4 Encoders are configured elements in FFmpeg which allow the encoding of
7 When you configure your FFmpeg build, all the supported native encoders
8 are enabled by default. Encoders requiring an external library must be enabled
9 manually via the corresponding @code{--enable-lib} option. You can list all
10 available encoders using the configure option @code{--list-encoders}.
12 You can disable all the encoders with the configure option
13 @code{--disable-encoders} and selectively enable / disable single encoders
14 with the options @code{--enable-encoder=@var{ENCODER}} /
15 @code{--disable-encoder=@var{ENCODER}}.
17 The option @code{-encoders} of the ff* tools will display the list of
22 @chapter Audio Encoders
23 @c man begin AUDIO ENCODERS
25 A description of some of the currently available audio encoders
31 Advanced Audio Coding (AAC) encoder.
33 This encoder is the default AAC encoder, natively implemented into FFmpeg. Its
34 quality is on par or better than libfdk_aac at the default bitrate of 128kbps.
35 This encoder also implements more options, profiles and samplerates than
36 other encoders (with only the AAC-HE profile pending to be implemented) so this
37 encoder has become the default and is the recommended choice.
43 Set bit rate in bits/s. Setting this automatically activates constant bit rate
44 (CBR) mode. If this option is unspecified it is set to 128kbps.
47 Set quality for variable bit rate (VBR) mode. This option is valid only using
48 the @command{ffmpeg} command-line tool. For library interface users, use
49 @option{global_quality}.
52 Set cutoff frequency. If unspecified will allow the encoder to dynamically
53 adjust the cutoff to improve clarity on low bitrates.
56 Set AAC encoder coding method. Possible values:
60 Two loop searching (TLS) method.
62 This method first sets quantizers depending on band thresholds and then tries
63 to find an optimal combination by adding or subtracting a specific value from
64 all quantizers and adjusting some individual quantizer a little.
65 Will tune itself based on whether aac_is/aac_ms/aac_pns are enabled.
66 This is the default choice for a coder.
69 Average noise to mask ratio (ANMR) trellis-based solution.
71 This is an experimental coder which currently produces a lower quality, is more
72 unstable and is slower than the default twoloop coder but has potential.
73 Currently has no support for the @option{aac_is} or @option{aac_pns} options.
74 Not currently recommended.
77 Constant quantizer method.
79 This method sets a constant quantizer for all bands. This is the fastest of all
80 the methods and has no rate control or support for @option{aac_is} or
87 Sets mid/side coding mode. The default value of auto will automatically use
88 M/S with bands which will benefit from such coding. Can be forced for all bands
89 using the value "enable", which is mainly useful for debugging or disabled using
93 Sets intensity stereo coding tool usage. By default, it's enabled and will
94 automatically toggle IS for similar pairs of stereo bands if it's benefitial.
95 Can be disabled for debugging by setting the value to "disable".
98 Uses perceptual noise substitution to replace low entropy high frequency bands
99 with imperceivable white noise during the decoding process. By default, it's
100 enabled, but can be disabled for debugging purposes by using "disable".
103 Enables the use of a multitap FIR filter which spans through the high frequency
104 bands to hide quantization noise during the encoding process and is reverted
105 by the decoder. As well as decreasing unpleasant artifacts in the high range
106 this also reduces the entropy in the high bands and allows for more bits to
107 be used by the mid-low bands. By default it's enabled but can be disabled for
108 debugging by setting the option to "disable".
111 Enables the use of the long term prediction extension which increases coding
112 efficiency in very low bandwidth situations such as encoding of voice or
113 solo piano music by extending constant harmonic peaks in bands throughout
114 frames. This option is implied by profile:a aac_low and is incompatible with
115 aac_pred. Use in conjunction with @option{-ar} to decrease the samplerate.
118 Enables the use of a more traditional style of prediction where the spectral
119 coefficients transmitted are replaced by the difference of the current
120 coefficients minus the previous "predicted" coefficients. In theory and sometimes
121 in practice this can improve quality for low to mid bitrate audio.
122 This option implies the aac_main profile and is incompatible with aac_ltp.
125 Sets the encoding profile, possible values:
129 The default, AAC "Low-complexity" profile. Is the most compatible and produces
133 Equivalent to -profile:a aac_low -aac_pns 0. PNS was introduced with the MPEG4
137 Long term prediction profile, is enabled by and will enable the aac_ltp option.
141 Main-type prediction profile, is enabled by and will enable the aac_pred option.
144 If this option is unspecified it is set to @samp{aac_low}.
148 @section ac3 and ac3_fixed
152 These encoders implement part of ATSC A/52:2010 and ETSI TS 102 366, as well as
153 the undocumented RealAudio 3 (a.k.a. dnet).
155 The @var{ac3} encoder uses floating-point math, while the @var{ac3_fixed}
156 encoder only uses fixed-point integer math. This does not mean that one is
157 always faster, just that one or the other may be better suited to a
158 particular system. The floating-point encoder will generally produce better
159 quality audio for a given bitrate. The @var{ac3_fixed} encoder is not the
160 default codec for any of the output formats, so it must be specified explicitly
161 using the option @code{-acodec ac3_fixed} in order to use it.
163 @subsection AC-3 Metadata
165 The AC-3 metadata options are used to set parameters that describe the audio,
166 but in most cases do not affect the audio encoding itself. Some of the options
167 do directly affect or influence the decoding and playback of the resulting
168 bitstream, while others are just for informational purposes. A few of the
169 options will add bits to the output stream that could otherwise be used for
170 audio data, and will thus affect the quality of the output. Those will be
171 indicated accordingly with a note in the option list below.
173 These parameters are described in detail in several publicly-available
176 @item @uref{http://www.atsc.org/cms/standards/a_52-2010.pdf,A/52:2010 - Digital Audio Compression (AC-3) (E-AC-3) Standard}
177 @item @uref{http://www.atsc.org/cms/standards/a_54a_with_corr_1.pdf,A/54 - Guide to the Use of the ATSC Digital Television Standard}
178 @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/18_Metadata.Guide.pdf,Dolby Metadata Guide}
179 @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/46_DDEncodingGuidelines.pdf,Dolby Digital Professional Encoding Guidelines}
182 @subsubsection Metadata Control Options
186 @item -per_frame_metadata @var{boolean}
187 Allow Per-Frame Metadata. Specifies if the encoder should check for changing
188 metadata for each frame.
191 The metadata values set at initialization will be used for every frame in the
194 Metadata values can be changed before encoding each frame.
199 @subsubsection Downmix Levels
203 @item -center_mixlev @var{level}
204 Center Mix Level. The amount of gain the decoder should apply to the center
205 channel when downmixing to stereo. This field will only be written to the
206 bitstream if a center channel is present. The value is specified as a scale
207 factor. There are 3 valid values:
212 Apply -4.5dB gain (default)
217 @item -surround_mixlev @var{level}
218 Surround Mix Level. The amount of gain the decoder should apply to the surround
219 channel(s) when downmixing to stereo. This field will only be written to the
220 bitstream if one or more surround channels are present. The value is specified
221 as a scale factor. There are 3 valid values:
226 Apply -6dB gain (default)
228 Silence Surround Channel(s)
233 @subsubsection Audio Production Information
234 Audio Production Information is optional information describing the mixing
235 environment. Either none or both of the fields are written to the bitstream.
239 @item -mixing_level @var{number}
240 Mixing Level. Specifies peak sound pressure level (SPL) in the production
241 environment when the mix was mastered. Valid values are 80 to 111, or -1 for
242 unknown or not indicated. The default value is -1, but that value cannot be
243 used if the Audio Production Information is written to the bitstream. Therefore,
244 if the @code{room_type} option is not the default value, the @code{mixing_level}
245 option must not be -1.
247 @item -room_type @var{type}
248 Room Type. Describes the equalization used during the final mixing session at
249 the studio or on the dubbing stage. A large room is a dubbing stage with the
250 industry standard X-curve equalization; a small room has flat equalization.
251 This field will not be written to the bitstream if both the @code{mixing_level}
252 option and the @code{room_type} option have the default values.
256 Not Indicated (default)
267 @subsubsection Other Metadata Options
271 @item -copyright @var{boolean}
272 Copyright Indicator. Specifies whether a copyright exists for this audio.
276 No Copyright Exists (default)
282 @item -dialnorm @var{value}
283 Dialogue Normalization. Indicates how far the average dialogue level of the
284 program is below digital 100% full scale (0 dBFS). This parameter determines a
285 level shift during audio reproduction that sets the average volume of the
286 dialogue to a preset level. The goal is to match volume level between program
287 sources. A value of -31dB will result in no volume level change, relative to
288 the source volume, during audio reproduction. Valid values are whole numbers in
289 the range -31 to -1, with -31 being the default.
