. Allowed values are x, X, d and u. They are treated exactly as in the printf function. The third parameter is optional and sets the number of positions taken by the output. It can be used to add padding with zeros from the left.

gmtime
     The time at which the filter is running, expressed in UTC. It can accept an argument: a strftime() format string.

localtime
     The time at which the filter is running, expressed in the local time zone. It can accept an argument: a strftime() format string.

metadata
     Frame metadata. Takes one or two arguments.

     The first argument is mandatory and specifies the metadata key.

     The second argument is optional and specifies a default value, used when the metadata key is not found or empty.

     Available metadata can be identified by inspecting entries starting with TAG included within each frame section printed by running ffprobe -show_frames.

     String metadata generated in filters leading to the drawtext filter are also available.

n, frame_num
     The frame number, starting from 0.

pict_type
     A one character description of the current picture type.

pts
     The timestamp of the current frame. It can take up to three arguments.

     The first argument is the format of the timestamp; it defaults to flt for seconds as a decimal number with microsecond accuracy; hms stands for a formatted [-]HH:MM:SS.MMM timestamp with millisecond accuracy. gmtime stands for the timestamp of the frame formatted as UTC time; localtime stands for the timestamp of the frame formatted as local time zone time.

     The second argument is an offset added to the timestamp.

     If the format is set to hms, a third argument 24HH may be supplied to present the hour part of the formatted timestamp in 24h format (00-23).

     If the format is set to localtime or gmtime, a third argument may be supplied: a strftime() format string. By default, YYYY-MM-DD HH:MM:SS format will be used.

Commands
--------

This filter supports altering parameters via commands:

reinit
     Alter existing filter parameters.

     Syntax for the argument is the same as for filter invocation, e.g.

          fontsize=56:fontcolor=green:text='Hello World'

     Full filter invocation with sendcmd would look like this:

          sendcmd=c='56.0 drawtext reinit fontsize=56\:fontcolor=green\:text=Hello\\ World'

If the entire argument can't be parsed or applied as valid values then the filter will continue with its existing parameters.

Examples
--------

  * Draw "Test Text" with font FreeSerif, using the default values for the optional parameters.

          drawtext="fontfile=/usr/share/fonts/truetype/freefont/FreeSerif.ttf: text='Test Text'"

  * Draw 'Test Text' with font FreeSerif of size 24 at position x=100 and y=50 (counting from the top-left corner of the screen), text is yellow with a red box around it. Both the text and the box have an opacity of 20%.

          drawtext="fontfile=/usr/share/fonts/truetype/freefont/FreeSerif.ttf: text='Test Text':\
                    x=100: y=50: fontsize=24: fontcolor=yellow@0.2: box=1: boxcolor=red@0.2"

     Note that the double quotes are not necessary if spaces are not used within the parameter list.

  * Show the text at the center of the video frame:

          drawtext="fontsize=30:fontfile=FreeSerif.ttf:text='hello world':x=(w-text_w)/2:y=(h-text_h)/2"

  * Show the text at a random position, switching to a new position every 30 seconds:

          drawtext="fontsize=30:fontfile=FreeSerif.ttf:text='hello world':x=if(eq(mod(t\,30)\,0)\,rand(0\,(w-text_w))\,x):y=if(eq(mod(t\,30)\,0)\,rand(0\,(h-text_h))\,y)"

  * Show a text line sliding from right to left in the last row of the video frame. The file LONG_LINE is assumed to contain a single line with no newlines.

          drawtext="fontsize=15:fontfile=FreeSerif.ttf:text=LONG_LINE:y=h-line_h:x=-50*t"

  * Show the content of file CREDITS off the bottom of the frame and scroll up.

          drawtext="fontsize=20:fontfile=FreeSerif.ttf:textfile=CREDITS:y=h-20*t"

  * Draw a single green letter "g", at the center of the input video. The glyph baseline is placed at half screen height.

          drawtext="fontsize=60:fontfile=FreeSerif.ttf:fontcolor=green:text=g:x=(w-max_glyph_w)/2:y=h/2-ascent"

  * Show text for 1 second every 3 seconds:

          drawtext="fontfile=FreeSerif.ttf:fontcolor=white:x=100:y=x/dar:enable=lt(mod(t\,3)\,1):text='blink'"

  * Use fontconfig to set the font. Note that the colons need to be escaped.

          drawtext='fontfile=Linux Libertine O-40\:style=Semibold:text=FFmpeg'

  * Draw "Test Text" with font size dependent on height of the video.

          drawtext="text='Test Text': fontsize=h/30: x=(w-text_w)/2: y=(h-text_h*2)"

  * Print the date of a real-time encoding (see strftime(3)):

          drawtext='fontfile=FreeSans.ttf:text=%{localtime\:%a %b %d %Y}'

  * Show text fading in and out (appearing/disappearing):

          #!/bin/sh
          DS=1.0 # display start
          DE=10.0 # display end
          FID=1.5 # fade in duration
          FOD=5 # fade out duration
          ffplay -f lavfi "color,drawtext=text=TEST:fontsize=50:fontfile=FreeSerif.ttf:fontcolor_expr=ff0000%{eif\\\\: clip(255*(1*between(t\\, $DS + $FID\\, $DE - $FOD) + ((t - $DS)/$FID)*between(t\\, $DS\\, $DS + $FID) + (-(t - $DE)/$FOD)*between(t\\, $DE - $FOD\\, $DE) )\\, 0\\, 255) \\\\: x\\\\: 2 }"

  * Horizontally align multiple separate texts. Note that max_glyph_a and the fontsize value are included in the y offset.

          drawtext=fontfile=FreeSans.ttf:text=DOG:fontsize=24:x=10:y=20+24-max_glyph_a,
          drawtext=fontfile=FreeSans.ttf:text=cow:fontsize=24:x=80:y=20+24-max_glyph_a

  * Plot special LAVF.IMAGE2DEC.SOURCE_BASENAME metadata onto each frame if such metadata exists. Otherwise, plot the string "NA". Note that image2 demuxer must have option -export_path_metadata 1 for the special metadata fields to be available for filters.

          drawtext="fontsize=20:fontcolor=white:fontfile=FreeSans.ttf:text='%{metadata\:lavf.image2dec.source_basename\:NA}':x=10:y=10"

For more information about libfreetype, check: http://www.freetype.org/.

For more information about fontconfig, check: http://freedesktop.org/software/fontconfig/fontconfig-user.html.

For more information about libfribidi, check: http://fribidi.org/.

edgedetect
==========

Detect and draw edges. The filter uses the Canny Edge Detection algorithm.

The filter accepts the following options:

low

high
     Set low and high threshold values used by the Canny thresholding algorithm.

     The high threshold selects the "strong" edge pixels, which are then connected through 8-connectivity with the "weak" edge pixels selected by the low threshold.

     LOW and HIGH threshold values must be chosen in the range [0,1], and LOW should be lesser or equal to HIGH.

     Default value for LOW is 20/255, and default value for HIGH is 50/255.

mode
     Define the drawing mode.

     wires
          Draw white/gray wires on black background.

     colormix
          Mix the colors to create a paint/cartoon effect.

     canny
          Apply Canny edge detector on all selected planes.

     Default value is WIRES.

planes
     Select planes for filtering. By default all available planes are filtered.

Examples
--------

  * Standard edge detection with custom values for the hysteresis thresholding:

          edgedetect=low=0.1:high=0.4

  * Painting effect without thresholding:

          edgedetect=mode=colormix:high=0

elbg
====

Apply a posterize effect using the ELBG (Enhanced LBG) algorithm.

For each input image, the filter will compute the optimal mapping from the input to the output given the codebook length, that is the number of distinct output colors.

This filter accepts the following options.

codebook_length, l
     Set codebook length. The value must be a positive integer, and represents the number of distinct output colors. Default value is 256.

nb_steps, n
     Set the maximum number of iterations to apply for computing the optimal mapping. The higher the value the better the result and the higher the computation time. Default value is 1.

seed, s
     Set a random seed, must be an integer included between 0 and UINT32_MAX. If not specified, or if explicitly set to -1, the filter will try to use a good random seed on a best effort basis.

pal8
     Set pal8 output pixel format. This option does not work with codebook length greater than 256.

entropy
=======

Measure graylevel entropy in histogram of color channels of video frames.

It accepts the following parameters:

mode
     Can be either NORMAL or DIFF. Default is NORMAL.

     DIFF mode measures entropy of histogram delta values, absolute differences between neighbour histogram values.

eq
==

Set brightness, contrast, saturation and approximate gamma adjustment.

The filter accepts the following options:

contrast
     Set the contrast expression. The value must be a float value in range -1000.0 to 1000.0. The default value is "1".

brightness
     Set the brightness expression. The value must be a float value in range -1.0 to 1.0. The default value is "0".

saturation
     Set the saturation expression. The value must be a float in range 0.0 to 3.0. The default value is "1".

gamma
     Set the gamma expression. The value must be a float in range 0.1 to 10.0.  The default value is "1".

gamma_r
     Set the gamma expression for red. The value must be a float in range 0.1 to 10.0. The default value is "1".

gamma_g
     Set the gamma expression for green. The value must be a float in range 0.1 to 10.0. The default value is "1".

gamma_b
     Set the gamma expression for blue. The value must be a float in range 0.1 to 10.0. The default value is "1".

gamma_weight
     Set the gamma weight expression. It can be used to reduce the effect of a high gamma value on bright image areas, e.g. keep them from getting overamplified and just plain white. The value must be a float in range 0.0 to 1.0. A value of 0.0 turns the gamma correction all the way down while 1.0 leaves it at its full strength. Default is "1".

eval
     Set when the expressions for brightness, contrast, saturation and gamma expressions are evaluated.

     It accepts the following values:

     init
          only evaluate expressions once during the filter initialization or when a command is processed

     frame
          evaluate expressions for each incoming frame

     Default value is init.

The expressions accept the following parameters:

n
     frame count of the input frame starting from 0

pos
     byte position of the corresponding packet in the input file, NAN if unspecified

r
     frame rate of the input video, NAN if the input frame rate is unknown

t
     timestamp expressed in seconds, NAN if the input timestamp is unknown

Commands
--------

The filter supports the following commands:

contrast
     Set the contrast expression.

brightness
     Set the brightness expression.

saturation
     Set the saturation expression.

gamma
     Set the gamma expression.

gamma_r
     Set the gamma_r expression.

gamma_g
     Set gamma_g expression.

gamma_b
     Set gamma_b expression.

gamma_weight
     Set gamma_weight expression.

     The command accepts the same syntax of the corresponding option.

     If the specified expression is not valid, it is kept at its current value.

erosion
=======

Apply erosion effect to the video.

This filter replaces the pixel by the local(3x3) minimum.

It accepts the following options:

threshold0

threshold1

threshold2

threshold3
     Limit the maximum change for each plane, default is 65535. If 0, plane will remain unchanged.

coordinates
     Flag which specifies the pixel to refer to. Default is 255 i.e. all eight pixels are used.

     Flags to local 3x3 coordinates maps like this:

     1 2 3 4   5 6 7 8

Commands
--------

This filter supports the all above options as commands.

extractplanes
=============

Extract color channel components from input video stream into separate grayscale video streams.

The filter accepts the following option:

planes
     Set plane(s) to extract.

     Available values for planes are:

     y

     u

     v

     a

     r

     g

     b

     Choosing planes not available in the input will result in an error. That means you cannot select r, g, b planes with y, u, v planes at same time.

Examples
--------

  * Extract luma, u and v color channel component from input video frame into 3 grayscale outputs:

          ffmpeg -i video.avi -filter_complex 'extractplanes=y+u+v[y][u][v]' -map '[y]' y.avi -map '[u]' u.avi -map '[v]' v.avi

fade
====

Apply a fade-in/out effect to the input video.

It accepts the following parameters:

type, t
     The effect type can be either "in" for a fade-in, or "out" for a fade-out effect. Default is in.

start_frame, s
     Specify the number of the frame to start applying the fade effect at. Default is 0.

nb_frames, n
     The number of frames that the fade effect lasts. At the end of the fade-in effect, the output video will have the same intensity as the input video. At the end of the fade-out transition, the output video will be filled with the selected color. Default is 25.

alpha
     If set to 1, fade only alpha channel, if one exists on the input. Default value is 0.

start_time, st
     Specify the timestamp (in seconds) of the frame to start to apply the fade effect. If both start_frame and start_time are specified, the fade will start at whichever comes last.  Default is 0.

duration, d
     The number of seconds for which the fade effect has to last. At the end of the fade-in effect the output video will have the same intensity as the input video, at the end of the fade-out transition the output video will be filled with the selected color. If both duration and nb_frames are specified, duration is used. Default is 0 (nb_frames is used by default).

color, c
     Specify the color of the fade. Default is "black".

Examples
--------

  * Fade in the first 30 frames of video:

          fade=in:0:30

     The command above is equivalent to:

          fade=t=in:s=0:n=30

  * Fade out the last 45 frames of a 200-frame video:

          fade=out:155:45
          fade=type=out:start_frame=155:nb_frames=45

  * Fade in the first 25 frames and fade out the last 25 frames of a 1000-frame video:

          fade=in:0:25, fade=out:975:25

  * Make the first 5 frames yellow, then fade in from frame 5-24:

          fade=in:5:20:color=yellow

  * Fade in alpha over first 25 frames of video:

          fade=in:0:25:alpha=1

  * Make the first 5.5 seconds black, then fade in for 0.5 seconds:

          fade=t=in:st=5.5:d=0.5

fftdnoiz
========

Denoise frames using 3D FFT (frequency domain filtering).

The filter accepts the following options:

sigma
     Set the noise sigma constant. This sets denoising strength. Default value is 1. Allowed range is from 0 to 30. Using very high sigma with low overlap may give blocking artifacts.

amount
     Set amount of denoising. By default all detected noise is reduced. Default value is 1. Allowed range is from 0 to 1.

block
     Set size of block, Default is 4, can be 3, 4, 5 or 6. Actual size of block in pixels is 2 to power of BLOCK, so by default block size in pixels is 2^4 which is 16.

overlap
     Set block overlap. Default is 0.5. Allowed range is from 0.2 to 0.8.

prev
     Set number of previous frames to use for denoising. By default is set to 0.

next
     Set number of next frames to to use for denoising. By default is set to 0.

planes
     Set planes which will be filtered, by default are all available filtered except alpha.

fftfilt
=======

Apply arbitrary expressions to samples in frequency domain

dc_Y
     Adjust the dc value (gain) of the luma plane of the image. The filter accepts an integer value in range 0 to 1000. The default value is set to 0.

dc_U
     Adjust the dc value (gain) of the 1st chroma plane of the image. The filter accepts an integer value in range 0 to 1000. The default value is set to 0.

dc_V
     Adjust the dc value (gain) of the 2nd chroma plane of the image. The filter accepts an integer value in range 0 to 1000. The default value is set to 0.

weight_Y
     Set the frequency domain weight expression for the luma plane.

weight_U
     Set the frequency domain weight expression for the 1st chroma plane.

weight_V
     Set the frequency domain weight expression for the 2nd chroma plane.

eval
     Set when the expressions are evaluated.

     It accepts the following values:

     init
          Only evaluate expressions once during the filter initialization.

     frame
          Evaluate expressions for each incoming frame.

     Default value is init.

     The filter accepts the following variables:

X

Y
     The coordinates of the current sample.

W

H
     The width and height of the image.

N
     The number of input frame, starting from 0.

Examples
--------

  * High-pass:

          fftfilt=dc_Y=128:weight_Y='squish(1-(Y+X)/100)'

  * Low-pass:

          fftfilt=dc_Y=0:weight_Y='squish((Y+X)/100-1)'

  * Sharpen:

          fftfilt=dc_Y=0:weight_Y='1+squish(1-(Y+X)/100)'

  * Blur:

          fftfilt=dc_Y=0:weight_Y='exp(-4 * ((Y+X)/(W+H)))'

field
=====

Extract a single field from an interlaced image using stride arithmetic to avoid wasting CPU time. The output frames are marked as non-interlaced.

The filter accepts the following options:

type
     Specify whether to extract the top (if the value is 0 or top) or the bottom field (if the value is 1 or bottom).

fieldhint
=========

Create new frames by copying the top and bottom fields from surrounding frames supplied as numbers by the hint file.

hint
     Set file containing hints: absolute/relative frame numbers.

     There must be one line for each frame in a clip. Each line must contain two numbers separated by the comma, optionally followed by - or +. Numbers supplied on each line of file can not be out of [N-1,N+1] where N is current frame number for absolute mode or out of [-1, 1] range for relative mode. First number tells from which frame to pick up top field and second number tells from which frame to pick up bottom field.

     If optionally followed by + output frame will be marked as interlaced, else if followed by - output frame will be marked as progressive, else it will be marked same as input frame. If optionally followed by t output frame will use only top field, or in case of b it will use only bottom field. If line starts with # or ; that line is skipped.

mode
     Can be item absolute or relative. Default is absolute.

Example of first several lines of hint file for relative mode:

     0,0 - # first frame
     1,0 - # second frame, use third's frame top field and second's frame bottom field
     1,0 - # third frame, use fourth's frame top field and third's frame bottom field
     1,0 -
     0,0 -
     0,0 -
     1,0 -
     1,0 -
     1,0 -
     0,0 -
     0,0 -
     1,0 -
     1,0 -
     1,0 -
     0,0 -

fieldmatch
==========

Field matching filter for inverse telecine. It is meant to reconstruct the progressive frames from a telecined stream. The filter does not drop duplicated frames, so to achieve a complete inverse telecine fieldmatch needs to be followed by a decimation filter such as decimate in the filtergraph.

The separation of the field matching and the decimation is notably motivated by the possibility of inserting a de-interlacing filter fallback between the two. If the source has mixed telecined and real interlaced content, fieldmatch will not be able to match fields for the interlaced parts. But these remaining combed frames will be marked as interlaced, and thus can be de-interlaced by a later filter such as yadif before decimation.

In addition to the various configuration options, fieldmatch can take an optional second stream, activated through the ppsrc option. If enabled, the frames reconstruction will be based on the fields and frames from this second stream. This allows the first input to be pre-processed in order to help the various algorithms of the filter, while keeping the output lossless (assuming the fields are matched properly). Typically, a field-aware denoiser, or brightness/contrast adjustments can help.

Note that this filter uses the same algorithms as TIVTC/TFM (AviSynth project) and VIVTC/VFM (VapourSynth project). The later is a light clone of TFM from which fieldmatch is based on. While the semantic and usage are very close, some behaviour and options names can differ.

The decimate filter currently only works for constant frame rate input. If your input has mixed telecined (30fps) and progressive content with a lower framerate like 24fps use the following filterchain to produce the necessary cfr stream: dejudder,fps=30000/1001,fieldmatch,decimate.

The filter accepts the following options:

order
     Specify the assumed field order of the input stream. Available values are:

     auto
          Auto detect parity (use FFmpeg's internal parity value).

     bff
          Assume bottom field first.

     tff
          Assume top field first.

     Note that it is sometimes recommended not to trust the parity announced by the stream.

     Default value is AUTO.

mode
     Set the matching mode or strategy to use. pc mode is the safest in the sense that it won't risk creating jerkiness due to duplicate frames when possible, but if there are bad edits or blended fields it will end up outputting combed frames when a good match might actually exist. On the other hand, pcn_ub mode is the most risky in terms of creating jerkiness, but will almost always find a good frame if there is one. The other values are all somewhere in between pc and pcn_ub in terms of risking jerkiness and creating duplicate frames versus finding good matches in sections with bad edits, orphaned fields, blended fields, etc.

     More details about p/c/n/u/b are available in p/c/n/u/b meaning section.

     Available values are:

     pc
          2-way matching (p/c)

     pc_n
          2-way matching, and trying 3rd match if still combed (p/c + n)

     pc_u
          2-way matching, and trying 3rd match (same order) if still combed (p/c + u)

     pc_n_ub
          2-way matching, trying 3rd match if still combed, and trying 4th/5th matches if still combed (p/c + n + u/b)

     pcn
          3-way matching (p/c/n)

     pcn_ub
          3-way matching, and trying 4th/5th matches if all 3 of the original matches are detected as combed (p/c/n + u/b)

     The parenthesis at the end indicate the matches that would be used for that mode assuming order=TFF (and field on AUTO or TOP).

     In terms of speed pc mode is by far the fastest and pcn_ub is the slowest.

     Default value is PC_N.

ppsrc
     Mark the main input stream as a pre-processed input, and enable the secondary input stream as the clean source to pick the fields from. See the filter introduction for more details. It is similar to the clip2 feature from VFM/TFM.

     Default value is 0 (disabled).

field
     Set the field to match from. It is recommended to set this to the same value as order unless you experience matching failures with that setting. In certain circumstances changing the field that is used to match from can have a large impact on matching performance. Available values are:

     auto
          Automatic (same value as order).

     bottom
          Match from the bottom field.

     top
          Match from the top field.

     Default value is AUTO.

mchroma
     Set whether or not chroma is included during the match comparisons. In most cases it is recommended to leave this enabled. You should set this to 0 only if your clip has bad chroma problems such as heavy rainbowing or other artifacts. Setting this to 0 could also be used to speed things up at the cost of some accuracy.

     Default value is 1.

y0

y1
     These define an exclusion band which excludes the lines between y0 and y1 from being included in the field matching decision. An exclusion band can be used to ignore subtitles, a logo, or other things that may interfere with the matching. y0 sets the starting scan line and y1 sets the ending line; all lines in between y0 and y1 (including y0 and y1) will be ignored. Setting y0 and y1 to the same value will disable the feature. y0 and y1 defaults to 0.

scthresh
     Set the scene change detection threshold as a percentage of maximum change on the luma plane. Good values are in the [8.0, 14.0] range. Scene change detection is only relevant in case combmatch=SC.  The range for scthresh is [0.0, 100.0].

     Default value is 12.0.

combmatch
     When combatch is not NONE, fieldmatch will take into account the combed scores of matches when deciding what match to use as the final match. Available values are:

     none
          No final matching based on combed scores.

     sc
          Combed scores are only used when a scene change is detected.

     full
          Use combed scores all the time.

     Default is SC.

combdbg
     Force fieldmatch to calculate the combed metrics for certain matches and print them. This setting is known as micout in TFM/VFM vocabulary. Available values are:

     none
          No forced calculation.

     pcn
          Force p/c/n calculations.

     pcnub
          Force p/c/n/u/b calculations.

     Default value is NONE.

cthresh
     This is the area combing threshold used for combed frame detection. This essentially controls how "strong" or "visible" combing must be to be detected. Larger values mean combing must be more visible and smaller values mean combing can be less visible or strong and still be detected. Valid settings are from -1 (every pixel will be detected as combed) to 255 (no pixel will be detected as combed). This is basically a pixel difference value. A good range is [8, 12].

     Default value is 9.

chroma
     Sets whether or not chroma is considered in the combed frame decision.  Only disable this if your source has chroma problems (rainbowing, etc.) that are causing problems for the combed frame detection with chroma enabled. Actually, using chroma=0 is usually more reliable, except for the case where there is chroma only combing in the source.

     Default value is 0.

blockx

blocky
     Respectively set the x-axis and y-axis size of the window used during combed frame detection. This has to do with the size of the area in which combpel pixels are required to be detected as combed for a frame to be declared combed. See the combpel parameter description for more info. Possible values are any number that is a power of 2 starting at 4 and going up to 512.

     Default value is 16.

combpel
     The number of combed pixels inside any of the blocky by blockx size blocks on the frame for the frame to be detected as combed. While cthresh controls how "visible" the combing must be, this setting controls "how much" combing there must be in any localized area (a window defined by the blockx and blocky settings) on the frame. Minimum value is 0 and maximum is blocky x blockx (at which point no frames will ever be detected as combed). This setting is known as MI in TFM/VFM vocabulary.

     Default value is 80.

p/c/n/u/b meaning
-----------------

p/c/n
.....

We assume the following telecined stream:

     Top fields:     1 2 2 3 4
     Bottom fields:  1 2 3 4 4

The numbers correspond to the progressive frame the fields relate to. Here, the first two frames are progressive, the 3rd and 4th are combed, and so on.

When fieldmatch is configured to run a matching from bottom (field=BOTTOM) this is how this input stream get transformed:

     Input stream:
                     T     1 2 2 3 4
                     B     1 2 3 4 4   <-- matching reference

     Matches:              c c n n c

     Output stream:
                     T     1 2 3 4 4
                     B     1 2 3 4 4

As a result of the field matching, we can see that some frames get duplicated. To perform a complete inverse telecine, you need to rely on a decimation filter after this operation. See for instance the decimate filter.

The same operation now matching from top fields (field=TOP) looks like this:

     Input stream:
                     T     1 2 2 3 4   <-- matching reference
                     B     1 2 3 4 4

     Matches:              c c p p c

     Output stream:
                     T     1 2 2 3 4
                     B     1 2 2 3 4

In these examples, we can see what P, C and N mean; basically, they refer to the frame and field of the opposite parity:

  * P matches the field of the opposite parity in the previous frame

  * C matches the field of the opposite parity in the current frame

  * N matches the field of the opposite parity in the next frame

u/b
...

The U and B matching are a bit special in the sense that they match from the opposite parity flag. In the following examples, we assume that we are currently matching the 2nd frame (Top:2, bottom:2). According to the match, a 'x' is placed above and below each matched fields.

With bottom matching (field=BOTTOM):

     Match:           c         p           n          b          u

                      x       x               x        x          x
       Top          1 2 2     1 2 2       1 2 2      1 2 2      1 2 2
       Bottom       1 2 3     1 2 3       1 2 3      1 2 3      1 2 3
                      x         x           x        x              x

     Output frames:
                      2          1          2          2          2
                      2          2          2          1          3

With top matching (field=TOP):

     Match:           c         p           n          b          u

                      x         x           x        x              x
       Top          1 2 2     1 2 2       1 2 2      1 2 2      1 2 2
       Bottom       1 2 3     1 2 3       1 2 3      1 2 3      1 2 3
                      x       x               x        x          x

     Output frames:
                      2          2          2          1          2
                      2          1          3          2          2

Examples
--------

Simple IVTC of a top field first telecined stream:

     fieldmatch=order=tff:combmatch=none, decimate

Advanced IVTC, with fallback on yadif for still combed frames:

     fieldmatch=order=tff:combmatch=full, yadif=deint=interlaced, decimate

fieldorder
==========

Transform the field order of the input video.

It accepts the following parameters:

order
     The output field order. Valid values are TFF for top field first or BFF for bottom field first.

The default value is tff.

The transformation is done by shifting the picture content up or down by one line, and filling the remaining line with appropriate picture content. This method is consistent with most broadcast field order converters.

If the input video is not flagged as being interlaced, or it is already flagged as being of the required output field order, then this filter does not alter the incoming video.

It is very useful when converting to or from PAL DV material, which is bottom field first.

For example:

     ffmpeg -i in.vob -vf "fieldorder=bff" out.dv

fifo, afifo
===========

Buffer input images and send them when they are requested.

It is mainly useful when auto-inserted by the libavfilter framework.

It does not take parameters.

fillborders
===========

Fill borders of the input video, without changing video stream dimensions. Sometimes video can have garbage at the four edges and you may not want to crop video input to keep size multiple of some number.

This filter accepts the following options:

left
     Number of pixels to fill from left border.

right
     Number of pixels to fill from right border.

top
     Number of pixels to fill from top border.

bottom
     Number of pixels to fill from bottom border.

mode
     Set fill mode.

     It accepts the following values:

     smear
          fill pixels using outermost pixels

     mirror
          fill pixels using mirroring

     fixed
          fill pixels with constant value

     Default is SMEAR.

color
     Set color for pixels in fixed mode. Default is BLACK.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

find_rect
=========

Find a rectangular object

It accepts the following options:

object
     Filepath of the object image, needs to be in gray8.

threshold
     Detection threshold, default is 0.5.

mipmaps
     Number of mipmaps, default is 3.

xmin, ymin, xmax, ymax
     Specifies the rectangle in which to search.

Examples
--------

  * Cover a rectangular object by the supplied image of a given video using ffmpeg:

          ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv

floodfill
=========

Flood area with values of same pixel components with another values.

It accepts the following options:

x
     Set pixel x coordinate.

y
     Set pixel y coordinate.

s0
     Set source #0 component value.

s1
     Set source #1 component value.

s2
     Set source #2 component value.

s3
     Set source #3 component value.

d0
     Set destination #0 component value.

d1
     Set destination #1 component value.

d2
     Set destination #2 component value.

d3
     Set destination #3 component value.

format
======

Convert the input video to one of the specified pixel formats. Libavfilter will try to pick one that is suitable as input to the next filter.

It accepts the following parameters:

pix_fmts
     A '|'-separated list of pixel format names, such as "pix_fmts=yuv420p|monow|rgb24".

Examples
--------

  * Convert the input video to the YUV420P format

          format=pix_fmts=yuv420p

     Convert the input video to any of the formats in the list

          format=pix_fmts=yuv420p|yuv444p|yuv410p

fps
===

Convert the video to specified constant frame rate by duplicating or dropping frames as necessary.

It accepts the following parameters:

fps
     The desired output frame rate. The default is 25.

start_time
     Assume the first PTS should be the given value, in seconds. This allows for padding/trimming at the start of stream. By default, no assumption is made about the first frame's expected PTS, so no padding or trimming is done. For example, this could be set to 0 to pad the beginning with duplicates of the first frame if a video stream starts after the audio stream or to trim any frames with a negative PTS.

round
     Timestamp (PTS) rounding method.

     Possible values are:

     zero
          round towards 0

     inf
          round away from 0

     down
          round towards -infinity

     up
          round towards +infinity

     near
          round to nearest

     The default is near.

eof_action
     Action performed when reading the last frame.

     Possible values are:

     round
          Use same timestamp rounding method as used for other frames.

     pass
          Pass through last frame if input duration has not been reached yet.

     The default is round.

Alternatively, the options can be specified as a flat string: FPS[:START_TIME[:ROUND]].

See also the setpts filter.

Examples
--------

  * A typical usage in order to set the fps to 25:

          fps=fps=25

  * Sets the fps to 24, using abbreviation and rounding method to round to nearest:

          fps=fps=film:round=near

framepack
=========

Pack two different video streams into a stereoscopic video, setting proper metadata on supported codecs. The two views should have the same size and framerate and processing will stop when the shorter video ends. Please note that you may conveniently adjust view properties with the scale and fps filters.

It accepts the following parameters:

format
     The desired packing format. Supported values are:

     sbs
          The views are next to each other (default).

     tab
          The views are on top of each other.

     lines
          The views are packed by line.

     columns
          The views are packed by column.

     frameseq
          The views are temporally interleaved.

Some examples:

     # Convert left and right views into a frame-sequential video
     ffmpeg -i LEFT -i RIGHT -filter_complex framepack=frameseq OUTPUT

     # Convert views into a side-by-side video with the same output resolution as the input
     ffmpeg -i LEFT -i RIGHT -filter_complex [0:v]scale=w=iw/2[left],[1:v]scale=w=iw/2[right],[left][right]framepack=sbs OUTPUT

framerate
=========

Change the frame rate by interpolating new video output frames from the source frames.

This filter is not designed to function correctly with interlaced media. If you wish to change the frame rate of interlaced media then you are required to deinterlace before this filter and re-interlace after this filter.

A description of the accepted options follows.

fps
     Specify the output frames per second. This option can also be specified as a value alone. The default is 50.

interp_start
     Specify the start of a range where the output frame will be created as a linear interpolation of two frames. The range is [0-255], the default is 15.

interp_end
     Specify the end of a range where the output frame will be created as a linear interpolation of two frames. The range is [0-255], the default is 240.

scene
     Specify the level at which a scene change is detected as a value between 0 and 100 to indicate a new scene; a low value reflects a low probability for the current frame to introduce a new scene, while a higher value means the current frame is more likely to be one. The default is 8.2.

flags
     Specify flags influencing the filter process.

     Available value for FLAGS is:

     scene_change_detect, scd
          Enable scene change detection using the value of the option SCENE. This flag is enabled by default.

framestep
=========

Select one frame every N-th frame.

This filter accepts the following option:

step
     Select frame after every step frames. Allowed values are positive integers higher than 0. Default value is 1.

freezedetect
============

Detect frozen video.

This filter logs a message and sets frame metadata when it detects that the input video has no significant change in content during a specified duration. Video freeze detection calculates the mean average absolute difference of all the components of video frames and compares it to a noise floor.

The printed times and duration are expressed in seconds. The lavfi.freezedetect.freeze_start metadata key is set on the first frame whose timestamp equals or exceeds the detection duration and it contains the timestamp of the first frame of the freeze. The lavfi.freezedetect.freeze_duration and lavfi.freezedetect.freeze_end metadata keys are set on the first frame after the freeze.

The filter accepts the following options:

noise, n
     Set noise tolerance. Can be specified in dB (in case "dB" is appended to the specified value) or as a difference ratio between 0 and 1. Default is -60dB, or 0.001.

duration, d
     Set freeze duration until notification (default is 2 seconds).

freezeframes
============

Freeze video frames.

This filter freezes video frames using frame from 2nd input.

The filter accepts the following options:

first
     Set number of first frame from which to start freeze.

last
     Set number of last frame from which to end freeze.

replace
     Set number of frame from 2nd input which will be used instead of replaced frames.

frei0r
======

Apply a frei0r effect to the input video.

To enable the compilation of this filter, you need to install the frei0r header and configure FFmpeg with --enable-frei0r.

It accepts the following parameters:

filter_name
     The name of the frei0r effect to load. If the environment variable FREI0R_PATH is defined, the frei0r effect is searched for in each of the directories specified by the colon-separated list in FREI0R_PATH. Otherwise, the standard frei0r paths are searched, in this order: HOME/.frei0r-1/lib/, /usr/local/lib/frei0r-1/, /usr/lib/frei0r-1/.

filter_params
     A '|'-separated list of parameters to pass to the frei0r effect.

A frei0r effect parameter can be a boolean (its value is either "y" or "n"), a double, a color (specified as R/G/B, where R, G, and B are floating point numbers between 0.0 and 1.0, inclusive) or a color description as specified in the "Color" section in the ffmpeg-utils manual (ffmpeg-utils), a position (specified as X/Y, where X and Y are floating point numbers) and/or a string.

The number and types of parameters depend on the loaded effect. If an effect parameter is not specified, the default value is set.

Examples
--------

  * Apply the distort0r effect, setting the first two double parameters:

          frei0r=filter_name=distort0r:filter_params=0.5|0.01

  * Apply the colordistance effect, taking a color as the first parameter:

          frei0r=colordistance:0.2/0.3/0.4
          frei0r=colordistance:violet
          frei0r=colordistance:0x112233

  * Apply the perspective effect, specifying the top left and top right image positions:

          frei0r=perspective:0.2/0.2|0.8/0.2

For more information, see http://frei0r.dyne.org

Commands
--------

This filter supports the filter_params option as commands.

fspp
====

Apply fast and simple postprocessing. It is a faster version of spp.

It splits (I)DCT into horizontal/vertical passes. Unlike the simple post- processing filter, one of them is performed once per block, not per pixel. This allows for much higher speed.

The filter accepts the following options:

quality
     Set quality. This option defines the number of levels for averaging. It accepts an integer in the range 4-5. Default value is 4.

qp
     Force a constant quantization parameter. It accepts an integer in range 0-63. If not set, the filter will use the QP from the video stream (if available).

strength
     Set filter strength. It accepts an integer in range -15 to 32. Lower values mean more details but also more artifacts, while higher values make the image smoother but also blurrier. Default value is 0 − PSNR optimal.

use_bframe_qp
     Enable the use of the QP from the B-Frames if set to 1. Using this option may cause flicker since the B-Frames have often larger QP. Default is 0 (not enabled).

gblur
=====

Apply Gaussian blur filter.

The filter accepts the following options:

sigma
     Set horizontal sigma, standard deviation of Gaussian blur. Default is 0.5.

steps
     Set number of steps for Gaussian approximation. Default is 1.

planes
     Set which planes to filter. By default all planes are filtered.

sigmaV
     Set vertical sigma, if negative it will be same as sigma. Default is -1.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

geq
===

Apply generic equation to each pixel.

The filter accepts the following options:

lum_expr, lum
     Set the luminance expression.

cb_expr, cb
     Set the chrominance blue expression.

cr_expr, cr
     Set the chrominance red expression.

alpha_expr, a
     Set the alpha expression.

red_expr, r
     Set the red expression.

green_expr, g
     Set the green expression.

blue_expr, b
     Set the blue expression.

The colorspace is selected according to the specified options. If one of the lum_expr, cb_expr, or cr_expr options is specified, the filter will automatically select a YCbCr colorspace. If one of the red_expr, green_expr, or blue_expr options is specified, it will select an RGB colorspace.

If one of the chrominance expression is not defined, it falls back on the other one. If no alpha expression is specified it will evaluate to opaque value. If none of chrominance expressions are specified, they will evaluate to the luminance expression.

The expressions can use the following variables and functions:

N
     The sequential number of the filtered frame, starting from 0.

X

Y
     The coordinates of the current sample.

W

H
     The width and height of the image.

SW

SH
     Width and height scale depending on the currently filtered plane. It is the ratio between the corresponding luma plane number of pixels and the current plane ones. E.g. for YUV4:2:0 the values are 1,1 for the luma plane, and 0.5,0.5 for chroma planes.

T
     Time of the current frame, expressed in seconds.

p(x, y)
     Return the value of the pixel at location (X,Y) of the current plane.

lum(x, y)
     Return the value of the pixel at location (X,Y) of the luminance plane.

cb(x, y)
     Return the value of the pixel at location (X,Y) of the blue-difference chroma plane. Return 0 if there is no such plane.

cr(x, y)
     Return the value of the pixel at location (X,Y) of the red-difference chroma plane. Return 0 if there is no such plane.

r(x, y)

g(x, y)

b(x, y)
     Return the value of the pixel at location (X,Y) of the red/green/blue component. Return 0 if there is no such component.

alpha(x, y)
     Return the value of the pixel at location (X,Y) of the alpha plane. Return 0 if there is no such plane.

psum(x,y), lumsum(x, y), cbsum(x,y), crsum(x,y), rsum(x,y), gsum(x,y), bsum(x,y), alphasum(x,y)
     Sum of sample values in the rectangle from (0,0) to (x,y), this allows obtaining sums of samples within a rectangle. See the functions without the sum postfix.

interpolation
     Set one of interpolation methods:

     nearest, n

     bilinear, b

     Default is bilinear.

For functions, if X and Y are outside the area, the value will be automatically clipped to the closer edge.

Please note that this filter can use multiple threads in which case each slice will have its own expression state. If you want to use only a single expression state because your expressions depend on previous state then you should limit the number of filter threads to 1.

Examples
--------

  * Flip the image horizontally:

          geq=p(W-X\,Y)

  * Generate a bidimensional sine wave, with angle PI/3 and a wavelength of 100 pixels:

          geq=128 + 100*sin(2*(PI/100)*(cos(PI/3)*(X-50*T) + sin(PI/3)*Y)):128:128

  * Generate a fancy enigmatic moving light:

          nullsrc=s=256x256,geq=random(1)/hypot(X-cos(N*0.07)*W/2-W/2\,Y-sin(N*0.09)*H/2-H/2)^2*1000000*sin(N*0.02):128:128

  * Generate a quick emboss effect:

          format=gray,geq=lum_expr='(p(X,Y)+(256-p(X-4,Y-4)))/2'

  * Modify RGB components depending on pixel position:

          geq=r='X/W*r(X,Y)':g='(1-X/W)*g(X,Y)':b='(H-Y)/H*b(X,Y)'

  * Create a radial gradient that is the same size as the input (also see the vignette filter):

          geq=lum=255*gauss((X/W-0.5)*3)*gauss((Y/H-0.5)*3)/gauss(0)/gauss(0),format=gray

gradfun
=======

Fix the banding artifacts that are sometimes introduced into nearly flat regions by truncation to 8-bit color depth. Interpolate the gradients that should go where the bands are, and dither them.

It is designed for playback only.  Do not use it prior to lossy compression, because compression tends to lose the dither and bring back the bands.

It accepts the following parameters:

strength
     The maximum amount by which the filter will change any one pixel. This is also the threshold for detecting nearly flat regions. Acceptable values range from .51 to 64; the default value is 1.2. Out-of-range values will be clipped to the valid range.

radius
     The neighborhood to fit the gradient to. A larger radius makes for smoother gradients, but also prevents the filter from modifying the pixels near detailed regions. Acceptable values are 8-32; the default value is 16. Out-of-range values will be clipped to the valid range.

Alternatively, the options can be specified as a flat string: STRENGTH[:RADIUS]

Examples
--------

  * Apply the filter with a 3.5 strength and radius of 8:

          gradfun=3.5:8

  * Specify radius, omitting the strength (which will fall-back to the default value):

          gradfun=radius=8

graphmonitor
============

Show various filtergraph stats.

With this filter one can debug complete filtergraph. Especially issues with links filling with queued frames.

The filter accepts the following options:

size, s
     Set video output size. Default is HD720.

opacity, o
     Set video opacity. Default is 0.9. Allowed range is from 0 to 1.

mode, m
     Set output mode, can be FULLL or COMPACT. In COMPACT mode only filters with some queued frames have displayed stats.

flags, f
     Set flags which enable which stats are shown in video.

