Move lrintf implementation from libavcodec/dsputil.h to libavutil/common.h

[ffmpeg] / doc / ffmpeg-doc.texi

\input texinfo @c -*- texinfo -*-

@settitle FFmpeg Documentation
@titlepage
@sp 7
@center @titlefont{FFmpeg Documentation}
@sp 3
@end titlepage


@chapter Introduction

FFmpeg is a very fast video and audio converter. It can also grab from
a live audio/video source.
  
The command line interface is designed to be intuitive, in the sense
that FFmpeg tries to figure out all parameters that can possibly be
derived automatically. You usually only have to specify the target
bitrate you want.

FFmpeg can also convert from any sample rate to any other, and resize
video on the fly with a high quality polyphase filter.

@chapter Quick Start

@c man begin EXAMPLES
@section Video and Audio grabbing

FFmpeg can use a video4linux compatible video source and any Open Sound
System audio source:

@example
ffmpeg /tmp/out.mpg 
@end example

Note that you must activate the right video source and channel before
launching FFmpeg with any TV viewer such as xawtv
(@url{http://bytesex.org/xawtv/}) by Gerd Knorr. You also
have to set the audio recording levels correctly with a
standard mixer.

@section Video and Audio file format conversion

* FFmpeg can use any supported file format and protocol as input:

Examples:

* You can use YUV files as input:

@example
ffmpeg -i /tmp/test%d.Y /tmp/out.mpg 
@end example

It will use the files: 
@example
/tmp/test0.Y, /tmp/test0.U, /tmp/test0.V,
/tmp/test1.Y, /tmp/test1.U, /tmp/test1.V, etc...
@end example

The Y files use twice the resolution of the U and V files. They are
raw files, without header. They can be generated by all decent video
decoders. You must specify the size of the image with the @option{-s} option
if FFmpeg cannot guess it.

* You can input from a raw YUV420P file:

@example
ffmpeg -i /tmp/test.yuv /tmp/out.avi
@end example

test.yuv is a file containing raw YUV planar data. Each frame is composed
of the Y plane followed by the U and V planes at half vertical and
horizontal resolution.

* You can output to a raw YUV420P file:

@example
ffmpeg -i mydivx.avi hugefile.yuv
@end example

* You can set several input files and output files:

@example
ffmpeg -i /tmp/a.wav -s 640x480 -i /tmp/a.yuv /tmp/a.mpg
@end example

Converts the audio file a.wav and the raw YUV video file a.yuv
to MPEG file a.mpg.

* You can also do audio and video conversions at the same time:

@example
ffmpeg -i /tmp/a.wav -ar 22050 /tmp/a.mp2
@end example

Converts a.wav to MPEG audio at 22050Hz sample rate.

* You can encode to several formats at the same time and define a
mapping from input stream to output streams:

@example
ffmpeg -i /tmp/a.wav -ab 64 /tmp/a.mp2 -ab 128 /tmp/b.mp2 -map 0:0 -map 0:0
@end example

Converts a.wav to a.mp2 at 64 kbits and to b.mp2 at 128 kbits. '-map
file:index' specifies which input stream is used for each output
stream, in the order of the definition of output streams.

* You can transcode decrypted VOBs

@example
ffmpeg -i snatch_1.vob -f avi -vcodec mpeg4 -b 800 -g 300 -bf 2 -acodec mp3 -ab 128 snatch.avi
@end example

This is a typical DVD ripping example; the input is a VOB file, the
output an AVI file with MPEG-4 video and MP3 audio. Note that in this
command we use B-frames so the MPEG-4 stream is DivX5 compatible, and
GOP size is 300 which means one intra frame every 10 seconds for 29.97fps
input video. Furthermore, the audio stream is MP3-encoded so you need
to enable LAME support by passing @code{--enable-mp3lame} to configure.
The mapping is particularly useful for DVD transcoding
to get the desired audio language.

NOTE: To see the supported input formats, use @code{ffmpeg -formats}.
@c man end

@chapter Invocation

@section Syntax

The generic syntax is:

@example 
@c man begin SYNOPSIS
ffmpeg [[infile options][@option{-i} @var{infile}]]... @{[outfile options] @var{outfile}@}...
@c man end
@end example
@c man begin DESCRIPTION
If no input file is given, audio/video grabbing is done.

As a general rule, options are applied to the next specified
file. For example, if you give the @option{-b 64} option, it sets the video
bitrate of the next file. The format option may be needed for raw input
files.

By default, FFmpeg tries to convert as losslessly as possible: It
uses the same audio and video parameters for the outputs as the one
specified for the inputs.
@c man end

@c man begin OPTIONS
@section Main options

@table @option
@item -L
Show license.

@item -h
Show help.

@item -formats
Show available formats, codecs, protocols, ...

@item -f fmt              
Force format.

@item -i filename         
input filename

@item -y                  
Overwrite output files.

@item -t duration         
Set the recording time in seconds.
@code{hh:mm:ss[.xxx]} syntax is also supported.

@item -ss position
Seek to given time position in seconds.
@code{hh:mm:ss[.xxx]} syntax is also supported.