291 @item -dsur_mode @var{mode}
292 Dolby Surround Mode. Specifies whether the stereo signal uses Dolby Surround
293 (Pro Logic). This field will only be written to the bitstream if the audio
294 stream is stereo. Using this option does @b{NOT} mean the encoder will actually
295 apply Dolby Surround processing.
299 Not Indicated (default)
302 Not Dolby Surround Encoded
305 Dolby Surround Encoded
308 @item -original @var{boolean}
309 Original Bit Stream Indicator. Specifies whether this audio is from the
310 original source and not a copy.
317 Original Source (default)
322 @subsection Extended Bitstream Information
323 The extended bitstream options are part of the Alternate Bit Stream Syntax as
324 specified in Annex D of the A/52:2010 standard. It is grouped into 2 parts.
325 If any one parameter in a group is specified, all values in that group will be
326 written to the bitstream. Default values are used for those that are written
327 but have not been specified. If the mixing levels are written, the decoder
328 will use these values instead of the ones specified in the @code{center_mixlev}
329 and @code{surround_mixlev} options if it supports the Alternate Bit Stream
332 @subsubsection Extended Bitstream Information - Part 1
336 @item -dmix_mode @var{mode}
337 Preferred Stereo Downmix Mode. Allows the user to select either Lt/Rt
338 (Dolby Surround) or Lo/Ro (normal stereo) as the preferred stereo downmix mode.
342 Not Indicated (default)
345 Lt/Rt Downmix Preferred
348 Lo/Ro Downmix Preferred
351 @item -ltrt_cmixlev @var{level}
352 Lt/Rt Center Mix Level. The amount of gain the decoder should apply to the
353 center channel when downmixing to stereo in Lt/Rt mode.
366 Apply -4.5dB gain (default)
370 Silence Center Channel
373 @item -ltrt_surmixlev @var{level}
374 Lt/Rt Surround Mix Level. The amount of gain the decoder should apply to the
375 surround channel(s) when downmixing to stereo in Lt/Rt mode.
384 Apply -6.0dB gain (default)
386 Silence Surround Channel(s)
389 @item -loro_cmixlev @var{level}
390 Lo/Ro Center Mix Level. The amount of gain the decoder should apply to the
391 center channel when downmixing to stereo in Lo/Ro mode.
404 Apply -4.5dB gain (default)
408 Silence Center Channel
411 @item -loro_surmixlev @var{level}
412 Lo/Ro Surround Mix Level. The amount of gain the decoder should apply to the
413 surround channel(s) when downmixing to stereo in Lo/Ro mode.
422 Apply -6.0dB gain (default)
424 Silence Surround Channel(s)
429 @subsubsection Extended Bitstream Information - Part 2
433 @item -dsurex_mode @var{mode}
434 Dolby Surround EX Mode. Indicates whether the stream uses Dolby Surround EX
435 (7.1 matrixed to 5.1). Using this option does @b{NOT} mean the encoder will actually
436 apply Dolby Surround EX processing.
440 Not Indicated (default)
443 Dolby Surround EX Off
449 @item -dheadphone_mode @var{mode}
450 Dolby Headphone Mode. Indicates whether the stream uses Dolby Headphone
451 encoding (multi-channel matrixed to 2.0 for use with headphones). Using this
452 option does @b{NOT} mean the encoder will actually apply Dolby Headphone
457 Not Indicated (default)
466 @item -ad_conv_type @var{type}
467 A/D Converter Type. Indicates whether the audio has passed through HDCD A/D
472 Standard A/D Converter (default)
480 @subsection Other AC-3 Encoding Options
484 @item -stereo_rematrixing @var{boolean}
485 Stereo Rematrixing. Enables/Disables use of rematrixing for stereo input. This
486 is an optional AC-3 feature that increases quality by selectively encoding
487 the left/right channels as mid/side. This option is enabled by default, and it
488 is highly recommended that it be left as enabled except for testing purposes.
492 @subsection Floating-Point-Only AC-3 Encoding Options
494 These options are only valid for the floating-point encoder and do not exist
495 for the fixed-point encoder due to the corresponding features not being
496 implemented in fixed-point.
500 @item -channel_coupling @var{boolean}
501 Enables/Disables use of channel coupling, which is an optional AC-3 feature
502 that increases quality by combining high frequency information from multiple
503 channels into a single channel. The per-channel high frequency information is
504 sent with less accuracy in both the frequency and time domains. This allows
505 more bits to be used for lower frequencies while preserving enough information
506 to reconstruct the high frequencies. This option is enabled by default for the
507 floating-point encoder and should generally be left as enabled except for
508 testing purposes or to increase encoding speed.
512 Selected by Encoder (default)
515 Disable Channel Coupling
518 Enable Channel Coupling
521 @item -cpl_start_band @var{number}
522 Coupling Start Band. Sets the channel coupling start band, from 1 to 15. If a
523 value higher than the bandwidth is used, it will be reduced to 1 less than the
524 coupling end band. If @var{auto} is used, the start band will be determined by
525 the encoder based on the bit rate, sample rate, and channel layout. This option
526 has no effect if channel coupling is disabled.
530 Selected by Encoder (default)
538 FLAC (Free Lossless Audio Codec) Encoder
542 The following options are supported by FFmpeg's flac encoder.
545 @item compression_level
546 Sets the compression level, which chooses defaults for many other options
547 if they are not set explicitly.
550 Sets the size of the frames in samples per channel.
552 @item lpc_coeff_precision
553 Sets the LPC coefficient precision, valid values are from 1 to 15, 15 is the
557 Sets the first stage LPC algorithm
563 fixed LPC coefficients
571 Number of passes to use for Cholesky factorization during LPC analysis
573 @item min_partition_order
574 The minimum partition order
576 @item max_partition_order
577 The maximum partition order
579 @item prediction_order_method
594 The mode is chosen automatically for each frame
596 Chanels are independently coded
602 @item exact_rice_parameters
603 Chooses if rice parameters are calculated exactly or approximately.
604 if set to 1 then they are chosen exactly, which slows the code down slightly and
605 improves compression slightly.
607 @item multi_dim_quant
608 Multi Dimensional Quantization. If set to 1 then a 2nd stage LPC algorithm is
609 applied after the first stage to finetune the coefficients. This is quite slow
610 and slightly improves compression.
617 libfaac AAC (Advanced Audio Coding) encoder wrapper.
619 This encoder is of much lower quality and is more unstable than any other AAC
620 encoders, so it's highly recommended to instead use other encoders, like
621 @ref{aacenc,,the native FFmpeg AAC encoder}.
623 This encoder also requires the presence of the libfaac headers and library
624 during configuration. You need to explicitly configure the build with
625 @code{--enable-libfaac --enable-nonfree}.
629 The following shared FFmpeg codec options are recognized.
631 The following options are supported by the libfaac wrapper. The
632 @command{faac}-equivalent of the options are listed in parentheses.
636 Set bit rate in bits/s for ABR (Average Bit Rate) mode. If the bit rate
637 is not explicitly specified, it is automatically set to a suitable
638 value depending on the selected profile. @command{faac} bitrate is
639 expressed in kilobits/s.
641 Note that libfaac does not support CBR (Constant Bit Rate) but only
642 ABR (Average Bit Rate).
644 If VBR mode is enabled this option is ignored.
647 Set audio sampling rate (in Hz).
650 Set the number of audio channels.
652 @item cutoff (@emph{-C})
653 Set cutoff frequency. If not specified (or explicitly set to 0) it
654 will use a value automatically computed by the library. Default value
660 The following profiles are recognized:
666 Low Complexity AAC (LC)
669 Scalable Sample Rate (SSR)
672 Long Term Prediction (LTP)
675 If not specified it is set to @samp{aac_low}.
678 Set constant quality VBR (Variable Bit Rate) mode.
681 Set quality in VBR mode as an integer number of lambda units.
683 Only relevant when VBR mode is enabled with @code{flags +qscale}. The
684 value is converted to QP units by dividing it by @code{FF_QP2LAMBDA},
685 and used to set the quality value used by libfaac. A reasonable range
686 for the option value in QP units is [10-500], the higher the value the
690 Enable VBR mode when set to a non-negative value, and set constant
691 quality value as a double floating point value in QP units.
693 The value sets the quality value used by libfaac. A reasonable range
694 for the option value is [10-500], the higher the value the higher the
697 This option is valid only using the @command{ffmpeg} command-line
698 tool. For library interface users, use @option{global_quality}.