     Available values for flags are:

     queue
          Display number of queued frames in each link.

     frame_count_in
          Display number of frames taken from filter.

     frame_count_out
          Display number of frames given out from filter.

     pts
          Display current filtered frame pts.

     time
          Display current filtered frame time.

     timebase
          Display time base for filter link.

     format
          Display used format for filter link.

     size
          Display video size or number of audio channels in case of audio used by filter link.

     rate
          Display video frame rate or sample rate in case of audio used by filter link.

     eof
          Display link output status.

rate, r
     Set upper limit for video rate of output stream, Default value is 25. This guarantee that output video frame rate will not be higher than this value.

greyedge
========

A color constancy variation filter which estimates scene illumination via grey edge algorithm and corrects the scene colors accordingly.

See: https://staff.science.uva.nl/th.gevers/pub/GeversTIP07.pdf

The filter accepts the following options:

difford
     The order of differentiation to be applied on the scene. Must be chosen in the range [0,2] and default value is 1.

minknorm
     The Minkowski parameter to be used for calculating the Minkowski distance. Must be chosen in the range [0,20] and default value is 1. Set to 0 for getting max value instead of calculating Minkowski distance.

sigma
     The standard deviation of Gaussian blur to be applied on the scene. Must be chosen in the range [0,1024.0] and default value = 1. floor( SIGMA * break_off_sigma(3) ) can't be equal to 0 if DIFFORD is greater than 0.

Examples
--------

  * Grey Edge:

          greyedge=difford=1:minknorm=5:sigma=2

  * Max Edge:

          greyedge=difford=1:minknorm=0:sigma=2

haldclut
========

Apply a Hald CLUT to a video stream.

First input is the video stream to process, and second one is the Hald CLUT. The Hald CLUT input can be a simple picture or a complete video stream.

The filter accepts the following options:

shortest
     Force termination when the shortest input terminates. Default is 0.

repeatlast
     Continue applying the last CLUT after the end of the stream. A value of 0 disable the filter after the last frame of the CLUT is reached. Default is 1.

haldclut also has the same interpolation options as lut3d (both filters share the same internals).

This filter also supports the framesync options.

More information about the Hald CLUT can be found on Eskil Steenberg's website (Hald CLUT author) at http://www.quelsolaar.com/technology/clut.html.

Workflow examples
-----------------

Hald CLUT video stream
......................

Generate an identity Hald CLUT stream altered with various effects:

     ffmpeg -f lavfi -i haldclutsrc=8 -vf "hue=H=2*PI*t:s=sin(2*PI*t)+1, curves=cross_process" -t 10 -c:v ffv1 clut.nut

Note: make sure you use a lossless codec.

Then use it with haldclut to apply it on some random stream:

     ffmpeg -f lavfi -i mandelbrot -i clut.nut -filter_complex '[0][1] haldclut' -t 20 mandelclut.mkv

The Hald CLUT will be applied to the 10 first seconds (duration of clut.nut), then the latest picture of that CLUT stream will be applied to the remaining frames of the mandelbrot stream.

Hald CLUT with preview
......................

A Hald CLUT is supposed to be a squared image of Level*Level*Level by Level*Level*Level pixels. For a given Hald CLUT, FFmpeg will select the biggest possible square starting at the top left of the picture. The remaining padding pixels (bottom or right) will be ignored. This area can be used to add a preview of the Hald CLUT.

Typically, the following generated Hald CLUT will be supported by the haldclut filter:

     ffmpeg -f lavfi -i haldclutsrc=8 -vf "
        pad=iw+320 [padded_clut];
        smptebars=s=320x256, split [a][b];
        [padded_clut][a] overlay=W-320:h, curves=color_negative [main];
        [main][b] overlay=W-320" -frames:v 1 clut.png

It contains the original and a preview of the effect of the CLUT: SMPTE color bars are displayed on the right-top, and below the same color bars processed by the color changes.

Then, the effect of this Hald CLUT can be visualized with:

     ffplay input.mkv -vf "movie=clut.png, [in] haldclut"

hflip
=====

Flip the input video horizontally.

For example, to horizontally flip the input video with ffmpeg:

     ffmpeg -i in.avi -vf "hflip" out.avi

histeq
======

This filter applies a global color histogram equalization on a per-frame basis.

It can be used to correct video that has a compressed range of pixel intensities.  The filter redistributes the pixel intensities to equalize their distribution across the intensity range. It may be viewed as an "automatically adjusting contrast filter". This filter is useful only for correcting degraded or poorly captured source video.

The filter accepts the following options:

strength
     Determine the amount of equalization to be applied.  As the strength is reduced, the distribution of pixel intensities more-and-more approaches that of the input frame. The value must be a float number in the range [0,1] and defaults to 0.200.

intensity
     Set the maximum intensity that can generated and scale the output values appropriately.  The strength should be set as desired and then the intensity can be limited if needed to avoid washing-out. The value must be a float number in the range [0,1] and defaults to 0.210.

antibanding
     Set the antibanding level. If enabled the filter will randomly vary the luminance of output pixels by a small amount to avoid banding of the histogram. Possible values are none, weak or strong. It defaults to none.

histogram
=========

Compute and draw a color distribution histogram for the input video.

The computed histogram is a representation of the color component distribution in an image.

Standard histogram displays the color components distribution in an image. Displays color graph for each color component. Shows distribution of the Y, U, V, A or R, G, B components, depending on input format, in the current frame. Below each graph a color component scale meter is shown.

The filter accepts the following options:

level_height
     Set height of level. Default value is 200. Allowed range is [50, 2048].

scale_height
     Set height of color scale. Default value is 12. Allowed range is [0, 40].

display_mode
     Set display mode. It accepts the following values:

     stack
          Per color component graphs are placed below each other.

     parade
          Per color component graphs are placed side by side.

     overlay
          Presents information identical to that in the parade, except that the graphs representing color components are superimposed directly over one another.

     Default is stack.

levels_mode
     Set mode. Can be either linear, or logarithmic. Default is linear.

components
     Set what color components to display. Default is 7.

fgopacity
     Set foreground opacity. Default is 0.7.

bgopacity
     Set background opacity. Default is 0.5.

Examples
--------

  * Calculate and draw histogram:

          ffplay -i input -vf histogram

hqdn3d
======

This is a high precision/quality 3d denoise filter. It aims to reduce image noise, producing smooth images and making still images really still. It should enhance compressibility.

It accepts the following optional parameters:

luma_spatial
     A non-negative floating point number which specifies spatial luma strength. It defaults to 4.0.

chroma_spatial
     A non-negative floating point number which specifies spatial chroma strength. It defaults to 3.0*LUMA_SPATIAL/4.0.

luma_tmp
     A floating point number which specifies luma temporal strength. It defaults to 6.0*LUMA_SPATIAL/4.0.

chroma_tmp
     A floating point number which specifies chroma temporal strength. It defaults to LUMA_TMP*CHROMA_SPATIAL/LUMA_SPATIAL.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

hwdownload
==========

Download hardware frames to system memory.

The input must be in hardware frames, and the output a non-hardware format. Not all formats will be supported on the output - it may be necessary to insert an additional format filter immediately following in the graph to get the output in a supported format.

hwmap
=====

Map hardware frames to system memory or to another device.

This filter has several different modes of operation; which one is used depends on the input and output formats:

  * Hardware frame input, normal frame output

     Map the input frames to system memory and pass them to the output.  If the original hardware frame is later required (for example, after overlaying something else on part of it), the hwmap filter can be used again in the next mode to retrieve it.

  * Normal frame input, hardware frame output

     If the input is actually a software-mapped hardware frame, then unmap it - that is, return the original hardware frame.

     Otherwise, a device must be provided.  Create new hardware surfaces on that device for the output, then map them back to the software format at the input and give those frames to the preceding filter.  This will then act like the hwupload filter, but may be able to avoid an additional copy when the input is already in a compatible format.

  * Hardware frame input and output

     A device must be supplied for the output, either directly or with the derive_device option.  The input and output devices must be of different types and compatible - the exact meaning of this is system-dependent, but typically it means that they must refer to the same underlying hardware context (for example, refer to the same graphics card).

     If the input frames were originally created on the output device, then unmap to retrieve the original frames.

     Otherwise, map the frames to the output device - create new hardware frames on the output corresponding to the frames on the input.

The following additional parameters are accepted:

mode
     Set the frame mapping mode.  Some combination of:

     read
          The mapped frame should be readable.

     write
          The mapped frame should be writeable.

     overwrite
          The mapping will always overwrite the entire frame.

          This may improve performance in some cases, as the original contents of the frame need not be loaded.

     direct
          The mapping must not involve any copying.

          Indirect mappings to copies of frames are created in some cases where either direct mapping is not possible or it would have unexpected properties. Setting this flag ensures that the mapping is direct and will fail if that is not possible.

     Defaults to READ+WRITE if not specified.

derive_device TYPE
     Rather than using the device supplied at initialisation, instead derive a new device of type TYPE from the device the input frames exist on.

reverse
     In a hardware to hardware mapping, map in reverse - create frames in the sink and map them back to the source.  This may be necessary in some cases where a mapping in one direction is required but only the opposite direction is supported by the devices being used.

     This option is dangerous - it may break the preceding filter in undefined ways if there are any additional constraints on that filter's output. Do not use it without fully understanding the implications of its use.

hwupload
========

Upload system memory frames to hardware surfaces.

The device to upload to must be supplied when the filter is initialised.  If using ffmpeg, select the appropriate device with the -filter_hw_device option or with the derive_device option.  The input and output devices must be of different types and compatible - the exact meaning of this is system-dependent, but typically it means that they must refer to the same underlying hardware context (for example, refer to the same graphics card).

The following additional parameters are accepted:

derive_device TYPE
     Rather than using the device supplied at initialisation, instead derive a new device of type TYPE from the device the input frames exist on.

hwupload_cuda
=============

Upload system memory frames to a CUDA device.

It accepts the following optional parameters:

device
     The number of the CUDA device to use

hqx
===

Apply a high-quality magnification filter designed for pixel art. This filter was originally created by Maxim Stepin.

It accepts the following option:

n
     Set the scaling dimension: 2 for hq2x, 3 for hq3x and 4 for hq4x. Default is 3.

hstack
======

Stack input videos horizontally.

All streams must be of same pixel format and of same height.

Note that this filter is faster than using overlay and pad filter to create same output.

The filter accepts the following option:

inputs
     Set number of input streams. Default is 2.

shortest
     If set to 1, force the output to terminate when the shortest input terminates. Default value is 0.

hue
===

Modify the hue and/or the saturation of the input.

It accepts the following parameters:

h
     Specify the hue angle as a number of degrees. It accepts an expression, and defaults to "0".

s
     Specify the saturation in the [-10,10] range. It accepts an expression and defaults to "1".

H
     Specify the hue angle as a number of radians. It accepts an expression, and defaults to "0".

b
     Specify the brightness in the [-10,10] range. It accepts an expression and defaults to "0".

h and H are mutually exclusive, and can't be specified at the same time.

The b, h, H and s option values are expressions containing the following constants:

n
     frame count of the input frame starting from 0

pts
     presentation timestamp of the input frame expressed in time base units

r
     frame rate of the input video, NAN if the input frame rate is unknown

t
     timestamp expressed in seconds, NAN if the input timestamp is unknown

tb
     time base of the input video

Examples
--------

  * Set the hue to 90 degrees and the saturation to 1.0:

          hue=h=90:s=1

  * Same command but expressing the hue in radians:

          hue=H=PI/2:s=1

  * Rotate hue and make the saturation swing between 0 and 2 over a period of 1 second:

          hue="H=2*PI*t: s=sin(2*PI*t)+1"

  * Apply a 3 seconds saturation fade-in effect starting at 0:

          hue="s=min(t/3\,1)"

     The general fade-in expression can be written as:

          hue="s=min(0\, max((t-START)/DURATION\, 1))"

  * Apply a 3 seconds saturation fade-out effect starting at 5 seconds:

          hue="s=max(0\, min(1\, (8-t)/3))"

     The general fade-out expression can be written as:

          hue="s=max(0\, min(1\, (START+DURATION-t)/DURATION))"

Commands
--------

This filter supports the following commands:

b

s

h

H
     Modify the hue and/or the saturation and/or brightness of the input video. The command accepts the same syntax of the corresponding option.

     If the specified expression is not valid, it is kept at its current value.

hysteresis
==========

Grow first stream into second stream by connecting components. This makes it possible to build more robust edge masks.

This filter accepts the following options:

planes
     Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

threshold
     Set threshold which is used in filtering. If pixel component value is higher than this value filter algorithm for connecting components is activated. By default value is 0.

The hysteresis filter also supports the framesync options.

idet
====

Detect video interlacing type.

This filter tries to detect if the input frames are interlaced, progressive, top or bottom field first. It will also try to detect fields that are repeated between adjacent frames (a sign of telecine).

Single frame detection considers only immediately adjacent frames when classifying each frame. Multiple frame detection incorporates the classification history of previous frames.

The filter will log these metadata values:

single.current_frame
     Detected type of current frame using single-frame detection. One of: ``tff'' (top field first), ``bff'' (bottom field first), ``progressive'', or ``undetermined''

single.tff
     Cumulative number of frames detected as top field first using single-frame detection.

multiple.tff
     Cumulative number of frames detected as top field first using multiple-frame detection.

single.bff
     Cumulative number of frames detected as bottom field first using single-frame detection.

multiple.current_frame
     Detected type of current frame using multiple-frame detection. One of: ``tff'' (top field first), ``bff'' (bottom field first), ``progressive'', or ``undetermined''

multiple.bff
     Cumulative number of frames detected as bottom field first using multiple-frame detection.

single.progressive
     Cumulative number of frames detected as progressive using single-frame detection.

multiple.progressive
     Cumulative number of frames detected as progressive using multiple-frame detection.

single.undetermined
     Cumulative number of frames that could not be classified using single-frame detection.

multiple.undetermined
     Cumulative number of frames that could not be classified using multiple-frame detection.

repeated.current_frame
     Which field in the current frame is repeated from the last. One of ``neither'', ``top'', or ``bottom''.

repeated.neither
     Cumulative number of frames with no repeated field.

repeated.top
     Cumulative number of frames with the top field repeated from the previous frame's top field.

repeated.bottom
     Cumulative number of frames with the bottom field repeated from the previous frame's bottom field.

The filter accepts the following options:

intl_thres
     Set interlacing threshold.

prog_thres
     Set progressive threshold.

rep_thres
     Threshold for repeated field detection.

half_life
     Number of frames after which a given frame's contribution to the statistics is halved (i.e., it contributes only 0.5 to its classification). The default of 0 means that all frames seen are given full weight of 1.0 forever.

analyze_interlaced_flag
     When this is not 0 then idet will use the specified number of frames to determine if the interlaced flag is accurate, it will not count undetermined frames. If the flag is found to be accurate it will be used without any further computations, if it is found to be inaccurate it will be cleared without any further computations. This allows inserting the idet filter as a low computational method to clean up the interlaced flag

il
==

Deinterleave or interleave fields.

This filter allows one to process interlaced images fields without deinterlacing them. Deinterleaving splits the input frame into 2 fields (so called half pictures). Odd lines are moved to the top half of the output image, even lines to the bottom half. You can process (filter) them independently and then re-interleave them.

The filter accepts the following options:

luma_mode, l

chroma_mode, c

alpha_mode, a
     Available values for LUMA_MODE, CHROMA_MODE and ALPHA_MODE are:

     none
          Do nothing.

     deinterleave, d
          Deinterleave fields, placing one above the other.

     interleave, i
          Interleave fields. Reverse the effect of deinterleaving.

     Default value is none.

luma_swap, ls

chroma_swap, cs

alpha_swap, as
     Swap luma/chroma/alpha fields. Exchange even & odd lines. Default value is 0.

Commands
--------

This filter supports the all above options as commands.

inflate
=======

Apply inflate effect to the video.

This filter replaces the pixel by the local(3x3) average by taking into account only values higher than the pixel.

It accepts the following options:

threshold0

threshold1

threshold2

threshold3
     Limit the maximum change for each plane, default is 65535. If 0, plane will remain unchanged.

Commands
--------

This filter supports the all above options as commands.

interlace
=========

Simple interlacing filter from progressive contents. This interleaves upper (or lower) lines from odd frames with lower (or upper) lines from even frames, halving the frame rate and preserving image height.

        Original        Original             New Frame
        Frame 'j'      Frame 'j+1'             (tff)
       ==========      ===========       ==================
         Line 0  -------------------->    Frame 'j' Line 0
         Line 1          Line 1  ---->   Frame 'j+1' Line 1
         Line 2 --------------------->    Frame 'j' Line 2
         Line 3          Line 3  ---->   Frame 'j+1' Line 3
          ...             ...                   ...
     New Frame + 1 will be generated by Frame 'j+2' and Frame 'j+3' and so on

It accepts the following optional parameters:

scan
     This determines whether the interlaced frame is taken from the even (tff - default) or odd (bff) lines of the progressive frame.

lowpass
     Vertical lowpass filter to avoid twitter interlacing and reduce moire patterns.

     0, off
          Disable vertical lowpass filter

     1, linear
          Enable linear filter (default)

     2, complex
          Enable complex filter. This will slightly less reduce twitter and moire but better retain detail and subjective sharpness impression.

kerndeint
=========

Deinterlace input video by applying Donald Graft's adaptive kernel deinterling. Work on interlaced parts of a video to produce progressive frames.

The description of the accepted parameters follows.

thresh
     Set the threshold which affects the filter's tolerance when determining if a pixel line must be processed. It must be an integer in the range [0,255] and defaults to 10. A value of 0 will result in applying the process on every pixels.

map
     Paint pixels exceeding the threshold value to white if set to 1. Default is 0.

order
     Set the fields order. Swap fields if set to 1, leave fields alone if 0. Default is 0.

sharp
     Enable additional sharpening if set to 1. Default is 0.

twoway
     Enable twoway sharpening if set to 1. Default is 0.

Examples
--------

  * Apply default values:

          kerndeint=thresh=10:map=0:order=0:sharp=0:twoway=0

  * Enable additional sharpening:

          kerndeint=sharp=1

  * Paint processed pixels in white:

          kerndeint=map=1

lagfun
======

Slowly update darker pixels.

This filter makes short flashes of light appear longer. This filter accepts the following options:

decay
     Set factor for decaying. Default is .95. Allowed range is from 0 to 1.

planes
     Set which planes to filter. Default is all. Allowed range is from 0 to 15.

lenscorrection
==============

Correct radial lens distortion

This filter can be used to correct for radial distortion as can result from the use of wide angle lenses, and thereby re-rectify the image. To find the right parameters one can use tools available for example as part of opencv or simply trial-and-error. To use opencv use the calibration sample (under samples/cpp) from the opencv sources and extract the k1 and k2 coefficients from the resulting matrix.

Note that effectively the same filter is available in the open-source tools Krita and Digikam from the KDE project.

In contrast to the vignette filter, which can also be used to compensate lens errors, this filter corrects the distortion of the image, whereas vignette corrects the brightness distribution, so you may want to use both filters together in certain cases, though you will have to take care of ordering, i.e. whether vignetting should be applied before or after lens correction.

Options
-------

The filter accepts the following options:

cx
     Relative x-coordinate of the focal point of the image, and thereby the center of the distortion. This value has a range [0,1] and is expressed as fractions of the image width. Default is 0.5.

cy
     Relative y-coordinate of the focal point of the image, and thereby the center of the distortion. This value has a range [0,1] and is expressed as fractions of the image height. Default is 0.5.

k1
     Coefficient of the quadratic correction term. This value has a range [-1,1]. 0 means no correction. Default is 0.

k2
     Coefficient of the double quadratic correction term. This value has a range [-1,1]. 0 means no correction. Default is 0.

The formula that generates the correction is:

R_SRC = R_TGT * (1 + K1 * (R_TGT / R_0)^2 + K2 * (R_TGT / R_0)^4)

where R_0 is halve of the image diagonal and R_SRC and R_TGT are the distances from the focal point in the source and target images, respectively.

lensfun
=======

Apply lens correction via the lensfun library (http://lensfun.sourceforge.net/).

The lensfun filter requires the camera make, camera model, and lens model to apply the lens correction. The filter will load the lensfun database and query it to find the corresponding camera and lens entries in the database. As long as these entries can be found with the given options, the filter can perform corrections on frames. Note that incomplete strings will result in the filter choosing the best match with the given options, and the filter will output the chosen camera and lens models (logged with level "info"). You must provide the make, camera model, and lens model as they are required.

The filter accepts the following options:

make
     The make of the camera (for example, "Canon"). This option is required.

model
     The model of the camera (for example, "Canon EOS 100D"). This option is required.

lens_model
     The model of the lens (for example, "Canon EF-S 18-55mm f/3.5-5.6 IS STM"). This option is required.

mode
     The type of correction to apply. The following values are valid options:

     vignetting
          Enables fixing lens vignetting.

     geometry
          Enables fixing lens geometry. This is the default.

     subpixel
          Enables fixing chromatic aberrations.

     vig_geo
          Enables fixing lens vignetting and lens geometry.

     vig_subpixel
          Enables fixing lens vignetting and chromatic aberrations.

     distortion
          Enables fixing both lens geometry and chromatic aberrations.

     all
          Enables all possible corrections.

focal_length
     The focal length of the image/video (zoom; expected constant for video). For example, a 18--55mm lens has focal length range of [18--55], so a value in that range should be chosen when using that lens. Default 18.

aperture
     The aperture of the image/video (expected constant for video). Note that aperture is only used for vignetting correction. Default 3.5.

focus_distance
     The focus distance of the image/video (expected constant for video). Note that focus distance is only used for vignetting and only slightly affects the vignetting correction process. If unknown, leave it at the default value (which is 1000).

scale
     The scale factor which is applied after transformation. After correction the video is no longer necessarily rectangular. This parameter controls how much of the resulting image is visible. The value 0 means that a value will be chosen automatically such that there is little or no unmapped area in the output image. 1.0 means that no additional scaling is done. Lower values may result in more of the corrected image being visible, while higher values may avoid unmapped areas in the output.

target_geometry
     The target geometry of the output image/video. The following values are valid options:

     rectilinear (default)

     fisheye

     panoramic

     equirectangular

     fisheye_orthographic

     fisheye_stereographic

     fisheye_equisolid

     fisheye_thoby

reverse
     Apply the reverse of image correction (instead of correcting distortion, apply it).

interpolation
     The type of interpolation used when correcting distortion. The following values are valid options:

     nearest

     linear (default)

     lanczos

Examples
--------

  * Apply lens correction with make "Canon", camera model "Canon EOS 100D", and lens model "Canon EF-S 18-55mm f/3.5-5.6 IS STM" with focal length of "18" and aperture of "8.0".

          ffmpeg -i input.mov -vf lensfun=make=Canon:model="Canon EOS 100D":lens_model="Canon EF-S 18-55mm f/3.5-5.6 IS STM":focal_length=18:aperture=8 -c:v h264 -b:v 8000k output.mov

  * Apply the same as before, but only for the first 5 seconds of video.

          ffmpeg -i input.mov -vf lensfun=make=Canon:model="Canon EOS 100D":lens_model="Canon EF-S 18-55mm f/3.5-5.6 IS STM":focal_length=18:aperture=8:enable='lte(t\,5)' -c:v h264 -b:v 8000k output.mov

libvmaf
=======

Obtain the VMAF (Video Multi-Method Assessment Fusion) score between two input videos.

The obtained VMAF score is printed through the logging system.

It requires Netflix's vmaf library (libvmaf) as a pre-requisite. After installing the library it can be enabled using: ./configure --enable-libvmaf. If no model path is specified it uses the default model: vmaf_v0.6.1.pkl.

The filter has following options:

model_path
     Set the model path which is to be used for SVM. Default value: "/usr/local/share/model/vmaf_v0.6.1.pkl"

log_path
     Set the file path to be used to store logs.

log_fmt
     Set the format of the log file (csv, json or xml).

enable_transform
     This option can enable/disable the score_transform applied to the final predicted VMAF score, if you have specified score_transform option in the input parameter file passed to run_vmaf_training.py Default value: false

phone_model
     Invokes the phone model which will generate VMAF scores higher than in the regular model, which is more suitable for laptop, TV, etc. viewing conditions. Default value: false

psnr
     Enables computing psnr along with vmaf. Default value: false

ssim
     Enables computing ssim along with vmaf. Default value: false

ms_ssim
     Enables computing ms_ssim along with vmaf. Default value: false

pool
     Set the pool method to be used for computing vmaf. Options are min, harmonic_mean or mean (default).

n_threads
     Set number of threads to be used when computing vmaf. Default value: 0, which makes use of all available logical processors.

n_subsample
     Set interval for frame subsampling used when computing vmaf. Default value: 1

enable_conf_interval
     Enables confidence interval. Default value: false

This filter also supports the framesync options.

Examples
--------

  * On the below examples the input file main.mpg being processed is compared with the reference file ref.mpg.

          ffmpeg -i main.mpg -i ref.mpg -lavfi libvmaf -f null -

  * Example with options:

          ffmpeg -i main.mpg -i ref.mpg -lavfi libvmaf="psnr=1:log_fmt=json" -f null -

  * Example with options and different containers:

          ffmpeg -i main.mpg -i ref.mkv -lavfi "[0:v]settb=AVTB,setpts=PTS-STARTPTS[main];[1:v]settb=AVTB,setpts=PTS-STARTPTS[ref];[main][ref]libvmaf=psnr=1:log_fmt=json" -f null -

limiter
=======

Limits the pixel components values to the specified range [min, max].

The filter accepts the following options:

min
     Lower bound. Defaults to the lowest allowed value for the input.

max
     Upper bound. Defaults to the highest allowed value for the input.

planes
     Specify which planes will be processed. Defaults to all available.

loop
====

Loop video frames.

The filter accepts the following options:

loop
     Set the number of loops. Setting this value to -1 will result in infinite loops. Default is 0.

size
     Set maximal size in number of frames. Default is 0.

start
     Set first frame of loop. Default is 0.

Examples
--------

  * Loop single first frame infinitely:

          loop=loop=-1:size=1:start=0

  * Loop single first frame 10 times:

          loop=loop=10:size=1:start=0

  * Loop 10 first frames 5 times:

          loop=loop=5:size=10:start=0

lut1d
=====

Apply a 1D LUT to an input video.

The filter accepts the following options:

file
     Set the 1D LUT file name.

     Currently supported formats:

     cube
          Iridas

     csp
          cineSpace

interp
     Select interpolation mode.

     Available values are:

     nearest
          Use values from the nearest defined point.

     linear
          Interpolate values using the linear interpolation.

     cosine
          Interpolate values using the cosine interpolation.

     cubic
          Interpolate values using the cubic interpolation.

     spline
          Interpolate values using the spline interpolation.

lut3d
=====

Apply a 3D LUT to an input video.

The filter accepts the following options:

file
     Set the 3D LUT file name.

     Currently supported formats:

     3dl
          AfterEffects

     cube
          Iridas

     dat
          DaVinci

     m3d
          Pandora

     csp
          cineSpace

interp
     Select interpolation mode.

     Available values are:

     nearest
          Use values from the nearest defined point.

     trilinear
          Interpolate values using the 8 points defining a cube.

     tetrahedral
          Interpolate values using a tetrahedron.

lumakey
=======

Turn certain luma values into transparency.

The filter accepts the following options:

threshold
     Set the luma which will be used as base for transparency. Default value is 0.

tolerance
     Set the range of luma values to be keyed out. Default value is 0.01.

softness
     Set the range of softness. Default value is 0. Use this to control gradual transition from zero to full transparency.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

lut, lutrgb, lutyuv
===================

Compute a look-up table for binding each pixel component input value to an output value, and apply it to the input video.

LUTYUV applies a lookup table to a YUV input video, LUTRGB to an RGB input video.

These filters accept the following parameters:

c0
     set first pixel component expression

c1
     set second pixel component expression

c2
     set third pixel component expression

c3
     set fourth pixel component expression, corresponds to the alpha component

r
     set red component expression

g
     set green component expression

b
     set blue component expression

a
     alpha component expression

y
     set Y/luminance component expression

u
     set U/Cb component expression

v
     set V/Cr component expression

Each of them specifies the expression to use for computing the lookup table for the corresponding pixel component values.

The exact component associated to each of the C* options depends on the format in input.

The LUT filter requires either YUV or RGB pixel formats in input, LUTRGB requires RGB pixel formats in input, and LUTYUV requires YUV.

The expressions can contain the following constants and functions:

w

h
     The input width and height.

val
     The input value for the pixel component.

clipval
     The input value, clipped to the MINVAL-MAXVAL range.

maxval
     The maximum value for the pixel component.

minval
     The minimum value for the pixel component.

negval
     The negated value for the pixel component value, clipped to the MINVAL-MAXVAL range; it corresponds to the expression "maxval-clipval+minval".

clip(val)
     The computed value in VAL, clipped to the MINVAL-MAXVAL range.

gammaval(gamma)
     The computed gamma correction value of the pixel component value, clipped to the MINVAL-MAXVAL range. It corresponds to the expression "pow((clipval-minval)/(maxval-minval)\,GAMMA)*(maxval-minval)+minval"

All expressions default to "val".

Examples
--------

  * Negate input video:

          lutrgb="r=maxval+minval-val:g=maxval+minval-val:b=maxval+minval-val"
          lutyuv="y=maxval+minval-val:u=maxval+minval-val:v=maxval+minval-val"

     The above is the same as:

          lutrgb="r=negval:g=negval:b=negval"
          lutyuv="y=negval:u=negval:v=negval"

  * Negate luminance:

          lutyuv=y=negval

  * Remove chroma components, turning the video into a graytone image:

          lutyuv="u=128:v=128"

  * Apply a luma burning effect:

          lutyuv="y=2*val"

  * Remove green and blue components:

          lutrgb="g=0:b=0"

  * Set a constant alpha channel value on input:

          format=rgba,lutrgb=a="maxval-minval/2"

  * Correct luminance gamma by a factor of 0.5:

          lutyuv=y=gammaval(0.5)

  * Discard least significant bits of luma:

          lutyuv=y='bitand(val, 128+64+32)'

  * Technicolor like effect:

          lutyuv=u='(val-maxval/2)*2+maxval/2':v='(val-maxval/2)*2+maxval/2'

lut2, tlut2
===========

The lut2 filter takes two input streams and outputs one stream.

The tlut2 (time lut2) filter takes two consecutive frames from one single stream.

This filter accepts the following parameters:

c0
     set first pixel component expression

c1
     set second pixel component expression

c2
     set third pixel component expression

c3
     set fourth pixel component expression, corresponds to the alpha component

d
     set output bit depth, only available for lut2 filter. By default is 0, which means bit depth is automatically picked from first input format.

The lut2 filter also supports the framesync options.

Each of them specifies the expression to use for computing the lookup table for the corresponding pixel component values.

The exact component associated to each of the C* options depends on the format in inputs.

The expressions can contain the following constants:

w

h
     The input width and height.

x
     The first input value for the pixel component.

y
     The second input value for the pixel component.

bdx
     The first input video bit depth.

bdy
     The second input video bit depth.

All expressions default to "x".

Examples
--------

  * Highlight differences between two RGB video streams:

          lut2='ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,0,pow(2,bdx)-1)'

  * Highlight differences between two YUV video streams:

          lut2='ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,pow(2,bdx-1),pow(2,bdx)-1):ifnot(x-y,pow(2,bdx-1),pow(2,bdx)-1)'

  * Show max difference between two video streams:

          lut2='if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1))):if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1))):if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1)))'

maskedclamp
===========

Clamp the first input stream with the second input and third input stream.

Returns the value of first stream to be between second input stream - undershoot and third input stream + overshoot.

This filter accepts the following options:

undershoot
     Default value is 0.

overshoot
     Default value is 0.

planes
     Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

maskedmax
=========

Merge the second and third input stream into output stream using absolute differences between second input stream and first input stream and absolute difference between third input stream and first input stream. The picked value will be from second input stream if second absolute difference is greater than first one or from third input stream otherwise.

This filter accepts the following options:

planes
     Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

maskedmerge
===========

Merge the first input stream with the second input stream using per pixel weights in the third input stream.

A value of 0 in the third stream pixel component means that pixel component from first stream is returned unchanged, while maximum value (eg. 255 for 8-bit videos) means that pixel component from second stream is returned unchanged. Intermediate values define the amount of merging between both input stream's pixel components.

This filter accepts the following options:

planes
     Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

maskedmin
=========

Merge the second and third input stream into output stream using absolute differences between second input stream and first input stream and absolute difference between third input stream and first input stream. The picked value will be from second input stream if second absolute difference is less than first one or from third input stream otherwise.

This filter accepts the following options:

planes
     Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

maskedthreshold
===============

Pick pixels comparing absolute difference of two video streams with fixed threshold.

If absolute difference between pixel component of first and second video stream is equal or lower than user supplied threshold than pixel component from first video stream is picked, otherwise pixel component from second video stream is picked.

This filter accepts the following options:

threshold
     Set threshold used when picking pixels from absolute difference from two input video streams.

planes
     Set which planes will be processed as bitmap, unprocessed planes will be copied from second stream. By default value 0xf, all planes will be processed.

maskfun
=======

Create mask from input video.

For example it is useful to create motion masks after tblend filter.

This filter accepts the following options:

low
     Set low threshold. Any pixel component lower or exact than this value will be set to 0.

high
     Set high threshold. Any pixel component higher than this value will be set to max value allowed for current pixel format.

planes
     Set planes to filter, by default all available planes are filtered.

fill
     Fill all frame pixels with this value.

sum
     Set max average pixel value for frame. If sum of all pixel components is higher that this average, output frame will be completely filled with value set by FILL option. Typically useful for scene changes when used in combination with tblend filter.

mcdeint
=======

Apply motion-compensation deinterlacing.

It needs one field per frame as input and must thus be used together with yadif=1/3 or equivalent.

This filter accepts the following options:

mode
     Set the deinterlacing mode.

     It accepts one of the following values:

     fast

     medium

     slow
          use iterative motion estimation

     extra_slow
          like slow, but use multiple reference frames.

     Default value is fast.

parity
     Set the picture field parity assumed for the input video. It must be one of the following values:

     0, tff
          assume top field first

     1, bff
          assume bottom field first

     Default value is bff.

qp
     Set per-block quantization parameter (QP) used by the internal encoder.

     Higher values should result in a smoother motion vector field but less optimal individual vectors. Default value is 1.

median
======

Pick median pixel from certain rectangle defined by radius.

This filter accepts the following options:

radius
     Set horizontal radius size. Default value is 1. Allowed range is integer from 1 to 127.

planes
     Set which planes to process. Default is 15, which is all available planes.

radiusV
     Set vertical radius size. Default value is 0. Allowed range is integer from 0 to 127. If it is 0, value will be picked from horizontal radius option.

percentile
     Set median percentile. Default value is 0.5. Default value of 0.5 will pick always median values, while 0 will pick minimum values, and 1 maximum values.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

mergeplanes
===========

Merge color channel components from several video streams.

The filter accepts up to 4 input streams, and merge selected input planes to the output video.

This filter accepts the following options:

mapping
     Set input to output plane mapping. Default is 0.

     The mappings is specified as a bitmap. It should be specified as a hexadecimal number in the form 0xAa[Bb[Cc[Dd]]]. 'Aa' describes the mapping for the first plane of the output stream. 'A' sets the number of the input stream to use (from 0 to 3), and 'a' the plane number of the corresponding input to use (from 0 to 3). The rest of the mappings is similar, 'Bb' describes the mapping for the output stream second plane, 'Cc' describes the mapping for the output stream third plane and 'Dd' describes the mapping for the output stream fourth plane.

format
     Set output pixel format. Default is yuva444p.

Examples
--------

  * Merge three gray video streams of same width and height into single video stream:

          [a0][a1][a2]mergeplanes=0x001020:yuv444p

  * Merge 1st yuv444p stream and 2nd gray video stream into yuva444p video stream:

          [a0][a1]mergeplanes=0x00010210:yuva444p

  * Swap Y and A plane in yuva444p stream:

          format=yuva444p,mergeplanes=0x03010200:yuva444p

  * Swap U and V plane in yuv420p stream:

          format=yuv420p,mergeplanes=0x000201:yuv420p

  * Cast a rgb24 clip to yuv444p:

          format=rgb24,mergeplanes=0x000102:yuv444p

mestimate
=========

Estimate and export motion vectors using block matching algorithms. Motion vectors are stored in frame side data to be used by other filters.

This filter accepts the following options:

method
     Specify the motion estimation method. Accepts one of the following values:

     esa
          Exhaustive search algorithm.

     tss
          Three step search algorithm.

     tdls
          Two dimensional logarithmic search algorithm.

     ntss
          New three step search algorithm.

     fss
          Four step search algorithm.

     ds
          Diamond search algorithm.

     hexbs
          Hexagon-based search algorithm.

     epzs
          Enhanced predictive zonal search algorithm.

     umh
          Uneven multi-hexagon search algorithm.

     Default value is esa.

mb_size
     Macroblock size. Default 16.

search_param
     Search parameter. Default 7.

midequalizer
============

Apply Midway Image Equalization effect using two video streams.

Midway Image Equalization adjusts a pair of images to have the same histogram, while maintaining their dynamics as much as possible. It's useful for e.g. matching exposures from a pair of stereo cameras.

This filter has two inputs and one output, which must be of same pixel format, but may be of different sizes. The output of filter is first input adjusted with midway histogram of both inputs.

This filter accepts the following option:

planes
     Set which planes to process. Default is 15, which is all available planes.

minterpolate
============

Convert the video to specified frame rate using motion interpolation.

This filter accepts the following options:

fps
     Specify the output frame rate. This can be rational e.g. 60000/1001. Frames are dropped if FPS is lower than source fps. Default 60.

mi_mode
     Motion interpolation mode. Following values are accepted:

     dup
          Duplicate previous or next frame for interpolating new ones.

     blend
          Blend source frames. Interpolated frame is mean of previous and next frames.

     mci
          Motion compensated interpolation. Following options are effective when this mode is selected:

          mc_mode
               Motion compensation mode. Following values are accepted:

               obmc
                    Overlapped block motion compensation.

               aobmc
                    Adaptive overlapped block motion compensation. Window weighting coefficients are controlled adaptively according to the reliabilities of the neighboring motion vectors to reduce oversmoothing.

               Default mode is obmc.

          me_mode
               Motion estimation mode. Following values are accepted:

               bidir
                    Bidirectional motion estimation. Motion vectors are estimated for each source frame in both forward and backward directions.

               bilat
                    Bilateral motion estimation. Motion vectors are estimated directly for interpolated frame.

               Default mode is bilat.

          me
               The algorithm to be used for motion estimation. Following values are accepted:

               esa
                    Exhaustive search algorithm.

               tss
                    Three step search algorithm.

               tdls
                    Two dimensional logarithmic search algorithm.

               ntss
                    New three step search algorithm.

               fss
                    Four step search algorithm.

               ds
                    Diamond search algorithm.

               hexbs
                    Hexagon-based search algorithm.

               epzs
                    Enhanced predictive zonal search algorithm.

               umh
                    Uneven multi-hexagon search algorithm.

               Default algorithm is epzs.

          mb_size
               Macroblock size. Default 16.

          search_param
               Motion estimation search parameter. Default 32.

          vsbmc
               Enable variable-size block motion compensation. Motion estimation is applied with smaller block sizes at object boundaries in order to make the them less blur. Default is 0 (disabled).

scd
     Scene change detection method. Scene change leads motion vectors to be in random direction. Scene change detection replace interpolated frames by duplicate ones. May not be needed for other modes. Following values are accepted:

     none
          Disable scene change detection.

     fdiff
          Frame difference. Corresponding pixel values are compared and if it satisfies SCD_THRESHOLD scene change is detected.

     Default method is fdiff.

scd_threshold
     Scene change detection threshold. Default is 10..

mix
===

Mix several video input streams into one video stream.

A description of the accepted options follows.

nb_inputs
     The number of inputs. If unspecified, it defaults to 2.

weights
     Specify weight of each input video stream as sequence. Each weight is separated by space. If number of weights is smaller than number of FRAMES last specified weight will be used for all remaining unset weights.

scale
     Specify scale, if it is set it will be multiplied with sum of each weight multiplied with pixel values to give final destination pixel value. By default SCALE is auto scaled to sum of weights.

duration
     Specify how end of stream is determined.

     longest
          The duration of the longest input. (default)

     shortest
          The duration of the shortest input.

     first
          The duration of the first input.

mpdecimate
==========

Drop frames that do not differ greatly from the previous frame in order to reduce frame rate.

The main use of this filter is for very-low-bitrate encoding (e.g. streaming over dialup modem), but it could in theory be used for fixing movies that were inverse-telecined incorrectly.

A description of the accepted options follows.

max
     Set the maximum number of consecutive frames which can be dropped (if positive), or the minimum interval between dropped frames (if negative). If the value is 0, the frame is dropped disregarding the number of previous sequentially dropped frames.

     Default value is 0.

hi

lo

frac
     Set the dropping threshold values.

     Values for hi and lo are for 8x8 pixel blocks and represent actual pixel value differences, so a threshold of 64 corresponds to 1 unit of difference for each pixel, or the same spread out differently over the block.

