X-Git-Url: https://git.sesse.net/?a=blobdiff_plain;f=audio.rst;h=58e3ed07a71df0f3d11c2dc144e8f5ac1abfe4c6;hb=b795944eb2dde8b662404a3c675f1ec31756fde2;hp=6a9e87d1c691768b1c450b5a8abb3cd51208ad5e;hpb=f9b943358dae95111268ede9c793f78683ac8827;p=nageru-docs

diff --git a/audio.rst b/audio.rst
index 6a9e87d..58e3ed0 100644
--- a/audio.rst
+++ b/audio.rst
@@ -169,7 +169,7 @@ the distinction won't matter, but for multichannel, the previous
 effects are separate per-bus and the remaining are applied
 after the mix. (More on this below.) The mastering section begins
 with a **limiter**, basically a compressor with very high ratio.
-It's there as an emergency brake for really loud compressors
+It's there as an emergency brake for really loud sounds
 that got through the other compressors—a classic example is a
 speaker suddenly coughing, or a very loud bass drum. This prevents
 both clipping and blowing out the speakers' ears.
@@ -220,7 +220,8 @@ The input mapping dialog should be pretty much self-explanatory;
 you can use the + button to add a new bus, and the - button to remove
 the currently selected one (you select by clicking on it). The up and
 down buttons rearrange the order by moving the currently selected bus
-up or down, if possible.
+up or down, if possible. Note that you can create a mono bus by
+assigning the same input channel to the left and right inputs.
 
 Because mappings can be tedious to setup, you wouldn't want to set up
 a complicated one every time you started Nageru. Therefore, mappings