705 Use @command{ffmpeg} to convert an audio file to ABR 128 kbps AAC in an M4A (MP4)
708 ffmpeg -i input.wav -codec:a libfaac -b:a 128k -output.m4a
712 Use @command{ffmpeg} to convert an audio file to VBR AAC, using the
715 ffmpeg -i input.wav -c:a libfaac -profile:a aac_ltp -q:a 100 output.m4a
719 @anchor{libfdk-aac-enc}
722 libfdk-aac AAC (Advanced Audio Coding) encoder wrapper.
724 The libfdk-aac library is based on the Fraunhofer FDK AAC code from
727 Requires the presence of the libfdk-aac headers and library during
728 configuration. You need to explicitly configure the build with
729 @code{--enable-libfdk-aac}. The library is also incompatible with GPL,
730 so if you allow the use of GPL, you should configure with
731 @code{--enable-gpl --enable-nonfree --enable-libfdk-aac}.
733 This encoder is considered to produce output on par or worse at 128kbps to the
734 @ref{aacenc,,the native FFmpeg AAC encoder} but can often produce better
735 sounding audio at identical or lower bitrates and has support for the
738 VBR encoding, enabled through the @option{vbr} or @option{flags
739 +qscale} options, is experimental and only works with some
740 combinations of parameters.
742 Support for encoding 7.1 audio is only available with libfdk-aac 0.1.3 or
745 For more information see the fdk-aac project at
746 @url{http://sourceforge.net/p/opencore-amr/fdk-aac/}.
750 The following options are mapped on the shared FFmpeg codec options.
754 Set bit rate in bits/s. If the bitrate is not explicitly specified, it
755 is automatically set to a suitable value depending on the selected
758 In case VBR mode is enabled the option is ignored.
761 Set audio sampling rate (in Hz).
764 Set the number of audio channels.
767 Enable fixed quality, VBR (Variable Bit Rate) mode.
768 Note that VBR is implicitly enabled when the @option{vbr} value is
772 Set cutoff frequency. If not specified (or explicitly set to 0) it
773 will use a value automatically computed by the library. Default value
779 The following profiles are recognized:
782 Low Complexity AAC (LC)
785 High Efficiency AAC (HE-AAC)
788 High Efficiency AAC version 2 (HE-AACv2)
794 Enhanced Low Delay AAC (ELD)
797 If not specified it is set to @samp{aac_low}.
800 The following are private options of the libfdk_aac encoder.
804 Enable afterburner feature if set to 1, disabled if set to 0. This
805 improves the quality but also the required processing power.
810 Enable SBR (Spectral Band Replication) for ELD if set to 1, disabled
816 Set SBR/PS signaling style.
818 It can assume one of the following values:
821 choose signaling implicitly (explicit hierarchical by default,
822 implicit if global header is disabled)
825 implicit backwards compatible signaling
828 explicit SBR, implicit PS signaling
830 @item explicit_hierarchical
831 explicit hierarchical signaling
834 Default value is @samp{default}.
837 Output LATM/LOAS encapsulated data if set to 1, disabled if set to 0.
842 Set StreamMuxConfig and PCE repetition period (in frames) for sending
843 in-band configuration buffers within LATM/LOAS transport layer.
845 Must be a 16-bits non-negative integer.
850 Set VBR mode, from 1 to 5. 1 is lowest quality (though still pretty
851 good) and 5 is highest quality. A value of 0 will disable VBR, and CBR
852 (Constant Bit Rate) is enabled.
854 Currently only the @samp{aac_low} profile supports VBR encoding.
856 VBR modes 1-5 correspond to roughly the following average bit rates:
868 about 80-96 kbps/channel
878 Use @command{ffmpeg} to convert an audio file to VBR AAC in an M4A (MP4)
881 ffmpeg -i input.wav -codec:a libfdk_aac -vbr 3 output.m4a
885 Use @command{ffmpeg} to convert an audio file to CBR 64k kbps AAC, using the
886 High-Efficiency AAC profile:
888 ffmpeg -i input.wav -c:a libfdk_aac -profile:a aac_he -b:a 64k output.m4a
895 LAME (Lame Ain't an MP3 Encoder) MP3 encoder wrapper.
897 Requires the presence of the libmp3lame headers and library during
898 configuration. You need to explicitly configure the build with
899 @code{--enable-libmp3lame}.
901 See @ref{libshine} for a fixed-point MP3 encoder, although with a
906 The following options are supported by the libmp3lame wrapper. The
907 @command{lame}-equivalent of the options are listed in parentheses.
911 Set bitrate expressed in bits/s for CBR or ABR. LAME @code{bitrate} is
912 expressed in kilobits/s.
915 Set constant quality setting for VBR. This option is valid only
916 using the @command{ffmpeg} command-line tool. For library interface
917 users, use @option{global_quality}.
919 @item compression_level (@emph{-q})
920 Set algorithm quality. Valid arguments are integers in the 0-9 range,
921 with 0 meaning highest quality but slowest, and 9 meaning fastest
922 while producing the worst quality.
925 Enable use of bit reservoir when set to 1. Default value is 1. LAME
926 has this enabled by default, but can be overridden by use
927 @option{--nores} option.
929 @item joint_stereo (@emph{-m j})
930 Enable the encoder to use (on a frame by frame basis) either L/R
931 stereo or mid/side stereo. Default value is 1.
933 @item abr (@emph{--abr})
934 Enable the encoder to use ABR when set to 1. The @command{lame}
935 @option{--abr} sets the target bitrate, while this options only
936 tells FFmpeg to use ABR still relies on @option{b} to set bitrate.
940 @section libopencore-amrnb
942 OpenCORE Adaptive Multi-Rate Narrowband encoder.
944 Requires the presence of the libopencore-amrnb headers and library during
945 configuration. You need to explicitly configure the build with
946 @code{--enable-libopencore-amrnb --enable-version3}.
948 This is a mono-only encoder. Officially it only supports 8000Hz sample rate,
949 but you can override it by setting @option{strict} to @samp{unofficial} or
957 Set bitrate in bits per second. Only the following bitrates are supported,
958 otherwise libavcodec will round to the nearest valid bitrate.
972 Allow discontinuous transmission (generate comfort noise) when set to 1. The
973 default value is 0 (disabled).
980 Shine Fixed-Point MP3 encoder wrapper.
982 Shine is a fixed-point MP3 encoder. It has a far better performance on
983 platforms without an FPU, e.g. armel CPUs, and some phones and tablets.
984 However, as it is more targeted on performance than quality, it is not on par
985 with LAME and other production-grade encoders quality-wise. Also, according to
986 the project's homepage, this encoder may not be free of bugs as the code was
987 written a long time ago and the project was dead for at least 5 years.
989 This encoder only supports stereo and mono input. This is also CBR-only.
991 The original project (last updated in early 2007) is at
992 @url{http://sourceforge.net/projects/libshine-fxp/}. We only support the
993 updated fork by the Savonet/Liquidsoap project at @url{https://github.com/savonet/shine}.
995 Requires the presence of the libshine headers and library during
996 configuration. You need to explicitly configure the build with
997 @code{--enable-libshine}.
999 See also @ref{libmp3lame}.
1003 The following options are supported by the libshine wrapper. The
1004 @command{shineenc}-equivalent of the options are listed in parentheses.
1008 Set bitrate expressed in bits/s for CBR. @command{shineenc} @option{-b} option
1009 is expressed in kilobits/s.
1015 TwoLAME MP2 encoder wrapper.
1017 Requires the presence of the libtwolame headers and library during
1018 configuration. You need to explicitly configure the build with
1019 @code{--enable-libtwolame}.
1023 The following options are supported by the libtwolame wrapper. The
1024 @command{twolame}-equivalent options follow the FFmpeg ones and are in
1029 Set bitrate expressed in bits/s for CBR. @command{twolame} @option{b}
1030 option is expressed in kilobits/s. Default value is 128k.
1033 Set quality for experimental VBR support. Maximum value range is
1034 from -50 to 50, useful range is from -10 to 10. The higher the
1035 value, the better the quality. This option is valid only using the
1036 @command{ffmpeg} command-line tool. For library interface users,
1037 use @option{global_quality}.
1039 @item mode (@emph{--mode})
1040 Set the mode of the resulting audio. Possible values:
1044 Choose mode automatically based on the input. This is the default.
1055 @item psymodel (@emph{--psyc-mode})
1056 Set psychoacoustic model to use in encoding. The argument must be
1057 an integer between -1 and 4, inclusive. The higher the value, the
1058 better the quality. The default value is 3.