     A frame is a candidate for dropping if no 8x8 blocks differ by more than a threshold of hi, and if no more than frac blocks (1 meaning the whole image) differ by more than a threshold of lo.

     Default value for hi is 64*12, default value for lo is 64*5, and default value for frac is 0.33.

negate
======

Negate (invert) the input video.

It accepts the following option:

negate_alpha
     With value 1, it negates the alpha component, if present. Default value is 0.

nlmeans
=======

Denoise frames using Non-Local Means algorithm.

Each pixel is adjusted by looking for other pixels with similar contexts. This context similarity is defined by comparing their surrounding patches of size pxp. Patches are searched in an area of rxr around the pixel.

Note that the research area defines centers for patches, which means some patches will be made of pixels outside that research area.

The filter accepts the following options.

s
     Set denoising strength. Default is 1.0. Must be in range [1.0, 30.0].

p
     Set patch size. Default is 7. Must be odd number in range [0, 99].

pc
     Same as p but for chroma planes.

     The default value is 0 and means automatic.

r
     Set research size. Default is 15. Must be odd number in range [0, 99].

rc
     Same as r but for chroma planes.

     The default value is 0 and means automatic.

nnedi
=====

Deinterlace video using neural network edge directed interpolation.

This filter accepts the following options:

weights
     Mandatory option, without binary file filter can not work. Currently file can be found here: https://github.com/dubhater/vapoursynth-nnedi3/blob/master/src/nnedi3_weights.bin

deint
     Set which frames to deinterlace, by default it is all. Can be all or interlaced.

field
     Set mode of operation.

     Can be one of the following:

     af
          Use frame flags, both fields.

     a
          Use frame flags, single field.

     t
          Use top field only.

     b
          Use bottom field only.

     tf
          Use both fields, top first.

     bf
          Use both fields, bottom first.

planes
     Set which planes to process, by default filter process all frames.

nsize
     Set size of local neighborhood around each pixel, used by the predictor neural network.

     Can be one of the following:

     s8x6

     s16x6

     s32x6

     s48x6

     s8x4

     s16x4

     s32x4

nns
     Set the number of neurons in predictor neural network. Can be one of the following:

     n16

     n32

     n64

     n128

     n256

qual
     Controls the number of different neural network predictions that are blended together to compute the final output value. Can be fast, default or slow.

etype
     Set which set of weights to use in the predictor. Can be one of the following:

     a
          weights trained to minimize absolute error

     s
          weights trained to minimize squared error

pscrn
     Controls whether or not the prescreener neural network is used to decide which pixels should be processed by the predictor neural network and which can be handled by simple cubic interpolation. The prescreener is trained to know whether cubic interpolation will be sufficient for a pixel or whether it should be predicted by the predictor nn. The computational complexity of the prescreener nn is much less than that of the predictor nn. Since most pixels can be handled by cubic interpolation, using the prescreener generally results in much faster processing. The prescreener is pretty accurate, so the difference between using it and not using it is almost always unnoticeable.

     Can be one of the following:

     none

     original

     new

     Default is new.

fapprox
     Set various debugging flags.

noformat
========

Force libavfilter not to use any of the specified pixel formats for the input to the next filter.

It accepts the following parameters:

pix_fmts
     A '|'-separated list of pixel format names, such as pix_fmts=yuv420p|monow|rgb24".

Examples
--------

  * Force libavfilter to use a format different from YUV420P for the input to the vflip filter:

          noformat=pix_fmts=yuv420p,vflip

  * Convert the input video to any of the formats not contained in the list:

          noformat=yuv420p|yuv444p|yuv410p

noise
=====

Add noise on video input frame.

The filter accepts the following options:

all_seed

c0_seed

c1_seed

c2_seed

c3_seed
     Set noise seed for specific pixel component or all pixel components in case of ALL_SEED. Default value is 123457.

all_strength, alls

c0_strength, c0s

c1_strength, c1s

c2_strength, c2s

c3_strength, c3s
     Set noise strength for specific pixel component or all pixel components in case ALL_STRENGTH. Default value is 0. Allowed range is [0, 100].

all_flags, allf

c0_flags, c0f

c1_flags, c1f

c2_flags, c2f

c3_flags, c3f
     Set pixel component flags or set flags for all components if ALL_FLAGS. Available values for component flags are:

     a
          averaged temporal noise (smoother)

     p
          mix random noise with a (semi)regular pattern

     t
          temporal noise (noise pattern changes between frames)

     u
          uniform noise (gaussian otherwise)

Examples
--------

Add temporal and uniform noise to input video:

     noise=alls=20:allf=t+u

normalize
=========

Normalize RGB video (aka histogram stretching, contrast stretching). See: https://en.wikipedia.org/wiki/Normalization_(image_processing)

For each channel of each frame, the filter computes the input range and maps it linearly to the user-specified output range. The output range defaults to the full dynamic range from pure black to pure white.

Temporal smoothing can be used on the input range to reduce flickering (rapid changes in brightness) caused when small dark or bright objects enter or leave the scene. This is similar to the auto-exposure (automatic gain control) on a video camera, and, like a video camera, it may cause a period of over- or under-exposure of the video.

The R,G,B channels can be normalized independently, which may cause some color shifting, or linked together as a single channel, which prevents color shifting. Linked normalization preserves hue. Independent normalization does not, so it can be used to remove some color casts. Independent and linked normalization can be combined in any ratio.

The normalize filter accepts the following options:

blackpt

whitept
     Colors which define the output range. The minimum input value is mapped to the BLACKPT. The maximum input value is mapped to the WHITEPT. The defaults are black and white respectively. Specifying white for BLACKPT and black for WHITEPT will give color-inverted, normalized video. Shades of grey can be used to reduce the dynamic range (contrast). Specifying saturated colors here can create some interesting effects.

smoothing
     The number of previous frames to use for temporal smoothing. The input range of each channel is smoothed using a rolling average over the current frame and the SMOOTHING previous frames. The default is 0 (no temporal smoothing).

independence
     Controls the ratio of independent (color shifting) channel normalization to linked (color preserving) normalization. 0.0 is fully linked, 1.0 is fully independent. Defaults to 1.0 (fully independent).

strength
     Overall strength of the filter. 1.0 is full strength. 0.0 is a rather expensive no-op. Defaults to 1.0 (full strength).

Commands
--------

This filter supports same commands as options, excluding SMOOTHING option. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

Examples
--------

Stretch video contrast to use the full dynamic range, with no temporal smoothing; may flicker depending on the source content:

     normalize=blackpt=black:whitept=white:smoothing=0

As above, but with 50 frames of temporal smoothing; flicker should be reduced, depending on the source content:

     normalize=blackpt=black:whitept=white:smoothing=50

As above, but with hue-preserving linked channel normalization:

     normalize=blackpt=black:whitept=white:smoothing=50:independence=0

As above, but with half strength:

     normalize=blackpt=black:whitept=white:smoothing=50:independence=0:strength=0.5

Map the darkest input color to red, the brightest input color to cyan:

     normalize=blackpt=red:whitept=cyan

null
====

Pass the video source unchanged to the output.

ocr
===

Optical Character Recognition

This filter uses Tesseract for optical character recognition. To enable compilation of this filter, you need to configure FFmpeg with --enable-libtesseract.

It accepts the following options:

datapath
     Set datapath to tesseract data. Default is to use whatever was set at installation.

language
     Set language, default is "eng".

whitelist
     Set character whitelist.

blacklist
     Set character blacklist.

The filter exports recognized text as the frame metadata lavfi.ocr.text. The filter exports confidence of recognized words as the frame metadata lavfi.ocr.confidence.

ocv
===

Apply a video transform using libopencv.

To enable this filter, install the libopencv library and headers and configure FFmpeg with --enable-libopencv.

It accepts the following parameters:

filter_name
     The name of the libopencv filter to apply.

filter_params
     The parameters to pass to the libopencv filter. If not specified, the default values are assumed.

Refer to the official libopencv documentation for more precise information: http://docs.opencv.org/master/modules/imgproc/doc/filtering.html

Several libopencv filters are supported; see the following subsections.

dilate
------

Dilate an image by using a specific structuring element. It corresponds to the libopencv function cvDilate.

It accepts the parameters: STRUCT_EL|NB_ITERATIONS.

STRUCT_EL represents a structuring element, and has the syntax: COLSxROWS+ANCHOR_XxANCHOR_Y/SHAPE

COLS and ROWS represent the number of columns and rows of the structuring element, ANCHOR_X and ANCHOR_Y the anchor point, and SHAPE the shape for the structuring element. SHAPE must be "rect", "cross", "ellipse", or "custom".

If the value for SHAPE is "custom", it must be followed by a string of the form "=FILENAME". The file with name FILENAME is assumed to represent a binary image, with each printable character corresponding to a bright pixel. When a custom SHAPE is used, COLS and ROWS are ignored, the number or columns and rows of the read file are assumed instead.

The default value for STRUCT_EL is "3x3+0x0/rect".

NB_ITERATIONS specifies the number of times the transform is applied to the image, and defaults to 1.

Some examples:

     # Use the default values
     ocv=dilate

     # Dilate using a structuring element with a 5x5 cross, iterating two times
     ocv=filter_name=dilate:filter_params=5x5+2x2/cross|2

     # Read the shape from the file diamond.shape, iterating two times.
     # The file diamond.shape may contain a pattern of characters like this
     #   *
     #  ***
     # *****
     #  ***
     #   *
     # The specified columns and rows are ignored
     # but the anchor point coordinates are not
     ocv=dilate:0x0+2x2/custom=diamond.shape|2

erode
-----

Erode an image by using a specific structuring element. It corresponds to the libopencv function cvErode.

It accepts the parameters: STRUCT_EL:NB_ITERATIONS, with the same syntax and semantics as the dilate filter.

smooth
------

Smooth the input video.

The filter takes the following parameters: TYPE|PARAM1|PARAM2|PARAM3|PARAM4.

TYPE is the type of smooth filter to apply, and must be one of the following values: "blur", "blur_no_scale", "median", "gaussian", or "bilateral". The default value is "gaussian".

The meaning of PARAM1, PARAM2, PARAM3, and PARAM4 depends on the smooth type. PARAM1 and PARAM2 accept integer positive values or 0. PARAM3 and PARAM4 accept floating point values.

The default value for PARAM1 is 3. The default value for the other parameters is 0.

These parameters correspond to the parameters assigned to the libopencv function cvSmooth.

oscilloscope
============

2D Video Oscilloscope.

Useful to measure spatial impulse, step responses, chroma delays, etc.

It accepts the following parameters:

x
     Set scope center x position.

y
     Set scope center y position.

s
     Set scope size, relative to frame diagonal.

t
     Set scope tilt/rotation.

o
     Set trace opacity.

tx
     Set trace center x position.

ty
     Set trace center y position.

tw
     Set trace width, relative to width of frame.

th
     Set trace height, relative to height of frame.

c
     Set which components to trace. By default it traces first three components.

g
     Draw trace grid. By default is enabled.

st
     Draw some statistics. By default is enabled.

sc
     Draw scope. By default is enabled.

Commands
--------

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

Examples
--------

  * Inspect full first row of video frame.

          oscilloscope=x=0.5:y=0:s=1

  * Inspect full last row of video frame.

          oscilloscope=x=0.5:y=1:s=1

  * Inspect full 5th line of video frame of height 1080.

          oscilloscope=x=0.5:y=5/1080:s=1

  * Inspect full last column of video frame.

          oscilloscope=x=1:y=0.5:s=1:t=1

overlay
=======

Overlay one video on top of another.

It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid.

It accepts the following parameters:

A description of the accepted options follows.

x

y
     Set the expression for the x and y coordinates of the overlaid video on the main video. Default value is "0" for both expressions. In case the expression is invalid, it is set to a huge value (meaning that the overlay will not be displayed within the output visible area).

eof_action
     See framesync.

eval
     Set when the expressions for x, and y are evaluated.

     It accepts the following values:

     init
          only evaluate expressions once during the filter initialization or when a command is processed

     frame
          evaluate expressions for each incoming frame

     Default value is frame.

shortest
     See framesync.

format
     Set the format for the output video.

     It accepts the following values:

     yuv420
          force YUV420 output

     yuv420p10
          force YUV420p10 output

     yuv422
          force YUV422 output

     yuv422p10
          force YUV422p10 output

     yuv444
          force YUV444 output

     rgb
          force packed RGB output

     gbrp
          force planar RGB output

     auto
          automatically pick format

     Default value is yuv420.

repeatlast
     See framesync.

alpha
     Set format of alpha of the overlaid video, it can be STRAIGHT or PREMULTIPLIED. Default is STRAIGHT.

The x, and y expressions can contain the following parameters.

main_w, W

main_h, H
     The main input width and height.

overlay_w, w

overlay_h, h
     The overlay input width and height.

x

y
     The computed values for X and Y. They are evaluated for each new frame.

hsub

vsub
     horizontal and vertical chroma subsample values of the output format. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

n
     the number of input frame, starting from 0

pos
     the position in the file of the input frame, NAN if unknown

t
     The timestamp, expressed in seconds. It's NAN if the input timestamp is unknown.

This filter also supports the framesync options.

Note that the N, POS, T variables are available only when evaluation is done per frame, and will evaluate to NAN when eval is set to init.

Be aware that frames are taken from each input video in timestamp order, hence, if their initial timestamps differ, it is a good idea to pass the two inputs through a SETPTS=PTS-STARTPTS filter to have them begin in the same zero timestamp, as the example for the MOVIE filter does.

You can chain together more overlays but you should test the efficiency of such approach.

Commands
--------

This filter supports the following commands:

x

y
     Modify the x and y of the overlay input. The command accepts the same syntax of the corresponding option.

     If the specified expression is not valid, it is kept at its current value.

Examples
--------

  * Draw the overlay at 10 pixels from the bottom right corner of the main video:

          overlay=main_w-overlay_w-10:main_h-overlay_h-10

     Using named options the example above becomes:

          overlay=x=main_w-overlay_w-10:y=main_h-overlay_h-10

  * Insert a transparent PNG logo in the bottom left corner of the input, using the ffmpeg tool with the -filter_complex option:

          ffmpeg -i input -i logo -filter_complex 'overlay=10:main_h-overlay_h-10' output

  * Insert 2 different transparent PNG logos (second logo on bottom right corner) using the ffmpeg tool:

          ffmpeg -i input -i logo1 -i logo2 -filter_complex 'overlay=x=10:y=H-h-10,overlay=x=W-w-10:y=H-h-10' output

  * Add a transparent color layer on top of the main video; WxH must specify the size of the main input to the overlay filter:

          color=color=red@.3:size=WxH [over]; [in][over] overlay [out]

  * Play an original video and a filtered version (here with the deshake filter) side by side using the ffplay tool:

          ffplay input.avi -vf 'split[a][b]; [a]pad=iw*2:ih[src]; [b]deshake[filt]; [src][filt]overlay=w'

     The above command is the same as:

          ffplay input.avi -vf 'split[b], pad=iw*2[src], [b]deshake, [src]overlay=w'

  * Make a sliding overlay appearing from the left to the right top part of the screen starting since time 2:

          overlay=x='if(gte(t,2), -w+(t-2)*20, NAN)':y=0

  * Compose output by putting two input videos side to side:

          ffmpeg -i left.avi -i right.avi -filter_complex "
          nullsrc=size=200x100 [background];
          [0:v] setpts=PTS-STARTPTS, scale=100x100 [left];
          [1:v] setpts=PTS-STARTPTS, scale=100x100 [right];
          [background][left]       overlay=shortest=1       [background+left];
          [background+left][right] overlay=shortest=1:x=100 [left+right]
          "

  * Mask 10-20 seconds of a video by applying the delogo filter to a section

          ffmpeg -i test.avi -codec:v:0 wmv2 -ar 11025 -b:v 9000k
          -vf '[in]split[split_main][split_delogo];[split_delogo]trim=start=360:end=371,delogo=0:0:640:480[delogoed];[split_main][delogoed]overlay=eof_action=pass[out]'
          masked.avi

  * Chain several overlays in cascade:

          nullsrc=s=200x200 [bg];
          testsrc=s=100x100, split=4 [in0][in1][in2][in3];
          [in0] lutrgb=r=0, [bg]   overlay=0:0     [mid0];
          [in1] lutrgb=g=0, [mid0] overlay=100:0   [mid1];
          [in2] lutrgb=b=0, [mid1] overlay=0:100   [mid2];
          [in3] null,       [mid2] overlay=100:100 [out0]

overlay_cuda
============

Overlay one video on top of another.

This is the CUDA variant of the overlay filter. It only accepts CUDA frames. The underlying input pixel formats have to match.

It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid.

It accepts the following parameters:

x

y
     Set the x and y coordinates of the overlaid video on the main video. Default value is "0" for both expressions.

eof_action
     See framesync.

shortest
     See framesync.

repeatlast
     See framesync.

This filter also supports the framesync options.

owdenoise
=========

Apply Overcomplete Wavelet denoiser.

The filter accepts the following options:

depth
     Set depth.

     Larger depth values will denoise lower frequency components more, but slow down filtering.

     Must be an int in the range 8-16, default is 8.

luma_strength, ls
     Set luma strength.

     Must be a double value in the range 0-1000, default is 1.0.

chroma_strength, cs
     Set chroma strength.

     Must be a double value in the range 0-1000, default is 1.0.

pad
===

Add paddings to the input image, and place the original input at the provided X, Y coordinates.

It accepts the following parameters:

width, w

height, h
     Specify an expression for the size of the output image with the paddings added. If the value for WIDTH or HEIGHT is 0, the corresponding input size is used for the output.

     The WIDTH expression can reference the value set by the HEIGHT expression, and vice versa.

     The default value of WIDTH and HEIGHT is 0.

x

y
     Specify the offsets to place the input image at within the padded area, with respect to the top/left border of the output image.

     The X expression can reference the value set by the Y expression, and vice versa.

     The default value of X and Y is 0.

     If X or Y evaluate to a negative number, they'll be changed so the input image is centered on the padded area.

color
     Specify the color of the padded area. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils).

     The default value of COLOR is "black".

eval
     Specify when to evaluate  WIDTH, HEIGHT, X and Y expression.

     It accepts the following values:

     init
          Only evaluate expressions once during the filter initialization or when a command is processed.

     frame
          Evaluate expressions for each incoming frame.

     Default value is init.

aspect
     Pad to aspect instead to a resolution.

The value for the WIDTH, HEIGHT, X, and Y options are expressions containing the following constants:

in_w

in_h
     The input video width and height.

iw

ih
     These are the same as IN_W and IN_H.

out_w

out_h
     The output width and height (the size of the padded area), as specified by the WIDTH and HEIGHT expressions.

ow

oh
     These are the same as OUT_W and OUT_H.

x

y
     The x and y offsets as specified by the X and Y expressions, or NAN if not yet specified.

a
     same as IW / IH

sar
     input sample aspect ratio

dar
     input display aspect ratio, it is the same as (IW / IH) * SAR

hsub

vsub
     The horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

Examples
--------

  * Add paddings with the color "violet" to the input video. The output video size is 640x480, and the top-left corner of the input video is placed at column 0, row 40

          pad=640:480:0:40:violet

     The example above is equivalent to the following command:

          pad=width=640:height=480:x=0:y=40:color=violet

  * Pad the input to get an output with dimensions increased by 3/2, and put the input video at the center of the padded area:

          pad="3/2*iw:3/2*ih:(ow-iw)/2:(oh-ih)/2"

  * Pad the input to get a squared output with size equal to the maximum value between the input width and height, and put the input video at the center of the padded area:

          pad="max(iw\,ih):ow:(ow-iw)/2:(oh-ih)/2"

  * Pad the input to get a final w/h ratio of 16:9:

          pad="ih*16/9:ih:(ow-iw)/2:(oh-ih)/2"

  * In case of anamorphic video, in order to set the output display aspect correctly, it is necessary to use SAR in the expression, according to the relation:

          (ih * X / ih) * sar = output_dar
          X = output_dar / sar

     Thus the previous example needs to be modified to:

          pad="ih*16/9/sar:ih:(ow-iw)/2:(oh-ih)/2"

  * Double the output size and put the input video in the bottom-right corner of the output padded area:

          pad="2*iw:2*ih:ow-iw:oh-ih"

palettegen
==========

Generate one palette for a whole video stream.

It accepts the following options:

max_colors
     Set the maximum number of colors to quantize in the palette. Note: the palette will still contain 256 colors; the unused palette entries will be black.

reserve_transparent
     Create a palette of 255 colors maximum and reserve the last one for transparency. Reserving the transparency color is useful for GIF optimization. If not set, the maximum of colors in the palette will be 256. You probably want to disable this option for a standalone image. Set by default.

transparency_color
     Set the color that will be used as background for transparency.

stats_mode
     Set statistics mode.

     It accepts the following values:

     full
          Compute full frame histograms.

     diff
          Compute histograms only for the part that differs from previous frame. This might be relevant to give more importance to the moving part of your input if the background is static.

     single
          Compute new histogram for each frame.

     Default value is FULL.

The filter also exports the frame metadata lavfi.color_quant_ratio (nb_color_in / nb_color_out) which you can use to evaluate the degree of color quantization of the palette. This information is also visible at INFO logging level.

Examples
--------

  * Generate a representative palette of a given video using ffmpeg:

          ffmpeg -i input.mkv -vf palettegen palette.png

paletteuse
==========

Use a palette to downsample an input video stream.

The filter takes two inputs: one video stream and a palette. The palette must be a 256 pixels image.

It accepts the following options:

dither
     Select dithering mode. Available algorithms are:

     bayer
          Ordered 8x8 bayer dithering (deterministic)

     heckbert
          Dithering as defined by Paul Heckbert in 1982 (simple error diffusion). Note: this dithering is sometimes considered "wrong" and is included as a reference.

     floyd_steinberg
          Floyd and Steingberg dithering (error diffusion)

     sierra2
          Frankie Sierra dithering v2 (error diffusion)

     sierra2_4a
          Frankie Sierra dithering v2 "Lite" (error diffusion)

     Default is SIERRA2_4A.

bayer_scale
     When BAYER dithering is selected, this option defines the scale of the pattern (how much the crosshatch pattern is visible). A low value means more visible pattern for less banding, and higher value means less visible pattern at the cost of more banding.

     The option must be an integer value in the range [0,5]. Default is 2.

diff_mode
     If set, define the zone to process

     rectangle
          Only the changing rectangle will be reprocessed. This is similar to GIF cropping/offsetting compression mechanism. This option can be useful for speed if only a part of the image is changing, and has use cases such as limiting the scope of the error diffusal dither to the rectangle that bounds the moving scene (it leads to more deterministic output if the scene doesn't change much, and as a result less moving noise and better GIF compression).

     Default is NONE.

new
     Take new palette for each output frame.

alpha_threshold
     Sets the alpha threshold for transparency. Alpha values above this threshold will be treated as completely opaque, and values below this threshold will be treated as completely transparent.

     The option must be an integer value in the range [0,255]. Default is 128.

Examples
--------

  * Use a palette (generated for example with palettegen) to encode a GIF using ffmpeg:

          ffmpeg -i input.mkv -i palette.png -lavfi paletteuse output.gif

perspective
===========

Correct perspective of video not recorded perpendicular to the screen.

A description of the accepted parameters follows.

x0

y0

x1

y1

x2

y2

x3

y3
     Set coordinates expression for top left, top right, bottom left and bottom right corners. Default values are 0:0:W:0:0:H:W:H with which perspective will remain unchanged. If the sense option is set to source, then the specified points will be sent to the corners of the destination. If the sense option is set to destination, then the corners of the source will be sent to the specified coordinates.

     The expressions can use the following variables:

     W

     H
          the width and height of video frame.

     in
          Input frame count.

     on
          Output frame count.

interpolation
     Set interpolation for perspective correction.

     It accepts the following values:

     linear

     cubic

     Default value is linear.

sense
     Set interpretation of coordinate options.

     It accepts the following values:

     0, source

          Send point in the source specified by the given coordinates to the corners of the destination.

     1, destination

          Send the corners of the source to the point in the destination specified by the given coordinates.

          Default value is source.

eval
     Set when the expressions for coordinates x0,y0,...x3,y3 are evaluated.

     It accepts the following values:

     init
          only evaluate expressions once during the filter initialization or when a command is processed

     frame
          evaluate expressions for each incoming frame

     Default value is init.

phase
=====

Delay interlaced video by one field time so that the field order changes.

The intended use is to fix PAL movies that have been captured with the opposite field order to the film-to-video transfer.

A description of the accepted parameters follows.

mode
     Set phase mode.

     It accepts the following values:

     t
          Capture field order top-first, transfer bottom-first. Filter will delay the bottom field.

     b
          Capture field order bottom-first, transfer top-first. Filter will delay the top field.

     p
          Capture and transfer with the same field order. This mode only exists for the documentation of the other options to refer to, but if you actually select it, the filter will faithfully do nothing.

     a
          Capture field order determined automatically by field flags, transfer opposite. Filter selects among t and b modes on a frame by frame basis using field flags. If no field information is available, then this works just like u.

     u
          Capture unknown or varying, transfer opposite. Filter selects among t and b on a frame by frame basis by analyzing the images and selecting the alternative that produces best match between the fields.

     T
          Capture top-first, transfer unknown or varying. Filter selects among t and p using image analysis.

     B
          Capture bottom-first, transfer unknown or varying. Filter selects among b and p using image analysis.

     A
          Capture determined by field flags, transfer unknown or varying. Filter selects among t, b and p using field flags and image analysis. If no field information is available, then this works just like U. This is the default mode.

     U
          Both capture and transfer unknown or varying. Filter selects among t, b and p using image analysis only.

photosensitivity
================

Reduce various flashes in video, so to help users with epilepsy.

It accepts the following options:

frames, f
     Set how many frames to use when filtering. Default is 30.

threshold, t
     Set detection threshold factor. Default is 1. Lower is stricter.

skip
     Set how many pixels to skip when sampling frames. Default is 1. Allowed range is from 1 to 1024.

bypass
     Leave frames unchanged. Default is disabled.

pixdesctest
===========

Pixel format descriptor test filter, mainly useful for internal testing. The output video should be equal to the input video.

For example:

     format=monow, pixdesctest

can be used to test the monowhite pixel format descriptor definition.

pixscope
========

Display sample values of color channels. Mainly useful for checking color and levels. Minimum supported resolution is 640x480.

The filters accept the following options:

x
     Set scope X position, relative offset on X axis.

y
     Set scope Y position, relative offset on Y axis.

w
     Set scope width.

h
     Set scope height.

o
     Set window opacity. This window also holds statistics about pixel area.

wx
     Set window X position, relative offset on X axis.

wy
     Set window Y position, relative offset on Y axis.

pp
==

Enable the specified chain of postprocessing subfilters using libpostproc. This library should be automatically selected with a GPL build (--enable-gpl). Subfilters must be separated by '/' and can be disabled by prepending a '-'. Each subfilter and some options have a short and a long name that can be used interchangeably, i.e. dr/dering are the same.

The filters accept the following options:

subfilters
     Set postprocessing subfilters string.

All subfilters share common options to determine their scope:

a/autoq
     Honor the quality commands for this subfilter.

c/chrom
     Do chrominance filtering, too (default).

y/nochrom
     Do luminance filtering only (no chrominance).

n/noluma
     Do chrominance filtering only (no luminance).

These options can be appended after the subfilter name, separated by a '|'.

Available subfilters are:

hb/hdeblock[|difference[|flatness]]
     Horizontal deblocking filter

     difference
          Difference factor where higher values mean more deblocking (default: 32).

     flatness
          Flatness threshold where lower values mean more deblocking (default: 39).

vb/vdeblock[|difference[|flatness]]
     Vertical deblocking filter

     difference
          Difference factor where higher values mean more deblocking (default: 32).

     flatness
          Flatness threshold where lower values mean more deblocking (default: 39).

ha/hadeblock[|difference[|flatness]]
     Accurate horizontal deblocking filter

     difference
          Difference factor where higher values mean more deblocking (default: 32).

     flatness
          Flatness threshold where lower values mean more deblocking (default: 39).

va/vadeblock[|difference[|flatness]]
     Accurate vertical deblocking filter

     difference
          Difference factor where higher values mean more deblocking (default: 32).

     flatness
          Flatness threshold where lower values mean more deblocking (default: 39).

The horizontal and vertical deblocking filters share the difference and flatness values so you cannot set different horizontal and vertical thresholds.

h1/x1hdeblock
     Experimental horizontal deblocking filter

v1/x1vdeblock
     Experimental vertical deblocking filter

dr/dering
     Deringing filter

tn/tmpnoise[|threshold1[|threshold2[|threshold3]]], temporal noise reducer

     threshold1
          larger -> stronger filtering

     threshold2
          larger -> stronger filtering

     threshold3
          larger -> stronger filtering

al/autolevels[:f/fullyrange], automatic brightness / contrast correction

     f/fullyrange
          Stretch luminance to 0-255.

lb/linblenddeint
     Linear blend deinterlacing filter that deinterlaces the given block by filtering all lines with a (1 2 1) filter.

li/linipoldeint
     Linear interpolating deinterlacing filter that deinterlaces the given block by linearly interpolating every second line.

ci/cubicipoldeint
     Cubic interpolating deinterlacing filter deinterlaces the given block by cubically interpolating every second line.

md/mediandeint
     Median deinterlacing filter that deinterlaces the given block by applying a median filter to every second line.

fd/ffmpegdeint
     FFmpeg deinterlacing filter that deinterlaces the given block by filtering every second line with a (-1 4 2 4 -1) filter.

l5/lowpass5
     Vertically applied FIR lowpass deinterlacing filter that deinterlaces the given block by filtering all lines with a (-1 2 6 2 -1) filter.

fq/forceQuant[|quantizer]
     Overrides the quantizer table from the input with the constant quantizer you specify.

     quantizer
          Quantizer to use

de/default
     Default pp filter combination (hb|a,vb|a,dr|a)

fa/fast
     Fast pp filter combination (h1|a,v1|a,dr|a)

ac
     High quality pp filter combination (ha|a|128|7,va|a,dr|a)

Examples
--------

  * Apply horizontal and vertical deblocking, deringing and automatic brightness/contrast:

          pp=hb/vb/dr/al

  * Apply default filters without brightness/contrast correction:

          pp=de/-al

  * Apply default filters and temporal denoiser:

          pp=default/tmpnoise|1|2|3

  * Apply deblocking on luminance only, and switch vertical deblocking on or off automatically depending on available CPU time:

          pp=hb|y/vb|a

pp7
===

Apply Postprocessing filter 7. It is variant of the spp filter, similar to spp = 6 with 7 point DCT, where only the center sample is used after IDCT.

The filter accepts the following options:

qp
     Force a constant quantization parameter. It accepts an integer in range 0 to 63. If not set, the filter will use the QP from the video stream (if available).

mode
     Set thresholding mode. Available modes are:

     hard
          Set hard thresholding.

     soft
          Set soft thresholding (better de-ringing effect, but likely blurrier).

     medium
          Set medium thresholding (good results, default).

premultiply
===========

Apply alpha premultiply effect to input video stream using first plane of second stream as alpha.

Both streams must have same dimensions and same pixel format.

The filter accepts the following option:

planes
     Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

inplace
     Do not require 2nd input for processing, instead use alpha plane from input stream.

prewitt
=======

Apply prewitt operator to input video stream.

The filter accepts the following option:

planes
     Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

scale
     Set value which will be multiplied with filtered result.

delta
     Set value which will be added to filtered result.

pseudocolor
===========

Alter frame colors in video with pseudocolors.

This filter accepts the following options:

c0
     set pixel first component expression

c1
     set pixel second component expression

c2
     set pixel third component expression

c3
     set pixel fourth component expression, corresponds to the alpha component

i
     set component to use as base for altering colors

Each of them specifies the expression to use for computing the lookup table for the corresponding pixel component values.

The expressions can contain the following constants and functions:

w

h
     The input width and height.

val
     The input value for the pixel component.

ymin, umin, vmin, amin
     The minimum allowed component value.

ymax, umax, vmax, amax
     The maximum allowed component value.

All expressions default to "val".

Examples
--------

  * Change too high luma values to gradient:

          pseudocolor="'if(between(val,ymax,amax),lerp(ymin,ymax,(val-ymax)/(amax-ymax)),-1):if(between(val,ymax,amax),lerp(umax,umin,(val-ymax)/(amax-ymax)),-1):if(between(val,ymax,amax),lerp(vmin,vmax,(val-ymax)/(amax-ymax)),-1):-1'"

psnr
====

Obtain the average, maximum and minimum PSNR (Peak Signal to Noise Ratio) between two input videos.

This filter takes in input two input videos, the first input is considered the "main" source and is passed unchanged to the output. The second input is used as a "reference" video for computing the PSNR.

Both video inputs must have the same resolution and pixel format for this filter to work correctly. Also it assumes that both inputs have the same number of frames, which are compared one by one.

The obtained average PSNR is printed through the logging system.

The filter stores the accumulated MSE (mean squared error) of each frame, and at the end of the processing it is averaged across all frames equally, and the following formula is applied to obtain the PSNR:

     PSNR = 10*log10(MAX^2/MSE)

Where MAX is the average of the maximum values of each component of the image.

The description of the accepted parameters follows.

stats_file, f
     If specified the filter will use the named file to save the PSNR of each individual frame. When filename equals "-" the data is sent to standard output.

stats_version
     Specifies which version of the stats file format to use. Details of each format are written below. Default value is 1.

stats_add_max
     Determines whether the max value is output to the stats log. Default value is 0. Requires stats_version >= 2. If this is set and stats_version < 2, the filter will return an error.

This filter also supports the framesync options.

The file printed if STATS_FILE is selected, contains a sequence of key/value pairs of the form KEY:VALUE for each compared couple of frames.

If a STATS_VERSION greater than 1 is specified, a header line precedes the list of per-frame-pair stats, with key value pairs following the frame format with the following parameters:

psnr_log_version
     The version of the log file format. Will match STATS_VERSION.

fields
     A comma separated list of the per-frame-pair parameters included in the log.

A description of each shown per-frame-pair parameter follows:

n
     sequential number of the input frame, starting from 1

mse_avg
     Mean Square Error pixel-by-pixel average difference of the compared frames, averaged over all the image components.

mse_y, mse_u, mse_v, mse_r, mse_g, mse_b, mse_a
     Mean Square Error pixel-by-pixel average difference of the compared frames for the component specified by the suffix.

psnr_y, psnr_u, psnr_v, psnr_r, psnr_g, psnr_b, psnr_a
     Peak Signal to Noise ratio of the compared frames for the component specified by the suffix.

max_avg, max_y, max_u, max_v
     Maximum allowed value for each channel, and average over all channels.

Examples
--------

  * For example:

          movie=ref_movie.mpg, setpts=PTS-STARTPTS [main];
          [main][ref] psnr="stats_file=stats.log" [out]

     On this example the input file being processed is compared with the reference file ref_movie.mpg. The PSNR of each individual frame is stored in stats.log.

  * Another example with different containers:

          ffmpeg -i main.mpg -i ref.mkv -lavfi  "[0:v]settb=AVTB,setpts=PTS-STARTPTS[main];[1:v]settb=AVTB,setpts=PTS-STARTPTS[ref];[main][ref]psnr" -f null -

pullup
======

Pulldown reversal (inverse telecine) filter, capable of handling mixed hard-telecine, 24000/1001 fps progressive, and 30000/1001 fps progressive content.

The pullup filter is designed to take advantage of future context in making its decisions. This filter is stateless in the sense that it does not lock onto a pattern to follow, but it instead looks forward to the following fields in order to identify matches and rebuild progressive frames.

To produce content with an even framerate, insert the fps filter after pullup, use fps=24000/1001 if the input frame rate is 29.97fps, fps=24 for 30fps and the (rare) telecined 25fps input.

The filter accepts the following options:

jl

jr

jt

jb
     These options set the amount of "junk" to ignore at the left, right, top, and bottom of the image, respectively. Left and right are in units of 8 pixels, while top and bottom are in units of 2 lines. The default is 8 pixels on each side.

sb
     Set the strict breaks. Setting this option to 1 will reduce the chances of filter generating an occasional mismatched frame, but it may also cause an excessive number of frames to be dropped during high motion sequences. Conversely, setting it to -1 will make filter match fields more easily. This may help processing of video where there is slight blurring between the fields, but may also cause there to be interlaced frames in the output. Default value is 0.

mp
     Set the metric plane to use. It accepts the following values:

     l
          Use luma plane.

     u
          Use chroma blue plane.

     v
          Use chroma red plane.

     This option may be set to use chroma plane instead of the default luma plane for doing filter's computations. This may improve accuracy on very clean source material, but more likely will decrease accuracy, especially if there is chroma noise (rainbow effect) or any grayscale video. The main purpose of setting mp to a chroma plane is to reduce CPU load and make pullup usable in realtime on slow machines.

For best results (without duplicated frames in the output file) it is necessary to change the output frame rate. For example, to inverse telecine NTSC input:

     ffmpeg -i input -vf pullup -r 24000/1001 ...

qp
==

Change video quantization parameters (QP).

The filter accepts the following option:

qp
     Set expression for quantization parameter.

The expression is evaluated through the eval API and can contain, among others, the following constants:

known
     1 if index is not 129, 0 otherwise.

qp
     Sequential index starting from -129 to 128.

Examples
--------

  * Some equation like:

          qp=2+2*sin(PI*qp)

random
======

Flush video frames from internal cache of frames into a random order. No frame is discarded. Inspired by frei0r nervous filter.

frames
     Set size in number of frames of internal cache, in range from 2 to 512. Default is 30.

seed
     Set seed for random number generator, must be an integer included between 0 and UINT32_MAX. If not specified, or if explicitly set to less than 0, the filter will try to use a good random seed on a best effort basis.

readeia608
==========

Read closed captioning (EIA-608) information from the top lines of a video frame.

This filter adds frame metadata for lavfi.readeia608.X.cc and lavfi.readeia608.X.line, where X is the number of the identified line with EIA-608 data (starting from 0). A description of each metadata value follows:

lavfi.readeia608.X.cc
     The two bytes stored as EIA-608 data (printed in hexadecimal).

lavfi.readeia608.X.line
     The number of the line on which the EIA-608 data was identified and read.

This filter accepts the following options:

scan_min
     Set the line to start scanning for EIA-608 data. Default is 0.

scan_max
     Set the line to end scanning for EIA-608 data. Default is 29.

spw
     Set the ratio of width reserved for sync code detection. Default is 0.27. Allowed range is [0.1 - 0.7].

chp
     Enable checking the parity bit. In the event of a parity error, the filter will output 0x00 for that character. Default is false.

lp
     Lowpass lines prior to further processing. Default is enabled.

Commands
--------

This filter supports the all above options as commands.

Examples
--------

  * Output a csv with presentation time and the first two lines of identified EIA-608 captioning data.

          ffprobe -f lavfi -i movie=captioned_video.mov,readeia608 -show_entries frame=pkt_pts_time:frame_tags=lavfi.readeia608.0.cc,lavfi.readeia608.1.cc -of csv

readvitc
========

Read vertical interval timecode (VITC) information from the top lines of a video frame.

The filter adds frame metadata key lavfi.readvitc.tc_str with the timecode value, if a valid timecode has been detected. Further metadata key lavfi.readvitc.found is set to 0/1 depending on whether timecode data has been found or not.

This filter accepts the following options:

scan_max
     Set the maximum number of lines to scan for VITC data. If the value is set to -1 the full video frame is scanned. Default is 45.

thr_b
     Set the luma threshold for black. Accepts float numbers in the range [0.0,1.0], default value is 0.2. The value must be equal or less than thr_w.

thr_w
     Set the luma threshold for white. Accepts float numbers in the range [0.0,1.0], default value is 0.6. The value must be equal or greater than thr_b.

Examples
--------

  * Detect and draw VITC data onto the video frame; if no valid VITC is detected, draw --:--:--:-- as a placeholder:

          ffmpeg -i input.avi -filter:v 'readvitc,drawtext=fontfile=FreeMono.ttf:text=%{metadata\\:lavfi.readvitc.tc_str\\:--\\\\\\:--\\\\\\:--\\\\\\:--}:x=(w-tw)/2:y=400-ascent'

remap
=====

Remap pixels using 2nd: Xmap and 3rd: Ymap input video stream.

Destination pixel at position (X, Y) will be picked from source (x, y) position where x = Xmap(X, Y) and y = Ymap(X, Y). If mapping values are out of range, zero value for pixel will be used for destination pixel.

Xmap and Ymap input video streams must be of same dimensions. Output video stream will have Xmap/Ymap video stream dimensions. Xmap and Ymap input video streams are 16bit depth, single channel.

format
     Specify pixel format of output from this filter. Can be color or gray. Default is color.

fill
     Specify the color of the unmapped pixels. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils). Default color is black.

removegrain
===========

The removegrain filter is a spatial denoiser for progressive video.

m0
     Set mode for the first plane.

m1
     Set mode for the second plane.

m2
     Set mode for the third plane.

m3
     Set mode for the fourth plane.

Range of mode is from 0 to 24. Description of each mode follows:

0
     Leave input plane unchanged. Default.

1
     Clips the pixel with the minimum and maximum of the 8 neighbour pixels.

2
     Clips the pixel with the second minimum and maximum of the 8 neighbour pixels.

3
     Clips the pixel with the third minimum and maximum of the 8 neighbour pixels.

4
     Clips the pixel with the fourth minimum and maximum of the 8 neighbour pixels. This is equivalent to a median filter.