@item -title string       
Set the title.

@item -author string      
Set the author.

@item -copyright string   
Set the copyright.

@item -comment string     
Set the comment.

@item -target type
Specify target file type ("vcd", "svcd", "dvd", "dv", "pal-vcd",
"ntsc-svcd", ... ). All the format options (bitrate, codecs,
buffer sizes) are then set automatically. You can just type:

@example
ffmpeg -i myfile.avi -target vcd /tmp/vcd.mpg
@end example

Nevertheless you can specify additional options as long as you know
they do not conflict with the standard, as in:

@example
ffmpeg -i myfile.avi -target vcd -bf 2 /tmp/vcd.mpg
@end example

@item -hq
Activate high quality settings.

@item -itsoffset offset
Set the input time offset in seconds.
@code{[-]hh:mm:ss[.xxx]} syntax is also supported.
This option affects all the input files that follow it.
The offset is added to the timestamps of the input files.
Specifying a positive offset means that the corresponding
streams are delayed by 'offset' seconds.

@end table

@section Video Options

@table @option
@item -b bitrate
Set the video bitrate in kbit/s (default = 200 kb/s).
@item -r fps           
Set frame rate (default = 25).
@item -s size             
Set frame size. The format is @samp{wxh} (default = 160x128).
The following abbreviations are recognized:
@table @samp
@item sqcif
128x96
@item qcif
176x144
@item cif
352x288
@item 4cif
704x576
@end table

@item -aspect aspect
Set aspect ratio (4:3, 16:9 or 1.3333, 1.7777).
@item -croptop size
Set top crop band size (in pixels).
@item -cropbottom size
Set bottom crop band size (in pixels).
@item -cropleft size
Set left crop band size (in pixels).
@item -cropright size
Set right crop band size (in pixels).
@item -padtop size
Set top pad band size (in pixels).
@item -padbottom size
Set bottom pad band size (in pixels).
@item -padleft size
Set left pad band size (in pixels).
@item -padright size
Set right pad band size (in pixels).
@item -padcolor (hex color)
Set color of padded bands. The value for padcolor is expressed
as a six digit hexadecimal number where the first two digits
represent red, the middle two digits green and last two digits
blue (default = 000000 (black)).
@item -vn
Disable video recording.
@item -bt tolerance       
Set video bitrate tolerance (in kbit/s).
@item -maxrate bitrate
Set max video bitrate tolerance (in kbit/s).
@item -minrate bitrate
Set min video bitrate tolerance (in kbit/s).
@item -bufsize size
Set rate control buffer size (in kbit).
@item -vcodec codec       
Force video codec to @var{codec}. Use the @code{copy} special value to
tell that the raw codec data must be copied as is.
@item -sameq
Use same video quality as source (implies VBR).

@item -pass n  
Select the pass number (1 or 2). It is useful to do two pass
encoding. The statistics of the video are recorded in the first
pass and the video is generated at the exact requested bitrate
in the second pass.

@item -passlogfile file   
Set two pass logfile name to @var{file}.

@end table

@section Advanced Video Options

@table @option
@item -g gop_size         
Set the group of pictures size.
@item -intra              
Use only intra frames.
@item -qscale q           
Use fixed video quantiser scale (VBR).
@item -qmin q             
minimum video quantiser scale (VBR)
@item -qmax q             
maximum video quantiser scale (VBR)
@item -qdiff q            
maximum difference between the quantiser scales (VBR)
@item -qblur blur         
video quantiser scale blur (VBR)
@item -qcomp compression  
video quantiser scale compression (VBR)

@item -rc_init_cplx complexity
initial complexity for single pass encoding
@item -b_qfactor factor
qp factor between P- and B-frames
@item -i_qfactor factor
qp factor between P- and I-frames
@item -b_qoffset offset
qp offset between P- and B-frames
@item -i_qoffset offset
qp offset between P- and I-frames
@item -rc_eq equation
Set rate control equation (@pxref{FFmpeg formula
evaluator}) (default = @code{tex^qComp}).
@item -rc_override override
rate control override for specific intervals
@item -me method
Set motion estimation method to @var{method}.
Available methods are (from lowest to best quality):
@table @samp
@item zero
Try just the (0, 0) vector.
@item phods
@item log
@item x1
@item epzs
(default method)
@item full
exhaustive search (slow and marginally better than epzs)
@end table

@item -dct_algo algo
Set DCT algorithm to @var{algo}. Available values are:
@table @samp
@item 0
FF_DCT_AUTO (default)
@item 1
FF_DCT_FASTINT
@item 2
FF_DCT_INT
@item 3
FF_DCT_MMX
@item 4
FF_DCT_MLIB
@item 5
FF_DCT_ALTIVEC
@end table

@item -idct_algo algo
Set IDCT algorithm to @var{algo}. Available values are:
@table @samp
@item 0
FF_IDCT_AUTO (default)
@item 1
FF_IDCT_INT          
@item 2
FF_IDCT_SIMPLE       
@item 3
FF_IDCT_SIMPLEMMX    
@item 4
FF_IDCT_LIBMPEG2MMX  
@item 5
FF_IDCT_PS2          
@item 6
FF_IDCT_MLIB         
@item 7
FF_IDCT_ARM          
@item 8
FF_IDCT_ALTIVEC      
@item 9
FF_IDCT_SH4          
@item 10
FF_IDCT_SIMPLEARM    
@end table