1060 @item energy_levels (@emph{--energy})
1061 Enable energy levels extensions when set to 1. The default value is
1064 @item error_protection (@emph{--protect})
1065 Enable CRC error protection when set to 1. The default value is 0
1068 @item copyright (@emph{--copyright})
1069 Set MPEG audio copyright flag when set to 1. The default value is 0
1072 @item original (@emph{--original})
1073 Set MPEG audio original flag when set to 1. The default value is 0
1078 @section libvo-amrwbenc
1080 VisualOn Adaptive Multi-Rate Wideband encoder.
1082 Requires the presence of the libvo-amrwbenc headers and library during
1083 configuration. You need to explicitly configure the build with
1084 @code{--enable-libvo-amrwbenc --enable-version3}.
1086 This is a mono-only encoder. Officially it only supports 16000Hz sample
1087 rate, but you can override it by setting @option{strict} to
1088 @samp{unofficial} or lower.
1095 Set bitrate in bits/s. Only the following bitrates are supported, otherwise
1096 libavcodec will round to the nearest valid bitrate.
1111 Allow discontinuous transmission (generate comfort noise) when set to 1. The
1112 default value is 0 (disabled).
1118 libopus Opus Interactive Audio Codec encoder wrapper.
1120 Requires the presence of the libopus headers and library during
1121 configuration. You need to explicitly configure the build with
1122 @code{--enable-libopus}.
1124 @subsection Option Mapping
1126 Most libopus options are modelled after the @command{opusenc} utility from
1127 opus-tools. The following is an option mapping chart describing options
1128 supported by the libopus wrapper, and their @command{opusenc}-equivalent
1133 @item b (@emph{bitrate})
1134 Set the bit rate in bits/s. FFmpeg's @option{b} option is
1135 expressed in bits/s, while @command{opusenc}'s @option{bitrate} in
1138 @item vbr (@emph{vbr}, @emph{hard-cbr}, and @emph{cvbr})
1139 Set VBR mode. The FFmpeg @option{vbr} option has the following
1140 valid arguments, with the @command{opusenc} equivalent options
1144 @item off (@emph{hard-cbr})
1145 Use constant bit rate encoding.
1147 @item on (@emph{vbr})
1148 Use variable bit rate encoding (the default).
1150 @item constrained (@emph{cvbr})
1151 Use constrained variable bit rate encoding.
1154 @item compression_level (@emph{comp})
1155 Set encoding algorithm complexity. Valid options are integers in
1156 the 0-10 range. 0 gives the fastest encodes but lower quality, while 10
1157 gives the highest quality but slowest encoding. The default is 10.
1159 @item frame_duration (@emph{framesize})
1160 Set maximum frame size, or duration of a frame in milliseconds. The
1161 argument must be exactly the following: 2.5, 5, 10, 20, 40, 60. Smaller
1162 frame sizes achieve lower latency but less quality at a given bitrate.
1163 Sizes greater than 20ms are only interesting at fairly low bitrates.
1164 The default is 20ms.
1166 @item packet_loss (@emph{expect-loss})
1167 Set expected packet loss percentage. The default is 0.
1169 @item application (N.A.)
1170 Set intended application type. Valid options are listed below:
1174 Favor improved speech intelligibility.
1176 Favor faithfulness to the input (the default).
1178 Restrict to only the lowest delay modes.
1182 Set cutoff bandwidth in Hz. The argument must be exactly one of the
1183 following: 4000, 6000, 8000, 12000, or 20000, corresponding to
1184 narrowband, mediumband, wideband, super wideband, and fullband
1185 respectively. The default is 0 (cutoff disabled).
1191 libvorbis encoder wrapper.
1193 Requires the presence of the libvorbisenc headers and library during
1194 configuration. You need to explicitly configure the build with
1195 @code{--enable-libvorbis}.
1199 The following options are supported by the libvorbis wrapper. The
1200 @command{oggenc}-equivalent of the options are listed in parentheses.
1202 To get a more accurate and extensive documentation of the libvorbis
1203 options, consult the libvorbisenc's and @command{oggenc}'s documentations.
1204 See @url{http://xiph.org/vorbis/},
1205 @url{http://wiki.xiph.org/Vorbis-tools}, and oggenc(1).
1209 Set bitrate expressed in bits/s for ABR. @command{oggenc} @option{-b} is
1210 expressed in kilobits/s.
1213 Set constant quality setting for VBR. The value should be a float
1214 number in the range of -1.0 to 10.0. The higher the value, the better
1215 the quality. The default value is @samp{3.0}.
1217 This option is valid only using the @command{ffmpeg} command-line tool.
1218 For library interface users, use @option{global_quality}.
1220 @item cutoff (@emph{--advanced-encode-option lowpass_frequency=N})
1221 Set cutoff bandwidth in Hz, a value of 0 disables cutoff. @command{oggenc}'s
1222 related option is expressed in kHz. The default value is @samp{0} (cutoff
1225 @item minrate (@emph{-m})
1226 Set minimum bitrate expressed in bits/s. @command{oggenc} @option{-m} is
1227 expressed in kilobits/s.
1229 @item maxrate (@emph{-M})
1230 Set maximum bitrate expressed in bits/s. @command{oggenc} @option{-M} is
1231 expressed in kilobits/s. This only has effect on ABR mode.
1233 @item iblock (@emph{--advanced-encode-option impulse_noisetune=N})
1234 Set noise floor bias for impulse blocks. The value is a float number from
1235 -15.0 to 0.0. A negative bias instructs the encoder to pay special attention
1236 to the crispness of transients in the encoded audio. The tradeoff for better
1237 transient response is a higher bitrate.
1244 A wrapper providing WavPack encoding through libwavpack.
1246 Only lossless mode using 32-bit integer samples is supported currently.
1248 Requires the presence of the libwavpack headers and library during
1249 configuration. You need to explicitly configure the build with
1250 @code{--enable-libwavpack}.
1252 Note that a libavcodec-native encoder for the WavPack codec exists so users can
1253 encode audios with this codec without using this encoder. See @ref{wavpackenc}.
1257 @command{wavpack} command line utility's corresponding options are listed in
1258 parentheses, if any.
1261 @item frame_size (@emph{--blocksize})
1264 @item compression_level
1265 Set speed vs. compression tradeoff. Acceptable arguments are listed below:
1272 Normal (default) settings.
1277 @item 3 (@emph{-hh})
1280 @item 4-8 (@emph{-hh -x}@var{EXTRAPROC})
1281 Same as @samp{3}, but with extra processing enabled.
1283 @samp{4} is the same as @option{-x2} and @samp{8} is the same as @option{-x6}.
1291 WavPack lossless audio encoder.
1293 This is a libavcodec-native WavPack encoder. There is also an encoder based on
1294 libwavpack, but there is virtually no reason to use that encoder.
1296 See also @ref{libwavpack}.
1300 The equivalent options for @command{wavpack} command line utility are listed in
1303 @subsubsection Shared options
1305 The following shared options are effective for this encoder. Only special notes
1306 about this particular encoder will be documented here. For the general meaning
1307 of the options, see @ref{codec-options,,the Codec Options chapter}.
1310 @item frame_size (@emph{--blocksize})
1311 For this encoder, the range for this option is between 128 and 131072. Default
1312 is automatically decided based on sample rate and number of channel.
1314 For the complete formula of calculating default, see
1315 @file{libavcodec/wavpackenc.c}.
1317 @item compression_level (@emph{-f}, @emph{-h}, @emph{-hh}, and @emph{-x})
1318 This option's syntax is consistent with @ref{libwavpack}'s.
1321 @subsubsection Private options
1324 @item joint_stereo (@emph{-j})
1325 Set whether to enable joint stereo. Valid values are:
1329 Force mid/side audio encoding.
1330 @item off (@emph{0})
1331 Force left/right audio encoding.
1333 Let the encoder decide automatically.
1337 Set whether to enable optimization for mono. This option is only effective for
1338 non-mono streams. Available values:
1349 @c man end AUDIO ENCODERS
1351 @chapter Video Encoders
1352 @c man begin VIDEO ENCODERS
1354 A description of some of the currently available video encoders
1357 @section libopenh264
1359 Cisco libopenh264 H.264/MPEG-4 AVC encoder wrapper.
1361 This encoder requires the presence of the libopenh264 headers and
1362 library during configuration. You need to explicitly configure the
1363 build with @code{--enable-libopenh264}. The library is detected using
1364 @command{pkg-config}.
1366 For more information about the library see
1367 @url{http://www.openh264.org}.
1371 The following FFmpeg global options affect the configurations of the
1372 libopenh264 encoder.