5
     Line-sensitive clipping giving the minimal change.

6
     Line-sensitive clipping, intermediate.

7
     Line-sensitive clipping, intermediate.

8
     Line-sensitive clipping, intermediate.

9
     Line-sensitive clipping on a line where the neighbours pixels are the closest.

10
     Replaces the target pixel with the closest neighbour.

11
     [1 2 1] horizontal and vertical kernel blur.

12
     Same as mode 11.

13
     Bob mode, interpolates top field from the line where the neighbours pixels are the closest.

14
     Bob mode, interpolates bottom field from the line where the neighbours pixels are the closest.

15
     Bob mode, interpolates top field. Same as 13 but with a more complicated interpolation formula.

16
     Bob mode, interpolates bottom field. Same as 14 but with a more complicated interpolation formula.

17
     Clips the pixel with the minimum and maximum of respectively the maximum and minimum of each pair of opposite neighbour pixels.

18
     Line-sensitive clipping using opposite neighbours whose greatest distance from the current pixel is minimal.

19
     Replaces the pixel with the average of its 8 neighbours.

20
     Averages the 9 pixels ([1 1 1] horizontal and vertical blur).

21
     Clips pixels using the averages of opposite neighbour.

22
     Same as mode 21 but simpler and faster.

23
     Small edge and halo removal, but reputed useless.

24
     Similar as 23.

removelogo
==========

Suppress a TV station logo, using an image file to determine which pixels comprise the logo. It works by filling in the pixels that comprise the logo with neighboring pixels.

The filter accepts the following options:

filename, f
     Set the filter bitmap file, which can be any image format supported by libavformat. The width and height of the image file must match those of the video stream being processed.

Pixels in the provided bitmap image with a value of zero are not considered part of the logo, non-zero pixels are considered part of the logo. If you use white (255) for the logo and black (0) for the rest, you will be safe. For making the filter bitmap, it is recommended to take a screen capture of a black frame with the logo visible, and then using a threshold filter followed by the erode filter once or twice.

If needed, little splotches can be fixed manually. Remember that if logo pixels are not covered, the filter quality will be much reduced. Marking too many pixels as part of the logo does not hurt as much, but it will increase the amount of blurring needed to cover over the image and will destroy more information than necessary, and extra pixels will slow things down on a large logo.

repeatfields
============

This filter uses the repeat_field flag from the Video ES headers and hard repeats fields based on its value.

reverse
=======

Reverse a video clip.

Warning: This filter requires memory to buffer the entire clip, so trimming is suggested.

Examples
--------

  * Take the first 5 seconds of a clip, and reverse it.

          trim=end=5,reverse

rgbashift
=========

Shift R/G/B/A pixels horizontally and/or vertically.

The filter accepts the following options:

rh
     Set amount to shift red horizontally.

rv
     Set amount to shift red vertically.

gh
     Set amount to shift green horizontally.

gv
     Set amount to shift green vertically.

bh
     Set amount to shift blue horizontally.

bv
     Set amount to shift blue vertically.

ah
     Set amount to shift alpha horizontally.

av
     Set amount to shift alpha vertically.

edge
     Set edge mode, can be SMEAR, default, or WARP.

Commands
--------

This filter supports the all above options as commands.

roberts
=======

Apply roberts cross operator to input video stream.

The filter accepts the following option:

planes
     Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

scale
     Set value which will be multiplied with filtered result.

delta
     Set value which will be added to filtered result.

rotate
======

Rotate video by an arbitrary angle expressed in radians.

The filter accepts the following options:

A description of the optional parameters follows.

angle, a
     Set an expression for the angle by which to rotate the input video clockwise, expressed as a number of radians. A negative value will result in a counter-clockwise rotation. By default it is set to "0".

     This expression is evaluated for each frame.

out_w, ow
     Set the output width expression, default value is "iw". This expression is evaluated just once during configuration.

out_h, oh
     Set the output height expression, default value is "ih". This expression is evaluated just once during configuration.

bilinear
     Enable bilinear interpolation if set to 1, a value of 0 disables it. Default value is 1.

fillcolor, c
     Set the color used to fill the output area not covered by the rotated image. For the general syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils). If the special value "none" is selected then no background is printed (useful for example if the background is never shown).

     Default value is "black".

The expressions for the angle and the output size can contain the following constants and functions:

n
     sequential number of the input frame, starting from 0. It is always NAN before the first frame is filtered.

t
     time in seconds of the input frame, it is set to 0 when the filter is configured. It is always NAN before the first frame is filtered.

hsub

vsub
     horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

in_w, iw

in_h, ih
     the input video width and height

out_w, ow

out_h, oh
     the output width and height, that is the size of the padded area as specified by the WIDTH and HEIGHT expressions

rotw(a)

roth(a)
     the minimal width/height required for completely containing the input video rotated by A radians.

     These are only available when computing the out_w and out_h expressions.

Examples
--------

  * Rotate the input by PI/6 radians clockwise:

          rotate=PI/6

  * Rotate the input by PI/6 radians counter-clockwise:

          rotate=-PI/6

  * Rotate the input by 45 degrees clockwise:

          rotate=45*PI/180

  * Apply a constant rotation with period T, starting from an angle of PI/3:

          rotate=PI/3+2*PI*t/T

  * Make the input video rotation oscillating with a period of T seconds and an amplitude of A radians:

          rotate=A*sin(2*PI/T*t)

  * Rotate the video, output size is chosen so that the whole rotating input video is always completely contained in the output:

          rotate='2*PI*t:ow=hypot(iw,ih):oh=ow'

  * Rotate the video, reduce the output size so that no background is ever shown:

          rotate=2*PI*t:ow='min(iw,ih)/sqrt(2)':oh=ow:c=none

Commands
--------

The filter supports the following commands:

a, angle
     Set the angle expression. The command accepts the same syntax of the corresponding option.

     If the specified expression is not valid, it is kept at its current value.

sab
===

Apply Shape Adaptive Blur.

The filter accepts the following options:

luma_radius, lr
     Set luma blur filter strength, must be a value in range 0.1-4.0, default value is 1.0. A greater value will result in a more blurred image, and in slower processing.

luma_pre_filter_radius, lpfr
     Set luma pre-filter radius, must be a value in the 0.1-2.0 range, default value is 1.0.

luma_strength, ls
     Set luma maximum difference between pixels to still be considered, must be a value in the 0.1-100.0 range, default value is 1.0.

chroma_radius, cr
     Set chroma blur filter strength, must be a value in range -0.9-4.0. A greater value will result in a more blurred image, and in slower processing.

chroma_pre_filter_radius, cpfr
     Set chroma pre-filter radius, must be a value in the -0.9-2.0 range.

chroma_strength, cs
     Set chroma maximum difference between pixels to still be considered, must be a value in the -0.9-100.0 range.

Each chroma option value, if not explicitly specified, is set to the corresponding luma option value.

scale
=====

Scale (resize) the input video, using the libswscale library.

The scale filter forces the output display aspect ratio to be the same of the input, by changing the output sample aspect ratio.

If the input image format is different from the format requested by the next filter, the scale filter will convert the input to the requested format.

Options
-------

The filter accepts the following options, or any of the options supported by the libswscale scaler.

See the ffmpeg-scaler manual (ffmpeg-scaler) for the complete list of scaler options.

width, w

height, h
     Set the output video dimension expression. Default value is the input dimension.

     If the WIDTH or W value is 0, the input width is used for the output. If the HEIGHT or H value is 0, the input height is used for the output.

     If one and only one of the values is -n with n >= 1, the scale filter will use a value that maintains the aspect ratio of the input image, calculated from the other specified dimension. After that it will, however, make sure that the calculated dimension is divisible by n and adjust the value if necessary.

     If both values are -n with n >= 1, the behavior will be identical to both values being set to 0 as previously detailed.

     See below for the list of accepted constants for use in the dimension expression.

eval
     Specify when to evaluate WIDTH and HEIGHT expression. It accepts the following values:

     init
          Only evaluate expressions once during the filter initialization or when a command is processed.

     frame
          Evaluate expressions for each incoming frame.

     Default value is init.

interl
     Set the interlacing mode. It accepts the following values:

     1
          Force interlaced aware scaling.

     0
          Do not apply interlaced scaling.

     -1
          Select interlaced aware scaling depending on whether the source frames are flagged as interlaced or not.

     Default value is 0.

flags
     Set libswscale scaling flags. See the ffmpeg-scaler manual (ffmpeg-scaler) for the complete list of values. If not explicitly specified the filter applies the default flags.

param0, param1
     Set libswscale input parameters for scaling algorithms that need them. See the ffmpeg-scaler manual (ffmpeg-scaler) for the complete documentation. If not explicitly specified the filter applies empty parameters.

size, s
     Set the video size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils).

in_color_matrix

out_color_matrix
     Set in/output YCbCr color space type.

     This allows the autodetected value to be overridden as well as allows forcing a specific value used for the output and encoder.

     If not specified, the color space type depends on the pixel format.

     Possible values:

     auto
          Choose automatically.

     bt709
          Format conforming to International Telecommunication Union (ITU) Recommendation BT.709.

     fcc
          Set color space conforming to the United States Federal Communications Commission (FCC) Code of Federal Regulations (CFR) Title 47 (2003) 73.682 (a).

     bt601

     bt470

     smpte170m
          Set color space conforming to:

            * ITU Radiocommunication Sector (ITU-R) Recommendation BT.601

            * ITU-R Rec. BT.470-6 (1998) Systems B, B1, and G

            * Society of Motion Picture and Television Engineers (SMPTE) ST 170:2004

     smpte240m
          Set color space conforming to SMPTE ST 240:1999.

     bt2020
          Set color space conforming to ITU-R BT.2020 non-constant luminance system.

in_range

out_range
     Set in/output YCbCr sample range.

     This allows the autodetected value to be overridden as well as allows forcing a specific value used for the output and encoder. If not specified, the range depends on the pixel format. Possible values:

     auto/unknown
          Choose automatically.

     jpeg/full/pc
          Set full range (0-255 in case of 8-bit luma).

     mpeg/limited/tv
          Set "MPEG" range (16-235 in case of 8-bit luma).

force_original_aspect_ratio
     Enable decreasing or increasing output video width or height if necessary to keep the original aspect ratio. Possible values:

     disable
          Scale the video as specified and disable this feature.

     decrease
          The output video dimensions will automatically be decreased if needed.

     increase
          The output video dimensions will automatically be increased if needed.

     One useful instance of this option is that when you know a specific device's maximum allowed resolution, you can use this to limit the output video to that, while retaining the aspect ratio. For example, device A allows 1280x720 playback, and your video is 1920x800. Using this option (set it to decrease) and specifying 1280x720 to the command line makes the output 1280x533.

     Please note that this is a different thing than specifying -1 for w or h, you still need to specify the output resolution for this option to work.

force_divisible_by
     Ensures that both the output dimensions, width and height, are divisible by the given integer when used together with force_original_aspect_ratio. This works similar to using -n in the w and h options.

     This option respects the value set for force_original_aspect_ratio, increasing or decreasing the resolution accordingly. The video's aspect ratio may be slightly modified.

     This option can be handy if you need to have a video fit within or exceed a defined resolution using force_original_aspect_ratio but also have encoder restrictions on width or height divisibility.

The values of the w and h options are expressions containing the following constants:

in_w

in_h
     The input width and height

iw

ih
     These are the same as IN_W and IN_H.

out_w

out_h
     The output (scaled) width and height

ow

oh
     These are the same as OUT_W and OUT_H

a
     The same as IW / IH

sar
     input sample aspect ratio

dar
     The input display aspect ratio. Calculated from (iw / ih) * sar.

hsub

vsub
     horizontal and vertical input chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

ohsub

ovsub
     horizontal and vertical output chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

n
     The (sequential) number of the input frame, starting from 0. Only available with eval=frame.

t
     The presentation timestamp of the input frame, expressed as a number of seconds. Only available with eval=frame.

pos
     The position (byte offset) of the frame in the input stream, or NaN if this information is unavailable and/or meaningless (for example in case of synthetic video). Only available with eval=frame.

Examples
--------

  * Scale the input video to a size of 200x100

          scale=w=200:h=100

     This is equivalent to:

          scale=200:100

     or:

          scale=200x100

  * Specify a size abbreviation for the output size:

          scale=qcif

     which can also be written as:

          scale=size=qcif

  * Scale the input to 2x:

          scale=w=2*iw:h=2*ih

  * The above is the same as:

          scale=2*in_w:2*in_h

  * Scale the input to 2x with forced interlaced scaling:

          scale=2*iw:2*ih:interl=1

  * Scale the input to half size:

          scale=w=iw/2:h=ih/2

  * Increase the width, and set the height to the same size:

          scale=3/2*iw:ow

  * Seek Greek harmony:

          scale=iw:1/PHI*iw
          scale=ih*PHI:ih

  * Increase the height, and set the width to 3/2 of the height:

          scale=w=3/2*oh:h=3/5*ih

  * Increase the size, making the size a multiple of the chroma subsample values:

          scale="trunc(3/2*iw/hsub)*hsub:trunc(3/2*ih/vsub)*vsub"

  * Increase the width to a maximum of 500 pixels, keeping the same aspect ratio as the input:

          scale=w='min(500\, iw*3/2):h=-1'

  * Make pixels square by combining scale and setsar:

          scale='trunc(ih*dar):ih',setsar=1/1

  * Make pixels square by combining scale and setsar, making sure the resulting resolution is even (required by some codecs):

          scale='trunc(ih*dar/2)*2:trunc(ih/2)*2',setsar=1/1

Commands
--------

This filter supports the following commands:

width, w

height, h
     Set the output video dimension expression. The command accepts the same syntax of the corresponding option.

     If the specified expression is not valid, it is kept at its current value.

scale_npp
=========

Use the NVIDIA Performance Primitives (libnpp) to perform scaling and/or pixel format conversion on CUDA video frames. Setting the output width and height works in the same way as for the SCALE filter.

The following additional options are accepted:

format
     The pixel format of the output CUDA frames. If set to the string "same" (the default), the input format will be kept. Note that automatic format negotiation and conversion is not yet supported for hardware frames

interp_algo
     The interpolation algorithm used for resizing. One of the following:

     nn
          Nearest neighbour.

     linear

     cubic

     cubic2p_bspline
          2-parameter cubic (B=1, C=0)

     cubic2p_catmullrom
          2-parameter cubic (B=0, C=1/2)

     cubic2p_b05c03
          2-parameter cubic (B=1/2, C=3/10)

     super
          Supersampling

     lanczos

force_original_aspect_ratio
     Enable decreasing or increasing output video width or height if necessary to keep the original aspect ratio. Possible values:

     disable
          Scale the video as specified and disable this feature.

     decrease
          The output video dimensions will automatically be decreased if needed.

     increase
          The output video dimensions will automatically be increased if needed.

     One useful instance of this option is that when you know a specific device's maximum allowed resolution, you can use this to limit the output video to that, while retaining the aspect ratio. For example, device A allows 1280x720 playback, and your video is 1920x800. Using this option (set it to decrease) and specifying 1280x720 to the command line makes the output 1280x533.

     Please note that this is a different thing than specifying -1 for w or h, you still need to specify the output resolution for this option to work.

force_divisible_by
     Ensures that both the output dimensions, width and height, are divisible by the given integer when used together with force_original_aspect_ratio. This works similar to using -n in the w and h options.

     This option respects the value set for force_original_aspect_ratio, increasing or decreasing the resolution accordingly. The video's aspect ratio may be slightly modified.

     This option can be handy if you need to have a video fit within or exceed a defined resolution using force_original_aspect_ratio but also have encoder restrictions on width or height divisibility.

scale2ref
=========

Scale (resize) the input video, based on a reference video.

See the scale filter for available options, scale2ref supports the same but uses the reference video instead of the main input as basis. scale2ref also supports the following additional constants for the w and h options:

main_w

main_h
     The main input video's width and height

main_a
     The same as MAIN_W / MAIN_H

main_sar
     The main input video's sample aspect ratio

main_dar, mdar
     The main input video's display aspect ratio. Calculated from (main_w / main_h) * main_sar.

main_hsub

main_vsub
     The main input video's horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

main_n
     The (sequential) number of the main input frame, starting from 0. Only available with eval=frame.

main_t
     The presentation timestamp of the main input frame, expressed as a number of seconds. Only available with eval=frame.

main_pos
     The position (byte offset) of the frame in the main input stream, or NaN if this information is unavailable and/or meaningless (for example in case of synthetic video). Only available with eval=frame.

Examples
--------

  * Scale a subtitle stream (b) to match the main video (a) in size before overlaying

          'scale2ref[b][a];[a][b]overlay'

  * Scale a logo to 1/10th the height of a video, while preserving its display aspect ratio.

          [logo-in][video-in]scale2ref=w=oh*mdar:h=ih/10[logo-out][video-out]

Commands
--------

This filter supports the following commands:

width, w

height, h
     Set the output video dimension expression. The command accepts the same syntax of the corresponding option.

     If the specified expression is not valid, it is kept at its current value.

scroll
======

Scroll input video horizontally and/or vertically by constant speed.

The filter accepts the following options:

horizontal, h
     Set the horizontal scrolling speed. Default is 0. Allowed range is from -1 to 1. Negative values changes scrolling direction.

vertical, v
     Set the vertical scrolling speed. Default is 0. Allowed range is from -1 to 1. Negative values changes scrolling direction.

hpos
     Set the initial horizontal scrolling position. Default is 0. Allowed range is from 0 to 1.

vpos
     Set the initial vertical scrolling position. Default is 0. Allowed range is from 0 to 1.

Commands
--------

This filter supports the following commands:

horizontal, h
     Set the horizontal scrolling speed.

vertical, v
     Set the vertical scrolling speed.

scdet
=====

Detect video scene change.

This filter sets frame metadata with mafd between frame, the scene score, and forward the frame to the next filter, so they can use these metadata to detect scene change or others.

In addition, this filter logs a message and sets frame metadata when it detects a scene change by threshold.

lavfi.scd.mafd metadata keys are set with mafd for every frame.

lavfi.scd.score metadata keys are set with scene change score for every frame to detect scene change.

lavfi.scd.time metadata keys are set with current filtered frame time which detect scene change with threshold.

The filter accepts the following options:

threshold, t
     Set the scene change detection threshold as a percentage of maximum change. Good values are in the [8.0, 14.0] range. The range for threshold is [0., 100.].

     Default value is 10..

sc_pass, s
     Set the flag to pass scene change frames to the next filter. Default value is 0 You can enable it if you want to get snapshot of scene change frames only.

selectivecolor
==============

Adjust cyan, magenta, yellow and black (CMYK) to certain ranges of colors (such as "reds", "yellows", "greens", "cyans", ...). The adjustment range is defined by the "purity" of the color (that is, how saturated it already is).

This filter is similar to the Adobe Photoshop Selective Color tool.

The filter accepts the following options:

correction_method
     Select color correction method.

     Available values are:

     absolute
          Specified adjustments are applied "as-is" (added/subtracted to original pixel component value).

     relative
          Specified adjustments are relative to the original component value.

     Default is absolute.

reds
     Adjustments for red pixels (pixels where the red component is the maximum)

yellows
     Adjustments for yellow pixels (pixels where the blue component is the minimum)

greens
     Adjustments for green pixels (pixels where the green component is the maximum)

cyans
     Adjustments for cyan pixels (pixels where the red component is the minimum)

blues
     Adjustments for blue pixels (pixels where the blue component is the maximum)

magentas
     Adjustments for magenta pixels (pixels where the green component is the minimum)

whites
     Adjustments for white pixels (pixels where all components are greater than 128)

neutrals
     Adjustments for all pixels except pure black and pure white

blacks
     Adjustments for black pixels (pixels where all components are lesser than 128)

psfile
     Specify a Photoshop selective color file (.asv) to import the settings from.

All the adjustment settings (reds, yellows, ...) accept up to 4 space separated floating point adjustment values in the [-1,1] range, respectively to adjust the amount of cyan, magenta, yellow and black for the pixels of its range.

Examples
--------

  * Increase cyan by 50% and reduce yellow by 33% in every green areas, and increase magenta by 27% in blue areas:

          selectivecolor=greens=.5 0 -.33 0:blues=0 .27

  * Use a Photoshop selective color preset:

          selectivecolor=psfile=MySelectiveColorPresets/Misty.asv

separatefields
==============

The separatefields takes a frame-based video input and splits each frame into its components fields, producing a new half height clip with twice the frame rate and twice the frame count.

This filter use field-dominance information in frame to decide which of each pair of fields to place first in the output. If it gets it wrong use setfield filter before separatefields filter.

setdar, setsar
==============

The setdar filter sets the Display Aspect Ratio for the filter output video.

This is done by changing the specified Sample (aka Pixel) Aspect Ratio, according to the following equation:

     DAR = HORIZONTAL_RESOLUTION / VERTICAL_RESOLUTION * SAR

Keep in mind that the setdar filter does not modify the pixel dimensions of the video frame. Also, the display aspect ratio set by this filter may be changed by later filters in the filterchain, e.g. in case of scaling or if another "setdar" or a "setsar" filter is applied.

The setsar filter sets the Sample (aka Pixel) Aspect Ratio for the filter output video.

Note that as a consequence of the application of this filter, the output display aspect ratio will change according to the equation above.

Keep in mind that the sample aspect ratio set by the setsar filter may be changed by later filters in the filterchain, e.g. if another "setsar" or a "setdar" filter is applied.

It accepts the following parameters:

r, ratio, dar (setdar only), sar (setsar only)
     Set the aspect ratio used by the filter.

     The parameter can be a floating point number string, an expression, or a string of the form NUM:DEN, where NUM and DEN are the numerator and denominator of the aspect ratio. If the parameter is not specified, it is assumed the value "0". In case the form "NUM:DEN" is used, the : character should be escaped.

max
     Set the maximum integer value to use for expressing numerator and denominator when reducing the expressed aspect ratio to a rational. Default value is 100.

The parameter SAR is an expression containing the following constants:

E, PI, PHI
     These are approximated values for the mathematical constants e (Euler's number), pi (Greek pi), and phi (the golden ratio).

w, h
     The input width and height.

a
     These are the same as W / H.

sar
     The input sample aspect ratio.

dar
     The input display aspect ratio. It is the same as (W / H) * SAR.

hsub, vsub
     Horizontal and vertical chroma subsample values. For example, for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

Examples
--------

  * To change the display aspect ratio to 16:9, specify one of the following:

          setdar=dar=1.77777
          setdar=dar=16/9

  * To change the sample aspect ratio to 10:11, specify:

          setsar=sar=10/11

  * To set a display aspect ratio of 16:9, and specify a maximum integer value of 1000 in the aspect ratio reduction, use the command:

          setdar=ratio=16/9:max=1000

setfield
========

Force field for the output video frame.

The setfield filter marks the interlace type field for the output frames. It does not change the input frame, but only sets the corresponding property, which affects how the frame is treated by following filters (e.g. fieldorder or yadif).

The filter accepts the following options:

mode
     Available values are:

     auto
          Keep the same field property.

     bff
          Mark the frame as bottom-field-first.

     tff
          Mark the frame as top-field-first.

     prog
          Mark the frame as progressive.

setparams
=========

Force frame parameter for the output video frame.

The setparams filter marks interlace and color range for the output frames. It does not change the input frame, but only sets the corresponding property, which affects how the frame is treated by filters/encoders.

field_mode
     Available values are:

     auto
          Keep the same field property (default).

     bff
          Mark the frame as bottom-field-first.

     tff
          Mark the frame as top-field-first.

     prog
          Mark the frame as progressive.

range
     Available values are:

     auto
          Keep the same color range property (default).

     unspecified, unknown
          Mark the frame as unspecified color range.

     limited, tv, mpeg
          Mark the frame as limited range.

     full, pc, jpeg
          Mark the frame as full range.

color_primaries
     Set the color primaries. Available values are:

     auto
          Keep the same color primaries property (default).

     bt709

     unknown

     bt470m

     bt470bg

     smpte170m

     smpte240m

     film

     bt2020

     smpte428

     smpte431

     smpte432

     jedec-p22

color_trc
     Set the color transfer. Available values are:

     auto
          Keep the same color trc property (default).

     bt709

     unknown

     bt470m

     bt470bg

     smpte170m

     smpte240m

     linear

     log100

     log316

     iec61966-2-4

     bt1361e

     iec61966-2-1

     bt2020-10

     bt2020-12

     smpte2084

     smpte428

     arib-std-b67

colorspace
     Set the colorspace. Available values are:

     auto
          Keep the same colorspace property (default).

     gbr

     bt709

     unknown

     fcc

     bt470bg

     smpte170m

     smpte240m

     ycgco

     bt2020nc

     bt2020c

     smpte2085

     chroma-derived-nc

     chroma-derived-c

     ictcp

showinfo
========

Show a line containing various information for each input video frame. The input video is not modified.

This filter supports the following options:

checksum
     Calculate checksums of each plane. By default enabled.

The shown line contains a sequence of key/value pairs of the form KEY:VALUE.

The following values are shown in the output:

n
     The (sequential) number of the input frame, starting from 0.

pts
     The Presentation TimeStamp of the input frame, expressed as a number of time base units. The time base unit depends on the filter input pad.

pts_time
     The Presentation TimeStamp of the input frame, expressed as a number of seconds.

pos
     The position of the frame in the input stream, or -1 if this information is unavailable and/or meaningless (for example in case of synthetic video).

fmt
     The pixel format name.

sar
     The sample aspect ratio of the input frame, expressed in the form NUM/DEN.

s
     The size of the input frame. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils).

i
     The type of interlaced mode ("P" for "progressive", "T" for top field first, "B" for bottom field first).

iskey
     This is 1 if the frame is a key frame, 0 otherwise.

type
     The picture type of the input frame ("I" for an I-frame, "P" for a P-frame, "B" for a B-frame, or "?" for an unknown type). Also refer to the documentation of the AVPictureType enum and of the av_get_picture_type_char function defined in libavutil/avutil.h.

checksum
     The Adler-32 checksum (printed in hexadecimal) of all the planes of the input frame.

plane_checksum
     The Adler-32 checksum (printed in hexadecimal) of each plane of the input frame, expressed in the form "[C0 C1 C2 C3]".

mean
     The mean value of pixels in each plane of the input frame, expressed in the form "[MEAN0 MEAN1 MEAN2 MEAN3]".

stdev
     The standard deviation of pixel values in each plane of the input frame, expressed in the form "[STDEV0 STDEV1 STDEV2 STDEV3]".

showpalette
===========

Displays the 256 colors palette of each frame. This filter is only relevant for PAL8 pixel format frames.

It accepts the following option:

s
     Set the size of the box used to represent one palette color entry. Default is 30 (for a 30x30 pixel box).

shuffleframes
=============

Reorder and/or duplicate and/or drop video frames.

It accepts the following parameters:

mapping
     Set the destination indexes of input frames. This is space or '|' separated list of indexes that maps input frames to output frames. Number of indexes also sets maximal value that each index may have. '-1' index have special meaning and that is to drop frame.

The first frame has the index 0. The default is to keep the input unchanged.

Examples
--------

  * Swap second and third frame of every three frames of the input:

          ffmpeg -i INPUT -vf "shuffleframes=0 2 1" OUTPUT

  * Swap 10th and 1st frame of every ten frames of the input:

          ffmpeg -i INPUT -vf "shuffleframes=9 1 2 3 4 5 6 7 8 0" OUTPUT

shuffleplanes
=============

Reorder and/or duplicate video planes.

It accepts the following parameters:

map0
     The index of the input plane to be used as the first output plane.

map1
     The index of the input plane to be used as the second output plane.

map2
     The index of the input plane to be used as the third output plane.

map3
     The index of the input plane to be used as the fourth output plane.

The first plane has the index 0. The default is to keep the input unchanged.

Examples
--------

  * Swap the second and third planes of the input:

          ffmpeg -i INPUT -vf shuffleplanes=0:2:1:3 OUTPUT

signalstats
===========

Evaluate various visual metrics that assist in determining issues associated with the digitization of analog video media.

By default the filter will log these metadata values:

YMIN
     Display the minimal Y value contained within the input frame. Expressed in range of [0-255].

YLOW
     Display the Y value at the 10% percentile within the input frame. Expressed in range of [0-255].

YAVG
     Display the average Y value within the input frame. Expressed in range of [0-255].

YHIGH
     Display the Y value at the 90% percentile within the input frame. Expressed in range of [0-255].

YMAX
     Display the maximum Y value contained within the input frame. Expressed in range of [0-255].

UMIN
     Display the minimal U value contained within the input frame. Expressed in range of [0-255].

ULOW
     Display the U value at the 10% percentile within the input frame. Expressed in range of [0-255].

UAVG
     Display the average U value within the input frame. Expressed in range of [0-255].

UHIGH
     Display the U value at the 90% percentile within the input frame. Expressed in range of [0-255].

UMAX
     Display the maximum U value contained within the input frame. Expressed in range of [0-255].

VMIN
     Display the minimal V value contained within the input frame. Expressed in range of [0-255].

VLOW
     Display the V value at the 10% percentile within the input frame. Expressed in range of [0-255].

VAVG
     Display the average V value within the input frame. Expressed in range of [0-255].

VHIGH
     Display the V value at the 90% percentile within the input frame. Expressed in range of [0-255].

VMAX
     Display the maximum V value contained within the input frame. Expressed in range of [0-255].

SATMIN
     Display the minimal saturation value contained within the input frame. Expressed in range of [0-~181.02].

SATLOW
     Display the saturation value at the 10% percentile within the input frame. Expressed in range of [0-~181.02].

SATAVG
     Display the average saturation value within the input frame. Expressed in range of [0-~181.02].

SATHIGH
     Display the saturation value at the 90% percentile within the input frame. Expressed in range of [0-~181.02].

SATMAX
     Display the maximum saturation value contained within the input frame. Expressed in range of [0-~181.02].

HUEMED
     Display the median value for hue within the input frame. Expressed in range of [0-360].

HUEAVG
     Display the average value for hue within the input frame. Expressed in range of [0-360].

YDIF
     Display the average of sample value difference between all values of the Y plane in the current frame and corresponding values of the previous input frame. Expressed in range of [0-255].

UDIF
     Display the average of sample value difference between all values of the U plane in the current frame and corresponding values of the previous input frame. Expressed in range of [0-255].

VDIF
     Display the average of sample value difference between all values of the V plane in the current frame and corresponding values of the previous input frame. Expressed in range of [0-255].

YBITDEPTH
     Display bit depth of Y plane in current frame. Expressed in range of [0-16].

UBITDEPTH
     Display bit depth of U plane in current frame. Expressed in range of [0-16].

VBITDEPTH
     Display bit depth of V plane in current frame. Expressed in range of [0-16].

The filter accepts the following options:

stat

out

     stat specify an additional form of image analysis. out output video with the specified type of pixel highlighted.

     Both options accept the following values:

     tout
          Identify TEMPORAL OUTLIERS pixels. A TEMPORAL OUTLIER is a pixel unlike the neighboring pixels of the same field. Examples of temporal outliers include the results of video dropouts, head clogs, or tape tracking issues.

     vrep
          Identify VERTICAL LINE REPETITION. Vertical line repetition includes similar rows of pixels within a frame. In born-digital video vertical line repetition is common, but this pattern is uncommon in video digitized from an analog source. When it occurs in video that results from the digitization of an analog source it can indicate concealment from a dropout compensator.

     brng
          Identify pixels that fall outside of legal broadcast range.

color, c
     Set the highlight color for the out option. The default color is yellow.

Examples
--------

  * Output data of various video metrics:

          ffprobe -f lavfi movie=example.mov,signalstats="stat=tout+vrep+brng" -show_frames

  * Output specific data about the minimum and maximum values of the Y plane per frame:

          ffprobe -f lavfi movie=example.mov,signalstats -show_entries frame_tags=lavfi.signalstats.YMAX,lavfi.signalstats.YMIN

  * Playback video while highlighting pixels that are outside of broadcast range in red.

          ffplay example.mov -vf signalstats="out=brng:color=red"

  * Playback video with signalstats metadata drawn over the frame.

          ffplay example.mov -vf signalstats=stat=brng+vrep+tout,drawtext=fontfile=FreeSerif.ttf:textfile=signalstat_drawtext.txt

     The contents of signalstat_drawtext.txt used in the command are:

          time %{pts:hms}
          Y (%{metadata:lavfi.signalstats.YMIN}-%{metadata:lavfi.signalstats.YMAX})
          U (%{metadata:lavfi.signalstats.UMIN}-%{metadata:lavfi.signalstats.UMAX})
          V (%{metadata:lavfi.signalstats.VMIN}-%{metadata:lavfi.signalstats.VMAX})
          saturation maximum: %{metadata:lavfi.signalstats.SATMAX}

signature
=========

Calculates the MPEG-7 Video Signature. The filter can handle more than one input. In this case the matching between the inputs can be calculated additionally. The filter always passes through the first input. The signature of each stream can be written into a file.

It accepts the following options:

detectmode
     Enable or disable the matching process.

     Available values are:

     off
          Disable the calculation of a matching (default).

     full
          Calculate the matching for the whole video and output whether the whole video matches or only parts.

     fast
          Calculate only until a matching is found or the video ends. Should be faster in some cases.

nb_inputs
     Set the number of inputs. The option value must be a non negative integer. Default value is 1.

filename
     Set the path to which the output is written. If there is more than one input, the path must be a prototype, i.e. must contain %d or %0nd (where n is a positive integer), that will be replaced with the input number. If no filename is specified, no output will be written. This is the default.

format
     Choose the output format.

     Available values are:

     binary
          Use the specified binary representation (default).

     xml
          Use the specified xml representation.

th_d
     Set threshold to detect one word as similar. The option value must be an integer greater than zero. The default value is 9000.

th_dc
     Set threshold to detect all words as similar. The option value must be an integer greater than zero. The default value is 60000.

th_xh
     Set threshold to detect frames as similar. The option value must be an integer greater than zero. The default value is 116.

th_di
     Set the minimum length of a sequence in frames to recognize it as matching sequence. The option value must be a non negative integer value. The default value is 0.

th_it
     Set the minimum relation, that matching frames to all frames must have. The option value must be a double value between 0 and 1. The default value is 0.5.

Examples
--------

  * To calculate the signature of an input video and store it in signature.bin:

          ffmpeg -i input.mkv -vf signature=filename=signature.bin -map 0:v -f null -

  * To detect whether two videos match and store the signatures in XML format in signature0.xml and signature1.xml:

          ffmpeg -i input1.mkv -i input2.mkv -filter_complex "[0:v][1:v] signature=nb_inputs=2:detectmode=full:format=xml:filename=signature%d.xml" -map :v -f null -

smartblur
=========

Blur the input video without impacting the outlines.

It accepts the following options:

luma_radius, lr
     Set the luma radius. The option value must be a float number in the range [0.1,5.0] that specifies the variance of the gaussian filter used to blur the image (slower if larger). Default value is 1.0.

luma_strength, ls
     Set the luma strength. The option value must be a float number in the range [-1.0,1.0] that configures the blurring. A value included in [0.0,1.0] will blur the image whereas a value included in [-1.0,0.0] will sharpen the image. Default value is 1.0.

luma_threshold, lt
     Set the luma threshold used as a coefficient to determine whether a pixel should be blurred or not. The option value must be an integer in the range [-30,30]. A value of 0 will filter all the image, a value included in [0,30] will filter flat areas and a value included in [-30,0] will filter edges. Default value is 0.

chroma_radius, cr
     Set the chroma radius. The option value must be a float number in the range [0.1,5.0] that specifies the variance of the gaussian filter used to blur the image (slower if larger). Default value is luma_radius.

chroma_strength, cs
     Set the chroma strength. The option value must be a float number in the range [-1.0,1.0] that configures the blurring. A value included in [0.0,1.0] will blur the image whereas a value included in [-1.0,0.0] will sharpen the image. Default value is luma_strength.

chroma_threshold, ct
     Set the chroma threshold used as a coefficient to determine whether a pixel should be blurred or not. The option value must be an integer in the range [-30,30]. A value of 0 will filter all the image, a value included in [0,30] will filter flat areas and a value included in [-30,0] will filter edges. Default value is luma_threshold.

If a chroma option is not explicitly set, the corresponding luma value is set.

sobel
=====

Apply sobel operator to input video stream.

The filter accepts the following option:

planes
     Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

scale
     Set value which will be multiplied with filtered result.

delta
     Set value which will be added to filtered result.

spp
===

Apply a simple postprocessing filter that compresses and decompresses the image at several (or - in the case of quality level 6 - all) shifts and average the results.

The filter accepts the following options:

quality
     Set quality. This option defines the number of levels for averaging. It accepts an integer in the range 0-6. If set to 0, the filter will have no effect. A value of 6 means the higher quality. For each increment of that value the speed drops by a factor of approximately 2.  Default value is 3.

qp
     Force a constant quantization parameter. If not set, the filter will use the QP from the video stream (if available).

mode
     Set thresholding mode. Available modes are:

     hard
          Set hard thresholding (default).

     soft
          Set soft thresholding (better de-ringing effect, but likely blurrier).

use_bframe_qp
     Enable the use of the QP from the B-Frames if set to 1. Using this option may cause flicker since the B-Frames have often larger QP. Default is 0 (not enabled).

Commands
--------

This filter supports the following commands:

quality, level
     Set quality level. The value max can be used to set the maximum level, currently 6.

sr
==

Scale the input by applying one of the super-resolution methods based on convolutional neural networks. Supported models:

  * Super-Resolution Convolutional Neural Network model (SRCNN). See https://arxiv.org/abs/1501.00092.

  * Efficient Sub-Pixel Convolutional Neural Network model (ESPCN). See https://arxiv.org/abs/1609.05158.

Training scripts as well as scripts for model file (.pb) saving can be found at https://github.com/XueweiMeng/sr/tree/sr_dnn_native. Original repository is at https://github.com/HighVoltageRocknRoll/sr.git.

Native model files (.model) can be generated from TensorFlow model files (.pb) by using tools/python/convert.py

The filter accepts the following options:

dnn_backend
     Specify which DNN backend to use for model loading and execution. This option accepts the following values:

     native
          Native implementation of DNN loading and execution.

     tensorflow
          TensorFlow backend. To enable this backend you need to install the TensorFlow for C library (see https://www.tensorflow.org/install/install_c) and configure FFmpeg with --enable-libtensorflow

     Default value is native.

model
     Set path to model file specifying network architecture and its parameters. Note that different backends use different file formats. TensorFlow backend can load files for both formats, while native backend can load files for only its format.

scale_factor
     Set scale factor for SRCNN model. Allowed values are 2, 3 and 4. Default value is 2. Scale factor is necessary for SRCNN model, because it accepts input upscaled using bicubic upscaling with proper scale factor.

This feature can also be finished with dnn_processing filter.

ssim
====

Obtain the SSIM (Structural SImilarity Metric) between two input videos.

This filter takes in input two input videos, the first input is considered the "main" source and is passed unchanged to the output. The second input is used as a "reference" video for computing the SSIM.

Both video inputs must have the same resolution and pixel format for this filter to work correctly. Also it assumes that both inputs have the same number of frames, which are compared one by one.

The filter stores the calculated SSIM of each frame.

The description of the accepted parameters follows.

stats_file, f
     If specified the filter will use the named file to save the SSIM of each individual frame. When filename equals "-" the data is sent to standard output.

The file printed if STATS_FILE is selected, contains a sequence of key/value pairs of the form KEY:VALUE for each compared couple of frames.

A description of each shown parameter follows:

n
     sequential number of the input frame, starting from 1

Y, U, V, R, G, B
     SSIM of the compared frames for the component specified by the suffix.

All
     SSIM of the compared frames for the whole frame.

dB
     Same as above but in dB representation.

This filter also supports the framesync options.

Examples
--------

  * For example:

          movie=ref_movie.mpg, setpts=PTS-STARTPTS [main];
          [main][ref] ssim="stats_file=stats.log" [out]

     On this example the input file being processed is compared with the reference file ref_movie.mpg. The SSIM of each individual frame is stored in stats.log.

  * Another example with both psnr and ssim at same time:

          ffmpeg -i main.mpg -i ref.mpg -lavfi  "ssim;[0:v][1:v]psnr" -f null -

  * Another example with different containers:

          ffmpeg -i main.mpg -i ref.mkv -lavfi  "[0:v]settb=AVTB,setpts=PTS-STARTPTS[main];[1:v]settb=AVTB,setpts=PTS-STARTPTS[ref];[main][ref]ssim" -f null -

stereo3d
========

Convert between different stereoscopic image formats.

The filters accept the following options:

in
     Set stereoscopic image format of input.