@item -er n
Set error resilience to @var{n}.
@table @samp
@item 1 
FF_ER_CAREFUL (default)
@item 2
FF_ER_COMPLIANT
@item 3
FF_ER_AGGRESSIVE
@item 4
FF_ER_VERY_AGGRESSIVE
@end table

@item -ec bit_mask
Set error concealment to @var{bit_mask}. @var{bit_mask} is a bit mask of
the following values:
@table @samp
@item 1
FF_EC_GUESS_MVS (default = enabled)
@item 2
FF_EC_DEBLOCK (default = enabled)
@end table

@item -bf frames
Use 'frames' B-frames (supported for MPEG-1, MPEG-2 and MPEG-4).
@item -mbd mode
macroblock decision
@table @samp
@item 0
FF_MB_DECISION_SIMPLE: Use mb_cmp (cannot change it yet in FFmpeg).
@item 1
FF_MB_DECISION_BITS: Choose the one which needs the fewest bits.
@item 2
FF_MB_DECISION_RD: rate distortion
@end table

@item -4mv
Use four motion vector by macroblock (MPEG-4 only).
@item -part
Use data partitioning (MPEG-4 only).
@item -bug param
Work around encoder bugs that are not auto-detected.
@item -strict strictness
How strictly to follow the standards.
@item -aic
Enable Advanced intra coding (h263+).
@item -umv
Enable Unlimited Motion Vector (h263+)

@item -deinterlace
Deinterlace pictures.
@item -interlace
Force interlacing support in encoder (MPEG-2 and MPEG-4 only).
Use this option if your input file is interlaced and you want
to keep the interlaced format for minimum losses.
The alternative is to deinterlace the input stream with
@option{-deinterlace}, but deinterlacing introduces losses.
@item -psnr
Calculate PSNR of compressed frames.
@item -vstats
Dump video coding statistics to @file{vstats_HHMMSS.log}.
@item -vhook module
Insert video processing @var{module}. @var{module} contains the module
name and its parameters separated by spaces.
@end table

@section Audio Options

@table @option
@item -ar freq    
Set the audio sampling frequency (default = 44100 Hz).
@item -ab bitrate 
Set the audio bitrate in kbit/s (default = 64).
@item -ac channels
Set the number of audio channels (default = 1).
@item -an
Disable audio recording.
@item -acodec codec
Force audio codec to @var{codec}. Use the @code{copy} special value to
specify that the raw codec data must be copied as is.
@end table

@section Audio/Video grab options

@table @option
@item -vd device
sEt video grab device (e.g. @file{/dev/video0}).
@item -vc channel
Set video grab channel (DV1394 only).
@item -tvstd standard
Set television standard (NTSC, PAL (SECAM)).
@item -dv1394
Set DV1394 grab.
@item -ad device
Set audio device (e.g. @file{/dev/dsp}).
@end table

@section Advanced options

@table @option
@item -map file:stream    
Set input stream mapping.
@item -debug
Print specific debug info.
@item -benchmark          
Add timings for benchmarking.
@item -hex                
Dump each input packet.
@item -bitexact
Only use bit exact algorithms (for codec testing).
@item -ps size
Set packet size in bits.
@item -re
Read input at native frame rate. Mainly used to simulate a grab device.
@item -loop
Loop over the input stream. Currently it works only for image
streams. This option is used for automatic FFserver testing.
@item -loop_output number_of_times
Repeatedly loop output for formats that support looping such as animated GIF
(0 will loop the output infinitely).
@end table

@node FFmpeg formula evaluator
@section FFmpeg formula evaluator

When evaluating a rate control string, FFmpeg uses an internal formula
evaluator. 

The following binary operators are available: @code{+}, @code{-},
@code{*}, @code{/}, @code{^}.

The following unary operators are available: @code{+}, @code{-},
@code{(...)}.

The following functions are available:
@table @var
@item sinh(x)
@item cosh(x)
@item tanh(x)
@item sin(x)
@item cos(x)
@item tan(x)
@item exp(x)
@item log(x)
@item squish(x)
@item gauss(x)
@item abs(x)
@item max(x, y)
@item min(x, y)
@item gt(x, y)
@item lt(x, y)
@item eq(x, y)
@item bits2qp(bits)
@item qp2bits(qp)
@end table

The following constants are available:
@table @var
@item PI
@item E
@item iTex
@item pTex
@item tex
@item mv
@item fCode
@item iCount
@item mcVar
@item var
@item isI
@item isP
@item isB
@item avgQP
@item qComp
@item avgIITex
@item avgPITex
@item avgPPTex
@item avgBPTex
@item avgTex
@end table

@c man end

@ignore

@setfilename ffmpeg
@settitle FFmpeg video converter

@c man begin SEEALSO
ffserver(1), ffplay(1) and the HTML documentation of @file{ffmpeg}.
@c man end

@c man begin AUTHOR
Fabrice Bellard
@c man end

@end ignore

@section Protocols

The filename can be @file{-} to read from standard input or to write
to standard output.