1376 Set the bitrate (as a number of bits per second).
1382 Set the max bitrate (as a number of bits per second).
1384 @item flags +global_header
1385 Set global header in the bitstream.
1388 Set the number of slices, used in parallelized encoding. Default value
1389 is 0. This is only used when @option{slice_mode} is set to
1393 Set slice mode. Can assume one of the follwing possible values:
1397 a fixed number of slices
1399 one slice per row of macroblocks
1401 automatic number of slices according to number of threads
1406 Default value is @samp{auto}.
1409 Enable loop filter, if set to 1 (automatically enabled). To disable
1413 Set profile restrictions. If set to the value of @samp{main} enable
1414 CABAC (set the @code{SEncParamExt.iEntropyCodingModeFlag} flag to 1).
1417 Set maximum NAL size in bytes.
1419 @item allow_skip_frames
1420 Allow skipping frames to hit the target bitrate if set to 1.
1425 The native jpeg 2000 encoder is lossy by default, the @code{-q:v}
1426 option can be used to set the encoding quality. Lossless encoding
1427 can be selected with @code{-pred 1}.
1433 Can be set to either @code{j2k} or @code{jp2} (the default) that
1434 makes it possible to store non-rgb pix_fmts.
1443 @item iterative_dia_size
1444 dia size for the iterative motion estimation
1449 libtheora Theora encoder wrapper.
1451 Requires the presence of the libtheora headers and library during
1452 configuration. You need to explicitly configure the build with
1453 @code{--enable-libtheora}.
1455 For more information about the libtheora project see
1456 @url{http://www.theora.org/}.
1460 The following global options are mapped to internal libtheora options
1461 which affect the quality and the bitrate of the encoded stream.
1465 Set the video bitrate in bit/s for CBR (Constant Bit Rate) mode. In
1466 case VBR (Variable Bit Rate) mode is enabled this option is ignored.
1469 Used to enable constant quality mode (VBR) encoding through the
1470 @option{qscale} flag, and to enable the @code{pass1} and @code{pass2}
1476 @item global_quality
1477 Set the global quality as an integer in lambda units.
1479 Only relevant when VBR mode is enabled with @code{flags +qscale}. The
1480 value is converted to QP units by dividing it by @code{FF_QP2LAMBDA},
1481 clipped in the [0 - 10] range, and then multiplied by 6.3 to get a
1482 value in the native libtheora range [0-63]. A higher value corresponds
1483 to a higher quality.
1486 Enable VBR mode when set to a non-negative value, and set constant
1487 quality value as a double floating point value in QP units.
1489 The value is clipped in the [0-10] range, and then multiplied by 6.3
1490 to get a value in the native libtheora range [0-63].
1492 This option is valid only using the @command{ffmpeg} command-line
1493 tool. For library interface users, use @option{global_quality}.
1496 @subsection Examples
1500 Set maximum constant quality (VBR) encoding with @command{ffmpeg}:
1502 ffmpeg -i INPUT -codec:v libtheora -q:v 10 OUTPUT.ogg
1506 Use @command{ffmpeg} to convert a CBR 1000 kbps Theora video stream:
1508 ffmpeg -i INPUT -codec:v libtheora -b:v 1000k OUTPUT.ogg
1514 VP8/VP9 format supported through libvpx.
1516 Requires the presence of the libvpx headers and library during configuration.
1517 You need to explicitly configure the build with @code{--enable-libvpx}.
1521 The following options are supported by the libvpx wrapper. The
1522 @command{vpxenc}-equivalent options or values are listed in parentheses
1525 To reduce the duplication of documentation, only the private options
1526 and some others requiring special attention are documented here. For
1527 the documentation of the undocumented generic options, see
1528 @ref{codec-options,,the Codec Options chapter}.
1530 To get more documentation of the libvpx options, invoke the command
1531 @command{ffmpeg -h encoder=libvpx}, @command{ffmpeg -h encoder=libvpx-vp9} or
1532 @command{vpxenc --help}. Further information is available in the libvpx API
1537 @item b (@emph{target-bitrate})
1538 Set bitrate in bits/s. Note that FFmpeg's @option{b} option is
1539 expressed in bits/s, while @command{vpxenc}'s @option{target-bitrate} is in
1542 @item g (@emph{kf-max-dist})
1544 @item keyint_min (@emph{kf-min-dist})
1546 @item qmin (@emph{min-q})
1548 @item qmax (@emph{max-q})
1550 @item bufsize (@emph{buf-sz}, @emph{buf-optimal-sz})
1551 Set ratecontrol buffer size (in bits). Note @command{vpxenc}'s options are
1552 specified in milliseconds, the libvpx wrapper converts this value as follows:
1553 @code{buf-sz = bufsize * 1000 / bitrate},
1554 @code{buf-optimal-sz = bufsize * 1000 / bitrate * 5 / 6}.
1556 @item rc_init_occupancy (@emph{buf-initial-sz})
1557 Set number of bits which should be loaded into the rc buffer before decoding
1558 starts. Note @command{vpxenc}'s option is specified in milliseconds, the libvpx
1559 wrapper converts this value as follows:
1560 @code{rc_init_occupancy * 1000 / bitrate}.
1562 @item undershoot-pct
1563 Set datarate undershoot (min) percentage of the target bitrate.
1566 Set datarate overshoot (max) percentage of the target bitrate.
1568 @item skip_threshold (@emph{drop-frame})
1570 @item qcomp (@emph{bias-pct})
1572 @item maxrate (@emph{maxsection-pct})
1573 Set GOP max bitrate in bits/s. Note @command{vpxenc}'s option is specified as a
1574 percentage of the target bitrate, the libvpx wrapper converts this value as
1575 follows: @code{(maxrate * 100 / bitrate)}.
1577 @item minrate (@emph{minsection-pct})
1578 Set GOP min bitrate in bits/s. Note @command{vpxenc}'s option is specified as a
1579 percentage of the target bitrate, the libvpx wrapper converts this value as
1580 follows: @code{(minrate * 100 / bitrate)}.
1582 @item minrate, maxrate, b @emph{end-usage=cbr}
1583 @code{(minrate == maxrate == bitrate)}.
1585 @item crf (@emph{end-usage=cq}, @emph{cq-level})
1587 @item tune (@emph{tune})
1589 @item psnr (@emph{psnr})
1590 @item ssim (@emph{ssim})
1593 @item quality, deadline (@emph{deadline})
1596 Use best quality deadline. Poorly named and quite slow, this option should be
1597 avoided as it may give worse quality output than good.
1599 Use good quality deadline. This is a good trade-off between speed and quality
1600 when used with the @option{cpu-used} option.
1602 Use realtime quality deadline.
1605 @item speed, cpu-used (@emph{cpu-used})
1606 Set quality/speed ratio modifier. Higher values speed up the encode at the cost
1609 @item nr (@emph{noise-sensitivity})
1612 Set a change threshold on blocks below which they will be skipped by the
1615 @item slices (@emph{token-parts})
1616 Note that FFmpeg's @option{slices} option gives the total number of partitions,
1617 while @command{vpxenc}'s @option{token-parts} is given as
1618 @code{log2(partitions)}.
1620 @item max-intra-rate
1621 Set maximum I-frame bitrate as a percentage of the target bitrate. A value of 0
1624 @item force_key_frames
1625 @code{VPX_EFLAG_FORCE_KF}
1627 @item Alternate reference frame related
1630 Enable use of alternate reference frames (2-pass only).
1631 @item arnr-max-frames
1632 Set altref noise reduction max frame count.
1634 Set altref noise reduction filter type: backward, forward, centered.
1636 Set altref noise reduction filter strength.
1637 @item rc-lookahead, lag-in-frames (@emph{lag-in-frames})
1638 Set number of frames to look ahead for frametype and ratecontrol.
1641 @item error-resilient
1642 Enable error resiliency features.
1644 @item VP9-specific options
1647 Enable lossless mode.
1649 Set number of tile columns to use. Note this is given as
1650 @code{log2(tile_columns)}. For example, 8 tile columns would be requested by
1651 setting the @option{tile-columns} option to 3.