     Available values for input image formats are:

     sbsl
          side by side parallel (left eye left, right eye right)

     sbsr
          side by side crosseye (right eye left, left eye right)

     sbs2l
          side by side parallel with half width resolution (left eye left, right eye right)

     sbs2r
          side by side crosseye with half width resolution (right eye left, left eye right)

     abl

     tbl
          above-below (left eye above, right eye below)

     abr

     tbr
          above-below (right eye above, left eye below)

     ab2l

     tb2l
          above-below with half height resolution (left eye above, right eye below)

     ab2r

     tb2r
          above-below with half height resolution (right eye above, left eye below)

     al
          alternating frames (left eye first, right eye second)

     ar
          alternating frames (right eye first, left eye second)

     irl
          interleaved rows (left eye has top row, right eye starts on next row)

     irr
          interleaved rows (right eye has top row, left eye starts on next row)

     icl
          interleaved columns, left eye first

     icr
          interleaved columns, right eye first

          Default value is sbsl.

out
     Set stereoscopic image format of output.

     sbsl
          side by side parallel (left eye left, right eye right)

     sbsr
          side by side crosseye (right eye left, left eye right)

     sbs2l
          side by side parallel with half width resolution (left eye left, right eye right)

     sbs2r
          side by side crosseye with half width resolution (right eye left, left eye right)

     abl

     tbl
          above-below (left eye above, right eye below)

     abr

     tbr
          above-below (right eye above, left eye below)

     ab2l

     tb2l
          above-below with half height resolution (left eye above, right eye below)

     ab2r

     tb2r
          above-below with half height resolution (right eye above, left eye below)

     al
          alternating frames (left eye first, right eye second)

     ar
          alternating frames (right eye first, left eye second)

     irl
          interleaved rows (left eye has top row, right eye starts on next row)

     irr
          interleaved rows (right eye has top row, left eye starts on next row)

     arbg
          anaglyph red/blue gray (red filter on left eye, blue filter on right eye)

     argg
          anaglyph red/green gray (red filter on left eye, green filter on right eye)

     arcg
          anaglyph red/cyan gray (red filter on left eye, cyan filter on right eye)

     arch
          anaglyph red/cyan half colored (red filter on left eye, cyan filter on right eye)

     arcc
          anaglyph red/cyan color (red filter on left eye, cyan filter on right eye)

     arcd
          anaglyph red/cyan color optimized with the least squares projection of dubois (red filter on left eye, cyan filter on right eye)

     agmg
          anaglyph green/magenta gray (green filter on left eye, magenta filter on right eye)

     agmh
          anaglyph green/magenta half colored (green filter on left eye, magenta filter on right eye)

     agmc
          anaglyph green/magenta colored (green filter on left eye, magenta filter on right eye)

     agmd
          anaglyph green/magenta color optimized with the least squares projection of dubois (green filter on left eye, magenta filter on right eye)

     aybg
          anaglyph yellow/blue gray (yellow filter on left eye, blue filter on right eye)

     aybh
          anaglyph yellow/blue half colored (yellow filter on left eye, blue filter on right eye)

     aybc
          anaglyph yellow/blue colored (yellow filter on left eye, blue filter on right eye)

     aybd
          anaglyph yellow/blue color optimized with the least squares projection of dubois (yellow filter on left eye, blue filter on right eye)

     ml
          mono output (left eye only)

     mr
          mono output (right eye only)

     chl
          checkerboard, left eye first

     chr
          checkerboard, right eye first

     icl
          interleaved columns, left eye first

     icr
          interleaved columns, right eye first

     hdmi
          HDMI frame pack

     Default value is arcd.

Examples
--------

  * Convert input video from side by side parallel to anaglyph yellow/blue dubois:

          stereo3d=sbsl:aybd

  * Convert input video from above below (left eye above, right eye below) to side by side crosseye.

          stereo3d=abl:sbsr

streamselect, astreamselect
===========================

Select video or audio streams.

The filter accepts the following options:

inputs
     Set number of inputs. Default is 2.

map
     Set input indexes to remap to outputs.

Commands
--------

The streamselect and astreamselect filter supports the following commands:

map
     Set input indexes to remap to outputs.

Examples
--------

  * Select first 5 seconds 1st stream and rest of time 2nd stream:

          sendcmd='5.0 streamselect map 1',streamselect=inputs=2:map=0

  * Same as above, but for audio:

          asendcmd='5.0 astreamselect map 1',astreamselect=inputs=2:map=0

subtitles
=========

Draw subtitles on top of input video using the libass library.

To enable compilation of this filter you need to configure FFmpeg with --enable-libass. This filter also requires a build with libavcodec and libavformat to convert the passed subtitles file to ASS (Advanced Substation Alpha) subtitles format.

The filter accepts the following options:

filename, f
     Set the filename of the subtitle file to read. It must be specified.

original_size
     Specify the size of the original video, the video for which the ASS file was composed. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Due to a misdesign in ASS aspect ratio arithmetic, this is necessary to correctly scale the fonts if the aspect ratio has been changed.

fontsdir
     Set a directory path containing fonts that can be used by the filter. These fonts will be used in addition to whatever the font provider uses.

alpha
     Process alpha channel, by default alpha channel is untouched.

charenc
     Set subtitles input character encoding. subtitles filter only. Only useful if not UTF-8.

stream_index, si
     Set subtitles stream index. subtitles filter only.

force_style
     Override default style or script info parameters of the subtitles. It accepts a string containing ASS style format KEY=VALUE couples separated by ",".

If the first key is not specified, it is assumed that the first value specifies the filename.

For example, to render the file sub.srt on top of the input video, use the command:

     subtitles=sub.srt

which is equivalent to:

     subtitles=filename=sub.srt

To render the default subtitles stream from file video.mkv, use:

     subtitles=video.mkv

To render the second subtitles stream from that file, use:

     subtitles=video.mkv:si=1

To make the subtitles stream from sub.srt appear in 80% transparent blue DejaVu Serif, use:

     subtitles=sub.srt:force_style='Fontname=DejaVu Serif,PrimaryColour=&HCCFF0000'

super2xsai
==========

Scale the input by 2x and smooth using the Super2xSaI (Scale and Interpolate) pixel art scaling algorithm.

Useful for enlarging pixel art images without reducing sharpness.

swaprect
========

Swap two rectangular objects in video.

This filter accepts the following options:

w
     Set object width.

h
     Set object height.

x1
     Set 1st rect x coordinate.

y1
     Set 1st rect y coordinate.

x2
     Set 2nd rect x coordinate.

y2
     Set 2nd rect y coordinate.

     All expressions are evaluated once for each frame.

The all options are expressions containing the following constants:

w

h
     The input width and height.

a
     same as W / H

sar
     input sample aspect ratio

dar
     input display aspect ratio, it is the same as (W / H) * SAR

n
     The number of the input frame, starting from 0.

t
     The timestamp expressed in seconds. It's NAN if the input timestamp is unknown.

pos
     the position in the file of the input frame, NAN if unknown

swapuv
======

Swap U & V plane.

tblend
======

Blend successive video frames.

See blend

telecine
========

Apply telecine process to the video.

This filter accepts the following options:

first_field

     top, t
          top field first

     bottom, b
          bottom field first The default value is top.

pattern
     A string of numbers representing the pulldown pattern you wish to apply. The default value is 23.

     Some typical patterns:

     NTSC output (30i):
     27.5p: 32222
     24p: 23 (classic)
     24p: 2332 (preferred)
     20p: 33
     18p: 334
     16p: 3444

     PAL output (25i):
     27.5p: 12222
     24p: 222222222223 ("Euro pulldown")
     16.67p: 33
     16p: 33333334

thistogram
==========

Compute and draw a color distribution histogram for the input video across time.

Unlike histogram video filter which only shows histogram of single input frame at certain time, this filter shows also past histograms of number of frames defined by width option.

The computed histogram is a representation of the color component distribution in an image.

The filter accepts the following options:

width, w
     Set width of single color component output. Default value is 0. Value of 0 means width will be picked from input video. This also set number of passed histograms to keep. Allowed range is [0, 8192].

display_mode, d
     Set display mode. It accepts the following values:

     stack
          Per color component graphs are placed below each other.

     parade
          Per color component graphs are placed side by side.

     overlay
          Presents information identical to that in the parade, except that the graphs representing color components are superimposed directly over one another.

     Default is stack.

levels_mode, m
     Set mode. Can be either linear, or logarithmic. Default is linear.

components, c
     Set what color components to display. Default is 7.

bgopacity, b
     Set background opacity. Default is 0.9.

envelope, e
     Show envelope. Default is disabled.

ecolor, ec
     Set envelope color. Default is gold.

slide
     Set slide mode.

     Available values for slide is:

     frame
          Draw new frame when right border is reached.

     replace
          Replace old columns with new ones.

     scroll
          Scroll from right to left.

     rscroll
          Scroll from left to right.

     picture
          Draw single picture.

     Default is replace.

threshold
=========

Apply threshold effect to video stream.

This filter needs four video streams to perform thresholding. First stream is stream we are filtering. Second stream is holding threshold values, third stream is holding min values, and last, fourth stream is holding max values.

The filter accepts the following option:

planes
     Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

For example if first stream pixel's component value is less then threshold value of pixel component from 2nd threshold stream, third stream value will picked, otherwise fourth stream pixel component value will be picked.

Using color source filter one can perform various types of thresholding:

Examples
--------

  * Binary threshold, using gray color as threshold:

          ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=black -f lavfi -i color=white -lavfi threshold output.avi

  * Inverted binary threshold, using gray color as threshold:

          ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=white -f lavfi -i color=black -lavfi threshold output.avi

  * Truncate binary threshold, using gray color as threshold:

          ffmpeg -i 320x240.avi -f lavfi -i color=gray -i 320x240.avi -f lavfi -i color=gray -lavfi threshold output.avi

  * Threshold to zero, using gray color as threshold:

          ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=white -i 320x240.avi -lavfi threshold output.avi

  * Inverted threshold to zero, using gray color as threshold:

          ffmpeg -i 320x240.avi -f lavfi -i color=gray -i 320x240.avi -f lavfi -i color=white -lavfi threshold output.avi

thumbnail
=========

Select the most representative frame in a given sequence of consecutive frames.

The filter accepts the following options:

n
     Set the frames batch size to analyze; in a set of N frames, the filter will pick one of them, and then handle the next batch of N frames until the end. Default is 100.

Since the filter keeps track of the whole frames sequence, a bigger N value will result in a higher memory usage, so a high value is not recommended.

Examples
--------

  * Extract one picture each 50 frames:

          thumbnail=50

  * Complete example of a thumbnail creation with ffmpeg:

          ffmpeg -i in.avi -vf thumbnail,scale=300:200 -frames:v 1 out.png

tile
====

Tile several successive frames together.

The untile filter can do the reverse.

The filter accepts the following options:

layout
     Set the grid size (i.e. the number of lines and columns). For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils).

nb_frames
     Set the maximum number of frames to render in the given area. It must be less than or equal to WxH. The default value is 0, meaning all the area will be used.

margin
     Set the outer border margin in pixels.

padding
     Set the inner border thickness (i.e. the number of pixels between frames). For more advanced padding options (such as having different values for the edges), refer to the pad video filter.

color
     Specify the color of the unused area. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils). The default value of COLOR is "black".

overlap
     Set the number of frames to overlap when tiling several successive frames together. The value must be between 0 and NB_FRAMES - 1.

init_padding
     Set the number of frames to initially be empty before displaying first output frame. This controls how soon will one get first output frame. The value must be between 0 and NB_FRAMES - 1.

Examples
--------

  * Produce 8x8 PNG tiles of all keyframes (-skip_frame nokey) in a movie:

          ffmpeg -skip_frame nokey -i file.avi -vf 'scale=128:72,tile=8x8' -an -vsync 0 keyframes%03d.png

     The -vsync 0 is necessary to prevent ffmpeg from duplicating each output frame to accommodate the originally detected frame rate.

  * Display 5 pictures in an area of 3x2 frames, with 7 pixels between them, and 2 pixels of initial margin, using mixed flat and named options:

          tile=3x2:nb_frames=5:padding=7:margin=2

tinterlace
==========

Perform various types of temporal field interlacing.

Frames are counted starting from 1, so the first input frame is considered odd.

The filter accepts the following options:

mode
     Specify the mode of the interlacing. This option can also be specified as a value alone. See below for a list of values for this option.

     Available values are:

     merge, 0
          Move odd frames into the upper field, even into the lower field, generating a double height frame at half frame rate.

                ------> time
               Input:
               Frame 1         Frame 2         Frame 3         Frame 4

               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444

               Output:
               11111                           33333
               22222                           44444
               11111                           33333
               22222                           44444
               11111                           33333
               22222                           44444
               11111                           33333
               22222                           44444

     drop_even, 1
          Only output odd frames, even frames are dropped, generating a frame with unchanged height at half frame rate.

                ------> time
               Input:
               Frame 1         Frame 2         Frame 3         Frame 4

               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444

               Output:
               11111                           33333
               11111                           33333
               11111                           33333
               11111                           33333

     drop_odd, 2
          Only output even frames, odd frames are dropped, generating a frame with unchanged height at half frame rate.

                ------> time
               Input:
               Frame 1         Frame 2         Frame 3         Frame 4

               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444

               Output:
                               22222                           44444
                               22222                           44444
                               22222                           44444
                               22222                           44444

     pad, 3
          Expand each frame to full height, but pad alternate lines with black, generating a frame with double height at the same input frame rate.

                ------> time
               Input:
               Frame 1         Frame 2         Frame 3         Frame 4

               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444

               Output:
               11111           .....           33333           .....
               .....           22222           .....           44444
               11111           .....           33333           .....
               .....           22222           .....           44444
               11111           .....           33333           .....
               .....           22222           .....           44444
               11111           .....           33333           .....
               .....           22222           .....           44444

     interleave_top, 4
          Interleave the upper field from odd frames with the lower field from even frames, generating a frame with unchanged height at half frame rate.

                ------> time
               Input:
               Frame 1         Frame 2         Frame 3         Frame 4

               11111<-         22222           33333<-         44444
               11111           22222<-         33333           44444<-
               11111<-         22222           33333<-         44444
               11111           22222<-         33333           44444<-

               Output:
               11111                           33333
               22222                           44444
               11111                           33333
               22222                           44444

     interleave_bottom, 5
          Interleave the lower field from odd frames with the upper field from even frames, generating a frame with unchanged height at half frame rate.

                ------> time
               Input:
               Frame 1         Frame 2         Frame 3         Frame 4

               11111           22222<-         33333           44444<-
               11111<-         22222           33333<-         44444
               11111           22222<-         33333           44444<-
               11111<-         22222           33333<-         44444

               Output:
               22222                           44444
               11111                           33333
               22222                           44444
               11111                           33333

     interlacex2, 6
          Double frame rate with unchanged height. Frames are inserted each containing the second temporal field from the previous input frame and the first temporal field from the next input frame. This mode relies on the top_field_first flag. Useful for interlaced video displays with no field synchronisation.

                ------> time
               Input:
               Frame 1         Frame 2         Frame 3         Frame 4

               11111           22222           33333           44444
                11111           22222           33333           44444
               11111           22222           33333           44444
                11111           22222           33333           44444

               Output:
               11111   22222   22222   33333   33333   44444   44444
                11111   11111   22222   22222   33333   33333   44444
               11111   22222   22222   33333   33333   44444   44444
                11111   11111   22222   22222   33333   33333   44444

     mergex2, 7
          Move odd frames into the upper field, even into the lower field, generating a double height frame at same frame rate.

                ------> time
               Input:
               Frame 1         Frame 2         Frame 3         Frame 4

               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444
               11111           22222           33333           44444

               Output:
               11111           33333           33333           55555
               22222           22222           44444           44444
               11111           33333           33333           55555
               22222           22222           44444           44444
               11111           33333           33333           55555
               22222           22222           44444           44444
               11111           33333           33333           55555
               22222           22222           44444           44444

     Numeric values are deprecated but are accepted for backward compatibility reasons.

     Default mode is merge.

flags
     Specify flags influencing the filter process.

     Available value for FLAGS is:

     low_pass_filter, vlpf
          Enable linear vertical low-pass filtering in the filter. Vertical low-pass filtering is required when creating an interlaced destination from a progressive source which contains high-frequency vertical detail. Filtering will reduce interlace 'twitter' and Moire patterning.

     complex_filter, cvlpf
          Enable complex vertical low-pass filtering. This will slightly less reduce interlace 'twitter' and Moire patterning but better retain detail and subjective sharpness impression.

     bypass_il
          Bypass already interlaced frames, only adjust the frame rate.

     Vertical low-pass filtering and bypassing already interlaced frames can only be enabled for mode INTERLEAVE_TOP and INTERLEAVE_BOTTOM.

tmedian
=======

Pick median pixels from several successive input video frames.

The filter accepts the following options:

radius
     Set radius of median filter. Default is 1. Allowed range is from 1 to 127.

planes
     Set which planes to filter. Default value is 15, by which all planes are processed.

percentile
     Set median percentile. Default value is 0.5. Default value of 0.5 will pick always median values, while 0 will pick minimum values, and 1 maximum values.

tmix
====

Mix successive video frames.

A description of the accepted options follows.

frames
     The number of successive frames to mix. If unspecified, it defaults to 3.

weights
     Specify weight of each input video frame. Each weight is separated by space. If number of weights is smaller than number of FRAMES last specified weight will be used for all remaining unset weights.

scale
     Specify scale, if it is set it will be multiplied with sum of each weight multiplied with pixel values to give final destination pixel value. By default SCALE is auto scaled to sum of weights.

Examples
--------

  * Average 7 successive frames:

          tmix=frames=7:weights="1 1 1 1 1 1 1"

  * Apply simple temporal convolution:

          tmix=frames=3:weights="-1 3 -1"

  * Similar as above but only showing temporal differences:

          tmix=frames=3:weights="-1 2 -1":scale=1

tonemap
=======

Tone map colors from different dynamic ranges.

This filter expects data in single precision floating point, as it needs to operate on (and can output) out-of-range values. Another filter, such as zscale, is needed to convert the resulting frame to a usable format.

The tonemapping algorithms implemented only work on linear light, so input data should be linearized beforehand (and possibly correctly tagged).

     ffmpeg -i INPUT -vf zscale=transfer=linear,tonemap=clip,zscale=transfer=bt709,format=yuv420p OUTPUT

Options
-------

The filter accepts the following options.

tonemap
     Set the tone map algorithm to use.

     Possible values are:

     none
          Do not apply any tone map, only desaturate overbright pixels.

     clip
          Hard-clip any out-of-range values. Use it for perfect color accuracy for in-range values, while distorting out-of-range values.

     linear
          Stretch the entire reference gamut to a linear multiple of the display.

     gamma
          Fit a logarithmic transfer between the tone curves.

     reinhard
          Preserve overall image brightness with a simple curve, using nonlinear contrast, which results in flattening details and degrading color accuracy.

     hable
          Preserve both dark and bright details better than REINHARD, at the cost of slightly darkening everything. Use it when detail preservation is more important than color and brightness accuracy.

     mobius
          Smoothly map out-of-range values, while retaining contrast and colors for in-range material as much as possible. Use it when color accuracy is more important than detail preservation.

     Default is none.

param
     Tune the tone mapping algorithm.

     This affects the following algorithms:

     none
          Ignored.

     linear
          Specifies the scale factor to use while stretching. Default to 1.0.

     gamma
          Specifies the exponent of the function. Default to 1.8.

     clip
          Specify an extra linear coefficient to multiply into the signal before clipping. Default to 1.0.

     reinhard
          Specify the local contrast coefficient at the display peak. Default to 0.5, which means that in-gamut values will be about half as bright as when clipping.

     hable
          Ignored.

     mobius
          Specify the transition point from linear to mobius transform. Every value below this point is guaranteed to be mapped 1:1. The higher the value, the more accurate the result will be, at the cost of losing bright details. Default to 0.3, which due to the steep initial slope still preserves in-range colors fairly accurately.

desat
     Apply desaturation for highlights that exceed this level of brightness. The higher the parameter, the more color information will be preserved. This setting helps prevent unnaturally blown-out colors for super-highlights, by (smoothly) turning into white instead. This makes images feel more natural, at the cost of reducing information about out-of-range colors.

     The default of 2.0 is somewhat conservative and will mostly just apply to skies or directly sunlit surfaces. A setting of 0.0 disables this option.

     This option works only if the input frame has a supported color tag.

peak
     Override signal/nominal/reference peak with this value. Useful when the embedded peak information in display metadata is not reliable or when tone mapping from a lower range to a higher range.

tpad
====

Temporarily pad video frames.

The filter accepts the following options:

start
     Specify number of delay frames before input video stream. Default is 0.

stop
     Specify number of padding frames after input video stream. Set to -1 to pad indefinitely. Default is 0.

start_mode
     Set kind of frames added to beginning of stream. Can be either ADD or CLONE. With ADD frames of solid-color are added. With CLONE frames are clones of first frame. Default is ADD.

stop_mode
     Set kind of frames added to end of stream. Can be either ADD or CLONE. With ADD frames of solid-color are added. With CLONE frames are clones of last frame. Default is ADD.

start_duration, stop_duration
     Specify the duration of the start/stop delay. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax. These options override START and STOP. Default is 0.

color
     Specify the color of the padded area. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils).

     The default value of COLOR is "black".

transpose
=========

Transpose rows with columns in the input video and optionally flip it.

It accepts the following parameters:

dir
     Specify the transposition direction.

     Can assume the following values:

     0, 4, cclock_flip
          Rotate by 90 degrees counterclockwise and vertically flip (default), that is:

               L.R     L.l
               . . ->  . .
               l.r     R.r

     1, 5, clock
          Rotate by 90 degrees clockwise, that is:

               L.R     l.L
               . . ->  . .
               l.r     r.R

     2, 6, cclock
          Rotate by 90 degrees counterclockwise, that is:

               L.R     R.r
               . . ->  . .
               l.r     L.l

     3, 7, clock_flip
          Rotate by 90 degrees clockwise and vertically flip, that is:

               L.R     r.R
               . . ->  . .
               l.r     l.L

     For values between 4-7, the transposition is only done if the input video geometry is portrait and not landscape. These values are deprecated, the passthrough option should be used instead.

     Numerical values are deprecated, and should be dropped in favor of symbolic constants.

passthrough
     Do not apply the transposition if the input geometry matches the one specified by the specified value. It accepts the following values:

     none
          Always apply transposition.

     portrait
          Preserve portrait geometry (when HEIGHT >= WIDTH).

     landscape
          Preserve landscape geometry (when WIDTH >= HEIGHT).

     Default value is none.

For example to rotate by 90 degrees clockwise and preserve portrait layout:

     transpose=dir=1:passthrough=portrait

The command above can also be specified as:

     transpose=1:portrait

transpose_npp
=============

Transpose rows with columns in the input video and optionally flip it. For more in depth examples see the transpose video filter, which shares mostly the same options.

It accepts the following parameters:

dir
     Specify the transposition direction.

     Can assume the following values:

     cclock_flip
          Rotate by 90 degrees counterclockwise and vertically flip. (default)

     clock
          Rotate by 90 degrees clockwise.

     cclock
          Rotate by 90 degrees counterclockwise.

     clock_flip
          Rotate by 90 degrees clockwise and vertically flip.

passthrough
     Do not apply the transposition if the input geometry matches the one specified by the specified value. It accepts the following values:

     none
          Always apply transposition. (default)

     portrait
          Preserve portrait geometry (when HEIGHT >= WIDTH).

     landscape
          Preserve landscape geometry (when WIDTH >= HEIGHT).

trim
====

Trim the input so that the output contains one continuous subpart of the input.

It accepts the following parameters:

start
     Specify the time of the start of the kept section, i.e. the frame with the timestamp START will be the first frame in the output.

end
     Specify the time of the first frame that will be dropped, i.e. the frame immediately preceding the one with the timestamp END will be the last frame in the output.

start_pts
     This is the same as START, except this option sets the start timestamp in timebase units instead of seconds.

end_pts
     This is the same as END, except this option sets the end timestamp in timebase units instead of seconds.

duration
     The maximum duration of the output in seconds.

start_frame
     The number of the first frame that should be passed to the output.

end_frame
     The number of the first frame that should be dropped.

start, end, and duration are expressed as time duration specifications; see the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax.

Note that the first two sets of the start/end options and the duration option look at the frame timestamp, while the _frame variants simply count the frames that pass through the filter. Also note that this filter does not modify the timestamps. If you wish for the output timestamps to start at zero, insert a setpts filter after the trim filter.

If multiple start or end options are set, this filter tries to be greedy and keep all the frames that match at least one of the specified constraints. To keep only the part that matches all the constraints at once, chain multiple trim filters.

The defaults are such that all the input is kept. So it is possible to set e.g. just the end values to keep everything before the specified time.

Examples:

  * Drop everything except the second minute of input:

          ffmpeg -i INPUT -vf trim=60:120

  * Keep only the first second:

          ffmpeg -i INPUT -vf trim=duration=1

unpremultiply
=============

Apply alpha unpremultiply effect to input video stream using first plane of second stream as alpha.

Both streams must have same dimensions and same pixel format.

The filter accepts the following option:

planes
     Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

     If the format has 1 or 2 components, then luma is bit 0. If the format has 3 or 4 components: for RGB formats bit 0 is green, bit 1 is blue and bit 2 is red; for YUV formats bit 0 is luma, bit 1 is chroma-U and bit 2 is chroma-V. If present, the alpha channel is always the last bit.

inplace
     Do not require 2nd input for processing, instead use alpha plane from input stream.

unsharp
=======

Sharpen or blur the input video.

It accepts the following parameters:

luma_msize_x, lx
     Set the luma matrix horizontal size. It must be an odd integer between 3 and 23. The default value is 5.

luma_msize_y, ly
     Set the luma matrix vertical size. It must be an odd integer between 3 and 23. The default value is 5.

luma_amount, la
     Set the luma effect strength. It must be a floating point number, reasonable values lay between -1.5 and 1.5.

     Negative values will blur the input video, while positive values will sharpen it, a value of zero will disable the effect.

     Default value is 1.0.

chroma_msize_x, cx
     Set the chroma matrix horizontal size. It must be an odd integer between 3 and 23. The default value is 5.

chroma_msize_y, cy
     Set the chroma matrix vertical size. It must be an odd integer between 3 and 23. The default value is 5.

chroma_amount, ca
     Set the chroma effect strength. It must be a floating point number, reasonable values lay between -1.5 and 1.5.

     Negative values will blur the input video, while positive values will sharpen it, a value of zero will disable the effect.

     Default value is 0.0.

All parameters are optional and default to the equivalent of the string '5:5:1.0:5:5:0.0'.

Examples
--------

  * Apply strong luma sharpen effect:

          unsharp=luma_msize_x=7:luma_msize_y=7:luma_amount=2.5

  * Apply a strong blur of both luma and chroma parameters:

          unsharp=7:7:-2:7:7:-2

untile
======

Decompose a video made of tiled images into the individual images.

The frame rate of the output video is the frame rate of the input video multiplied by the number of tiles.

This filter does the reverse of tile.

The filter accepts the following options:

layout
     Set the grid size (i.e. the number of lines and columns). For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils).

Examples
--------

  * Produce a 1-second video from a still image file made of 25 frames stacked vertically, like an analogic film reel:

          ffmpeg -r 1 -i image.jpg -vf untile=1x25 movie.mkv

uspp
====

Apply ultra slow/simple postprocessing filter that compresses and decompresses the image at several (or - in the case of quality level 8 - all) shifts and average the results.

The way this differs from the behavior of spp is that uspp actually encodes & decodes each case with libavcodec Snow, whereas spp uses a simplified intra only 8x8 DCT similar to MJPEG.

The filter accepts the following options:

quality
     Set quality. This option defines the number of levels for averaging. It accepts an integer in the range 0-8. If set to 0, the filter will have no effect. A value of 8 means the higher quality. For each increment of that value the speed drops by a factor of approximately 2.  Default value is 3.

qp
     Force a constant quantization parameter. If not set, the filter will use the QP from the video stream (if available).

v360
====

Convert 360 videos between various formats.

The filter accepts the following options:

input

output
     Set format of the input/output video.

     Available formats:

     e

     equirect
          Equirectangular projection.

     c3x2

     c6x1

     c1x6
          Cubemap with 3x2/6x1/1x6 layout.

          Format specific options:

          in_pad

          out_pad
               Set padding proportion for the input/output cubemap. Values in decimals.

               Example values:

               0
                    No padding.

               0.01
                    1% of face is padding. For example, with 1920x1280 resolution face size would be 640x640 and padding would be 3 pixels from each side. (640 * 0.01 = 6 pixels)

               Default value is 0. Maximum value is 0.1.

          fin_pad

          fout_pad
               Set fixed padding for the input/output cubemap. Values in pixels.

               Default value is 0. If greater than zero it overrides other padding options.

          in_forder

          out_forder
               Set order of faces for the input/output cubemap. Choose one direction for each position.

               Designation of directions:

               r
                    right

               l
                    left

               u
                    up

               d
                    down

               f
                    forward

               b
                    back

               Default value is rludfb.

          in_frot

          out_frot
               Set rotation of faces for the input/output cubemap. Choose one angle for each position.

               Designation of angles:

               0
                    0 degrees clockwise

               1
                    90 degrees clockwise

               2
                    180 degrees clockwise

               3
                    270 degrees clockwise

               Default value is 000000.

     eac
          Equi-Angular Cubemap.

     flat

     gnomonic

     rectilinear
          Regular video.

          Format specific options:

          h_fov

          v_fov

          d_fov
               Set output horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

          ih_fov

          iv_fov

          id_fov
               Set input horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

     dfisheye
          Dual fisheye.

          Format specific options:

          h_fov

          v_fov

          d_fov
               Set output horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

          ih_fov

          iv_fov

          id_fov
               Set input horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

     barrel

     fb

     barrelsplit
          Facebook's 360 formats.

     sg
          Stereographic format.

          Format specific options:

          h_fov

          v_fov

          d_fov
               Set output horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

          ih_fov

          iv_fov

          id_fov
               Set input horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

     mercator
          Mercator format.

     ball
          Ball format, gives significant distortion toward the back.

     hammer
          Hammer-Aitoff map projection format.

     sinusoidal
          Sinusoidal map projection format.

     fisheye
          Fisheye projection.

          Format specific options:

          h_fov

          v_fov

          d_fov
               Set output horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

          ih_fov

          iv_fov

          id_fov
               Set input horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

     pannini
          Pannini projection.

          Format specific options:

          h_fov
               Set output pannini parameter.

          ih_fov
               Set input pannini parameter.

     cylindrical
          Cylindrical projection.

          Format specific options:

          h_fov

          v_fov

          d_fov
               Set output horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

          ih_fov

          iv_fov

          id_fov
               Set input horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

     perspective
          Perspective projection. (output only)

          Format specific options:

          v_fov
               Set perspective parameter.

     tetrahedron
          Tetrahedron projection.

     tsp
          Truncated square pyramid projection.

     he

     hequirect
          Half equirectangular projection.

     equisolid
          Equisolid format.

          Format specific options:

          h_fov

          v_fov

          d_fov
               Set output horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

          ih_fov

          iv_fov

          id_fov
               Set input horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

     og
          Orthographic format.

          Format specific options:

          h_fov

          v_fov

          d_fov
               Set output horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

          ih_fov

          iv_fov

          id_fov
               Set input horizontal/vertical/diagonal field of view. Values in degrees.

               If diagonal field of view is set it overrides horizontal and vertical field of view.

     octahedron
          Octahedron projection.

interp
     Set interpolation method.

     Note: more complex interpolation methods require much more memory to run.

     Available methods:

     near

     nearest
          Nearest neighbour.

     line

     linear
          Bilinear interpolation.

     lagrange9
          Lagrange9 interpolation.

     cube

     cubic
          Bicubic interpolation.

     lanc

     lanczos
          Lanczos interpolation.

     sp16

     spline16
          Spline16 interpolation.

     gauss

     gaussian
          Gaussian interpolation.

     mitchell
          Mitchell interpolation.

     Default value is line.

w

h
     Set the output video resolution.

     Default resolution depends on formats.

in_stereo

out_stereo
     Set the input/output stereo format.

     2d
          2D mono

     sbs
          Side by side

     tb
          Top bottom

     Default value is 2d for input and output format.

yaw

pitch

roll
     Set rotation for the output video. Values in degrees.

rorder
     Set rotation order for the output video. Choose one item for each position.

     y, Y
          yaw

     p, P
          pitch

     r, R
          roll

     Default value is ypr.

h_flip

v_flip

d_flip
     Flip the output video horizontally(swaps left-right)/vertically(swaps up-down)/in-depth(swaps back-forward). Boolean values.

ih_flip

iv_flip
     Set if input video is flipped horizontally/vertically. Boolean values.

in_trans
     Set if input video is transposed. Boolean value, by default disabled.

out_trans
     Set if output video needs to be transposed. Boolean value, by default disabled.

alpha_mask
     Build mask in alpha plane for all unmapped pixels by marking them fully transparent. Boolean value, by default disabled.

Examples
--------

  * Convert equirectangular video to cubemap with 3x2 layout and 1% padding using bicubic interpolation:

          ffmpeg -i input.mkv -vf v360=e:c3x2:cubic:out_pad=0.01 output.mkv

  * Extract back view of Equi-Angular Cubemap:

          ffmpeg -i input.mkv -vf v360=eac:flat:yaw=180 output.mkv

  * Convert transposed and horizontally flipped Equi-Angular Cubemap in side-by-side stereo format to equirectangular top-bottom stereo format:

          v360=eac:equirect:in_stereo=sbs:in_trans=1:ih_flip=1:out_stereo=tb

Commands
--------

This filter supports subset of above options as commands.

vaguedenoiser
=============

Apply a wavelet based denoiser.

It transforms each frame from the video input into the wavelet domain, using Cohen-Daubechies-Feauveau 9/7. Then it applies some filtering to the obtained coefficients. It does an inverse wavelet transform after. Due to wavelet properties, it should give a nice smoothed result, and reduced noise, without blurring picture features.

This filter accepts the following options:

threshold
     The filtering strength. The higher, the more filtered the video will be. Hard thresholding can use a higher threshold than soft thresholding before the video looks overfiltered. Default value is 2.

method
     The filtering method the filter will use.

     It accepts the following values:

     hard
          All values under the threshold will be zeroed.

     soft
          All values under the threshold will be zeroed. All values above will be reduced by the threshold.

     garrote
          Scales or nullifies coefficients - intermediary between (more) soft and (less) hard thresholding.

     Default is garrote.

nsteps
     Number of times, the wavelet will decompose the picture. Picture can't be decomposed beyond a particular point (typically, 8 for a 640x480 frame - as 2^9 = 512 > 480). Valid values are integers between 1 and 32. Default value is 6.

percent
     Partial of full denoising (limited coefficients shrinking), from 0 to 100. Default value is 85.

planes
     A list of the planes to process. By default all planes are processed.

type
     The threshold type the filter will use.

     It accepts the following values:

     universal
          Threshold used is same for all decompositions.

     bayes
          Threshold used depends also on each decomposition coefficients.

     Default is universal.

vectorscope
===========

Display 2 color component values in the two dimensional graph (which is called a vectorscope).

This filter accepts the following options:

mode, m
     Set vectorscope mode.

     It accepts the following values:

     gray

     tint
          Gray values are displayed on graph, higher brightness means more pixels have same component color value on location in graph. This is the default mode.

     color
          Gray values are displayed on graph. Surrounding pixels values which are not present in video frame are drawn in gradient of 2 color components which are set by option x and y. The 3rd color component is static.

     color2
          Actual color components values present in video frame are displayed on graph.

     color3
          Similar as color2 but higher frequency of same values x and y on graph increases value of another color component, which is luminance by default values of x and y.

     color4
          Actual colors present in video frame are displayed on graph. If two different colors map to same position on graph then color with higher value of component not present in graph is picked.

     color5
          Gray values are displayed on graph. Similar to color but with 3rd color component picked from radial gradient.

x
     Set which color component will be represented on X-axis. Default is 1.

y
     Set which color component will be represented on Y-axis. Default is 2.

intensity, i
     Set intensity, used by modes: gray, color, color3 and color5 for increasing brightness of color component which represents frequency of (X, Y) location in graph.

envelope, e

     none
          No envelope, this is default.

     instant
          Instant envelope, even darkest single pixel will be clearly highlighted.

     peak
          Hold maximum and minimum values presented in graph over time. This way you can still spot out of range values without constantly looking at vectorscope.

     peak+instant
          Peak and instant envelope combined together.

graticule, g
     Set what kind of graticule to draw.

     none

     green

     color

     invert

opacity, o
     Set graticule opacity.

flags, f
     Set graticule flags.

     white
          Draw graticule for white point.

     black
          Draw graticule for black point.

     name
          Draw color points short names.

bgopacity, b
     Set background opacity.

lthreshold, l
     Set low threshold for color component not represented on X or Y axis. Values lower than this value will be ignored. Default is 0. Note this value is multiplied with actual max possible value one pixel component can have. So for 8-bit input and low threshold value of 0.1 actual threshold is 0.1 * 255 = 25.

hthreshold, h
     Set high threshold for color component not represented on X or Y axis. Values higher than this value will be ignored. Default is 1. Note this value is multiplied with actual max possible value one pixel component can have. So for 8-bit input and high threshold value of 0.9 actual threshold is 0.9 * 255 = 230.

colorspace, c
     Set what kind of colorspace to use when drawing graticule.

     auto

     601

     709

     Default is auto.

tint0, t0

tint1, t1
     Set color tint for gray/tint vectorscope mode. By default both options are zero. This means no tint, and output will remain gray.

vidstabdetect
=============

Analyze video stabilization/deshaking. Perform pass 1 of 2, see vidstabtransform for pass 2.

This filter generates a file with relative translation and rotation transform information about subsequent frames, which is then used by the vidstabtransform filter.

To enable compilation of this filter you need to configure FFmpeg with --enable-libvidstab.

This filter accepts the following options:

result
     Set the path to the file used to write the transforms information. Default value is transforms.trf.

shakiness
     Set how shaky the video is and how quick the camera is. It accepts an integer in the range 1-10, a value of 1 means little shakiness, a value of 10 means strong shakiness. Default value is 5.

accuracy
     Set the accuracy of the detection process. It must be a value in the range 1-15. A value of 1 means low accuracy, a value of 15 means high accuracy. Default value is 15.

stepsize
     Set stepsize of the search process. The region around minimum is scanned with 1 pixel resolution. Default value is 6.

mincontrast
     Set minimum contrast. Below this value a local measurement field is discarded. Must be a floating point value in the range 0-1. Default value is 0.3.

tripod
     Set reference frame number for tripod mode.

     If enabled, the motion of the frames is compared to a reference frame in the filtered stream, identified by the specified number. The idea is to compensate all movements in a more-or-less static scene and keep the camera view absolutely still.

     If set to 0, it is disabled. The frames are counted starting from 1.

show
     Show fields and transforms in the resulting frames. It accepts an integer in the range 0-2. Default value is 0, which disables any visualization.

Examples
--------

  * Use default values:

          vidstabdetect

  * Analyze strongly shaky movie and put the results in file mytransforms.trf:

          vidstabdetect=shakiness=10:accuracy=15:result="mytransforms.trf"

  * Visualize the result of internal transformations in the resulting video:

          vidstabdetect=show=1

  * Analyze a video with medium shakiness using ffmpeg:

          ffmpeg -i input -vf vidstabdetect=shakiness=5:show=1 dummy.avi

vidstabtransform
================

Video stabilization/deshaking: pass 2 of 2, see vidstabdetect for pass 1.

Read a file with transform information for each frame and apply/compensate them. Together with the vidstabdetect filter this can be used to deshake videos. See also http://public.hronopik.de/vid.stab. It is important to also use the unsharp filter, see below.

To enable compilation of this filter you need to configure FFmpeg with --enable-libvidstab.

Options
-------

input
     Set path to the file used to read the transforms. Default value is transforms.trf.

smoothing
     Set the number of frames (value*2 + 1) used for lowpass filtering the camera movements. Default value is 10.

     For example a number of 10 means that 21 frames are used (10 in the past and 10 in the future) to smoothen the motion in the video. A larger value leads to a smoother video, but limits the acceleration of the camera (pan/tilt movements). 0 is a special case where a static camera is simulated.

optalgo
     Set the camera path optimization algorithm.

     Accepted values are:

     gauss
          gaussian kernel low-pass filter on camera motion (default)

     avg
          averaging on transformations

maxshift
     Set maximal number of pixels to translate frames. Default value is -1, meaning no limit.

maxangle
     Set maximal angle in radians (degree*PI/180) to rotate frames. Default value is -1, meaning no limit.

crop
     Specify how to deal with borders that may be visible due to movement compensation.

     Available values are:

     keep
          keep image information from previous frame (default)

     black
          fill the border black

invert
     Invert transforms if set to 1. Default value is 0.

relative
     Consider transforms as relative to previous frame if set to 1, absolute if set to 0. Default value is 0.

zoom
     Set percentage to zoom. A positive value will result in a zoom-in effect, a negative value in a zoom-out effect. Default value is 0 (no zoom).

optzoom
     Set optimal zooming to avoid borders.

     Accepted values are:

     0
          disabled

     1
          optimal static zoom value is determined (only very strong movements will lead to visible borders) (default)

     2
          optimal adaptive zoom value is determined (no borders will be visible), see zoomspeed

     Note that the value given at zoom is added to the one calculated here.

zoomspeed
     Set percent to zoom maximally each frame (enabled when optzoom is set to 2). Range is from 0 to 5, default value is 0.25.

interpol
     Specify type of interpolation.