FFmpeg also handles many protocols specified with an URL syntax.

Use 'ffmpeg -formats' to see a list of the supported protocols.

The protocol @code{http:} is currently used only to communicate with
FFserver (see the FFserver documentation). When FFmpeg will be a
video player it will also be used for streaming :-)

@chapter Tips

@itemize
@item For streaming at very low bitrate application, use a low frame rate
and a small GOP size. This is especially true for RealVideo where
the Linux player does not seem to be very fast, so it can miss
frames. An example is:

@example
ffmpeg -g 3 -r 3 -t 10 -b 50 -s qcif -f rv10 /tmp/b.rm
@end example

@item  The parameter 'q' which is displayed while encoding is the current
quantizer. The value 1 indicates that a very good quality could
be achieved. The value 31 indicates the worst quality. If q=31 appears
too often, it means that the encoder cannot compress enough to meet
your bitrate. You must either increase the bitrate, decrease the
frame rate or decrease the frame size.

@item If your computer is not fast enough, you can speed up the
compression at the expense of the compression ratio. You can use
'-me zero' to speed up motion estimation, and '-intra' to disable
motion estimation completely (you have only I-frames, which means it
is about as good as JPEG compression).

@item To have very low audio bitrates, reduce the sampling frequency
(down to 22050 kHz for MPEG audio, 22050 or 11025 for AC3).

@item To have a constant quality (but a variable bitrate), use the option
'-qscale n' when 'n' is between 1 (excellent quality) and 31 (worst
quality).

@item When converting video files, you can use the '-sameq' option which
uses the same quality factor in the encoder as in the decoder.
It allows almost lossless encoding.

@end itemize

@chapter Supported File Formats and Codecs

You can use the @code{-formats} option to have an exhaustive list.

@section File Formats

FFmpeg supports the following file formats through the @code{libavformat}
library:

@multitable @columnfractions .4 .1 .1 .4
@item Supported File Format @tab Encoding @tab Decoding @tab Comments
@item MPEG audio @tab X @tab X
@item MPEG-1 systems @tab X  @tab  X
@tab muxed audio and video
@item MPEG-2 PS @tab X  @tab  X
@tab also known as @code{VOB} file
@item MPEG-2 TS @tab    @tab  X
@tab also known as DVB Transport Stream
@item ASF@tab X @tab X 
@item AVI@tab X @tab X 
@item WAV@tab X @tab X 
@item Macromedia Flash@tab X @tab X
@tab Only embedded audio is decoded.
@item FLV              @tab  X @tab X
@tab Macromedia Flash video files
@item Real Audio and Video @tab X @tab X 
@item Raw AC3 @tab X  @tab  X 
@item Raw MJPEG @tab X  @tab  X 
@item Raw MPEG video @tab X  @tab  X 
@item Raw PCM8/16 bits, mulaw/Alaw@tab X  @tab  X 
@item Raw CRI ADX audio @tab X  @tab  X 
@item Raw Shorten audio @tab    @tab  X 
@item SUN AU format @tab X  @tab  X 
@item NUT @tab X @tab X @tab NUT Open Container Format
@item QuickTime        @tab X @tab  X 
@item MPEG-4           @tab X @tab  X
@tab MPEG-4 is a variant of QuickTime.
@item Raw MPEG4 video  @tab  X @tab  X 
@item DV               @tab  X @tab  X
@item 4xm              @tab    @tab X
@tab 4X Technologies format, used in some games.
@item Playstation STR  @tab    @tab X
@item Id RoQ           @tab    @tab X
@tab Used in Quake III, Jedi Knight 2, other computer games.
@item Interplay MVE    @tab    @tab X
@tab Format used in various Interplay computer games.
@item WC3 Movie        @tab    @tab X
@tab Multimedia format used in Origin's Wing Commander III computer game.
@item Sega FILM/CPK    @tab    @tab X
@tab Used in many Sega Saturn console games.
@item Westwood Studios VQA/AUD  @tab    @tab X
@tab Multimedia formats used in Westwood Studios games.
@item Id Cinematic (.cin) @tab    @tab X
@tab Used in Quake II.
@item FLIC format      @tab    @tab X
@tab .fli/.flc files
@item Sierra VMD       @tab    @tab X
@tab Used in Sierra CD-ROM games.
@item Sierra Online    @tab    @tab X
@tab .sol files used in Sierra Online games.
@item Matroska         @tab    @tab X
@item Electronic Arts Multimedia    @tab    @tab X
@tab Used in various EA games; files have extensions like WVE and UV2.
@item Nullsoft Video (NSV) format @tab    @tab X
@end multitable

@code{X} means that encoding (resp. decoding) is supported.