1653 Set number of tile rows to use. Note this is given as @code{log2(tile_rows)}.
1654 For example, 4 tile rows would be requested by setting the @option{tile-rows}
1656 @item frame-parallel
1657 Enable frame parallel decodability features.
1659 Set adaptive quantization mode (0: off (default), 1: variance 2: complexity, 3:
1661 @item colorspace @emph{color-space}
1662 Set input color space. The VP9 bitstream supports signaling the following
1665 @item @samp{rgb} @emph{sRGB}
1666 @item @samp{bt709} @emph{bt709}
1667 @item @samp{unspecified} @emph{unknown}
1668 @item @samp{bt470bg} @emph{bt601}
1669 @item @samp{smpte170m} @emph{smpte170}
1670 @item @samp{smpte240m} @emph{smpte240}
1671 @item @samp{bt2020_ncl} @emph{bt2020}
1677 For more information about libvpx see:
1678 @url{http://www.webmproject.org/}
1683 libwebp WebP Image encoder wrapper
1685 libwebp is Google's official encoder for WebP images. It can encode in either
1686 lossy or lossless mode. Lossy images are essentially a wrapper around a VP8
1687 frame. Lossless images are a separate codec developed by Google.
1689 @subsection Pixel Format
1691 Currently, libwebp only supports YUV420 for lossy and RGB for lossless due
1692 to limitations of the format and libwebp. Alpha is supported for either mode.
1693 Because of API limitations, if RGB is passed in when encoding lossy or YUV is
1694 passed in for encoding lossless, the pixel format will automatically be
1695 converted using functions from libwebp. This is not ideal and is done only for
1702 @item -lossless @var{boolean}
1703 Enables/Disables use of lossless mode. Default is 0.
1705 @item -compression_level @var{integer}
1706 For lossy, this is a quality/speed tradeoff. Higher values give better quality
1707 for a given size at the cost of increased encoding time. For lossless, this is
1708 a size/speed tradeoff. Higher values give smaller size at the cost of increased
1709 encoding time. More specifically, it controls the number of extra algorithms
1710 and compression tools used, and varies the combination of these tools. This
1711 maps to the @var{method} option in libwebp. The valid range is 0 to 6.
1714 @item -qscale @var{float}
1715 For lossy encoding, this controls image quality, 0 to 100. For lossless
1716 encoding, this controls the effort and time spent at compressing more. The
1717 default value is 75. Note that for usage via libavcodec, this option is called
1718 @var{global_quality} and must be multiplied by @var{FF_QP2LAMBDA}.
1720 @item -preset @var{type}
1721 Configuration preset. This does some automatic settings based on the general
1725 Do not use a preset.
1727 Use the encoder default.
1729 Digital picture, like portrait, inner shot
1731 Outdoor photograph, with natural lighting
1733 Hand or line drawing, with high-contrast details
1735 Small-sized colorful images
1742 @section libx264, libx264rgb
1744 x264 H.264/MPEG-4 AVC encoder wrapper.
1746 This encoder requires the presence of the libx264 headers and library
1747 during configuration. You need to explicitly configure the build with
1748 @code{--enable-libx264}.
1750 libx264 supports an impressive number of features, including 8x8 and
1751 4x4 adaptive spatial transform, adaptive B-frame placement, CAVLC/CABAC
1752 entropy coding, interlacing (MBAFF), lossless mode, psy optimizations
1753 for detail retention (adaptive quantization, psy-RD, psy-trellis).
1755 Many libx264 encoder options are mapped to FFmpeg global codec
1756 options, while unique encoder options are provided through private
1757 options. Additionally the @option{x264opts} and @option{x264-params}
1758 private options allows one to pass a list of key=value tuples as accepted
1759 by the libx264 @code{x264_param_parse} function.
1761 The x264 project website is at
1762 @url{http://www.videolan.org/developers/x264.html}.
1764 The libx264rgb encoder is the same as libx264, except it accepts packed RGB
1765 pixel formats as input instead of YUV.
1767 @subsection Supported Pixel Formats
1769 x264 supports 8- to 10-bit color spaces. The exact bit depth is controlled at
1770 x264's configure time. FFmpeg only supports one bit depth in one particular
1771 build. In other words, it is not possible to build one FFmpeg with multiple
1772 versions of x264 with different bit depths.
1776 The following options are supported by the libx264 wrapper. The
1777 @command{x264}-equivalent options or values are listed in parentheses
1780 To reduce the duplication of documentation, only the private options
1781 and some others requiring special attention are documented here. For
1782 the documentation of the undocumented generic options, see
1783 @ref{codec-options,,the Codec Options chapter}.
1785 To get a more accurate and extensive documentation of the libx264
1786 options, invoke the command @command{x264 --full-help} or consult
1787 the libx264 documentation.
1790 @item b (@emph{bitrate})
1791 Set bitrate in bits/s. Note that FFmpeg's @option{b} option is
1792 expressed in bits/s, while @command{x264}'s @option{bitrate} is in
1795 @item bf (@emph{bframes})
1797 @item g (@emph{keyint})
1799 @item qmin (@emph{qpmin})
1800 Minimum quantizer scale.
1802 @item qmax (@emph{qpmax})
1803 Maximum quantizer scale.
1805 @item qdiff (@emph{qpstep})
1806 Maximum difference between quantizer scales.
1808 @item qblur (@emph{qblur})
1809 Quantizer curve blur
1811 @item qcomp (@emph{qcomp})
1812 Quantizer curve compression factor
1814 @item refs (@emph{ref})
1815 Number of reference frames each P-frame can use. The range is from @var{0-16}.
1817 @item sc_threshold (@emph{scenecut})
1818 Sets the threshold for the scene change detection.
1820 @item trellis (@emph{trellis})
1821 Performs Trellis quantization to increase efficiency. Enabled by default.
1823 @item nr (@emph{nr})
1825 @item me_range (@emph{merange})
1826 Maximum range of the motion search in pixels.
1828 @item me_method (@emph{me})
1829 Set motion estimation method. Possible values in the decreasing order
1833 @item dia (@emph{dia})
1834 @item epzs (@emph{dia})
1835 Diamond search with radius 1 (fastest). @samp{epzs} is an alias for
1837 @item hex (@emph{hex})
1838 Hexagonal search with radius 2.
1839 @item umh (@emph{umh})
1840 Uneven multi-hexagon search.
1841 @item esa (@emph{esa})
1843 @item tesa (@emph{tesa})
1844 Hadamard exhaustive search (slowest).
1847 @item subq (@emph{subme})
1848 Sub-pixel motion estimation method.
1850 @item b_strategy (@emph{b-adapt})
1851 Adaptive B-frame placement decision algorithm. Use only on first-pass.
1853 @item keyint_min (@emph{min-keyint})
1857 Set entropy encoder. Possible values:
1864 Enable CAVLC and disable CABAC. It generates the same effect as
1865 @command{x264}'s @option{--no-cabac} option.
1869 Set full pixel motion estimation comparation algorithm. Possible values:
1873 Enable chroma in motion estimation.
1876 Ignore chroma in motion estimation. It generates the same effect as
1877 @command{x264}'s @option{--no-chroma-me} option.
1880 @item threads (@emph{threads})
1881 Number of encoding threads.
1884 Set multithreading technique. Possible values:
1888 Slice-based multithreading. It generates the same effect as
1889 @command{x264}'s @option{--sliced-threads} option.
1891 Frame-based multithreading.
1895 Set encoding flags. It can be used to disable closed GOP and enable
1896 open GOP by setting it to @code{-cgop}. The result is similar to
1897 the behavior of @command{x264}'s @option{--open-gop} option.
1899 @item rc_init_occupancy (@emph{vbv-init})
1901 @item preset (@emph{preset})
1902 Set the encoding preset.
1904 @item tune (@emph{tune})
1905 Set tuning of the encoding params.
1907 @item profile (@emph{profile})
1908 Set profile restrictions.
1911 Enable fast settings when encoding first pass, when set to 1. When set
1912 to 0, it has the same effect of @command{x264}'s
1913 @option{--slow-firstpass} option.
1915 @item crf (@emph{crf})
1916 Set the quality for constant quality mode.
1918 @item crf_max (@emph{crf-max})
1919 In CRF mode, prevents VBV from lowering quality beyond this point.
1921 @item qp (@emph{qp})
1922 Set constant quantization rate control method parameter.
1924 @item aq-mode (@emph{aq-mode})
1925 Set AQ method. Possible values:
1928 @item none (@emph{0})
1931 @item variance (@emph{1})
1932 Variance AQ (complexity mask).
1934 @item autovariance (@emph{2})
1935 Auto-variance AQ (experimental).
1938 @item aq-strength (@emph{aq-strength})
1939 Set AQ strength, reduce blocking and blurring in flat and textured areas.
1942 Use psychovisual optimizations when set to 1. When set to 0, it has the
1943 same effect as @command{x264}'s @option{--no-psy} option.
1945 @item psy-rd (@emph{psy-rd})
1946 Set strength of psychovisual optimization, in
1947 @var{psy-rd}:@var{psy-trellis} format.