     Available values are:

     no
          no interpolation

     linear
          linear only horizontal

     bilinear
          linear in both directions (default)

     bicubic
          cubic in both directions (slow)

tripod
     Enable virtual tripod mode if set to 1, which is equivalent to relative=0:smoothing=0. Default value is 0.

     Use also tripod option of vidstabdetect.

debug
     Increase log verbosity if set to 1. Also the detected global motions are written to the temporary file global_motions.trf. Default value is 0.

Examples
--------

  * Use ffmpeg for a typical stabilization with default values:

          ffmpeg -i inp.mpeg -vf vidstabtransform,unsharp=5:5:0.8:3:3:0.4 inp_stabilized.mpeg

     Note the use of the unsharp filter which is always recommended.

  * Zoom in a bit more and load transform data from a given file:

          vidstabtransform=zoom=5:input="mytransforms.trf"

  * Smoothen the video even more:

          vidstabtransform=smoothing=30

vflip
=====

Flip the input video vertically.

For example, to vertically flip a video with ffmpeg:

     ffmpeg -i in.avi -vf "vflip" out.avi

vfrdet
======

Detect variable frame rate video.

This filter tries to detect if the input is variable or constant frame rate.

At end it will output number of frames detected as having variable delta pts, and ones with constant delta pts. If there was frames with variable delta, than it will also show min, max and average delta encountered.

vibrance
========

Boost or alter saturation.

The filter accepts the following options:

intensity
     Set strength of boost if positive value or strength of alter if negative value. Default is 0. Allowed range is from -2 to 2.

rbal
     Set the red balance. Default is 1. Allowed range is from -10 to 10.

gbal
     Set the green balance. Default is 1. Allowed range is from -10 to 10.

bbal
     Set the blue balance. Default is 1. Allowed range is from -10 to 10.

rlum
     Set the red luma coefficient.

glum
     Set the green luma coefficient.

blum
     Set the blue luma coefficient.

alternate
     If intensity is negative and this is set to 1, colors will change, otherwise colors will be less saturated, more towards gray.

Commands
--------

This filter supports the all above options as commands.

vignette
========

Make or reverse a natural vignetting effect.

The filter accepts the following options:

angle, a
     Set lens angle expression as a number of radians.

     The value is clipped in the [0,PI/2] range.

     Default value: "PI/5"

x0

y0
     Set center coordinates expressions. Respectively "w/2" and "h/2" by default.

mode
     Set forward/backward mode.

     Available modes are:

     forward
          The larger the distance from the central point, the darker the image becomes.

     backward
          The larger the distance from the central point, the brighter the image becomes. This can be used to reverse a vignette effect, though there is no automatic detection to extract the lens angle and other settings (yet). It can also be used to create a burning effect.

     Default value is forward.

eval
     Set evaluation mode for the expressions (angle, x0, y0).

     It accepts the following values:

     init
          Evaluate expressions only once during the filter initialization.

     frame
          Evaluate expressions for each incoming frame. This is way slower than the init mode since it requires all the scalers to be re-computed, but it allows advanced dynamic expressions.

     Default value is init.

dither
     Set dithering to reduce the circular banding effects. Default is 1 (enabled).

aspect
     Set vignette aspect. This setting allows one to adjust the shape of the vignette. Setting this value to the SAR of the input will make a rectangular vignetting following the dimensions of the video.

     Default is 1/1.

Expressions
-----------

The alpha, x0 and y0 expressions can contain the following parameters.

w

h
     input width and height

n
     the number of input frame, starting from 0

pts
     the PTS (Presentation TimeStamp) time of the filtered video frame, expressed in TB units, NAN if undefined

r
     frame rate of the input video, NAN if the input frame rate is unknown

t
     the PTS (Presentation TimeStamp) of the filtered video frame, expressed in seconds, NAN if undefined

tb
     time base of the input video

Examples
--------

  * Apply simple strong vignetting effect:

          vignette=PI/4

  * Make a flickering vignetting:

          vignette='PI/4+random(1)*PI/50':eval=frame

vmafmotion
==========

Obtain the average VMAF motion score of a video. It is one of the component metrics of VMAF.

The obtained average motion score is printed through the logging system.

The filter accepts the following options:

stats_file
     If specified, the filter will use the named file to save the motion score of each frame with respect to the previous frame. When filename equals "-" the data is sent to standard output.

Example:

     ffmpeg -i ref.mpg -vf vmafmotion -f null -

vstack
======

Stack input videos vertically.

All streams must be of same pixel format and of same width.

Note that this filter is faster than using overlay and pad filter to create same output.

The filter accepts the following options:

inputs
     Set number of input streams. Default is 2.

shortest
     If set to 1, force the output to terminate when the shortest input terminates. Default value is 0.

w3fdif
======

Deinterlace the input video ("w3fdif" stands for "Weston 3 Field Deinterlacing Filter").

Based on the process described by Martin Weston for BBC R&D, and implemented based on the de-interlace algorithm written by Jim Easterbrook for BBC R&D, the Weston 3 field deinterlacing filter uses filter coefficients calculated by BBC R&D.

This filter uses field-dominance information in frame to decide which of each pair of fields to place first in the output. If it gets it wrong use setfield filter before w3fdif filter.

There are two sets of filter coefficients, so called "simple" and "complex". Which set of filter coefficients is used can be set by passing an optional parameter:

filter
     Set the interlacing filter coefficients. Accepts one of the following values:

     simple
          Simple filter coefficient set.

     complex
          More-complex filter coefficient set.

     Default value is complex.

deint
     Specify which frames to deinterlace. Accepts one of the following values:

     all
          Deinterlace all frames,

     interlaced
          Only deinterlace frames marked as interlaced.

     Default value is all.

waveform
========

Video waveform monitor.

The waveform monitor plots color component intensity. By default luminance only. Each column of the waveform corresponds to a column of pixels in the source video.

It accepts the following options:

mode, m
     Can be either row, or column. Default is column. In row mode, the graph on the left side represents color component value 0 and the right side represents value = 255. In column mode, the top side represents color component value = 0 and bottom side represents value = 255.

intensity, i
     Set intensity. Smaller values are useful to find out how many values of the same luminance are distributed across input rows/columns. Default value is 0.04. Allowed range is [0, 1].

mirror, r
     Set mirroring mode. 0 means unmirrored, 1 means mirrored. In mirrored mode, higher values will be represented on the left side for row mode and at the top for column mode. Default is 1 (mirrored).

display, d
     Set display mode. It accepts the following values:

     overlay
          Presents information identical to that in the parade, except that the graphs representing color components are superimposed directly over one another.

          This display mode makes it easier to spot relative differences or similarities in overlapping areas of the color components that are supposed to be identical, such as neutral whites, grays, or blacks.

     stack
          Display separate graph for the color components side by side in row mode or one below the other in column mode.

     parade
          Display separate graph for the color components side by side in column mode or one below the other in row mode.

          Using this display mode makes it easy to spot color casts in the highlights and shadows of an image, by comparing the contours of the top and the bottom graphs of each waveform. Since whites, grays, and blacks are characterized by exactly equal amounts of red, green, and blue, neutral areas of the picture should display three waveforms of roughly equal width/height. If not, the correction is easy to perform by making level adjustments the three waveforms.

     Default is stack.

components, c
     Set which color components to display. Default is 1, which means only luminance or red color component if input is in RGB colorspace. If is set for example to 7 it will display all 3 (if) available color components.

envelope, e

     none
          No envelope, this is default.

     instant
          Instant envelope, minimum and maximum values presented in graph will be easily visible even with small step value.

     peak
          Hold minimum and maximum values presented in graph across time. This way you can still spot out of range values without constantly looking at waveforms.

     peak+instant
          Peak and instant envelope combined together.

filter, f

     lowpass
          No filtering, this is default.

     flat
          Luma and chroma combined together.

     aflat
          Similar as above, but shows difference between blue and red chroma.

     xflat
          Similar as above, but use different colors.

     yflat
          Similar as above, but again with different colors.

     chroma
          Displays only chroma.

     color
          Displays actual color value on waveform.

     acolor
          Similar as above, but with luma showing frequency of chroma values.

graticule, g
     Set which graticule to display.

     none
          Do not display graticule.

     green
          Display green graticule showing legal broadcast ranges.

     orange
          Display orange graticule showing legal broadcast ranges.

     invert
          Display invert graticule showing legal broadcast ranges.

opacity, o
     Set graticule opacity.

flags, fl
     Set graticule flags.

     numbers
          Draw numbers above lines. By default enabled.

     dots
          Draw dots instead of lines.

scale, s
     Set scale used for displaying graticule.

     digital

     millivolts

     ire

     Default is digital.

bgopacity, b
     Set background opacity.

tint0, t0

tint1, t1
     Set tint for output. Only used with lowpass filter and when display is not overlay and input pixel formats are not RGB.

weave, doubleweave
==================

The weave takes a field-based video input and join each two sequential fields into single frame, producing a new double height clip with half the frame rate and half the frame count.

The doubleweave works same as weave but without halving frame rate and frame count.

It accepts the following option:

first_field
     Set first field. Available values are:

     top, t
          Set the frame as top-field-first.

     bottom, b
          Set the frame as bottom-field-first.

Examples
--------

  * Interlace video using select and separatefields filter:

          separatefields,select=eq(mod(n,4),0)+eq(mod(n,4),3),weave

xbr
===

Apply the xBR high-quality magnification filter which is designed for pixel art. It follows a set of edge-detection rules, see https://forums.libretro.com/t/xbr-algorithm-tutorial/123.

It accepts the following option:

n
     Set the scaling dimension: 2 for 2xBR, 3 for 3xBR and 4 for 4xBR. Default is 3.

xfade
=====

Apply cross fade from one input video stream to another input video stream. The cross fade is applied for specified duration.

The filter accepts the following options:

transition
     Set one of available transition effects:

     custom

     fade

     wipeleft

     wiperight

     wipeup

     wipedown

     slideleft

     slideright

     slideup

     slidedown

     circlecrop

     rectcrop

     distance

     fadeblack

     fadewhite

     radial

     smoothleft

     smoothright

     smoothup

     smoothdown

     circleopen

     circleclose

     vertopen

     vertclose

     horzopen

     horzclose

     dissolve

     pixelize

     diagtl

     diagtr

     diagbl

     diagbr

     hlslice

     hrslice

     vuslice

     vdslice

     hblur

     fadegrays

     wipetl

     wipetr

     wipebl

     wipebr

     squeezeh

     squeezev

     Default transition effect is fade.

duration
     Set cross fade duration in seconds. Default duration is 1 second.

offset
     Set cross fade start relative to first input stream in seconds. Default offset is 0.

expr
     Set expression for custom transition effect.

     The expressions can use the following variables and functions:

     X

     Y
          The coordinates of the current sample.

     W

     H
          The width and height of the image.

     P
          Progress of transition effect.

     PLANE
          Currently processed plane.

     A
          Return value of first input at current location and plane.

     B
          Return value of second input at current location and plane.

     a0(x, y)

     a1(x, y)

     a2(x, y)

     a3(x, y)
          Return the value of the pixel at location (X,Y) of the first/second/third/fourth component of first input.

     b0(x, y)

     b1(x, y)

     b2(x, y)

     b3(x, y)
          Return the value of the pixel at location (X,Y) of the first/second/third/fourth component of second input.

Examples
--------

  * Cross fade from one input video to another input video, with fade transition and duration of transition of 2 seconds starting at offset of 5 seconds:

          ffmpeg -i first.mp4 -i second.mp4 -filter_complex xfade=transition=fade:duration=2:offset=5 output.mp4

xmedian
=======

Pick median pixels from several input videos.

The filter accepts the following options:

inputs
     Set number of inputs. Default is 3. Allowed range is from 3 to 255. If number of inputs is even number, than result will be mean value between two median values.

planes
     Set which planes to filter. Default value is 15, by which all planes are processed.

percentile
     Set median percentile. Default value is 0.5. Default value of 0.5 will pick always median values, while 0 will pick minimum values, and 1 maximum values.

xstack
======

Stack video inputs into custom layout.

All streams must be of same pixel format.

The filter accepts the following options:

inputs
     Set number of input streams. Default is 2.

layout
     Specify layout of inputs. This option requires the desired layout configuration to be explicitly set by the user. This sets position of each video input in output. Each input is separated by '|'. The first number represents the column, and the second number represents the row. Numbers start at 0 and are separated by '_'. Optionally one can use wX and hX, where X is video input from which to take width or height. Multiple values can be used when separated by '+'. In such case values are summed together.

     Note that if inputs are of different sizes gaps may appear, as not all of the output video frame will be filled. Similarly, videos can overlap each other if their position doesn't leave enough space for the full frame of adjoining videos.

     For 2 inputs, a default layout of 0_0|w0_0 is set. In all other cases, a layout must be set by the user.

shortest
     If set to 1, force the output to terminate when the shortest input terminates. Default value is 0.

fill
     If set to valid color, all unused pixels will be filled with that color. By default fill is set to none, so it is disabled.

Examples
--------

  * Display 4 inputs into 2x2 grid.

     Layout:

          input1(0, 0)  | input3(w0, 0)
          input2(0, h0) | input4(w0, h0)

          xstack=inputs=4:layout=0_0|0_h0|w0_0|w0_h0

     Note that if inputs are of different sizes, gaps or overlaps may occur.

  * Display 4 inputs into 1x4 grid.

     Layout:

          input1(0, 0)
          input2(0, h0)
          input3(0, h0+h1)
          input4(0, h0+h1+h2)

          xstack=inputs=4:layout=0_0|0_h0|0_h0+h1|0_h0+h1+h2

     Note that if inputs are of different widths, unused space will appear.

  * Display 9 inputs into 3x3 grid.

     Layout:

          input1(0, 0)       | input4(w0, 0)      | input7(w0+w3, 0)
          input2(0, h0)      | input5(w0, h0)     | input8(w0+w3, h0)
          input3(0, h0+h1)   | input6(w0, h0+h1)  | input9(w0+w3, h0+h1)

          xstack=inputs=9:layout=0_0|0_h0|0_h0+h1|w0_0|w0_h0|w0_h0+h1|w0+w3_0|w0+w3_h0|w0+w3_h0+h1

     Note that if inputs are of different sizes, gaps or overlaps may occur.

  * Display 16 inputs into 4x4 grid.

     Layout:

          input1(0, 0)       | input5(w0, 0)       | input9 (w0+w4, 0)       | input13(w0+w4+w8, 0)
          input2(0, h0)      | input6(w0, h0)      | input10(w0+w4, h0)      | input14(w0+w4+w8, h0)
          input3(0, h0+h1)   | input7(w0, h0+h1)   | input11(w0+w4, h0+h1)   | input15(w0+w4+w8, h0+h1)
          input4(0, h0+h1+h2)| input8(w0, h0+h1+h2)| input12(w0+w4, h0+h1+h2)| input16(w0+w4+w8, h0+h1+h2)

          xstack=inputs=16:layout=0_0|0_h0|0_h0+h1|0_h0+h1+h2|w0_0|w0_h0|w0_h0+h1|w0_h0+h1+h2|w0+w4_0|
          w0+w4_h0|w0+w4_h0+h1|w0+w4_h0+h1+h2|w0+w4+w8_0|w0+w4+w8_h0|w0+w4+w8_h0+h1|w0+w4+w8_h0+h1+h2

     Note that if inputs are of different sizes, gaps or overlaps may occur.

yadif
=====

Deinterlace the input video ("yadif" means "yet another deinterlacing filter").

It accepts the following parameters:

mode
     The interlacing mode to adopt. It accepts one of the following values:

     0, send_frame
          Output one frame for each frame.

     1, send_field
          Output one frame for each field.

     2, send_frame_nospatial
          Like send_frame, but it skips the spatial interlacing check.

     3, send_field_nospatial
          Like send_field, but it skips the spatial interlacing check.

     The default value is send_frame.

parity
     The picture field parity assumed for the input interlaced video. It accepts one of the following values:

     0, tff
          Assume the top field is first.

     1, bff
          Assume the bottom field is first.

     -1, auto
          Enable automatic detection of field parity.

     The default value is auto. If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
     Specify which frames to deinterlace. Accepts one of the following values:

     0, all
          Deinterlace all frames.

     1, interlaced
          Only deinterlace frames marked as interlaced.

     The default value is all.

yadif_cuda
==========

Deinterlace the input video using the yadif algorithm, but implemented in CUDA so that it can work as part of a GPU accelerated pipeline with nvdec and/or nvenc.

It accepts the following parameters:

mode
     The interlacing mode to adopt. It accepts one of the following values:

     0, send_frame
          Output one frame for each frame.

     1, send_field
          Output one frame for each field.

     2, send_frame_nospatial
          Like send_frame, but it skips the spatial interlacing check.

     3, send_field_nospatial
          Like send_field, but it skips the spatial interlacing check.

     The default value is send_frame.

parity
     The picture field parity assumed for the input interlaced video. It accepts one of the following values:

     0, tff
          Assume the top field is first.

     1, bff
          Assume the bottom field is first.

     -1, auto
          Enable automatic detection of field parity.

     The default value is auto. If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
     Specify which frames to deinterlace. Accepts one of the following values:

     0, all
          Deinterlace all frames.

     1, interlaced
          Only deinterlace frames marked as interlaced.

     The default value is all.

yaepblur
========

Apply blur filter while preserving edges ("yaepblur" means "yet another edge preserving blur filter"). The algorithm is described in "J. S. Lee, Digital image enhancement and noise filtering by use of local statistics, IEEE Trans. Pattern Anal. Mach. Intell. PAMI-2, 1980."

It accepts the following parameters:

radius, r
     Set the window radius. Default value is 3.

planes, p
     Set which planes to filter. Default is only the first plane.

sigma, s
     Set blur strength. Default value is 128.

Commands
--------

This filter supports same commands as options.

zoompan
=======

Apply Zoom & Pan effect.

This filter accepts the following options:

zoom, z
     Set the zoom expression. Range is 1-10. Default is 1.

x

y
     Set the x and y expression. Default is 0.

d
     Set the duration expression in number of frames. This sets for how many number of frames effect will last for single input image.

s
     Set the output image size, default is 'hd720'.

fps
     Set the output frame rate, default is '25'.

Each expression can contain the following constants:

in_w, iw
     Input width.

in_h, ih
     Input height.

out_w, ow
     Output width.

out_h, oh
     Output height.

in
     Input frame count.

on
     Output frame count.

in_time, it
     The input timestamp expressed in seconds. It's NAN if the input timestamp is unknown.

out_time, time, ot
     The output timestamp expressed in seconds.

x

y
     Last calculated 'x' and 'y' position from 'x' and 'y' expression for current input frame.

px

py
     'x' and 'y' of last output frame of previous input frame or 0 when there was not yet such frame (first input frame).

zoom
     Last calculated zoom from 'z' expression for current input frame.

pzoom
     Last calculated zoom of last output frame of previous input frame.

duration
     Number of output frames for current input frame. Calculated from 'd' expression for each input frame.

pduration
     number of output frames created for previous input frame

a
     Rational number: input width / input height

sar
     sample aspect ratio

dar
     display aspect ratio

Examples
--------

  * Zoom in up to 1.5x and pan at same time to some spot near center of picture:

          zoompan=z='min(zoom+0.0015,1.5)':d=700:x='if(gte(zoom,1.5),x,x+1/a)':y='if(gte(zoom,1.5),y,y+1)':s=640x360

  * Zoom in up to 1.5x and pan always at center of picture:

          zoompan=z='min(zoom+0.0015,1.5)':d=700:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)'

  * Same as above but without pausing:

          zoompan=z='min(max(zoom,pzoom)+0.0015,1.5)':d=1:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)'

  * Zoom in 2x into center of picture only for the first second of the input video:

          zoompan=z='if(between(in_time,0,1),2,1)':d=1:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)'

zscale
======

Scale (resize) the input video, using the z.lib library: https://github.com/sekrit-twc/zimg. To enable compilation of this filter, you need to configure FFmpeg with --enable-libzimg.

The zscale filter forces the output display aspect ratio to be the same as the input, by changing the output sample aspect ratio.

If the input image format is different from the format requested by the next filter, the zscale filter will convert the input to the requested format.

Options
-------

The filter accepts the following options.

width, w

height, h
     Set the output video dimension expression. Default value is the input dimension.

     If the WIDTH or W value is 0, the input width is used for the output. If the HEIGHT or H value is 0, the input height is used for the output.

     If one and only one of the values is -n with n >= 1, the zscale filter will use a value that maintains the aspect ratio of the input image, calculated from the other specified dimension. After that it will, however, make sure that the calculated dimension is divisible by n and adjust the value if necessary.

     If both values are -n with n >= 1, the behavior will be identical to both values being set to 0 as previously detailed.

     See below for the list of accepted constants for use in the dimension expression.

size, s
     Set the video size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils).

dither, d
     Set the dither type.

     Possible values are:

     none

     ordered

     random

     error_diffusion

     Default is none.

filter, f
     Set the resize filter type.

     Possible values are:

     point

     bilinear

     bicubic

     spline16

     spline36

     lanczos

     Default is bilinear.

range, r
     Set the color range.

     Possible values are:

     input

     limited

     full

     Default is same as input.

primaries, p
     Set the color primaries.

     Possible values are:

     input

     709

     unspecified

     170m

     240m

     2020

     Default is same as input.

transfer, t
     Set the transfer characteristics.

     Possible values are:

     input

     709

     unspecified

     601

     linear

     2020_10

     2020_12

     smpte2084

     iec61966-2-1

     arib-std-b67

     Default is same as input.

matrix, m
     Set the colorspace matrix.

     Possible value are:

     input

     709

     unspecified

     470bg

     170m

     2020_ncl

     2020_cl

     Default is same as input.

rangein, rin
     Set the input color range.

     Possible values are:

     input

     limited

     full

     Default is same as input.

primariesin, pin
     Set the input color primaries.

     Possible values are:

     input

     709

     unspecified

     170m

     240m

     2020

     Default is same as input.

transferin, tin
     Set the input transfer characteristics.

     Possible values are:

     input

     709

     unspecified

     601

     linear

     2020_10

     2020_12

     Default is same as input.

matrixin, min
     Set the input colorspace matrix.

     Possible value are:

     input

     709

     unspecified

     470bg

     170m

     2020_ncl

     2020_cl

chromal, c
     Set the output chroma location.

     Possible values are:

     input

     left

     center

     topleft

     top

     bottomleft

     bottom

chromalin, cin
     Set the input chroma location.

     Possible values are:

     input

     left

     center

     topleft

     top

     bottomleft

     bottom

npl
     Set the nominal peak luminance.

The values of the w and h options are expressions containing the following constants:

in_w

in_h
     The input width and height

iw

ih
     These are the same as IN_W and IN_H.

out_w

out_h
     The output (scaled) width and height

ow

oh
     These are the same as OUT_W and OUT_H

a
     The same as IW / IH

sar
     input sample aspect ratio

dar
     The input display aspect ratio. Calculated from (iw / ih) * sar.

hsub

vsub
     horizontal and vertical input chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

ohsub

ovsub
     horizontal and vertical output chroma subsample values. For example for the pixel format "yuv422p" HSUB is 2 and VSUB is 1.

Commands
--------

This filter supports the following commands:

width, w

height, h
     Set the output video dimension expression. The command accepts the same syntax of the corresponding option.

     If the specified expression is not valid, it is kept at its current value.

OpenCL Video Filters
********************

Below is a description of the currently available OpenCL video filters.

To enable compilation of these filters you need to configure FFmpeg with --enable-opencl.

Running OpenCL filters requires you to initialize a hardware device and to pass that device to all filters in any filter graph.

-init_hw_device opencl[=NAME][:DEVICE[,KEY=VALUE...]]
     Initialise a new hardware device of type OPENCL called NAME, using the given device parameters.

-filter_hw_device NAME
     Pass the hardware device called NAME to all filters in any filter graph.

For more detailed information see https://www.ffmpeg.org/ffmpeg.html#Advanced-Video-options

  * Example of choosing the first device on the second platform and running avgblur_opencl filter with default parameters on it.

          -init_hw_device opencl=gpu:1.0 -filter_hw_device gpu -i INPUT -vf "hwupload, avgblur_opencl, hwdownload" OUTPUT

Since OpenCL filters are not able to access frame data in normal memory, all frame data needs to be uploaded(hwupload) to hardware surfaces connected to the appropriate device before being used and then downloaded(hwdownload) back to normal memory. Note that hwupload will upload to a surface with the same layout as the software frame, so it may be necessary to add a format filter immediately before to get the input into the right format and hwdownload does not support all formats on the output - it may be necessary to insert an additional format filter immediately following in the graph to get the output in a supported format.

avgblur_opencl
==============

Apply average blur filter.

The filter accepts the following options:

sizeX
     Set horizontal radius size. Range is [1, 1024] and default value is 1.

planes
     Set which planes to filter. Default value is 0xf, by which all planes are processed.

sizeY
     Set vertical radius size. Range is [1, 1024] and default value is 0. If zero, sizeX value will be used.

Example
-------

  * Apply average blur filter with horizontal and vertical size of 3, setting each pixel of the output to the average value of the 7x7 region centered on it in the input. For pixels on the edges of the image, the region does not extend beyond the image boundaries, and so out-of-range coordinates are not used in the calculations.

          -i INPUT -vf "hwupload, avgblur_opencl=3, hwdownload" OUTPUT

boxblur_opencl
==============

Apply a boxblur algorithm to the input video.

It accepts the following parameters:

luma_radius, lr

luma_power, lp

chroma_radius, cr

chroma_power, cp

alpha_radius, ar

alpha_power, ap

A description of the accepted options follows.

luma_radius, lr

chroma_radius, cr

alpha_radius, ar
     Set an expression for the box radius in pixels used for blurring the corresponding input plane.

     The radius value must be a non-negative number, and must not be greater than the value of the expression min(w,h)/2 for the luma and alpha planes, and of min(cw,ch)/2 for the chroma planes.

     Default value for luma_radius is "2". If not specified, chroma_radius and alpha_radius default to the corresponding value set for luma_radius.

     The expressions can contain the following constants:

     w

     h
          The input width and height in pixels.

     cw

     ch
          The input chroma image width and height in pixels.

     hsub

     vsub
          The horizontal and vertical chroma subsample values. For example, for the pixel format "yuv422p", HSUB is 2 and VSUB is 1.

luma_power, lp

chroma_power, cp

alpha_power, ap
     Specify how many times the boxblur filter is applied to the corresponding plane.

     Default value for luma_power is 2. If not specified, chroma_power and alpha_power default to the corresponding value set for luma_power.

     A value of 0 will disable the effect.

Examples
--------

Apply boxblur filter, setting each pixel of the output to the average value of box-radiuses LUMA_RADIUS, CHROMA_RADIUS, ALPHA_RADIUS for each plane respectively. The filter will apply LUMA_POWER, CHROMA_POWER, ALPHA_POWER times onto the corresponding plane. For pixels on the edges of the image, the radius does not extend beyond the image boundaries, and so out-of-range coordinates are not used in the calculations.

  * Apply a boxblur filter with the luma, chroma, and alpha radius set to 2 and luma, chroma, and alpha power set to 3. The filter will run 3 times with box-radius set to 2 for every plane of the image.

          -i INPUT -vf "hwupload, boxblur_opencl=luma_radius=2:luma_power=3, hwdownload" OUTPUT
          -i INPUT -vf "hwupload, boxblur_opencl=2:3, hwdownload" OUTPUT

  * Apply a boxblur filter with luma radius set to 2, luma_power to 1, chroma_radius to 4, chroma_power to 5, alpha_radius to 3 and alpha_power to 7.

     For the luma plane, a 2x2 box radius will be run once.

     For the chroma plane, a 4x4 box radius will be run 5 times.

     For the alpha plane, a 3x3 box radius will be run 7 times.

          -i INPUT -vf "hwupload, boxblur_opencl=2:1:4:5:3:7, hwdownload" OUTPUT

colorkey_opencl
===============

RGB colorspace color keying.

The filter accepts the following options:

color
     The color which will be replaced with transparency.

similarity
     Similarity percentage with the key color.

     0.01 matches only the exact key color, while 1.0 matches everything.

blend
     Blend percentage.

     0.0 makes pixels either fully transparent, or not transparent at all.

     Higher values result in semi-transparent pixels, with a higher transparency the more similar the pixels color is to the key color.

Examples
--------

  * Make every semi-green pixel in the input transparent with some slight blending:

          -i INPUT -vf "hwupload, colorkey_opencl=green:0.3:0.1, hwdownload" OUTPUT

convolution_opencl
==================

Apply convolution of 3x3, 5x5, 7x7 matrix.

The filter accepts the following options:

0m

1m

2m

3m
     Set matrix for each plane. Matrix is sequence of 9, 25 or 49 signed numbers. Default value for each plane is 0 0 0 0 1 0 0 0 0.

0rdiv

1rdiv

2rdiv

3rdiv
     Set multiplier for calculated value for each plane. If unset or 0, it will be sum of all matrix elements. The option value must be a float number greater or equal to 0.0. Default value is 1.0.

0bias

1bias

2bias

3bias
     Set bias for each plane. This value is added to the result of the multiplication. Useful for making the overall image brighter or darker. The option value must be a float number greater or equal to 0.0. Default value is 0.0.

Examples
--------

  * Apply sharpen:

          -i INPUT -vf "hwupload, convolution_opencl=0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0, hwdownload" OUTPUT

  * Apply blur:

          -i INPUT -vf "hwupload, convolution_opencl=1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1/9:1/9:1/9:1/9, hwdownload" OUTPUT

  * Apply edge enhance:

          -i INPUT -vf "hwupload, convolution_opencl=0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:5:1:1:1:0:128:128:128, hwdownload" OUTPUT

  * Apply edge detect:

          -i INPUT -vf "hwupload, convolution_opencl=0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:5:5:5:1:0:128:128:128, hwdownload" OUTPUT

  * Apply laplacian edge detector which includes diagonals:

          -i INPUT -vf "hwupload, convolution_opencl=1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:5:5:5:1:0:128:128:0, hwdownload" OUTPUT

  * Apply emboss:

          -i INPUT -vf "hwupload, convolution_opencl=-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2, hwdownload" OUTPUT

erosion_opencl
==============

Apply erosion effect to the video.

This filter replaces the pixel by the local(3x3) minimum.

It accepts the following options:

threshold0

threshold1

threshold2

threshold3
     Limit the maximum change for each plane. Range is [0, 65535] and default value is 65535. If 0, plane will remain unchanged.

coordinates
     Flag which specifies the pixel to refer to. Range is [0, 255] and default value is 255, i.e. all eight pixels are used.

     Flags to local 3x3 coordinates region centered on x:

     1 2 3

     4 x 5

     6 7 8

Example
-------

  * Apply erosion filter with threshold0 set to 30, threshold1 set 40, threshold2 set to 50 and coordinates set to 231, setting each pixel of the output to the local minimum between pixels: 1, 2, 3, 6, 7, 8 of the 3x3 region centered on it in the input. If the difference between input pixel and local minimum is more then threshold of the corresponding plane, output pixel will be set to input pixel - threshold of corresponding plane.

          -i INPUT -vf "hwupload, erosion_opencl=30:40:50:coordinates=231, hwdownload" OUTPUT

deshake_opencl
==============

Feature-point based video stabilization filter.

The filter accepts the following options:

tripod
     Simulates a tripod by preventing any camera movement whatsoever from the original frame. Defaults to 0.

debug
     Whether or not additional debug info should be displayed, both in the processed output and in the console.

     Note that in order to see console debug output you will also need to pass -v verbose to ffmpeg.

     Viewing point matches in the output video is only supported for RGB input.

     Defaults to 0.

adaptive_crop
     Whether or not to do a tiny bit of cropping at the borders to cut down on the amount of mirrored pixels.

     Defaults to 1.

refine_features
     Whether or not feature points should be refined at a sub-pixel level.

     This can be turned off for a slight performance gain at the cost of precision.

     Defaults to 1.

smooth_strength
     The strength of the smoothing applied to the camera path from 0.0 to 1.0.

     1.0 is the maximum smoothing strength while values less than that result in less smoothing.

     0.0 causes the filter to adaptively choose a smoothing strength on a per-frame basis.

     Defaults to 0.0.

smooth_window_multiplier
     Controls the size of the smoothing window (the number of frames buffered to determine motion information from).

     The size of the smoothing window is determined by multiplying the framerate of the video by this number.

     Acceptable values range from 0.1 to 10.0.

     Larger values increase the amount of motion data available for determining how to smooth the camera path, potentially improving smoothness, but also increase latency and memory usage.

     Defaults to 2.0.

Examples
--------

  * Stabilize a video with a fixed, medium smoothing strength:

          -i INPUT -vf "hwupload, deshake_opencl=smooth_strength=0.5, hwdownload" OUTPUT

  * Stabilize a video with debugging (both in console and in rendered video):

          -i INPUT -filter_complex "[0:v]format=rgba, hwupload, deshake_opencl=debug=1, hwdownload, format=rgba, format=yuv420p" -v verbose OUTPUT

dilation_opencl
===============

Apply dilation effect to the video.

This filter replaces the pixel by the local(3x3) maximum.

It accepts the following options:

threshold0

threshold1

threshold2

threshold3
     Limit the maximum change for each plane. Range is [0, 65535] and default value is 65535. If 0, plane will remain unchanged.

coordinates
     Flag which specifies the pixel to refer to. Range is [0, 255] and default value is 255, i.e. all eight pixels are used.

     Flags to local 3x3 coordinates region centered on x:

     1 2 3

     4 x 5

     6 7 8

Example
-------

  * Apply dilation filter with threshold0 set to 30, threshold1 set 40, threshold2 set to 50 and coordinates set to 231, setting each pixel of the output to the local maximum between pixels: 1, 2, 3, 6, 7, 8 of the 3x3 region centered on it in the input. If the difference between input pixel and local maximum is more then threshold of the corresponding plane, output pixel will be set to input pixel + threshold of corresponding plane.

          -i INPUT -vf "hwupload, dilation_opencl=30:40:50:coordinates=231, hwdownload" OUTPUT

nlmeans_opencl
==============

Non-local Means denoise filter through OpenCL, this filter accepts same options as nlmeans.

overlay_opencl
==============

Overlay one video on top of another.

It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid. This filter requires same memory layout for all the inputs. So, format conversion may be needed.

The filter accepts the following options:

x
     Set the x coordinate of the overlaid video on the main video. Default value is 0.

y
     Set the y coordinate of the overlaid video on the main video. Default value is 0.

Examples
--------

  * Overlay an image LOGO at the top-left corner of the INPUT video. Both inputs are yuv420p format.

          -i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuv420p, hwupload[b], [a][b]overlay_opencl, hwdownload" OUTPUT

  * The inputs have same memory layout for color channels , the overlay has additional alpha plane, like INPUT is yuv420p, and the LOGO is yuva420p.

          -i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuva420p, hwupload[b], [a][b]overlay_opencl, hwdownload" OUTPUT

pad_opencl
==========

Add paddings to the input image, and place the original input at the provided X, Y coordinates.

It accepts the following options:

width, w

height, h
     Specify an expression for the size of the output image with the paddings added. If the value for WIDTH or HEIGHT is 0, the corresponding input size is used for the output.

     The WIDTH expression can reference the value set by the HEIGHT expression, and vice versa.

     The default value of WIDTH and HEIGHT is 0.

x

y
     Specify the offsets to place the input image at within the padded area, with respect to the top/left border of the output image.

     The X expression can reference the value set by the Y expression, and vice versa.

     The default value of X and Y is 0.

     If X or Y evaluate to a negative number, they'll be changed so the input image is centered on the padded area.

color
     Specify the color of the padded area. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils).

aspect
     Pad to an aspect instead to a resolution.

The value for the WIDTH, HEIGHT, X, and Y options are expressions containing the following constants:

in_w

in_h
     The input video width and height.

iw

ih
     These are the same as IN_W and IN_H.

out_w

out_h
     The output width and height (the size of the padded area), as specified by the WIDTH and HEIGHT expressions.

ow

oh
     These are the same as OUT_W and OUT_H.

x

y
     The x and y offsets as specified by the X and Y expressions, or NAN if not yet specified.

a
     same as IW / IH

sar
     input sample aspect ratio

dar
     input display aspect ratio, it is the same as (IW / IH) * SAR

prewitt_opencl
==============

Apply the Prewitt operator (https://en.wikipedia.org/wiki/Prewitt_operator) to input video stream.

The filter accepts the following option:

planes
     Set which planes to filter. Default value is 0xf, by which all planes are processed.

scale
     Set value which will be multiplied with filtered result. Range is [0.0, 65535] and default value is 1.0.

delta
     Set value which will be added to filtered result. Range is [-65535, 65535] and default value is 0.0.

Example
-------

  * Apply the Prewitt operator with scale set to 2 and delta set to 10.

          -i INPUT -vf "hwupload, prewitt_opencl=scale=2:delta=10, hwdownload" OUTPUT

program_opencl
==============

Filter video using an OpenCL program.

source
     OpenCL program source file.

kernel
     Kernel name in program.

inputs
     Number of inputs to the filter.  Defaults to 1.

size, s
     Size of output frames.  Defaults to the same as the first input.

The program_opencl filter also supports the framesync options.

The program source file must contain a kernel function with the given name, which will be run once for each plane of the output.  Each run on a plane gets enqueued as a separate 2D global NDRange with one work-item for each pixel to be generated.  The global ID offset for each work-item is therefore the coordinates of a pixel in the destination image.

The kernel function needs to take the following arguments:

  * Destination image, __WRITE_ONLY IMAGE2D_T.

     This image will become the output; the kernel should write all of it.

  * Frame index, UNSIGNED INT.

     This is a counter starting from zero and increasing by one for each frame.

  * Source images, __READ_ONLY IMAGE2D_T.

     These are the most recent images on each input.  The kernel may read from them to generate the output, but they can't be written to.

Example programs:

  * Copy the input to the output (output must be the same size as the input).
     __kernel void copy(__write_only image2d_t destination,
                        unsigned int index,
                        __read_only  image2d_t source)
     {
         const sampler_t sampler = CLK_NORMALIZED_COORDS_FALSE;

         int2 location = (int2)(get_global_id(0), get_global_id(1));

         float4 value = read_imagef(source, sampler, location);

         write_imagef(destination, location, value);
     }

  * Apply a simple transformation, rotating the input by an amount increasing with the index counter.  Pixel values are linearly interpolated by the sampler, and the output need not have the same dimensions as the input.
     __kernel void rotate_image(__write_only image2d_t dst,
                                unsigned int index,
                                __read_only  image2d_t src)
     {
         const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE |
                                    CLK_FILTER_LINEAR);

         float angle = (float)index / 100.0f;

         float2 dst_dim = convert_float2(get_image_dim(dst));
         float2 src_dim = convert_float2(get_image_dim(src));

         float2 dst_cen = dst_dim / 2.0f;
         float2 src_cen = src_dim / 2.0f;

         int2   dst_loc = (int2)(get_global_id(0), get_global_id(1));

         float2 dst_pos = convert_float2(dst_loc) - dst_cen;
         float2 src_pos = {
             cos(angle) * dst_pos.x - sin(angle) * dst_pos.y,
             sin(angle) * dst_pos.x + cos(angle) * dst_pos.y
         };
         src_pos = src_pos * src_dim / dst_dim;

         float2 src_loc = src_pos + src_cen;

         if (src_loc.x < 0.0f      || src_loc.y < 0.0f ||
             src_loc.x > src_dim.x || src_loc.y > src_dim.y)
             write_imagef(dst, dst_loc, 0.5f);
         else
             write_imagef(dst, dst_loc, read_imagef(src, sampler, src_loc));
     }

  * Blend two inputs together, with the amount of each input used varying with the index counter.
     __kernel void blend_images(__write_only image2d_t dst,
                                unsigned int index,
                                __read_only  image2d_t src1,
                                __read_only  image2d_t src2)
     {
         const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE |
                                    CLK_FILTER_LINEAR);

         float blend = (cos((float)index / 50.0f) + 1.0f) / 2.0f;

         int2  dst_loc = (int2)(get_global_id(0), get_global_id(1));
         int2 src1_loc = dst_loc * get_image_dim(src1) / get_image_dim(dst);
         int2 src2_loc = dst_loc * get_image_dim(src2) / get_image_dim(dst);

         float4 val1 = read_imagef(src1, sampler, src1_loc);
         float4 val2 = read_imagef(src2, sampler, src2_loc);

         write_imagef(dst, dst_loc, val1 * blend + val2 * (1.0f - blend));
     }

roberts_opencl
==============

Apply the Roberts cross operator (https://en.wikipedia.org/wiki/Roberts_cross) to input video stream.

The filter accepts the following option:

planes
     Set which planes to filter. Default value is 0xf, by which all planes are processed.

scale
     Set value which will be multiplied with filtered result. Range is [0.0, 65535] and default value is 1.0.

delta
     Set value which will be added to filtered result. Range is [-65535, 65535] and default value is 0.0.

Example
-------

  * Apply the Roberts cross operator with scale set to 2 and delta set to 10

          -i INPUT -vf "hwupload, roberts_opencl=scale=2:delta=10, hwdownload" OUTPUT

sobel_opencl
============

Apply the Sobel operator (https://en.wikipedia.org/wiki/Sobel_operator) to input video stream.