@section Image Formats

FFmpeg can read and write images for each frame of a video sequence. The
following image formats are supported:

@multitable @columnfractions .4 .1 .1 .4
@item Supported Image Format @tab Encoding @tab Decoding @tab Comments
@item PGM, PPM     @tab X @tab X 
@item PAM          @tab X @tab X @tab PAM is a PNM extension with alpha support.
@item PGMYUV       @tab X @tab X @tab PGM with U and V components in YUV 4:2:0
@item JPEG         @tab X @tab X @tab Progressive JPEG is not supported.
@item .Y.U.V       @tab X @tab X @tab one raw file per component
@item animated GIF @tab X @tab X @tab Only uncompressed GIFs are generated.
@item PNG          @tab X @tab X @tab 2 bit and 4 bit/pixel not supported yet.
@item SGI          @tab X @tab X @tab SGI RGB image format
@end multitable

@code{X} means that encoding (resp. decoding) is supported.

@section Video Codecs

@multitable @columnfractions .4 .1 .1 .4
@item Supported Codec @tab Encoding @tab Decoding @tab Comments
@item MPEG-1 video           @tab  X  @tab  X
@item MPEG-2 video           @tab  X  @tab  X
@item MPEG-4                 @tab  X  @tab  X @tab also known as DivX4/5
@item MSMPEG4 V1             @tab  X  @tab  X
@item MSMPEG4 V2             @tab  X  @tab  X
@item MSMPEG4 V3             @tab  X  @tab  X @tab also known as DivX3
@item WMV7                   @tab  X  @tab  X
@item WMV8                   @tab  X  @tab  X @tab not completely working
@item H.261                  @tab  X  @tab  X
@item H.263(+)               @tab  X  @tab  X @tab also known as RealVideo 1.0
@item H.264                  @tab     @tab  X
@item MJPEG                  @tab  X  @tab  X 
@item lossless MJPEG         @tab  X  @tab  X
@item Apple MJPEG-B          @tab     @tab  X
@item Sunplus MJPEG          @tab     @tab  X @tab fourcc: SP5X
@item DV                     @tab  X  @tab  X 
@item HuffYUV                @tab  X  @tab  X
@item FFmpeg Video 1         @tab  X  @tab  X @tab experimental lossless codec (fourcc: FFV1)
@item FFmpeg Snow            @tab  X  @tab  X @tab experimental wavelet codec (fourcc: SNOW)
@item Asus v1                @tab  X  @tab  X @tab fourcc: ASV1
@item Asus v2                @tab  X  @tab  X @tab fourcc: ASV2
@item Creative YUV           @tab     @tab  X @tab fourcc: CYUV
@item Sorenson Video 1       @tab  X  @tab  X @tab fourcc: SVQ1
@item Sorenson Video 3       @tab     @tab  X @tab fourcc: SVQ3
@item On2 VP3                @tab     @tab  X @tab still experimental
@item Theora                 @tab     @tab  X @tab still experimental
@item Intel Indeo 3          @tab     @tab  X
@item FLV                    @tab  X  @tab  X @tab Sorenson H.263 used in Flash
@item ATI VCR1               @tab     @tab  X @tab fourcc: VCR1
@item ATI VCR2               @tab     @tab  X @tab fourcc: VCR2
@item Cirrus Logic AccuPak   @tab     @tab  X @tab fourcc: CLJR
@item 4X Video               @tab     @tab  X @tab Used in certain computer games.
@item Sony Playstation MDEC  @tab     @tab  X 
@item Id RoQ                 @tab     @tab  X @tab Used in Quake III, Jedi Knight 2, other computer games.
@item Xan/WC3                @tab     @tab  X @tab Used in Wing Commander III .MVE files.
@item Interplay Video        @tab     @tab  X @tab Used in Interplay .MVE files.
@item Apple Animation        @tab     @tab  X @tab fourcc: 'rle '
@item Apple Graphics         @tab     @tab  X @tab fourcc: 'smc '
@item Apple Video            @tab     @tab  X @tab fourcc: rpza
@item Apple QuickDraw        @tab     @tab  X @tab fourcc: qdrw
@item Cinepak                @tab     @tab  X
@item Microsoft RLE          @tab     @tab  X
@item Microsoft Video-1      @tab     @tab  X
@item Westwood VQA           @tab     @tab  X
@item Id Cinematic Video     @tab     @tab  X @tab Used in Quake II.
@item Planar RGB             @tab     @tab  X @tab fourcc: 8BPS
@item FLIC video             @tab     @tab  X
@item Duck TrueMotion v1     @tab     @tab  X @tab fourcc: DUCK
@item VMD Video              @tab     @tab  X @tab Used in Sierra VMD files.
@item MSZH                   @tab     @tab  X @tab Part of LCL
@item ZLIB                   @tab  X  @tab  X @tab Part of LCL, encoder experimental
@item TechSmith Camtasia     @tab     @tab  X @tab fourcc: TSCC
@item IBM Ultimotion         @tab     @tab  X @tab fourcc: ULTI
@item Miro VideoXL           @tab     @tab  X @tab fourcc: VIXL
@item QPEG                   @tab     @tab  X @tab fourccs: QPEG, Q1.0, Q1.1
@item LOCO                   @tab     @tab  X @tab 
@item Winnov WNV1            @tab     @tab  X @tab 
@item Autodesk Animator Studio Codec  @tab     @tab  X @tab fourcc: AASC
@item Fraps FPS1             @tab     @tab  X @tab 
@end multitable

@code{X} means that encoding (resp. decoding) is supported.