1949 @item rc-lookahead (@emph{rc-lookahead})
1950 Set number of frames to look ahead for frametype and ratecontrol.
1953 Enable weighted prediction for B-frames when set to 1. When set to 0,
1954 it has the same effect as @command{x264}'s @option{--no-weightb} option.
1956 @item weightp (@emph{weightp})
1957 Set weighted prediction method for P-frames. Possible values:
1960 @item none (@emph{0})
1962 @item simple (@emph{1})
1963 Enable only weighted refs
1964 @item smart (@emph{2})
1965 Enable both weighted refs and duplicates
1968 @item ssim (@emph{ssim})
1969 Enable calculation and printing SSIM stats after the encoding.
1971 @item intra-refresh (@emph{intra-refresh})
1972 Enable the use of Periodic Intra Refresh instead of IDR frames when set
1975 @item avcintra-class (@emph{class})
1976 Configure the encoder to generate AVC-Intra.
1977 Valid values are 50,100 and 200
1979 @item bluray-compat (@emph{bluray-compat})
1980 Configure the encoder to be compatible with the bluray standard.
1981 It is a shorthand for setting "bluray-compat=1 force-cfr=1".
1983 @item b-bias (@emph{b-bias})
1984 Set the influence on how often B-frames are used.
1986 @item b-pyramid (@emph{b-pyramid})
1987 Set method for keeping of some B-frames as references. Possible values:
1990 @item none (@emph{none})
1992 @item strict (@emph{strict})
1993 Strictly hierarchical pyramid.
1994 @item normal (@emph{normal})
1995 Non-strict (not Blu-ray compatible).
1999 Enable the use of one reference per partition, as opposed to one
2000 reference per macroblock when set to 1. When set to 0, it has the
2001 same effect as @command{x264}'s @option{--no-mixed-refs} option.
2004 Enable adaptive spatial transform (high profile 8x8 transform)
2005 when set to 1. When set to 0, it has the same effect as
2006 @command{x264}'s @option{--no-8x8dct} option.
2009 Enable early SKIP detection on P-frames when set to 1. When set
2010 to 0, it has the same effect as @command{x264}'s
2011 @option{--no-fast-pskip} option.
2013 @item aud (@emph{aud})
2014 Enable use of access unit delimiters when set to 1.
2017 Enable use macroblock tree ratecontrol when set to 1. When set
2018 to 0, it has the same effect as @command{x264}'s
2019 @option{--no-mbtree} option.
2021 @item deblock (@emph{deblock})
2022 Set loop filter parameters, in @var{alpha}:@var{beta} form.
2024 @item cplxblur (@emph{cplxblur})
2025 Set fluctuations reduction in QP (before curve compression).
2027 @item partitions (@emph{partitions})
2028 Set partitions to consider as a comma-separated list of. Possible
2033 8x8 P-frame partition.
2035 4x4 P-frame partition.
2037 4x4 B-frame partition.
2039 8x8 I-frame partition.
2041 4x4 I-frame partition.
2042 (Enabling @samp{p4x4} requires @samp{p8x8} to be enabled. Enabling
2043 @samp{i8x8} requires adaptive spatial transform (@option{8x8dct}
2044 option) to be enabled.)
2045 @item none (@emph{none})
2046 Do not consider any partitions.
2047 @item all (@emph{all})
2048 Consider every partition.
2051 @item direct-pred (@emph{direct})
2052 Set direct MV prediction mode. Possible values:
2055 @item none (@emph{none})
2056 Disable MV prediction.
2057 @item spatial (@emph{spatial})
2058 Enable spatial predicting.
2059 @item temporal (@emph{temporal})
2060 Enable temporal predicting.
2061 @item auto (@emph{auto})
2062 Automatically decided.
2065 @item slice-max-size (@emph{slice-max-size})
2066 Set the limit of the size of each slice in bytes. If not specified
2067 but RTP payload size (@option{ps}) is specified, that is used.
2069 @item stats (@emph{stats})
2070 Set the file name for multi-pass stats.
2072 @item nal-hrd (@emph{nal-hrd})
2073 Set signal HRD information (requires @option{vbv-bufsize} to be set).
2077 @item none (@emph{none})
2078 Disable HRD information signaling.
2079 @item vbr (@emph{vbr})
2081 @item cbr (@emph{cbr})
2082 Constant bit rate (not allowed in MP4 container).
2085 @item x264opts (N.A.)
2086 Set any x264 option, see @command{x264 --fullhelp} for a list.
2088 Argument is a list of @var{key}=@var{value} couples separated by
2089 ":". In @var{filter} and @var{psy-rd} options that use ":" as a separator
2090 themselves, use "," instead. They accept it as well since long ago but this
2091 is kept undocumented for some reason.
2093 For example to specify libx264 encoding options with @command{ffmpeg}:
2095 ffmpeg -i foo.mpg -vcodec libx264 -x264opts keyint=123:min-keyint=20 -an out.mkv
2098 @item a53cc @var{boolean}
2099 Import closed captions (which must be ATSC compatible format) into output.
2100 Only the mpeg2 and h264 decoders provide these. Default is 0 (off).
2102 @item x264-params (N.A.)
2103 Override the x264 configuration using a :-separated list of key=value
2106 This option is functionally the same as the @option{x264opts}, but is
2107 duplicated for compatibility with the Libav fork.
2109 For example to specify libx264 encoding options with @command{ffmpeg}:
2111 ffmpeg -i INPUT -c:v libx264 -x264-params level=30:bframes=0:weightp=0:\
2112 cabac=0:ref=1:vbv-maxrate=768:vbv-bufsize=2000:analyse=all:me=umh:\
2113 no-fast-pskip=1:subq=6:8x8dct=0:trellis=0 OUTPUT
2117 Encoding ffpresets for common usages are provided so they can be used with the
2118 general presets system (e.g. passing the @option{pre} option).
2122 x265 H.265/HEVC encoder wrapper.
2124 This encoder requires the presence of the libx265 headers and library
2125 during configuration. You need to explicitly configure the build with
2126 @option{--enable-libx265}.
2132 Set the x265 preset.
2135 Set the x265 tune parameter.
2138 Set x265 options using a list of @var{key}=@var{value} couples separated
2139 by ":". See @command{x265 --help} for a list of options.
2141 For example to specify libx265 encoding options with @option{-x265-params}:
2144 ffmpeg -i input -c:v libx265 -x265-params crf=26:psy-rd=1 output.mp4
2150 Xvid MPEG-4 Part 2 encoder wrapper.
2152 This encoder requires the presence of the libxvidcore headers and library
2153 during configuration. You need to explicitly configure the build with
2154 @code{--enable-libxvid --enable-gpl}.
2156 The native @code{mpeg4} encoder supports the MPEG-4 Part 2 format, so
2157 users can encode to this format without this library.
2161 The following options are supported by the libxvid wrapper. Some of
2162 the following options are listed but are not documented, and
2163 correspond to shared codec options. See @ref{codec-options,,the Codec
2164 Options chapter} for their documentation. The other shared options
2165 which are not listed have no effect for the libxvid encoder.
2187 Set specific encoding flags. Possible values:
2192 Use four motion vector by macroblock.
2195 Enable high quality AC prediction.
2198 Only encode grayscale.
2201 Enable the use of global motion compensation (GMC).
2204 Enable quarter-pixel motion compensation.
2210 Place global headers in extradata instead of every keyframe.
2217 Set motion estimation method. Possible values in decreasing order of
2218 speed and increasing order of quality:
2222 Use no motion estimation (default).
2227 Enable advanced diamond zonal search for 16x16 blocks and half-pixel
2228 refinement for 16x16 blocks. @samp{x1} and @samp{log} are aliases for
2232 Enable all of the things described above, plus advanced diamond zonal
2233 search for 8x8 blocks, half-pixel refinement for 8x8 blocks, and motion
2234 estimation on chroma planes.
2237 Enable all of the things described above, plus extended 16x16 and 8x8
2242 Set macroblock decision algorithm. Possible values in the increasing
2247 Use macroblock comparing function algorithm (default).
2250 Enable rate distortion-based half pixel and quarter pixel refinement for
2254 Enable all of the things described above, plus rate distortion-based
2255 half pixel and quarter pixel refinement for 8x8 blocks, and rate
2256 distortion-based search using square pattern.