The filter accepts the following option:

planes
     Set which planes to filter. Default value is 0xf, by which all planes are processed.

scale
     Set value which will be multiplied with filtered result. Range is [0.0, 65535] and default value is 1.0.

delta
     Set value which will be added to filtered result. Range is [-65535, 65535] and default value is 0.0.

Example
-------

  * Apply sobel operator with scale set to 2 and delta set to 10

          -i INPUT -vf "hwupload, sobel_opencl=scale=2:delta=10, hwdownload" OUTPUT

tonemap_opencl
==============

Perform HDR(PQ/HLG) to SDR conversion with tone-mapping.

It accepts the following parameters:

tonemap
     Specify the tone-mapping operator to be used. Same as tonemap option in tonemap.

param
     Tune the tone mapping algorithm. same as param option in tonemap.

desat
     Apply desaturation for highlights that exceed this level of brightness. The higher the parameter, the more color information will be preserved. This setting helps prevent unnaturally blown-out colors for super-highlights, by (smoothly) turning into white instead. This makes images feel more natural, at the cost of reducing information about out-of-range colors.

     The default value is 0.5, and the algorithm here is a little different from the cpu version tonemap currently. A setting of 0.0 disables this option.

threshold
     The tonemapping algorithm parameters is fine-tuned per each scene. And a threshold is used to detect whether the scene has changed or not. If the distance between the current frame average brightness and the current running average exceeds a threshold value, we would re-calculate scene average and peak brightness. The default value is 0.2.

format
     Specify the output pixel format.

     Currently supported formats are:

     p010

     nv12

range, r
     Set the output color range.

     Possible values are:

     tv/mpeg

     pc/jpeg

     Default is same as input.

primaries, p
     Set the output color primaries.

     Possible values are:

     bt709

     bt2020

     Default is same as input.

transfer, t
     Set the output transfer characteristics.

     Possible values are:

     bt709

     bt2020

     Default is bt709.

matrix, m
     Set the output colorspace matrix.

     Possible value are:

     bt709

     bt2020

     Default is same as input.

Example
-------

  * Convert HDR(PQ/HLG) video to bt2020-transfer-characteristic p010 format using linear operator.

          -i INPUT -vf "format=p010,hwupload,tonemap_opencl=t=bt2020:tonemap=linear:format=p010,hwdownload,format=p010" OUTPUT

unsharp_opencl
==============

Sharpen or blur the input video.

It accepts the following parameters:

luma_msize_x, lx
     Set the luma matrix horizontal size. Range is [1, 23] and default value is 5.

luma_msize_y, ly
     Set the luma matrix vertical size. Range is [1, 23] and default value is 5.

luma_amount, la
     Set the luma effect strength. Range is [-10, 10] and default value is 1.0.

     Negative values will blur the input video, while positive values will sharpen it, a value of zero will disable the effect.

chroma_msize_x, cx
     Set the chroma matrix horizontal size. Range is [1, 23] and default value is 5.

chroma_msize_y, cy
     Set the chroma matrix vertical size. Range is [1, 23] and default value is 5.

chroma_amount, ca
     Set the chroma effect strength. Range is [-10, 10] and default value is 0.0.

     Negative values will blur the input video, while positive values will sharpen it, a value of zero will disable the effect.

All parameters are optional and default to the equivalent of the string '5:5:1.0:5:5:0.0'.

Examples
--------

  * Apply strong luma sharpen effect:

          -i INPUT -vf "hwupload, unsharp_opencl=luma_msize_x=7:luma_msize_y=7:luma_amount=2.5, hwdownload" OUTPUT

  * Apply a strong blur of both luma and chroma parameters:

          -i INPUT -vf "hwupload, unsharp_opencl=7:7:-2:7:7:-2, hwdownload" OUTPUT

xfade_opencl
============

Cross fade two videos with custom transition effect by using OpenCL.

It accepts the following options:

transition
     Set one of possible transition effects.

     custom
          Select custom transition effect, the actual transition description will be picked from source and kernel options.

     fade

     wipeleft

     wiperight

     wipeup

     wipedown

     slideleft

     slideright

     slideup

     slidedown

          Default transition is fade.

source
     OpenCL program source file for custom transition.

kernel
     Set name of kernel to use for custom transition from program source file.

duration
     Set duration of video transition.

offset
     Set time of start of transition relative to first video.

The program source file must contain a kernel function with the given name, which will be run once for each plane of the output.  Each run on a plane gets enqueued as a separate 2D global NDRange with one work-item for each pixel to be generated.  The global ID offset for each work-item is therefore the coordinates of a pixel in the destination image.

The kernel function needs to take the following arguments:

  * Destination image, __WRITE_ONLY IMAGE2D_T.

     This image will become the output; the kernel should write all of it.

  * First Source image, __READ_ONLY IMAGE2D_T. Second Source image, __READ_ONLY IMAGE2D_T.

     These are the most recent images on each input.  The kernel may read from them to generate the output, but they can't be written to.

  * Transition progress, FLOAT. This value is always between 0 and 1 inclusive.

Example programs:

  * Apply dots curtain transition effect:
     __kernel void blend_images(__write_only image2d_t dst,
                                __read_only  image2d_t src1,
                                __read_only  image2d_t src2,
                                float progress)
     {
         const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE |
                                    CLK_FILTER_LINEAR);
         int2  p = (int2)(get_global_id(0), get_global_id(1));
         float2 rp = (float2)(get_global_id(0), get_global_id(1));
         float2 dim = (float2)(get_image_dim(src1).x, get_image_dim(src1).y);
         rp = rp / dim;

         float2 dots = (float2)(20.0, 20.0);
         float2 center = (float2)(0,0);
         float2 unused;

         float4 val1 = read_imagef(src1, sampler, p);
         float4 val2 = read_imagef(src2, sampler, p);
         bool next = distance(fract(rp * dots, &unused), (float2)(0.5, 0.5)) < (progress / distance(rp, center));

         write_imagef(dst, p, next ? val1 : val2);
     }

VAAPI Video Filters
*******************

VAAPI Video filters are usually used with VAAPI decoder and VAAPI encoder. Below is a description of VAAPI video filters.

To enable compilation of these filters you need to configure FFmpeg with --enable-vaapi.

To use vaapi filters, you need to setup the vaapi device correctly. For more information, please read https://trac.ffmpeg.org/wiki/Hardware/VAAPI

tonemap_vaapi
=============

Perform HDR(High Dynamic Range) to SDR(Standard Dynamic Range) conversion with tone-mapping. It maps the dynamic range of HDR10 content to the SDR content. It currently only accepts HDR10 as input.

It accepts the following parameters:

format
     Specify the output pixel format.

     Currently supported formats are:

     p010

     nv12

     Default is nv12.

primaries, p
     Set the output color primaries.

     Default is same as input.

transfer, t
     Set the output transfer characteristics.

     Default is bt709.

matrix, m
     Set the output colorspace matrix.

     Default is same as input.

Example
-------

  * Convert HDR(HDR10) video to bt2020-transfer-characteristic p010 format

          tonemap_vaapi=format=p010:t=bt2020-10

Video Sources
*************

Below is a description of the currently available video sources.

buffer
======

Buffer video frames, and make them available to the filter chain.

This source is mainly intended for a programmatic use, in particular through the interface defined in libavfilter/buffersrc.h.

It accepts the following parameters:

video_size
     Specify the size (width and height) of the buffered video frames. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils).

width
     The input video width.

height
     The input video height.

pix_fmt
     A string representing the pixel format of the buffered video frames. It may be a number corresponding to a pixel format, or a pixel format name.

time_base
     Specify the timebase assumed by the timestamps of the buffered frames.

frame_rate
     Specify the frame rate expected for the video stream.

pixel_aspect, sar
     The sample (pixel) aspect ratio of the input video.

sws_param
     This option is deprecated and ignored. Prepend sws_flags=FLAGS; to the filtergraph description to specify swscale flags for automatically inserted scalers. See Filtergraph syntax.

hw_frames_ctx
     When using a hardware pixel format, this should be a reference to an AVHWFramesContext describing input frames.

For example:

     buffer=width=320:height=240:pix_fmt=yuv410p:time_base=1/24:sar=1

will instruct the source to accept video frames with size 320x240 and with format "yuv410p", assuming 1/24 as the timestamps timebase and square pixels (1:1 sample aspect ratio). Since the pixel format with name "yuv410p" corresponds to the number 6 (check the enum AVPixelFormat definition in libavutil/pixfmt.h), this example corresponds to:

     buffer=size=320x240:pixfmt=6:time_base=1/24:pixel_aspect=1/1

Alternatively, the options can be specified as a flat string, but this syntax is deprecated:

WIDTH:HEIGHT:PIX_FMT:TIME_BASE.NUM:TIME_BASE.DEN:PIXEL_ASPECT.NUM:PIXEL_ASPECT.DEN

cellauto
========

Create a pattern generated by an elementary cellular automaton.

The initial state of the cellular automaton can be defined through the filename and pattern options. If such options are not specified an initial state is created randomly.

At each new frame a new row in the video is filled with the result of the cellular automaton next generation. The behavior when the whole frame is filled is defined by the scroll option.

This source accepts the following options:

filename, f
     Read the initial cellular automaton state, i.e. the starting row, from the specified file. In the file, each non-whitespace character is considered an alive cell, a newline will terminate the row, and further characters in the file will be ignored.

pattern, p
     Read the initial cellular automaton state, i.e. the starting row, from the specified string.

     Each non-whitespace character in the string is considered an alive cell, a newline will terminate the row, and further characters in the string will be ignored.

rate, r
     Set the video rate, that is the number of frames generated per second. Default is 25.

random_fill_ratio, ratio
     Set the random fill ratio for the initial cellular automaton row. It is a floating point number value ranging from 0 to 1, defaults to 1/PHI.

     This option is ignored when a file or a pattern is specified.

random_seed, seed
     Set the seed for filling randomly the initial row, must be an integer included between 0 and UINT32_MAX. If not specified, or if explicitly set to -1, the filter will try to use a good random seed on a best effort basis.

rule
     Set the cellular automaton rule, it is a number ranging from 0 to 255. Default value is 110.

size, s
     Set the size of the output video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils).

     If filename or pattern is specified, the size is set by default to the width of the specified initial state row, and the height is set to WIDTH * PHI.

     If size is set, it must contain the width of the specified pattern string, and the specified pattern will be centered in the larger row.

     If a filename or a pattern string is not specified, the size value defaults to "320x518" (used for a randomly generated initial state).

scroll
     If set to 1, scroll the output upward when all the rows in the output have been already filled. If set to 0, the new generated row will be written over the top row just after the bottom row is filled. Defaults to 1.

start_full, full
     If set to 1, completely fill the output with generated rows before outputting the first frame. This is the default behavior, for disabling set the value to 0.

stitch
     If set to 1, stitch the left and right row edges together. This is the default behavior, for disabling set the value to 0.

Examples
--------

  * Read the initial state from pattern, and specify an output of size 200x400.

          cellauto=f=pattern:s=200x400

  * Generate a random initial row with a width of 200 cells, with a fill ratio of 2/3:

          cellauto=ratio=2/3:s=200x200

  * Create a pattern generated by rule 18 starting by a single alive cell centered on an initial row with width 100:

          cellauto=p=@:s=100x400:full=0:rule=18

  * Specify a more elaborated initial pattern:

          cellauto=p='@@ @ @@':s=100x400:full=0:rule=18

coreimagesrc
============

Video source generated on GPU using Apple's CoreImage API on OSX.

This video source is a specialized version of the coreimage video filter. Use a core image generator at the beginning of the applied filterchain to generate the content.

The coreimagesrc video source accepts the following options:

list_generators
     List all available generators along with all their respective options as well as possible minimum and maximum values along with the default values.

          list_generators=true

size, s
     Specify the size of the sourced video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). The default value is 320x240.

rate, r
     Specify the frame rate of the sourced video, as the number of frames generated per second. It has to be a string in the format FRAME_RATE_NUM/FRAME_RATE_DEN, an integer number, a floating point number or a valid video frame rate abbreviation. The default value is "25".

sar
     Set the sample aspect ratio of the sourced video.

duration, d
     Set the duration of the sourced video. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax.

     If not specified, or the expressed duration is negative, the video is supposed to be generated forever.

Additionally, all options of the coreimage video filter are accepted. A complete filterchain can be used for further processing of the generated input without CPU-HOST transfer. See coreimage documentation and examples for details.

Examples
--------

  * Use CIQRCodeGenerator to create a QR code for the FFmpeg homepage, given as complete and escaped command-line for Apple's standard bash shell:

          ffmpeg -f lavfi -i coreimagesrc=s=100x100:filter=CIQRCodeGenerator@inputMessage=https\\\\\://FFmpeg.org/@inputCorrectionLevel=H -frames:v 1 QRCode.png

     This example is equivalent to the QRCode example of coreimage without the need for a nullsrc video source.

gradients
=========

Generate several gradients.

size, s
     Set frame size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is "640x480".

rate, r
     Set frame rate, expressed as number of frames per second. Default value is "25".

c0, c1, c2, c3, c4, c5, c6, c7
     Set 8 colors. Default values for colors is to pick random one.

x0, y0, y0, y1
     Set gradient line source and destination points. If negative or out of range, random ones are picked.

nb_colors, n
     Set number of colors to use at once. Allowed range is from 2 to 8. Default value is 2.

seed
     Set seed for picking gradient line points.

duration, d
     Set the duration of the sourced video. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax.

     If not specified, or the expressed duration is negative, the video is supposed to be generated forever.

speed
     Set speed of gradients rotation.

mandelbrot
==========

Generate a Mandelbrot set fractal, and progressively zoom towards the point specified with START_X and START_Y.

This source accepts the following options:

end_pts
     Set the terminal pts value. Default value is 400.

end_scale
     Set the terminal scale value. Must be a floating point value. Default value is 0.3.

inner
     Set the inner coloring mode, that is the algorithm used to draw the Mandelbrot fractal internal region.

     It shall assume one of the following values:

     black
          Set black mode.

     convergence
          Show time until convergence.

     mincol
          Set color based on point closest to the origin of the iterations.

     period
          Set period mode.

     Default value is MINCOL.

bailout
     Set the bailout value. Default value is 10.0.

maxiter
     Set the maximum of iterations performed by the rendering algorithm. Default value is 7189.

outer
     Set outer coloring mode. It shall assume one of following values:

     iteration_count
          Set iteration count mode.

     normalized_iteration_count
          set normalized iteration count mode.

     Default value is NORMALIZED_ITERATION_COUNT.

rate, r
     Set frame rate, expressed as number of frames per second. Default value is "25".

size, s
     Set frame size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is "640x480".

start_scale
     Set the initial scale value. Default value is 3.0.

start_x
     Set the initial x position. Must be a floating point value between -100 and 100. Default value is -0.743643887037158704752191506114774.

start_y
     Set the initial y position. Must be a floating point value between -100 and 100. Default value is -0.131825904205311970493132056385139.

mptestsrc
=========

Generate various test patterns, as generated by the MPlayer test filter.

The size of the generated video is fixed, and is 256x256. This source is useful in particular for testing encoding features.

This source accepts the following options:

rate, r
     Specify the frame rate of the sourced video, as the number of frames generated per second. It has to be a string in the format FRAME_RATE_NUM/FRAME_RATE_DEN, an integer number, a floating point number or a valid video frame rate abbreviation. The default value is "25".

duration, d
     Set the duration of the sourced video. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax.

     If not specified, or the expressed duration is negative, the video is supposed to be generated forever.

test, t

     Set the number or the name of the test to perform. Supported tests are:

     dc_luma

     dc_chroma

     freq_luma

     freq_chroma

     amp_luma

     amp_chroma

     cbp

     mv

     ring1

     ring2

     all

     max_frames, m
          Set the maximum number of frames generated for each test, default value is 30.

     Default value is "all", which will cycle through the list of all tests.

Some examples:

     mptestsrc=t=dc_luma

will generate a "dc_luma" test pattern.

frei0r_src
==========

Provide a frei0r source.

To enable compilation of this filter you need to install the frei0r header and configure FFmpeg with --enable-frei0r.

This source accepts the following parameters:

size
     The size of the video to generate. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils).

framerate
     The framerate of the generated video. It may be a string of the form NUM/DEN or a frame rate abbreviation.

filter_name
     The name to the frei0r source to load. For more information regarding frei0r and how to set the parameters, read the frei0r section in the video filters documentation.

filter_params
     A '|'-separated list of parameters to pass to the frei0r source.

For example, to generate a frei0r partik0l source with size 200x200 and frame rate 10 which is overlaid on the overlay filter main input:

     frei0r_src=size=200x200:framerate=10:filter_name=partik0l:filter_params=1234 [overlay]; [in][overlay] overlay

life
====

Generate a life pattern.

This source is based on a generalization of John Conway's life game.

The sourced input represents a life grid, each pixel represents a cell which can be in one of two possible states, alive or dead. Every cell interacts with its eight neighbours, which are the cells that are horizontally, vertically, or diagonally adjacent.

At each interaction the grid evolves according to the adopted rule, which specifies the number of neighbor alive cells which will make a cell stay alive or born. The rule option allows one to specify the rule to adopt.

This source accepts the following options:

filename, f
     Set the file from which to read the initial grid state. In the file, each non-whitespace character is considered an alive cell, and newline is used to delimit the end of each row.

     If this option is not specified, the initial grid is generated randomly.

rate, r
     Set the video rate, that is the number of frames generated per second. Default is 25.

random_fill_ratio, ratio
     Set the random fill ratio for the initial random grid. It is a floating point number value ranging from 0 to 1, defaults to 1/PHI. It is ignored when a file is specified.

random_seed, seed
     Set the seed for filling the initial random grid, must be an integer included between 0 and UINT32_MAX. If not specified, or if explicitly set to -1, the filter will try to use a good random seed on a best effort basis.

rule
     Set the life rule.

     A rule can be specified with a code of the kind "SNS/BNB", where NS and NB are sequences of numbers in the range 0-8, NS specifies the number of alive neighbor cells which make a live cell stay alive, and NB the number of alive neighbor cells which make a dead cell to become alive (i.e. to "born"). "s" and "b" can be used in place of "S" and "B", respectively.

     Alternatively a rule can be specified by an 18-bits integer. The 9 high order bits are used to encode the next cell state if it is alive for each number of neighbor alive cells, the low order bits specify the rule for "borning" new cells. Higher order bits encode for an higher number of neighbor cells. For example the number 6153 = (12<<9)+9 specifies a stay alive rule of 12 and a born rule of 9, which corresponds to "S23/B03".

     Default value is "S23/B3", which is the original Conway's game of life rule, and will keep a cell alive if it has 2 or 3 neighbor alive cells, and will born a new cell if there are three alive cells around a dead cell.

size, s
     Set the size of the output video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils).

     If filename is specified, the size is set by default to the same size of the input file. If size is set, it must contain the size specified in the input file, and the initial grid defined in that file is centered in the larger resulting area.

     If a filename is not specified, the size value defaults to "320x240" (used for a randomly generated initial grid).

stitch
     If set to 1, stitch the left and right grid edges together, and the top and bottom edges also. Defaults to 1.

mold
     Set cell mold speed. If set, a dead cell will go from death_color to mold_color with a step of mold. mold can have a value from 0 to 255.

life_color
     Set the color of living (or new born) cells.

death_color
     Set the color of dead cells. If mold is set, this is the first color used to represent a dead cell.

mold_color
     Set mold color, for definitely dead and moldy cells.

     For the syntax of these 3 color options, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils).

Examples
--------

  * Read a grid from pattern, and center it on a grid of size 300x300 pixels:

          life=f=pattern:s=300x300

  * Generate a random grid of size 200x200, with a fill ratio of 2/3:

          life=ratio=2/3:s=200x200

  * Specify a custom rule for evolving a randomly generated grid:

          life=rule=S14/B34

  * Full example with slow death effect (mold) using ffplay:

          ffplay -f lavfi life=s=300x200:mold=10:r=60:ratio=0.1:death_color=#C83232:life_color=#00ff00,scale=1200:800:flags=16

allrgb, allyuv, color, haldclutsrc, nullsrc, pal75bars, pal100bars, rgbtestsrc, smptebars, smptehdbars, testsrc, testsrc2, yuvtestsrc
=====================================================================================================================================

The allrgb source returns frames of size 4096x4096 of all rgb colors.

The allyuv source returns frames of size 4096x4096 of all yuv colors.

The color source provides an uniformly colored input.

The haldclutsrc source provides an identity Hald CLUT. See also haldclut filter.

The nullsrc source returns unprocessed video frames. It is mainly useful to be employed in analysis / debugging tools, or as the source for filters which ignore the input data.

The pal75bars source generates a color bars pattern, based on EBU PAL recommendations with 75% color levels.

The pal100bars source generates a color bars pattern, based on EBU PAL recommendations with 100% color levels.

The rgbtestsrc source generates an RGB test pattern useful for detecting RGB vs BGR issues. You should see a red, green and blue stripe from top to bottom.

The smptebars source generates a color bars pattern, based on the SMPTE Engineering Guideline EG 1-1990.

The smptehdbars source generates a color bars pattern, based on the SMPTE RP 219-2002.

The testsrc source generates a test video pattern, showing a color pattern, a scrolling gradient and a timestamp. This is mainly intended for testing purposes.

The testsrc2 source is similar to testsrc, but supports more pixel formats instead of just rgb24. This allows using it as an input for other tests without requiring a format conversion.

The yuvtestsrc source generates an YUV test pattern. You should see a y, cb and cr stripe from top to bottom.

The sources accept the following parameters:

level
     Specify the level of the Hald CLUT, only available in the haldclutsrc source. A level of N generates a picture of N*N*N by N*N*N pixels to be used as identity matrix for 3D lookup tables. Each component is coded on a 1/(N*N) scale.

color, c
     Specify the color of the source, only available in the color source. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual (ffmpeg-utils).

size, s
     Specify the size of the sourced video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). The default value is 320x240.

     This option is not available with the allrgb, allyuv, and haldclutsrc filters.

rate, r
     Specify the frame rate of the sourced video, as the number of frames generated per second. It has to be a string in the format FRAME_RATE_NUM/FRAME_RATE_DEN, an integer number, a floating point number or a valid video frame rate abbreviation. The default value is "25".

duration, d
     Set the duration of the sourced video. See the Time duration section in the ffmpeg-utils(1) manual (ffmpeg-utils) for the accepted syntax.

     If not specified, or the expressed duration is negative, the video is supposed to be generated forever.

     Since the frame rate is used as time base, all frames including the last one will have their full duration. If the specified duration is not a multiple of the frame duration, it will be rounded up.

sar
     Set the sample aspect ratio of the sourced video.

alpha
     Specify the alpha (opacity) of the background, only available in the testsrc2 source. The value must be between 0 (fully transparent) and 255 (fully opaque, the default).

decimals, n
     Set the number of decimals to show in the timestamp, only available in the testsrc source.

     The displayed timestamp value will correspond to the original timestamp value multiplied by the power of 10 of the specified value. Default value is 0.

Examples
--------

  * Generate a video with a duration of 5.3 seconds, with size 176x144 and a frame rate of 10 frames per second:

          testsrc=duration=5.3:size=qcif:rate=10

  * The following graph description will generate a red source with an opacity of 0.2, with size "qcif" and a frame rate of 10 frames per second:

          color=c=red@0.2:s=qcif:r=10

  * If the input content is to be ignored, nullsrc can be used. The following command generates noise in the luminance plane by employing the geq filter:

          nullsrc=s=256x256, geq=random(1)*255:128:128

Commands
--------

The color source supports the following commands:

c, color
     Set the color of the created image. Accepts the same syntax of the corresponding color option.

openclsrc
=========

Generate video using an OpenCL program.

source
     OpenCL program source file.

kernel
     Kernel name in program.

size, s
     Size of frames to generate.  This must be set.

format
     Pixel format to use for the generated frames.  This must be set.

rate, r
     Number of frames generated every second.  Default value is '25'.

For details of how the program loading works, see the program_opencl filter.

Example programs:

  * Generate a colour ramp by setting pixel values from the position of the pixel in the output image.  (Note that this will work with all pixel formats, but the generated output will not be the same.)
     __kernel void ramp(__write_only image2d_t dst,
                        unsigned int index)
     {
         int2 loc = (int2)(get_global_id(0), get_global_id(1));

         float4 val;
         val.xy = val.zw = convert_float2(loc) / convert_float2(get_image_dim(dst));

         write_imagef(dst, loc, val);
     }

  * Generate a Sierpinski carpet pattern, panning by a single pixel each frame.
     __kernel void sierpinski_carpet(__write_only image2d_t dst,
                                     unsigned int index)
     {
         int2 loc = (int2)(get_global_id(0), get_global_id(1));

         float4 value = 0.0f;
         int x = loc.x + index;
         int y = loc.y + index;
         while (x > 0 || y > 0) {
             if (x % 3 == 1 && y % 3 == 1) {
                 value = 1.0f;
                 break;
             }
             x /= 3;
             y /= 3;
         }

         write_imagef(dst, loc, value);
     }

sierpinski
==========

Generate a Sierpinski carpet/triangle fractal, and randomly pan around.

This source accepts the following options:

size, s
     Set frame size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is "640x480".

rate, r
     Set frame rate, expressed as number of frames per second. Default value is "25".

seed
     Set seed which is used for random panning.

jump
     Set max jump for single pan destination. Allowed range is from 1 to 10000.

type
     Set fractal type, can be default carpet or triangle.

Video Sinks
***********

Below is a description of the currently available video sinks.

buffersink
==========

Buffer video frames, and make them available to the end of the filter graph.

This sink is mainly intended for programmatic use, in particular through the interface defined in libavfilter/buffersink.h or the options system.

It accepts a pointer to an AVBufferSinkContext structure, which defines the incoming buffers' formats, to be passed as the opaque parameter to avfilter_init_filter for initialization.

nullsink
========

Null video sink: do absolutely nothing with the input video. It is mainly useful as a template and for use in analysis / debugging tools.

Multimedia Filters
******************

Below is a description of the currently available multimedia filters.

abitscope
=========

Convert input audio to a video output, displaying the audio bit scope.

The filter accepts the following options:

rate, r
     Set frame rate, expressed as number of frames per second. Default value is "25".

size, s
     Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is 1024x256.

colors
     Specify list of colors separated by space or by '|' which will be used to draw channels. Unrecognized or missing colors will be replaced by white color.

adrawgraph
==========

Draw a graph using input audio metadata.

See drawgraph

agraphmonitor
=============

See graphmonitor.

ahistogram
==========

Convert input audio to a video output, displaying the volume histogram.

The filter accepts the following options:

dmode
     Specify how histogram is calculated.

     It accepts the following values:

     single
          Use single histogram for all channels.

     separate
          Use separate histogram for each channel.

     Default is single.

rate, r
     Set frame rate, expressed as number of frames per second. Default value is "25".

size, s
     Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is hd720.

scale
     Set display scale.

     It accepts the following values:

     log
          logarithmic

     sqrt
          square root

     cbrt
          cubic root

     lin
          linear

     rlog
          reverse logarithmic

     Default is log.

ascale
     Set amplitude scale.

     It accepts the following values:

     log
          logarithmic

     lin
          linear

     Default is log.

acount
     Set how much frames to accumulate in histogram. Default is 1. Setting this to -1 accumulates all frames.

rheight
     Set histogram ratio of window height.

slide
     Set sonogram sliding.

     It accepts the following values:

     replace
          replace old rows with new ones.

     scroll
          scroll from top to bottom.

     Default is replace.

aphasemeter
===========

Measures phase of input audio, which is exported as metadata lavfi.aphasemeter.phase, representing mean phase of current audio frame. A video output can also be produced and is enabled by default. The audio is passed through as first output.

Audio will be rematrixed to stereo if it has a different channel layout. Phase value is in range [-1, 1] where -1 means left and right channels are completely out of phase and 1 means channels are in phase.

The filter accepts the following options, all related to its video output:

rate, r
     Set the output frame rate. Default value is 25.

size, s
     Set the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is 800x400.

rc

gc

bc
     Specify the red, green, blue contrast. Default values are 2, 7 and 1. Allowed range is [0, 255].

mpc
     Set color which will be used for drawing median phase. If color is none which is default, no median phase value will be drawn.

video
     Enable video output. Default is enabled.

phasing detection
-----------------

The filter also detects out of phase and mono sequences in stereo streams. It logs the sequence start, end and duration when it lasts longer or as long as the minimum set.

The filter accepts the following options for this detection:

phasing
     Enable mono and out of phase detection. Default is disabled.

tolerance, t
     Set phase tolerance for mono detection, in amplitude ratio. Default is 0. Allowed range is [0, 1].

angle, a
     Set angle threshold for out of phase detection, in degree. Default is 170. Allowed range is [90, 180].

duration, d
     Set mono or out of phase duration until notification, expressed in seconds. Default is 2.

Examples
--------

  * Complete example with ffmpeg to detect 1 second of mono with 0.001 phase tolerance:

          ffmpeg -i stereo.wav -af aphasemeter=video=0:phasing=1:duration=1:tolerance=0.001 -f null -

avectorscope
============

Convert input audio to a video output, representing the audio vector scope.

The filter is used to measure the difference between channels of stereo audio stream. A monaural signal, consisting of identical left and right signal, results in straight vertical line. Any stereo separation is visible as a deviation from this line, creating a Lissajous figure. If the straight (or deviation from it) but horizontal line appears this indicates that the left and right channels are out of phase.

The filter accepts the following options:

mode, m
     Set the vectorscope mode.

     Available values are:

     lissajous
          Lissajous rotated by 45 degrees.

     lissajous_xy
          Same as above but not rotated.

     polar
          Shape resembling half of circle.

     Default value is lissajous.

size, s
     Set the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is 400x400.

rate, r
     Set the output frame rate. Default value is 25.

rc

gc

bc

ac
     Specify the red, green, blue and alpha contrast. Default values are 40, 160, 80 and 255. Allowed range is [0, 255].

rf

gf

bf

af
     Specify the red, green, blue and alpha fade. Default values are 15, 10, 5 and 5. Allowed range is [0, 255].

zoom
     Set the zoom factor. Default value is 1. Allowed range is [0, 10]. Values lower than 1 will auto adjust zoom factor to maximal possible value.

draw
     Set the vectorscope drawing mode.

     Available values are:

     dot
          Draw dot for each sample.

     line
          Draw line between previous and current sample.

     Default value is dot.

scale
     Specify amplitude scale of audio samples.

     Available values are:

     lin
          Linear.

     sqrt
          Square root.

     cbrt
          Cubic root.

     log
          Logarithmic.

swap
     Swap left channel axis with right channel axis.

mirror
     Mirror axis.

     none
          No mirror.

     x
          Mirror only x axis.

     y
          Mirror only y axis.

     xy
          Mirror both axis.

Examples
--------

  * Complete example using ffplay:

          ffplay -f lavfi 'amovie=input.mp3, asplit [a][out1];
                       [a] avectorscope=zoom=1.3:rc=2:gc=200:bc=10:rf=1:gf=8:bf=7 [out0]'

bench, abench
=============

Benchmark part of a filtergraph.

The filter accepts the following options:

action
     Start or stop a timer.

     Available values are:

     start
          Get the current time, set it as frame metadata (using the key lavfi.bench.start_time), and forward the frame to the next filter.

     stop
          Get the current time and fetch the lavfi.bench.start_time metadata from the input frame metadata to get the time difference. Time difference, average, maximum and minimum time (respectively t, avg, max and min) are then printed. The timestamps are expressed in seconds.

Examples
--------

  * Benchmark selectivecolor filter:

          bench=start,selectivecolor=reds=-.2 .12 -.49,bench=stop

concat
======

Concatenate audio and video streams, joining them together one after the other.

The filter works on segments of synchronized video and audio streams. All segments must have the same number of streams of each type, and that will also be the number of streams at output.

The filter accepts the following options:

n
     Set the number of segments. Default is 2.

v
     Set the number of output video streams, that is also the number of video streams in each segment. Default is 1.

a
     Set the number of output audio streams, that is also the number of audio streams in each segment. Default is 0.

unsafe
     Activate unsafe mode: do not fail if segments have a different format.

The filter has V+A outputs: first V video outputs, then A audio outputs.

There are Nx(V+A) inputs: first the inputs for the first segment, in the same order as the outputs, then the inputs for the second segment, etc.

Related streams do not always have exactly the same duration, for various reasons including codec frame size or sloppy authoring. For that reason, related synchronized streams (e.g. a video and its audio track) should be concatenated at once. The concat filter will use the duration of the longest stream in each segment (except the last one), and if necessary pad shorter audio streams with silence.

For this filter to work correctly, all segments must start at timestamp 0.

All corresponding streams must have the same parameters in all segments; the filtering system will automatically select a common pixel format for video streams, and a common sample format, sample rate and channel layout for audio streams, but other settings, such as resolution, must be converted explicitly by the user.

Different frame rates are acceptable but will result in variable frame rate at output; be sure to configure the output file to handle it.

Examples
--------

  * Concatenate an opening, an episode and an ending, all in bilingual version (video in stream 0, audio in streams 1 and 2):

          ffmpeg -i opening.mkv -i episode.mkv -i ending.mkv -filter_complex \
            '[0:0] [0:1] [0:2] [1:0] [1:1] [1:2] [2:0] [2:1] [2:2]
             concat=n=3:v=1:a=2 [v] [a1] [a2]' \
            -map '[v]' -map '[a1]' -map '[a2]' output.mkv

  * Concatenate two parts, handling audio and video separately, using the (a)movie sources, and adjusting the resolution:

          movie=part1.mp4, scale=512:288 [v1] ; amovie=part1.mp4 [a1] ;
          movie=part2.mp4, scale=512:288 [v2] ; amovie=part2.mp4 [a2] ;
          [v1] [v2] concat [outv] ; [a1] [a2] concat=v=0:a=1 [outa]

     Note that a desync will happen at the stitch if the audio and video streams do not have exactly the same duration in the first file.

Commands
--------

This filter supports the following commands:

next
     Close the current segment and step to the next one

ebur128
=======

EBU R128 scanner filter. This filter takes an audio stream and analyzes its loudness level. By default, it logs a message at a frequency of 10Hz with the Momentary loudness (identified by M), Short-term loudness (S), Integrated loudness (I) and Loudness Range (LRA).

The filter can only analyze streams which have a sampling rate of 48000 Hz and whose sample format is double-precision floating point. The input stream will be converted to this specification, if needed. Users may need to insert aformat and/or aresample filters after this filter to obtain the original parameters.

The filter also has a video output (see the VIDEO option) with a real time graph to observe the loudness evolution. The graphic contains the logged message mentioned above, so it is not printed anymore when this option is set, unless the verbose logging is set. The main graphing area contains the short-term loudness (3 seconds of analysis), and the gauge on the right is for the momentary loudness (400 milliseconds), but can optionally be configured to instead display short-term loudness (see GAUGE).

The green area marks a  +/- 1LU target range around the target loudness (-23LUFS by default, unless modified through TARGET).

More information about the Loudness Recommendation EBU R128 on http://tech.ebu.ch/loudness.

The filter accepts the following options:

video
     Activate the video output. The audio stream is passed unchanged whether this option is set or no. The video stream will be the first output stream if activated. Default is 0.

size
     Set the video size. This option is for video only. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default and minimum resolution is 640x480.

meter
     Set the EBU scale meter. Default is 9. Common values are 9 and 18, respectively for EBU scale meter +9 and EBU scale meter +18. Any other integer value between this range is allowed.

metadata
     Set metadata injection. If set to 1, the audio input will be segmented into 100ms output frames, each of them containing various loudness information in metadata.  All the metadata keys are prefixed with lavfi.r128..

     Default is 0.

framelog
     Force the frame logging level.

     Available values are:

     info
          information logging level

     verbose
          verbose logging level

     By default, the logging level is set to INFO. If the video or the metadata options are set, it switches to VERBOSE.

peak
     Set peak mode(s).

     Available modes can be cumulated (the option is a flag type). Possible values are:

     none
          Disable any peak mode (default).

     sample
          Enable sample-peak mode.

          Simple peak mode looking for the higher sample value. It logs a message for sample-peak (identified by SPK).

     true
          Enable true-peak mode.

          If enabled, the peak lookup is done on an over-sampled version of the input stream for better peak accuracy. It logs a message for true-peak. (identified by TPK) and true-peak per frame (identified by FTPK). This mode requires a build with libswresample.

dualmono
     Treat mono input files as "dual mono". If a mono file is intended for playback on a stereo system, its EBU R128 measurement will be perceptually incorrect. If set to true, this option will compensate for this effect. Multi-channel input files are not affected by this option.

panlaw
     Set a specific pan law to be used for the measurement of dual mono files. This parameter is optional, and has a default value of -3.01dB.

target
     Set a specific target level (in LUFS) used as relative zero in the visualization. This parameter is optional and has a default value of -23LUFS as specified by EBU R128. However, material published online may prefer a level of -16LUFS (e.g. for use with podcasts or video platforms).

gauge
     Set the value displayed by the gauge. Valid values are momentary and s shortterm. By default the momentary value will be used, but in certain scenarios it may be more useful to observe the short term value instead (e.g. live mixing).

scale
     Sets the display scale for the loudness. Valid parameters are absolute (in LUFS) or relative (LU) relative to the target. This only affects the video output, not the summary or continuous log output.

Examples
--------

  * Real-time graph using ffplay, with a EBU scale meter +18:

          ffplay -f lavfi -i "amovie=input.mp3,ebur128=video=1:meter=18 [out0][out1]"

  * Run an analysis with ffmpeg:

          ffmpeg -nostats -i input.mp3 -filter_complex ebur128 -f null -

interleave, ainterleave
=======================

Temporally interleave frames from several inputs.

interleave works with video inputs, ainterleave with audio.

These filters read frames from several inputs and send the oldest queued frame to the output.

Input streams must have well defined, monotonically increasing frame timestamp values.

In order to submit one frame to output, these filters need to enqueue at least one frame for each input, so they cannot work in case one input is not yet terminated and will not receive incoming frames.

For example consider the case when one input is a select filter which always drops input frames. The interleave filter will keep reading from that input, but it will never be able to send new frames to output until the input sends an end-of-stream signal.

Also, depending on inputs synchronization, the filters will drop frames in case one input receives more frames than the other ones, and the queue is already filled.

These filters accept the following options:

nb_inputs, n
     Set the number of different inputs, it is 2 by default.

duration
     How to determine the end-of-stream.

     longest
          The duration of the longest input. (default)

     shortest
          The duration of the shortest input.

     first
          The duration of the first input.

Examples
--------

  * Interleave frames belonging to different streams using ffmpeg:

          ffmpeg -i bambi.avi -i pr0n.mkv -filter_complex "[0:v][1:v] interleave" out.avi

  * Add flickering blur effect:

          select='if(gt(random(0), 0.2), 1, 2)':n=2 [tmp], boxblur=2:2, [tmp] interleave

metadata, ametadata
===================

Manipulate frame metadata.

This filter accepts the following options:

mode
     Set mode of operation of the filter.

     Can be one of the following:

     select
          If both value and key is set, select frames which have such metadata. If only key is set, select every frame that has such key in metadata.

     add
          Add new metadata key and value. If key is already available do nothing.

     modify
          Modify value of already present key.

     delete
          If value is set, delete only keys that have such value. Otherwise, delete key. If key is not set, delete all metadata values in the frame.

     print
          Print key and its value if metadata was found. If key is not set print all metadata values available in frame.

key
     Set key used with all modes. Must be set for all modes except print and delete.

value
     Set metadata value which will be used. This option is mandatory for modify and add mode.

function
     Which function to use when comparing metadata value and value.

     Can be one of following:

     same_str
          Values are interpreted as strings, returns true if metadata value is same as value.

     starts_with
          Values are interpreted as strings, returns true if metadata value starts with the value option string.

     less
          Values are interpreted as floats, returns true if metadata value is less than value.

     equal
          Values are interpreted as floats, returns true if value is equal with metadata value.

     greater
          Values are interpreted as floats, returns true if metadata value is greater than value.

     expr
          Values are interpreted as floats, returns true if expression from option expr evaluates to true.

     ends_with
          Values are interpreted as strings, returns true if metadata value ends with the value option string.

expr
     Set expression which is used when function is set to expr. The expression is evaluated through the eval API and can contain the following constants:

     VALUE1
          Float representation of value from metadata key.

     VALUE2
          Float representation of value as supplied by user in value option.

file
     If specified in print mode, output is written to the named file. Instead of plain filename any writable url can be specified. Filename ``-'' is a shorthand for standard output. If file option is not set, output is written to the log with AV_LOG_INFO loglevel.

direct
     Reduces buffering in print mode when output is written to a URL set using FILE.

Examples
--------

  * Print all metadata values for frames with key lavfi.signalstats.YDIF with values between 0 and 1.

          signalstats,metadata=print:key=lavfi.signalstats.YDIF:value=0:function=expr:expr='between(VALUE1,0,1)'

  * Print silencedetect output to file metadata.txt.

          silencedetect,ametadata=mode=print:file=metadata.txt

  * Direct all metadata to a pipe with file descriptor 4.

          metadata=mode=print:file='pipe\:4'

perms, aperms
=============

Set read/write permissions for the output frames.