See @url{http://www.mplayerhq.hu/~michael/codec-features.html} to
get a precise comparison of the FFmpeg MPEG-4 codec compared to
other implementations.

@section Audio Codecs

@multitable @columnfractions .4 .1 .1 .1 .7
@item Supported Codec @tab Encoding @tab Decoding @tab Comments
@item MPEG audio layer 2     @tab  IX  @tab  IX 
@item MPEG audio layer 1/3   @tab IX   @tab  IX
@tab MP3 encoding is supported through the external library LAME.
@item AC3                    @tab  IX  @tab  IX
@tab liba52 is used internally for decoding.
@item Vorbis                 @tab  X   @tab  X
@tab Supported through the external library libvorbis.
@item WMA V1/V2              @tab      @tab X
@item AAC                    @tab X    @tab X
@tab Supported through the external library libfaac/libfaad.
@item Microsoft ADPCM        @tab X    @tab X
@item MS IMA ADPCM           @tab X    @tab X
@item QT IMA ADPCM           @tab      @tab X
@item 4X IMA ADPCM           @tab      @tab X
@item G.726  ADPCM           @tab X    @tab X
@item Duck DK3 IMA ADPCM     @tab      @tab X
@tab Used in some Sega Saturn console games.
@item Duck DK4 IMA ADPCM     @tab      @tab X
@tab Used in some Sega Saturn console games.
@item Westwood Studios IMA ADPCM @tab      @tab X
@tab Used in Westwood Studios games like Command and Conquer.
@item SMJPEG IMA ADPCM       @tab      @tab X
@tab Used in certain Loki game ports.
@item CD-ROM XA ADPCM        @tab      @tab X
@item CRI ADX ADPCM          @tab X    @tab X
@tab Used in Sega Dreamcast games.
@item Electronic Arts ADPCM  @tab      @tab X
@tab Used in various EA titles.
@item Creative ADPCM         @tab      @tab X
@item RA144                  @tab      @tab X
@tab Real 14400 bit/s codec
@item RA288                  @tab      @tab X
@tab Real 28800 bit/s codec
@item RADnet                 @tab X    @tab IX
@tab Real low bitrate AC3 codec, liba52 is used for decoding.
@item AMR-NB                 @tab X    @tab X
@tab Supported through an external library.
@item AMR-WB                 @tab X    @tab X
@tab Supported through an external library.
@item DV audio               @tab      @tab X
@item Id RoQ DPCM            @tab      @tab X
@tab Used in Quake III, Jedi Knight 2, other computer games.
@item Interplay MVE DPCM     @tab      @tab X
@tab Used in various Interplay computer games.
@item Xan DPCM               @tab      @tab X
@tab Used in Origin's Wing Commander IV AVI files.
@item Sierra Online DPCM     @tab      @tab X
@tab Used in Sierra Online game audio files.
@item Apple MACE 3           @tab      @tab X
@item Apple MACE 6           @tab      @tab X
@item FLAC lossless audio    @tab      @tab X
@item Shorten lossless audio @tab      @tab X
@item Apple lossless audio   @tab      @tab X
@tab QuickTime fourcc 'alac'
@item FFmpeg Sonic           @tab X    @tab X
@tab experimental lossy/lossless codec
@end multitable

@code{X} means that encoding (resp. decoding) is supported.

@code{I} means that an integer-only version is available, too (ensures high
performance on systems without hardware floating point support).

@chapter Platform Specific information

@section Linux

FFmpeg should be compiled with at least GCC 2.95.3. GCC 3.2 is the
preferred compiler now for FFmpeg. All future optimizations will depend on
features only found in GCC 3.2.

@section BSD

@section Windows

@subsection Native Windows compilation

@itemize
@item Install the current versions of MSYS and MinGW from
@url{http://www.mingw.org/}. You can find detailed installation
instructions in the download section and the FAQ.

@item If you want to test the FFplay, also download
the MinGW development library of SDL 1.2.x
(@file{SDL-devel-1.2.x-mingw32.tar.gz}) from
@url{http://www.libsdl.org}. Unpack it in a temporary directory, and
unpack the archive @file{i386-mingw32msvc.tar.gz} in the MinGW tool
directory. Edit the @file{sdl-config} script so that it gives the
correct SDL directory when invoked.

@item Extract the current version of FFmpeg (the latest release version or
the current CVS snapshot, whichever is recommended).
 
@item Start the MSYS shell (file @file{msys.bat}).

@item Change to the FFmpeg directory and follow
 the instructions of how to compile FFmpeg (file
@file{INSTALL}). Usually, launching @file{./configure} and @file{make}
suffices. If you have problems using SDL, verify that
@file{sdl-config} can be launched from the MSYS command line.

@item You can install FFmpeg in @file{Program Files/FFmpeg} by typing
@file{make install}. Don't forget to copy @file{SDL.dll} to the place
you launch @file{ffplay} from.