2260 Enable lumi masking adaptive quantization when set to 1. Default is 0
2264 Enable variance adaptive quantization when set to 1. Default is 0
2267 When combined with @option{lumi_aq}, the resulting quality will not
2268 be better than any of the two specified individually. In other
2269 words, the resulting quality will be the worse one of the two
2273 Set structural similarity (SSIM) displaying method. Possible values:
2277 Disable displaying of SSIM information.
2280 Output average SSIM at the end of encoding to stdout. The format of
2281 showing the average SSIM is:
2287 For users who are not familiar with C, %f means a float number, or
2288 a decimal (e.g. 0.939232).
2291 Output both per-frame SSIM data during encoding and average SSIM at
2292 the end of encoding to stdout. The format of per-frame information
2296 SSIM: avg: %1.3f min: %1.3f max: %1.3f
2299 For users who are not familiar with C, %1.3f means a float number
2300 rounded to 3 digits after the dot (e.g. 0.932).
2305 Set SSIM accuracy. Valid options are integers within the range of
2306 0-4, while 0 gives the most accurate result and 4 computes the
2313 MPEG-2 video encoder.
2318 @item seq_disp_ext @var{integer}
2319 Specifies if the encoder should write a sequence_display_extension to the
2324 Decide automatically to write it or not (this is the default) by checking if
2325 the data to be written is different from the default or unspecified values.
2339 @subsection Private options
2342 @item dpi @var{integer}
2343 Set physical density of pixels, in dots per inch, unset by default
2344 @item dpm @var{integer}
2345 Set physical density of pixels, in dots per meter, unset by default
2350 Apple ProRes encoder.
2352 FFmpeg contains 2 ProRes encoders, the prores-aw and prores-ks encoder.
2353 The used encoder can be chosen with the @code{-vcodec} option.
2355 @subsection Private Options for prores-ks
2358 @item profile @var{integer}
2359 Select the ProRes profile to encode
2368 @item quant_mat @var{integer}
2369 Select quantization matrix.
2378 If set to @var{auto}, the matrix matching the profile will be picked.
2379 If not set, the matrix providing the highest quality, @var{default}, will be
2382 @item bits_per_mb @var{integer}
2383 How many bits to allot for coding one macroblock. Different profiles use
2384 between 200 and 2400 bits per macroblock, the maximum is 8000.
2386 @item mbs_per_slice @var{integer}
2387 Number of macroblocks in each slice (1-8); the default value (8)
2388 should be good in almost all situations.
2390 @item vendor @var{string}
2391 Override the 4-byte vendor ID.
2392 A custom vendor ID like @var{apl0} would claim the stream was produced by
2395 @item alpha_bits @var{integer}
2396 Specify number of bits for alpha component.
2397 Possible values are @var{0}, @var{8} and @var{16}.
2398 Use @var{0} to disable alpha plane coding.
2402 @subsection Speed considerations
2404 In the default mode of operation the encoder has to honor frame constraints
2405 (i.e. not produce frames with size bigger than requested) while still making
2406 output picture as good as possible.
2407 A frame containing a lot of small details is harder to compress and the encoder
2408 would spend more time searching for appropriate quantizers for each slice.
2410 Setting a higher @option{bits_per_mb} limit will improve the speed.
2412 For the fastest encoding speed set the @option{qscale} parameter (4 is the
2413 recommended value) and do not set a size constraint.
2417 Kvazaar H.265/HEVC encoder.
2419 Requires the presence of the libkvazaar headers and library during
2420 configuration. You need to explicitly configure the build with
2421 @option{--enable-libkvazaar}.
2428 Set target video bitrate in bit/s and enable rate control.
2430 @item kvazaar-params
2431 Set kvazaar parameters as a list of @var{name}=@var{value} pairs separated
2432 by commas (,). See kvazaar documentation for a list of options.
2436 @section QSV encoders
2438 The family of Intel QuickSync Video encoders (MPEG-2, H.264 and HEVC)
2440 The ratecontrol method is selected as follows:
2444 When @option{global_quality} is specified, a quality-based mode is used.
2445 Specifically this means either
2448 @var{CQP} - constant quantizer scale, when the @option{qscale} codec flag is
2449 also set (the @option{-qscale} ffmpeg option).
2452 @var{LA_ICQ} - intelligent constant quality with lookahead, when the
2453 @option{look_ahead} option is also set.
2456 @var{ICQ} -- intelligent constant quality otherwise.
2460 Otherwise, a bitrate-based mode is used. For all of those, you should specify at
2461 least the desired average bitrate with the @option{b} option.
2464 @var{LA} - VBR with lookahead, when the @option{look_ahead} option is specified.
2467 @var{VCM} - video conferencing mode, when the @option{vcm} option is set.
2470 @var{CBR} - constant bitrate, when @option{maxrate} is specified and equal to
2471 the average bitrate.
2474 @var{VBR} - variable bitrate, when @option{maxrate} is specified, but is higher
2475 than the average bitrate.
2478 @var{AVBR} - average VBR mode, when @option{maxrate} is not specified. This mode
2479 is further configured by the @option{avbr_accuracy} and
2480 @option{avbr_convergence} options.
2484 Note that depending on your system, a different mode than the one you specified
2485 may be selected by the encoder. Set the verbosity level to @var{verbose} or
2486 higher to see the actual settings used by the QSV runtime.
2488 Additional libavcodec global options are mapped to MSDK options as follows:
2492 @option{g/gop_size} -> @option{GopPicSize}
2495 @option{bf/max_b_frames}+1 -> @option{GopRefDist}
2498 @option{rc_init_occupancy/rc_initial_buffer_occupancy} ->
2499 @option{InitialDelayInKB}
2502 @option{slices} -> @option{NumSlice}
2505 @option{refs} -> @option{NumRefFrame}
2508 @option{b_strategy/b_frame_strategy} -> @option{BRefType}
2511 @option{cgop/CLOSED_GOP} codec flag -> @option{GopOptFlag}
2514 For the @var{CQP} mode, the @option{i_qfactor/i_qoffset} and
2515 @option{b_qfactor/b_qoffset} set the difference between @var{QPP} and @var{QPI},
2516 and @var{QPP} and @var{QPB} respectively.
2519 Setting the @option{coder} option to the value @var{vlc} will make the H.264
2520 encoder use CAVLC instead of CABAC.
2526 SMPTE VC-2 (previously BBC Dirac Pro). This codec was primarily aimed at
2527 professional broadcasting but since it supports yuv420, yuv422 and yuv444 at
2528 8 (limited range or full range), 10 or 12 bits, this makes it suitable for
2529 other tasks which require low overhead and low compression (like screen
2537 Sets target video bitrate. Usually that's around 1:6 of the uncompressed
2538 video bitrate (e.g. for 1920x1080 50fps yuv422p10 that's around 400Mbps). Higher
2539 values (close to the uncompressed bitrate) turn on lossless compression mode.
2542 Enables field coding when set (e.g. to tt - top field first) for interlaced
2543 inputs. Should increase compression with interlaced content as it splits the
2544 fields and encodes each separately.
2547 Sets the total amount of wavelet transforms to apply, between 1 and 5 (default).
2548 Lower values reduce compression and quality. Less capable decoders may not be
2549 able to handle values of @option{wavelet_depth} over 3.
2552 Sets the transform type. Currently only @var{5_3} (LeGall) and @var{9_7}
2554 are implemented, with 9_7 being the one with better compression and thus
2559 Sets the slice size for each slice. Larger values result in better compression.
2560 For compatibility with other more limited decoders use @option{slice_width} of
2561 32 and @option{slice_height} of 8.
2564 Sets the undershoot tolerance of the rate control system in percent. This is
2565 to prevent an expensive search from being run.
2568 Sets the quantization matrix preset to use by default or when @option{wavelet_depth}
2573 Uses the default quantization matrix from the specifications, extended with
2574 values for the fifth level. This provides a good balance between keeping detail
2575 and omitting artifacts.
2579 Use a completely zeroed out quantization matrix. This increases PSNR but might
2580 reduce perception. Use in bogus benchmarks.
2584 Reduces detail but attempts to preserve color at extremely low bitrates.
2589 @c man end VIDEO ENCODERS
2591 @chapter Subtitles Encoders
2592 @c man begin SUBTITLES ENCODERS
2596 This codec encodes the bitmap subtitle format that is used in DVDs.
2597 Typically they are stored in VOBSUB file pairs (*.idx + *.sub),
2598 and they can also be used in Matroska files.
2604 When set to 1, enable a work-around that makes the number of pixel rows
2605 even in all subtitles. This fixes a problem with some players that
2606 cut off the bottom row if the number is odd. The work-around just adds
2607 a fully transparent row if needed. The overhead is low, typically
2608 one byte per subtitle on average.
2610 By default, this work-around is disabled.
2613 @c man end SUBTITLES ENCODERS