These filters are mainly aimed at developers to test direct path in the following filter in the filtergraph.

The filters accept the following options:

mode
     Select the permissions mode.

     It accepts the following values:

     none
          Do nothing. This is the default.

     ro
          Set all the output frames read-only.

     rw
          Set all the output frames directly writable.

     toggle
          Make the frame read-only if writable, and writable if read-only.

     random
          Set each output frame read-only or writable randomly.

seed
     Set the seed for the RANDOM mode, must be an integer included between 0 and UINT32_MAX. If not specified, or if explicitly set to -1, the filter will try to use a good random seed on a best effort basis.

Note: in case of auto-inserted filter between the permission filter and the following one, the permission might not be received as expected in that following filter. Inserting a format or aformat filter before the perms/aperms filter can avoid this problem.

realtime, arealtime
===================

Slow down filtering to match real time approximately.

These filters will pause the filtering for a variable amount of time to match the output rate with the input timestamps. They are similar to the re option to ffmpeg.

They accept the following options:

limit
     Time limit for the pauses. Any pause longer than that will be considered a timestamp discontinuity and reset the timer. Default is 2 seconds.

speed
     Speed factor for processing. The value must be a float larger than zero. Values larger than 1.0 will result in faster than realtime processing, smaller will slow processing down. The LIMIT is automatically adapted accordingly. Default is 1.0.

     A processing speed faster than what is possible without these filters cannot be achieved.

select, aselect
===============

Select frames to pass in output.

This filter accepts the following options:

expr, e
     Set expression, which is evaluated for each input frame.

     If the expression is evaluated to zero, the frame is discarded.

     If the evaluation result is negative or NaN, the frame is sent to the first output; otherwise it is sent to the output with index ceil(val)-1, assuming that the input index starts from 0.

     For example a value of 1.2 corresponds to the output with index ceil(1.2)-1 = 2-1 = 1, that is the second output.

outputs, n
     Set the number of outputs. The output to which to send the selected frame is based on the result of the evaluation. Default value is 1.

The expression can contain the following constants:

n
     The (sequential) number of the filtered frame, starting from 0.

selected_n
     The (sequential) number of the selected frame, starting from 0.

prev_selected_n
     The sequential number of the last selected frame. It's NAN if undefined.

TB
     The timebase of the input timestamps.

pts
     The PTS (Presentation TimeStamp) of the filtered video frame, expressed in TB units. It's NAN if undefined.

t
     The PTS of the filtered video frame, expressed in seconds. It's NAN if undefined.

prev_pts
     The PTS of the previously filtered video frame. It's NAN if undefined.

prev_selected_pts
     The PTS of the last previously filtered video frame. It's NAN if undefined.

prev_selected_t
     The PTS of the last previously selected video frame, expressed in seconds. It's NAN if undefined.

start_pts
     The PTS of the first video frame in the video. It's NAN if undefined.

start_t
     The time of the first video frame in the video. It's NAN if undefined.

pict_type (video only)
     The type of the filtered frame. It can assume one of the following values:

     I

     P

     B

     S

     SI

     SP

     BI

interlace_type (video only)
     The frame interlace type. It can assume one of the following values:

     PROGRESSIVE
          The frame is progressive (not interlaced).

     TOPFIRST
          The frame is top-field-first.

     BOTTOMFIRST
          The frame is bottom-field-first.

consumed_sample_n (audio only)
     the number of selected samples before the current frame

samples_n (audio only)
     the number of samples in the current frame

sample_rate (audio only)
     the input sample rate

key
     This is 1 if the filtered frame is a key-frame, 0 otherwise.

pos
     the position in the file of the filtered frame, -1 if the information is not available (e.g. for synthetic video)

scene (video only)
     value between 0 and 1 to indicate a new scene; a low value reflects a low probability for the current frame to introduce a new scene, while a higher value means the current frame is more likely to be one (see the example below)

concatdec_select
     The concat demuxer can select only part of a concat input file by setting an inpoint and an outpoint, but the output packets may not be entirely contained in the selected interval. By using this variable, it is possible to skip frames generated by the concat demuxer which are not exactly contained in the selected interval.

     This works by comparing the frame pts against the LAVF.CONCAT.START_TIME and the LAVF.CONCAT.DURATION packet metadata values which are also present in the decoded frames.

     The CONCATDEC_SELECT variable is -1 if the frame pts is at least start_time and either the duration metadata is missing or the frame pts is less than start_time + duration, 0 otherwise, and NaN if the start_time metadata is missing.

     That basically means that an input frame is selected if its pts is within the interval set by the concat demuxer.

The default value of the select expression is "1".

Examples
--------

  * Select all frames in input:

          select

     The example above is the same as:

          select=1

  * Skip all frames:

          select=0

  * Select only I-frames:

          select='eq(pict_type\,I)'

  * Select one frame every 100:

          select='not(mod(n\,100))'

  * Select only frames contained in the 10-20 time interval:

          select=between(t\,10\,20)

  * Select only I-frames contained in the 10-20 time interval:

          select=between(t\,10\,20)*eq(pict_type\,I)

  * Select frames with a minimum distance of 10 seconds:

          select='isnan(prev_selected_t)+gte(t-prev_selected_t\,10)'

  * Use aselect to select only audio frames with samples number > 100:

          aselect='gt(samples_n\,100)'

  * Create a mosaic of the first scenes:

          ffmpeg -i video.avi -vf select='gt(scene\,0.4)',scale=160:120,tile -frames:v 1 preview.png

     Comparing SCENE against a value between 0.3 and 0.5 is generally a sane choice.

  * Send even and odd frames to separate outputs, and compose them:

          select=n=2:e='mod(n, 2)+1' [odd][even]; [odd] pad=h=2*ih [tmp]; [tmp][even] overlay=y=h

  * Select useful frames from an ffconcat file which is using inpoints and outpoints but where the source files are not intra frame only.

          ffmpeg -copyts -vsync 0 -segment_time_metadata 1 -i input.ffconcat -vf select=concatdec_select -af aselect=concatdec_select output.avi

sendcmd, asendcmd
=================

Send commands to filters in the filtergraph.

These filters read commands to be sent to other filters in the filtergraph.

sendcmd must be inserted between two video filters, asendcmd must be inserted between two audio filters, but apart from that they act the same way.

The specification of commands can be provided in the filter arguments with the COMMANDS option, or in a file specified by the FILENAME option.

These filters accept the following options:

commands, c
     Set the commands to be read and sent to the other filters.

filename, f
     Set the filename of the commands to be read and sent to the other filters.

Commands syntax
---------------

A commands description consists of a sequence of interval specifications, comprising a list of commands to be executed when a particular event related to that interval occurs. The occurring event is typically the current frame time entering or leaving a given time interval.

An interval is specified by the following syntax:

     START[-END] COMMANDS;

The time interval is specified by the START and END times. END is optional and defaults to the maximum time.

The current frame time is considered within the specified interval if it is included in the interval [START, END), that is when the time is greater or equal to START and is lesser than END.

COMMANDS consists of a sequence of one or more command specifications, separated by ",", relating to that interval.  The syntax of a command specification is given by:

     [FLAGS] TARGET COMMAND ARG

FLAGS is optional and specifies the type of events relating to the time interval which enable sending the specified command, and must be a non-null sequence of identifier flags separated by "+" or "|" and enclosed between "[" and "]".

The following flags are recognized:

enter
     The command is sent when the current frame timestamp enters the specified interval. In other words, the command is sent when the previous frame timestamp was not in the given interval, and the current is.

leave
     The command is sent when the current frame timestamp leaves the specified interval. In other words, the command is sent when the previous frame timestamp was in the given interval, and the current is not.

expr
     The command ARG is interpreted as expression and result of expression is passed as ARG.

     The expression is evaluated through the eval API and can contain the following constants:

     POS
          Original position in the file of the frame, or undefined if undefined for the current frame.

     PTS
          The presentation timestamp in input.

     N
          The count of the input frame for video or audio, starting from 0.

     T
          The time in seconds of the current frame.

     TS
          The start time in seconds of the current command interval.

     TE
          The end time in seconds of the current command interval.

     TI
          The interpolated time of the current command interval, TI = (T - TS) / (TE - TS).

If FLAGS is not specified, a default value of [enter] is assumed.

TARGET specifies the target of the command, usually the name of the filter class or a specific filter instance name.

COMMAND specifies the name of the command for the target filter.

ARG is optional and specifies the optional list of argument for the given COMMAND.

Between one interval specification and another, whitespaces, or sequences of characters starting with # until the end of line, are ignored and can be used to annotate comments.

A simplified BNF description of the commands specification syntax follows:

     COMMAND_FLAG  ::= "enter" | "leave"
     COMMAND_FLAGS ::= COMMAND_FLAG [(+|"|")COMMAND_FLAG]
     COMMAND       ::= ["[" COMMAND_FLAGS "]"] TARGET COMMAND [ARG]
     COMMANDS      ::= COMMAND [,COMMANDS]
     INTERVAL      ::= START[-END] COMMANDS
     INTERVALS     ::= INTERVAL[;INTERVALS]

Examples
--------

  * Specify audio tempo change at second 4:

          asendcmd=c='4.0 atempo tempo 1.5',atempo

  * Target a specific filter instance:

          asendcmd=c='4.0 atempo@my tempo 1.5',atempo@my

  * Specify a list of drawtext and hue commands in a file.

          # show text in the interval 5-10
          5.0-10.0 [enter] drawtext reinit 'fontfile=FreeSerif.ttf:text=hello world',
                   [leave] drawtext reinit 'fontfile=FreeSerif.ttf:text=';

          # desaturate the image in the interval 15-20
          15.0-20.0 [enter] hue s 0,
                    [enter] drawtext reinit 'fontfile=FreeSerif.ttf:text=nocolor',
                    [leave] hue s 1,
                    [leave] drawtext reinit 'fontfile=FreeSerif.ttf:text=color';

          # apply an exponential saturation fade-out effect, starting from time 25
          25 [enter] hue s exp(25-t)

     A filtergraph allowing to read and process the above command list stored in a file test.cmd, can be specified with:

          sendcmd=f=test.cmd,drawtext=fontfile=FreeSerif.ttf:text='',hue

setpts, asetpts
===============

Change the PTS (presentation timestamp) of the input frames.

setpts works on video frames, asetpts on audio frames.

This filter accepts the following options:

expr
     The expression which is evaluated for each frame to construct its timestamp.

The expression is evaluated through the eval API and can contain the following constants:

FRAME_RATE, FR
     frame rate, only defined for constant frame-rate video

PTS
     The presentation timestamp in input

N
     The count of the input frame for video or the number of consumed samples, not including the current frame for audio, starting from 0.

NB_CONSUMED_SAMPLES
     The number of consumed samples, not including the current frame (only audio)

NB_SAMPLES, S
     The number of samples in the current frame (only audio)

SAMPLE_RATE, SR
     The audio sample rate.

STARTPTS
     The PTS of the first frame.

STARTT
     the time in seconds of the first frame

INTERLACED
     State whether the current frame is interlaced.

T
     the time in seconds of the current frame

POS
     original position in the file of the frame, or undefined if undefined for the current frame

PREV_INPTS
     The previous input PTS.

PREV_INT
     previous input time in seconds

PREV_OUTPTS
     The previous output PTS.

PREV_OUTT
     previous output time in seconds

RTCTIME
     The wallclock (RTC) time in microseconds. This is deprecated, use time(0) instead.

RTCSTART
     The wallclock (RTC) time at the start of the movie in microseconds.

TB
     The timebase of the input timestamps.

Examples
--------

  * Start counting PTS from zero

          setpts=PTS-STARTPTS

  * Apply fast motion effect:

          setpts=0.5*PTS

  * Apply slow motion effect:

          setpts=2.0*PTS

  * Set fixed rate of 25 frames per second:

          setpts=N/(25*TB)

  * Set fixed rate 25 fps with some jitter:

          setpts='1/(25*TB) * (N + 0.05 * sin(N*2*PI/25))'

  * Apply an offset of 10 seconds to the input PTS:

          setpts=PTS+10/TB

  * Generate timestamps from a "live source" and rebase onto the current timebase:

          setpts='(RTCTIME - RTCSTART) / (TB * 1000000)'

  * Generate timestamps by counting samples:

          asetpts=N/SR/TB

setrange
========

Force color range for the output video frame.

The setrange filter marks the color range property for the output frames. It does not change the input frame, but only sets the corresponding property, which affects how the frame is treated by following filters.

The filter accepts the following options:

range
     Available values are:

     auto
          Keep the same color range property.

     unspecified, unknown
          Set the color range as unspecified.

     limited, tv, mpeg
          Set the color range as limited.

     full, pc, jpeg
          Set the color range as full.

settb, asettb
=============

Set the timebase to use for the output frames timestamps. It is mainly useful for testing timebase configuration.

It accepts the following parameters:

expr, tb
     The expression which is evaluated into the output timebase.

The value for tb is an arithmetic expression representing a rational. The expression can contain the constants "AVTB" (the default timebase), "intb" (the input timebase) and "sr" (the sample rate, audio only). Default value is "intb".

Examples
--------

  * Set the timebase to 1/25:

          settb=expr=1/25

  * Set the timebase to 1/10:

          settb=expr=0.1

  * Set the timebase to 1001/1000:

          settb=1+0.001

  * Set the timebase to 2*intb:

          settb=2*intb

  * Set the default timebase value:

          settb=AVTB

showcqt
=======

Convert input audio to a video output representing frequency spectrum logarithmically using Brown-Puckette constant Q transform algorithm with direct frequency domain coefficient calculation (but the transform itself is not really constant Q, instead the Q factor is actually variable/clamped), with musical tone scale, from E0 to D#10.

The filter accepts the following options:

size, s
     Specify the video size for the output. It must be even. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is 1920x1080.

fps, rate, r
     Set the output frame rate. Default value is 25.

bar_h
     Set the bargraph height. It must be even. Default value is -1 which computes the bargraph height automatically.

axis_h
     Set the axis height. It must be even. Default value is -1 which computes the axis height automatically.

sono_h
     Set the sonogram height. It must be even. Default value is -1 which computes the sonogram height automatically.

fullhd
     Set the fullhd resolution. This option is deprecated, use SIZE, S instead. Default value is 1.

sono_v, volume
     Specify the sonogram volume expression. It can contain variables:

     bar_v
          the BAR_V evaluated expression

     frequency, freq, f
          the frequency where it is evaluated

     timeclamp, tc
          the value of TIMECLAMP option

     and functions:

     a_weighting(f)
          A-weighting of equal loudness

     b_weighting(f)
          B-weighting of equal loudness

     c_weighting(f)
          C-weighting of equal loudness.

     Default value is 16.

bar_v, volume2
     Specify the bargraph volume expression. It can contain variables:

     sono_v
          the SONO_V evaluated expression

     frequency, freq, f
          the frequency where it is evaluated

     timeclamp, tc
          the value of TIMECLAMP option

     and functions:

     a_weighting(f)
          A-weighting of equal loudness

     b_weighting(f)
          B-weighting of equal loudness

     c_weighting(f)
          C-weighting of equal loudness.

     Default value is sono_v.

sono_g, gamma
     Specify the sonogram gamma. Lower gamma makes the spectrum more contrast, higher gamma makes the spectrum having more range. Default value is 3. Acceptable range is [1, 7].

bar_g, gamma2
     Specify the bargraph gamma. Default value is 1. Acceptable range is [1, 7].

bar_t
     Specify the bargraph transparency level. Lower value makes the bargraph sharper. Default value is 1. Acceptable range is [0, 1].

timeclamp, tc
     Specify the transform timeclamp. At low frequency, there is trade-off between accuracy in time domain and frequency domain. If timeclamp is lower, event in time domain is represented more accurately (such as fast bass drum), otherwise event in frequency domain is represented more accurately (such as bass guitar). Acceptable range is [0.002, 1]. Default value is 0.17.

attack
     Set attack time in seconds. The default is 0 (disabled). Otherwise, it limits future samples by applying asymmetric windowing in time domain, useful when low latency is required. Accepted range is [0, 1].

basefreq
     Specify the transform base frequency. Default value is 20.01523126408007475, which is frequency 50 cents below E0. Acceptable range is [10, 100000].

endfreq
     Specify the transform end frequency. Default value is 20495.59681441799654, which is frequency 50 cents above D#10. Acceptable range is [10, 100000].

coeffclamp
     This option is deprecated and ignored.

tlength
     Specify the transform length in time domain. Use this option to control accuracy trade-off between time domain and frequency domain at every frequency sample. It can contain variables:

     frequency, freq, f
          the frequency where it is evaluated

     timeclamp, tc
          the value of TIMECLAMP option.

     Default value is 384*tc/(384+tc*f).

count
     Specify the transform count for every video frame. Default value is 6. Acceptable range is [1, 30].

fcount
     Specify the transform count for every single pixel. Default value is 0, which makes it computed automatically. Acceptable range is [0, 10].

fontfile
     Specify font file for use with freetype to draw the axis. If not specified, use embedded font. Note that drawing with font file or embedded font is not implemented with custom BASEFREQ and ENDFREQ, use AXISFILE option instead.

font
     Specify fontconfig pattern. This has lower priority than FONTFILE. The : in the pattern may be replaced by | to avoid unnecessary escaping.

fontcolor
     Specify font color expression. This is arithmetic expression that should return integer value 0xRRGGBB. It can contain variables:

     frequency, freq, f
          the frequency where it is evaluated

     timeclamp, tc
          the value of TIMECLAMP option

     and functions:

     midi(f)
          midi number of frequency f, some midi numbers: E0(16), C1(24), C2(36), A4(69)

     r(x), g(x), b(x)
          red, green, and blue value of intensity x.

     Default value is st(0, (midi(f)-59.5)/12); st(1, if(between(ld(0),0,1), 0.5-0.5*cos(2*PI*ld(0)), 0)); r(1-ld(1)) + b(ld(1)).

axisfile
     Specify image file to draw the axis. This option override FONTFILE and FONTCOLOR option.

axis, text
     Enable/disable drawing text to the axis. If it is set to 0, drawing to the axis is disabled, ignoring FONTFILE and AXISFILE option. Default value is 1.

csp
     Set colorspace. The accepted values are:

     unspecified
          Unspecified (default)

     bt709
          BT.709

     fcc
          FCC

     bt470bg
          BT.470BG or BT.601-6 625

     smpte170m
          SMPTE-170M or BT.601-6 525

     smpte240m
          SMPTE-240M

     bt2020ncl
          BT.2020 with non-constant luminance

cscheme
     Set spectrogram color scheme. This is list of floating point values with format
     left_r|left_g|left_b|right_r|right_g|right_b.
     The default is 1|0.5|0|0|0.5|1.

Examples
--------

  * Playing audio while showing the spectrum:

          ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt [out0]'

  * Same as above, but with frame rate 30 fps:

          ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt=fps=30:count=5 [out0]'

  * Playing at 1280x720:

          ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt=s=1280x720:count=4 [out0]'

  * Disable sonogram display:

          sono_h=0

  * A1 and its harmonics: A1, A2, (near)E3, A3:

          ffplay -f lavfi 'aevalsrc=0.1*sin(2*PI*55*t)+0.1*sin(4*PI*55*t)+0.1*sin(6*PI*55*t)+0.1*sin(8*PI*55*t),
                           asplit[a][out1]; [a] showcqt [out0]'

  * Same as above, but with more accuracy in frequency domain:

          ffplay -f lavfi 'aevalsrc=0.1*sin(2*PI*55*t)+0.1*sin(4*PI*55*t)+0.1*sin(6*PI*55*t)+0.1*sin(8*PI*55*t),
                           asplit[a][out1]; [a] showcqt=timeclamp=0.5 [out0]'

  * Custom volume:

          bar_v=10:sono_v=bar_v*a_weighting(f)

  * Custom gamma, now spectrum is linear to the amplitude.

          bar_g=2:sono_g=2

  * Custom tlength equation:

          tc=0.33:tlength='st(0,0.17); 384*tc / (384 / ld(0) + tc*f /(1-ld(0))) + 384*tc / (tc*f / ld(0) + 384 /(1-ld(0)))'

  * Custom fontcolor and fontfile, C-note is colored green, others are colored blue:

          fontcolor='if(mod(floor(midi(f)+0.5),12), 0x0000FF, g(1))':fontfile=myfont.ttf

  * Custom font using fontconfig:

          font='Courier New,Monospace,mono|bold'

  * Custom frequency range with custom axis using image file:

          axisfile=myaxis.png:basefreq=40:endfreq=10000

showfreqs
=========

Convert input audio to video output representing the audio power spectrum. Audio amplitude is on Y-axis while frequency is on X-axis.

The filter accepts the following options:

size, s
     Specify size of video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default is 1024x512.

mode
     Set display mode. This set how each frequency bin will be represented.

     It accepts the following values:

     line

     bar

     dot

     Default is bar.

ascale
     Set amplitude scale.

     It accepts the following values:

     lin
          Linear scale.

     sqrt
          Square root scale.

     cbrt
          Cubic root scale.

     log
          Logarithmic scale.

     Default is log.

fscale
     Set frequency scale.

     It accepts the following values:

     lin
          Linear scale.

     log
          Logarithmic scale.

     rlog
          Reverse logarithmic scale.

     Default is lin.

win_size
     Set window size. Allowed range is from 16 to 65536.

     Default is 2048

win_func
     Set windowing function.

     It accepts the following values:

     rect

     bartlett

     hanning

     hamming

     blackman

     welch

     flattop

     bharris

     bnuttall

     bhann

     sine

     nuttall

     lanczos

     gauss

     tukey

     dolph

     cauchy

     parzen

     poisson

     bohman

     Default is hanning.

overlap
     Set window overlap. In range [0, 1]. Default is 1, which means optimal overlap for selected window function will be picked.

averaging
     Set time averaging. Setting this to 0 will display current maximal peaks. Default is 1, which means time averaging is disabled.

colors
     Specify list of colors separated by space or by '|' which will be used to draw channel frequencies. Unrecognized or missing colors will be replaced by white color.

cmode
     Set channel display mode.

     It accepts the following values:

     combined

     separate

     Default is combined.

minamp
     Set minimum amplitude used in log amplitude scaler.

data
     Set data display mode.

     It accepts the following values:

     magnitude

     phase

     delay

     Default is magnitude.

showspatial
===========

Convert stereo input audio to a video output, representing the spatial relationship between two channels.

The filter accepts the following options:

size, s
     Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is 512x512.

win_size
     Set window size. Allowed range is from 1024 to 65536. Default size is 4096.

win_func
     Set window function.

     It accepts the following values:

     rect

     bartlett

     hann

     hanning

     hamming

     blackman

     welch

     flattop

     bharris

     bnuttall

     bhann

     sine

     nuttall

     lanczos

     gauss

     tukey

     dolph

     cauchy

     parzen

     poisson

     bohman

     Default value is hann.

overlap
     Set ratio of overlap window. Default value is 0.5. When value is 1 overlap is set to recommended size for specific window function currently used.

showspectrum
============

Convert input audio to a video output, representing the audio frequency spectrum.

The filter accepts the following options:

size, s
     Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is 640x512.

slide
     Specify how the spectrum should slide along the window.

     It accepts the following values:

     replace
          the samples start again on the left when they reach the right

     scroll
          the samples scroll from right to left

     fullframe
          frames are only produced when the samples reach the right

     rscroll
          the samples scroll from left to right

     Default value is replace.

mode
     Specify display mode.

     It accepts the following values:

     combined
          all channels are displayed in the same row

     separate
          all channels are displayed in separate rows

     Default value is combined.

color
     Specify display color mode.

     It accepts the following values:

     channel
          each channel is displayed in a separate color

     intensity
          each channel is displayed using the same color scheme

     rainbow
          each channel is displayed using the rainbow color scheme

     moreland
          each channel is displayed using the moreland color scheme

     nebulae
          each channel is displayed using the nebulae color scheme

     fire
          each channel is displayed using the fire color scheme

     fiery
          each channel is displayed using the fiery color scheme

     fruit
          each channel is displayed using the fruit color scheme

     cool
          each channel is displayed using the cool color scheme

     magma
          each channel is displayed using the magma color scheme

     green
          each channel is displayed using the green color scheme

     viridis
          each channel is displayed using the viridis color scheme

     plasma
          each channel is displayed using the plasma color scheme

     cividis
          each channel is displayed using the cividis color scheme

     terrain
          each channel is displayed using the terrain color scheme

     Default value is channel.

scale
     Specify scale used for calculating intensity color values.

     It accepts the following values:

     lin
          linear

     sqrt
          square root, default

     cbrt
          cubic root

     log
          logarithmic

     4thrt
          4th root

     5thrt
          5th root

     Default value is sqrt.

fscale
     Specify frequency scale.

     It accepts the following values:

     lin
          linear

     log
          logarithmic

     Default value is lin.

saturation
     Set saturation modifier for displayed colors. Negative values provide alternative color scheme. 0 is no saturation at all. Saturation must be in [-10.0, 10.0] range. Default value is 1.

win_func
     Set window function.

     It accepts the following values:

     rect

     bartlett

     hann

     hanning

     hamming

     blackman

     welch

     flattop

     bharris

     bnuttall

     bhann

     sine

     nuttall

     lanczos

     gauss

     tukey

     dolph

     cauchy

     parzen

     poisson

     bohman

     Default value is hann.

orientation
     Set orientation of time vs frequency axis. Can be vertical or horizontal. Default is vertical.

overlap
     Set ratio of overlap window. Default value is 0. When value is 1 overlap is set to recommended size for specific window function currently used.

gain
     Set scale gain for calculating intensity color values. Default value is 1.

data
     Set which data to display. Can be magnitude, default or phase.

rotation
     Set color rotation, must be in [-1.0, 1.0] range. Default value is 0.

start
     Set start frequency from which to display spectrogram. Default is 0.

stop
     Set stop frequency to which to display spectrogram. Default is 0.

fps
     Set upper frame rate limit. Default is auto, unlimited.

legend
     Draw time and frequency axes and legends. Default is disabled.

The usage is very similar to the showwaves filter; see the examples in that section.

Examples
--------

  * Large window with logarithmic color scaling:

          showspectrum=s=1280x480:scale=log

  * Complete example for a colored and sliding spectrum per channel using ffplay:

          ffplay -f lavfi 'amovie=input.mp3, asplit [a][out1];
                       [a] showspectrum=mode=separate:color=intensity:slide=1:scale=cbrt [out0]'

showspectrumpic
===============

Convert input audio to a single video frame, representing the audio frequency spectrum.

The filter accepts the following options:

size, s
     Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is 4096x2048.

mode
     Specify display mode.

     It accepts the following values:

     combined
          all channels are displayed in the same row

     separate
          all channels are displayed in separate rows

     Default value is combined.

color
     Specify display color mode.

     It accepts the following values:

     channel
          each channel is displayed in a separate color

     intensity
          each channel is displayed using the same color scheme

     rainbow
          each channel is displayed using the rainbow color scheme

     moreland
          each channel is displayed using the moreland color scheme

     nebulae
          each channel is displayed using the nebulae color scheme

     fire
          each channel is displayed using the fire color scheme

     fiery
          each channel is displayed using the fiery color scheme

     fruit
          each channel is displayed using the fruit color scheme

     cool
          each channel is displayed using the cool color scheme

     magma
          each channel is displayed using the magma color scheme

     green
          each channel is displayed using the green color scheme

     viridis
          each channel is displayed using the viridis color scheme

     plasma
          each channel is displayed using the plasma color scheme

     cividis
          each channel is displayed using the cividis color scheme

     terrain
          each channel is displayed using the terrain color scheme

     Default value is intensity.

scale
     Specify scale used for calculating intensity color values.

     It accepts the following values:

     lin
          linear

     sqrt
          square root, default

     cbrt
          cubic root

     log
          logarithmic

     4thrt
          4th root

     5thrt
          5th root

     Default value is log.

fscale
     Specify frequency scale.

     It accepts the following values:

     lin
          linear

     log
          logarithmic

     Default value is lin.

saturation
     Set saturation modifier for displayed colors. Negative values provide alternative color scheme. 0 is no saturation at all. Saturation must be in [-10.0, 10.0] range. Default value is 1.

win_func
     Set window function.

     It accepts the following values:

     rect

     bartlett

     hann

     hanning

     hamming

     blackman

     welch

     flattop

     bharris

     bnuttall

     bhann

     sine

     nuttall

     lanczos

     gauss

     tukey

     dolph

     cauchy

     parzen

     poisson

     bohman

     Default value is hann.

orientation
     Set orientation of time vs frequency axis. Can be vertical or horizontal. Default is vertical.

gain
     Set scale gain for calculating intensity color values. Default value is 1.

legend
     Draw time and frequency axes and legends. Default is enabled.

rotation
     Set color rotation, must be in [-1.0, 1.0] range. Default value is 0.

start
     Set start frequency from which to display spectrogram. Default is 0.

stop
     Set stop frequency to which to display spectrogram. Default is 0.

Examples
--------

  * Extract an audio spectrogram of a whole audio track in a 1024x1024 picture using ffmpeg:

          ffmpeg -i audio.flac -lavfi showspectrumpic=s=1024x1024 spectrogram.png

showvolume
==========

Convert input audio volume to a video output.

The filter accepts the following options:

rate, r
     Set video rate.

b
     Set border width, allowed range is [0, 5]. Default is 1.

w
     Set channel width, allowed range is [80, 8192]. Default is 400.

h
     Set channel height, allowed range is [1, 900]. Default is 20.

f
     Set fade, allowed range is [0, 1]. Default is 0.95.

c
     Set volume color expression.

     The expression can use the following variables:

     VOLUME
          Current max volume of channel in dB.

     PEAK
          Current peak.

     CHANNEL
          Current channel number, starting from 0.

t
     If set, displays channel names. Default is enabled.

v
     If set, displays volume values. Default is enabled.

o
     Set orientation, can be horizontal: h or vertical: v, default is h.

s
     Set step size, allowed range is [0, 5]. Default is 0, which means step is disabled.

p
     Set background opacity, allowed range is [0, 1]. Default is 0.

m
     Set metering mode, can be peak: p or rms: r, default is p.

ds
     Set display scale, can be linear: lin or log: log, default is lin.

dm
     In second. If set to > 0., display a line for the max level in the previous seconds. default is disabled: 0.

dmc
     The color of the max line. Use when dm option is set to > 0. default is: orange

showwaves
=========

Convert input audio to a video output, representing the samples waves.

The filter accepts the following options:

size, s
     Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is 600x240.

mode
     Set display mode.

     Available values are:

     point
          Draw a point for each sample.

     line
          Draw a vertical line for each sample.

     p2p
          Draw a point for each sample and a line between them.

     cline
          Draw a centered vertical line for each sample.

     Default value is point.

n
     Set the number of samples which are printed on the same column. A larger value will decrease the frame rate. Must be a positive integer. This option can be set only if the value for RATE is not explicitly specified.

rate, r
     Set the (approximate) output frame rate. This is done by setting the option N. Default value is "25".

split_channels
     Set if channels should be drawn separately or overlap. Default value is 0.

colors
     Set colors separated by '|' which are going to be used for drawing of each channel.

scale
     Set amplitude scale.

     Available values are:

     lin
          Linear.

     log
          Logarithmic.

     sqrt
          Square root.

     cbrt
          Cubic root.

     Default is linear.

draw
     Set the draw mode. This is mostly useful to set for high N.

     Available values are:

     scale
          Scale pixel values for each drawn sample.

     full
          Draw every sample directly.

     Default value is scale.

Examples
--------

  * Output the input file audio and the corresponding video representation at the same time:

          amovie=a.mp3,asplit[out0],showwaves[out1]

  * Create a synthetic signal and show it with showwaves, forcing a frame rate of 30 frames per second:

          aevalsrc=sin(1*2*PI*t)*sin(880*2*PI*t):cos(2*PI*200*t),asplit[out0],showwaves=r=30[out1]

showwavespic
============

Convert input audio to a single video frame, representing the samples waves.

The filter accepts the following options:

size, s
     Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual (ffmpeg-utils). Default value is 600x240.

split_channels
     Set if channels should be drawn separately or overlap. Default value is 0.

colors
     Set colors separated by '|' which are going to be used for drawing of each channel.

scale
     Set amplitude scale.

     Available values are:

     lin
          Linear.

     log
          Logarithmic.

     sqrt
          Square root.

     cbrt
          Cubic root.

     Default is linear.

draw
     Set the draw mode.

     Available values are:

     scale
          Scale pixel values for each drawn sample.

     full
          Draw every sample directly.

     Default value is scale.

filter
     Set the filter mode.

     Available values are:

     average
          Use average samples values for each drawn sample.

     peak
          Use peak samples values for each drawn sample.

     Default value is average.

Examples
--------

  * Extract a channel split representation of the wave form of a whole audio track in a 1024x800 picture using ffmpeg:

          ffmpeg -i audio.flac -lavfi showwavespic=split_channels=1:s=1024x800 waveform.png

sidedata, asidedata
===================

Delete frame side data, or select frames based on it.

This filter accepts the following options:

mode
     Set mode of operation of the filter.

     Can be one of the following:

     select
          Select every frame with side data of type.

     delete
          Delete side data of type. If type is not set, delete all side data in the frame.

type
     Set side data type used with all modes. Must be set for select mode. For the list of frame side data types, refer to the AVFrameSideDataType enum in libavutil/frame.h. For example, to choose AV_FRAME_DATA_PANSCAN side data, you must specify PANSCAN.

spectrumsynth
=============

Synthesize audio from 2 input video spectrums, first input stream represents magnitude across time and second represents phase across time. The filter will transform from frequency domain as displayed in videos back to time domain as presented in audio output.

This filter is primarily created for reversing processed showspectrum filter outputs, but can synthesize sound from other spectrograms too. But in such case results are going to be poor if the phase data is not available, because in such cases phase data need to be recreated, usually it's just recreated from random noise. For best results use gray only output (channel color mode in showspectrum filter) and log scale for magnitude video and lin scale for phase video. To produce phase, for 2nd video, use data option. Inputs videos should generally use fullframe slide mode as that saves resources needed for decoding video.

The filter accepts the following options:

sample_rate
     Specify sample rate of output audio, the sample rate of audio from which spectrum was generated may differ.

channels
     Set number of channels represented in input video spectrums.

scale
     Set scale which was used when generating magnitude input spectrum. Can be lin or log. Default is log.

slide
     Set slide which was used when generating inputs spectrums. Can be replace, scroll, fullframe or rscroll. Default is fullframe.

win_func
     Set window function used for resynthesis.

overlap
     Set window overlap. In range [0, 1]. Default is 1, which means optimal overlap for selected window function will be picked.

orientation
     Set orientation of input videos. Can be vertical or horizontal. Default is vertical.

Examples
--------

  * First create magnitude and phase videos from audio, assuming audio is stereo with 44100 sample rate, then resynthesize videos back to audio with spectrumsynth:

          ffmpeg -i input.flac -lavfi showspectrum=mode=separate:scale=log:overlap=0.875:color=channel:slide=fullframe:data=magnitude -an -c:v rawvideo magnitude.nut
          ffmpeg -i input.flac -lavfi showspectrum=mode=separate:scale=lin:overlap=0.875:color=channel:slide=fullframe:data=phase -an -c:v rawvideo phase.nut
          ffmpeg -i magnitude.nut -i phase.nut -lavfi spectrumsynth=channels=2:sample_rate=44100:win_func=hann:overlap=0.875:slide=fullframe output.flac

split, asplit
=============

Split input into several identical outputs.

asplit works with audio input, split with video.

The filter accepts a single parameter which specifies the number of outputs. If unspecified, it defaults to 2.

Examples
--------

  * Create two separate outputs from the same input:

          [in] split [out0][out1]

  * To create 3 or more outputs, you need to specify the number of outputs, like in:

          [in] asplit=3 [out0][out1][out2]

  * Create two separate outputs from the same input, one cropped and one padded:

          [in] split [splitout1][splitout2];
          [splitout1] crop=100:100:0:0    [cropout];
          [splitout2] pad=200:200:100:100 [padout];

  * Create 5 copies of the input audio with ffmpeg:

          ffmpeg -i INPUT -filter_complex asplit=5 OUTPUT

zmq, azmq
=========

Receive commands sent through a libzmq client, and forward them to filters in the filtergraph.

zmq and azmq work as a pass-through filters. zmq must be inserted between two video filters, azmq between two audio filters. Both are capable to send messages to any filter type.

To enable these filters you need to install the libzmq library and headers and configure FFmpeg with --enable-libzmq.

For more information about libzmq see: http://www.zeromq.org/

The zmq and azmq filters work as a libzmq server, which receives messages sent through a network interface defined by the bind_address (or the abbreviation "b") option. Default value of this option is tcp://localhost:5555. You may want to alter this value to your needs, but do not forget to escape any ':' signs (see filtergraph escaping).

The received message must be in the form:

     TARGET COMMAND [ARG]

TARGET specifies the target of the command, usually the name of the filter class or a specific filter instance name. The default filter instance name uses the pattern Parsed_<filter_name>_<index>, but you can override this by using the filter_name@id syntax (see Filtergraph syntax).

COMMAND specifies the name of the command for the target filter.

ARG is optional and specifies the optional argument list for the given COMMAND.

Upon reception, the message is processed and the corresponding command is injected into the filtergraph. Depending on the result, the filter will send a reply to the client, adopting the format:

     ERROR_CODE ERROR_REASON
     MESSAGE

MESSAGE is optional.

Examples
--------

Look at tools/zmqsend for an example of a zmq client which can be used to send commands processed by these filters.

Consider the following filtergraph generated by ffplay. In this example the last overlay filter has an instance name. All other filters will have default instance names.

     ffplay -dumpgraph 1 -f lavfi "
     color=s=100x100:c=red  [l];
     color=s=100x100:c=blue [r];
     nullsrc=s=200x100, zmq [bg];
     [bg][l]   overlay     [bg+l];
     [bg+l][r] overlay@my=x=100 "

To change the color of the left side of the video, the following command can be used:

     echo Parsed_color_0 c yellow | tools/zmqsend

To change the right side:

     echo Parsed_color_1 c pink | tools/zmqsend

To change the position of the right side:

     echo overlay@my x 150 | tools/zmqsend

Multimedia Sources
******************

Below is a description of the currently available multimedia sources.

amovie
======

This is the same as movie source, except it selects an audio stream by default.

movie
=====

Read audio and/or video stream(s) from a movie container.

It accepts the following parameters:

filename
     The name of the resource to read (not necessarily a file; it can also be a device or a stream accessed through some protocol).

format_name, f
     Specifies the format assumed for the movie to read, and can be either the name of a container or an input device. If not specified, the format is guessed from MOVIE_NAME or by probing.

seek_point, sp
     Specifies the seek point in seconds. The frames will be output starting from this seek point. The parameter is evaluated with av_strtod, so the numerical value may be suffixed by an IS postfix. The default value is "0".

streams, s
     Specifies the streams to read. Several streams can be specified, separated by "+". The source will then have as many outputs, in the same order. The syntax is explained in the "Stream specifiers" section in the ffmpeg manual (ffmpeg). Two special names, "dv" and "da" specify respectively the default (best suited) video and audio stream. Default is "dv", or "da" if the filter is called as "amovie".

stream_index, si
     Specifies the index of the video stream to read. If the value is -1, the most suitable video stream will be automatically selected. The default value is "-1". Deprecated. If the filter is called "amovie", it will select audio instead of video.

loop
     Specifies how many times to read the stream in sequence. If the value is 0, the stream will be looped infinitely. Default value is "1".

     Note that when the movie is looped the source timestamps are not changed, so it will generate non monotonically increasing timestamps.

discontinuity
     Specifies the time difference between frames above which the point is considered a timestamp discontinuity which is removed by adjusting the later timestamps.

It allows overlaying a second video on top of the main input of a filtergraph, as shown in this graph:

     input -----------> deltapts0 --> overlay --> output
                                         ^
                                         |
     movie --> scale--> deltapts1 -------+

Examples
--------

  * Skip 3.2 seconds from the start of the AVI file in.avi, and overlay it on top of the input labelled "in":

          movie=in.avi:seek_point=3.2, scale=180:-1, setpts=PTS-STARTPTS [over];
          [in] setpts=PTS-STARTPTS [main];
          [main][over] overlay=16:16 [out]

  * Read from a video4linux2 device, and overlay it on top of the input labelled "in":

          movie=/dev/video0:f=video4linux2, scale=180:-1, setpts=PTS-STARTPTS [over];
          [in] setpts=PTS-STARTPTS [main];
          [main][over] overlay=16:16 [out]

  * Read the first video stream and the audio stream with id 0x81 from dvd.vob; the video is connected to the pad named "video" and the audio is connected to the pad named "audio":

          movie=dvd.vob:s=v:0+#0x81 [video] [audio]

Commands
--------

Both movie and amovie support the following commands:

seek
     Perform seek using "av_seek_frame". The syntax is: seek STREAM_INDEX|TIMESTAMP|FLAGS

       * STREAM_INDEX: If stream_index is -1, a default stream is selected, and TIMESTAMP is automatically converted from AV_TIME_BASE units to the stream specific time_base.

       * TIMESTAMP: Timestamp in AVStream.time_base units or, if no stream is specified, in AV_TIME_BASE units.

       * FLAGS: Flags which select direction and seeking mode.

get_duration
     Get movie duration in AV_TIME_BASE units.