@end itemize

Notes: 
@itemize

@item The target @file{make wininstaller} can be used to create a
Nullsoft based Windows installer for FFmpeg and FFplay. @file{SDL.dll}
must be copied to the FFmpeg directory in order to build the
installer.

@item By using @code{./configure --enable-shared} when configuring FFmpeg,
you can build @file{avcodec.dll} and @file{avformat.dll}. With
@code{make install} you install the FFmpeg DLLs and the associated
headers in @file{Program Files/FFmpeg}. 

@item Visual C++ compatibility: If you used @code{./configure --enable-shared}
when configuring FFmpeg, FFmpeg tries to use the Microsoft Visual
C++ @code{lib} tool to build @code{avcodec.lib} and
@code{avformat.lib}. With these libraries you can link your Visual C++
code directly with the FFmpeg DLLs.

@end itemize

@subsection Cross compilation for Windows with Linux

You must use the MinGW cross compilation tools available at
@url{http://www.mingw.org/}.

Then configure FFmpeg with the following options:
@example
./configure --enable-mingw32 --cross-prefix=i386-mingw32msvc-
@end example
(you can change the cross-prefix according to the prefix chosen for the
MinGW tools).

Then you can easily test FFmpeg with Wine
(@url{http://www.winehq.com/}).

@section Mac OS X

@section BeOS

The configure script should guess the configuration itself.
Networking support is currently not finished.
errno issues fixed by Andrew Bachmann.

Old stuff:

François Revol - revol at free dot fr - April 2002

The configure script should guess the configuration itself, 
however I still didn't test building on the net_server version of BeOS.

FFserver is broken (needs poll() implementation).

There are still issues with errno codes, which are negative in BeOS, and
that FFmpeg negates when returning. This ends up turning errors into 
valid results, then crashes.
(To be fixed)

@chapter Developers Guide

@section API
@itemize
@item libavcodec is the library containing the codecs (both encoding and
decoding). Look at @file{libavcodec/apiexample.c} to see how to use it.

@item libavformat is the library containing the file format handling (mux and
demux code for several formats). Look at @file{ffplay.c} to use it in a
player. See @file{output_example.c} to use it to generate audio or video
streams.

@end itemize

@section Integrating libavcodec or libavformat in your program

You can integrate all the source code of the libraries to link them
statically to avoid any version problem. All you need is to provide a
'config.mak' and a 'config.h' in the parent directory. See the defines
generated by ./configure to understand what is needed.

You can use libavcodec or libavformat in your commercial program, but
@emph{any patch you make must be published}. The best way to proceed is
to send your patches to the FFmpeg mailing list.

@node Coding Rules
@section Coding Rules

FFmpeg is programmed in the ISO C90 language with a few additional
features from ISO C99, namely:
@itemize @bullet
@item
the @samp{inline} keyword;
@item
@samp{//} comments;
@item
designated struct initializers (@samp{struct s x = @{ .i = 17 @};})
@item
compound literals (@samp{x = (struct s) @{ 17, 23 @};})
@end itemize

These features are supported by all compilers we care about, so we won't
accept patches to remove their use unless they absolutely don't impair
clarity and performance.

All code must compile with GCC 2.95 and GCC 3.3. Currently, FFmpeg also
compiles with several other compilers, such as the Compaq ccc compiler
or Sun Studio 9, and we would like to keep it that way unless it would
be exceedingly involved. To ensure compatibility, please don't use any
additional C99 features or GCC extensions. Especially watch out for:
@itemize @bullet
@item
mixing statements and declarations;
@item
@samp{long long} (use @samp{int64_t} instead);
@item
@samp{__attribute__} not protected by @samp{#ifdef __GNUC__} or similar;
@item
GCC statement expressions (@samp{(x = (@{ int y = 4; y; @})}).
@end itemize

Indent size is 4. The TAB character should not be used.
The presentation is the one specified by 'indent -i4 -kr'.

Main priority in FFmpeg is simplicity and small code size (=less
bugs).

Comments: Use the JavaDoc/Doxygen
format (see examples below) so that code documentation
can be generated automatically. All nontrivial functions should have a comment
above them explaining what the function does, even if it's just one sentence.
All structures and their member variables should be documented, too.
@example
/**
 * @@file mpeg.c
 * MPEG codec.
 * @@author ...
 */

/**
 * Summary sentence.
 * more text ...
 * ...
 */
typedef struct Foobar@{
    int var1; /**< var1 description */
    int var2; ///< var2 description
    /** var3 description */
    int var3;
@} Foobar;

/**
 * Summary sentence.
 * more text ...
 * ...
 * @@param my_parameter description of my_parameter
 * @@return return value description
 */
int myfunc(int my_parameter)
...
@end example

fprintf and printf are forbidden in libavformat and libavcodec, 
please use av_log() instead.

@node CVS Policy
@section CVS Policy

@enumerate
@item 
   You must not commit code which breaks FFmpeg! (Meaning unfinished but
   enabled code which breaks compilation or compiles but does not work or
   breaks the regression tests)
   You can commit unfinished stuff (for testing etc), but it must be disabled
   (#ifdef etc) by default so it does not interfere with other developers'
   work.
@item 
   You don't have to over-test things. If it works for you, and you think it
   should work for others, then commit. If your code has problems
   (portability, triggers compiler bugs, unusual environment etc) they will be
   reported and eventually fixed.
@item 
   Do not commit unrelated changes together, split them into self-contained
   pieces.
@item
   Do not change behavior of the program (renaming options etc) without
   first discussing it on the ffmpeg-devel mailing list. Do not remove
   functionality from the code. Just improve!
   
   Note: Redundant code can be removed.
@item
   Do not commit changes to the build system (Makefiles, configure script)
   which change behavior, defaults etc, without asking first. The same
   applies to compiler warning fixes, trivial looking fixes and to code
   maintained by other developers. We usually have a reason for doing things
   the way we do. Send your changes as patches to the ffmpeg-devel mailing
   list, and if the code maintainers say OK, you may commit. This does not
   apply to files you wrote and/or maintain.
@item
   We refuse source indentation and other cosmetic changes if they are mixed
   with functional changes, such commits will be rejected and removed. Every
   developer has his own indentation style, you should not change it. Of course
   if you (re)write something, you can use your own style, even though we would
   prefer if the indentation throughout FFmpeg was consistent (Many projects
   force a given indentation style - we don't.). If you really need to make
   indentation changes (try to avoid this), separate them strictly from real
   changes.

   NOTE: If you had to put if()@{ .. @} over a large (> 5 lines) chunk of code,
   then either do NOT change the indentation of the inner part within (don't 
   move it to the right)! or do so in a separate commit
@item
   Always fill out the commit log message. Describe in a few lines what you
   changed and why. You can refer to mailing list postings if you fix a
   particular bug. Comments such as "fixed!" or "Changed it." are unacceptable.
@item
   If you apply a patch by someone else, include the name and email address in
   the CVS log message. Since the ffmpeg-cvslog mailing list is publicly
   archived you should add some SPAM protection to the email address. Send an
   answer to ffmpeg-devel (or wherever you got the patch from) saying that
   you applied the patch.
@item
   Do NOT commit to code actively maintained by others without permission. Send
   a patch to ffmpeg-devel instead.
@item
    Subscribe to the ffmpeg-cvslog mailing list. The diffs of all CVS commits
    are sent there and reviewed by all the other developers. Bugs and possible
    improvements or general questions regarding commits are discussed there. We
    expect you to react if problems with your code are uncovered.
@item
    Update the documentation if you change behavior or add features. If you are
    unsure how best to do this, send a patch to ffmpeg-devel, the documentation
    maintainer(s) will review and commit your stuff.
@item
    Revert a commit ONLY in case of a big blunder like committing something not
    intended to be committed or committing a wrong file, the wrong version of a
    patch, CVS policy violation or broken code and you are going to recommit the
    right thing immediately.

    Never revert changes made a long time ago or buggy code. Fix it in the
    normal way instead.
@item
    Never write to unallocated memory, never write over the end of arrays,
    always check values read from some untrusted source before using them
    as array index or other risky things.
@end enumerate

We think our rules are not too hard. If you have comments, contact us.

Note, these rules are mostly borrowed from the MPlayer project.

@subsection Renaming/moving files or content of files
  You CANNOT do that. Post a request for such a change to the mailing list
  Do NOT remove & readd a file - it will kill the changelog!!!!

@section Submitting patches

First, (@pxref{Coding Rules}) above if you didn't yet.

When you submit your patch, try to send a unified diff (diff '-up'
option). I cannot read other diffs :-)

Also please do not submit patches which contain several unrelated changes.
Split them into individual self-contained patches; this makes reviewing 
them much easier.

Run the regression tests before submitting a patch so that you can
verify that there are no big problems.

Patches should be posted as base64 encoded attachments (or any other
encoding which ensures that the patch won't be trashed during
transmission) to the ffmpeg-devel mailing list, see 
@url{http://www1.mplayerhq.hu/mailman/listinfo/ffmpeg-devel}

It also helps quite a bit if you tell us what the patch does (for example
'replaces lrint by lrintf'), and why (for example '*BSD isn't C99 compliant
and has no lrint()')

We reply to all submitted patches and either apply or reject with some
explanation why, but sometimes we are quite busy so it can take a week or two.

@section Regression tests

Before submitting a patch (or committing to CVS), you should at least
test that you did not break anything.

The regression tests build a synthetic video stream and a synthetic
audio stream. These are then encoded and decoded with all codecs or
formats. The CRC (or MD5) of each generated file is recorded in a
result file. A 'diff' is launched to compare the reference results and
the result file.

The regression tests then go on to test the FFserver code with a
limited set of streams. It is important that this step runs correctly
as well.

Run 'make test' to test all the codecs and formats.

Run 'make fulltest' to test all the codecs, formats and FFserver.

[Of course, some patches may change the results of the regression tests. In
this case, the reference results of the regression tests shall be modified
accordingly].

@bye