1 \input texinfo @c -*- texinfo -*-
2 @documentencoding UTF-8
4 @settitle ffmpeg Documentation
6 @center @titlefont{ffmpeg Documentation}
15 ffmpeg [@var{global_options}] @{[@var{input_file_options}] -i @file{input_url}@} ... @{[@var{output_file_options}] @file{output_url}@} ...
18 @c man begin DESCRIPTION
20 @command{ffmpeg} is a very fast video and audio converter that can also grab from
21 a live audio/video source. It can also convert between arbitrary sample
22 rates and resize video on the fly with a high quality polyphase filter.
24 @command{ffmpeg} reads from an arbitrary number of input "files" (which can be regular
25 files, pipes, network streams, grabbing devices, etc.), specified by the
26 @code{-i} option, and writes to an arbitrary number of output "files", which are
27 specified by a plain output url. Anything found on the command line which
28 cannot be interpreted as an option is considered to be an output url.
30 Each input or output url can, in principle, contain any number of streams of
31 different types (video/audio/subtitle/attachment/data). The allowed number and/or
32 types of streams may be limited by the container format. Selecting which
33 streams from which inputs will go into which output is either done automatically
34 or with the @code{-map} option (see the Stream selection chapter).
36 To refer to input files in options, you must use their indices (0-based). E.g.
37 the first input file is @code{0}, the second is @code{1}, etc. Similarly, streams
38 within a file are referred to by their indices. E.g. @code{2:3} refers to the
39 fourth stream in the third input file. Also see the Stream specifiers chapter.
41 As a general rule, options are applied to the next specified
42 file. Therefore, order is important, and you can have the same
43 option on the command line multiple times. Each occurrence is
44 then applied to the next input or output file.
45 Exceptions from this rule are the global options (e.g. verbosity level),
46 which should be specified first.
48 Do not mix input and output files -- first specify all input files, then all
49 output files. Also do not mix options which belong to different files. All
50 options apply ONLY to the next input or output file and are reset between files.
54 To set the video bitrate of the output file to 64 kbit/s:
56 ffmpeg -i input.avi -b:v 64k -bufsize 64k output.avi
60 To force the frame rate of the output file to 24 fps:
62 ffmpeg -i input.avi -r 24 output.avi
66 To force the frame rate of the input file (valid for raw formats only)
67 to 1 fps and the frame rate of the output file to 24 fps:
69 ffmpeg -r 1 -i input.m2v -r 24 output.avi
73 The format option may be needed for raw input files.
75 @c man end DESCRIPTION
77 @chapter Detailed description
78 @c man begin DETAILED DESCRIPTION
80 The transcoding process in @command{ffmpeg} for each output can be described by
81 the following diagram:
84 _______ ______________
86 | input | demuxer | encoded data | decoder
87 | file | ---------> | packets | -----+
88 |_______| |______________| |
95 ________ ______________ |
97 | output | <-------- | encoded data | <----+
98 | file | muxer | packets | encoder
99 |________| |______________|
104 @command{ffmpeg} calls the libavformat library (containing demuxers) to read
105 input files and get packets containing encoded data from them. When there are
106 multiple input files, @command{ffmpeg} tries to keep them synchronized by
107 tracking lowest timestamp on any active input stream.
109 Encoded packets are then passed to the decoder (unless streamcopy is selected
110 for the stream, see further for a description). The decoder produces
111 uncompressed frames (raw video/PCM audio/...) which can be processed further by
112 filtering (see next section). After filtering, the frames are passed to the
113 encoder, which encodes them and outputs encoded packets. Finally those are
114 passed to the muxer, which writes the encoded packets to the output file.
117 Before encoding, @command{ffmpeg} can process raw audio and video frames using
118 filters from the libavfilter library. Several chained filters form a filter
119 graph. @command{ffmpeg} distinguishes between two types of filtergraphs:
122 @subsection Simple filtergraphs
123 Simple filtergraphs are those that have exactly one input and output, both of
124 the same type. In the above diagram they can be represented by simply inserting
125 an additional step between decoding and encoding:
128 _________ ______________
130 | decoded | | encoded data |
131 | frames |\ _ | packets |
132 |_________| \ /||______________|
134 simple _\|| | / encoder
135 filtergraph | filtered |/
141 Simple filtergraphs are configured with the per-stream @option{-filter} option
142 (with @option{-vf} and @option{-af} aliases for video and audio respectively).
143 A simple filtergraph for video can look for example like this:
146 _______ _____________ _______ ________
148 | input | ---> | deinterlace | ---> | scale | ---> | output |
149 |_______| |_____________| |_______| |________|
153 Note that some filters change frame properties but not frame contents. E.g. the
154 @code{fps} filter in the example above changes number of frames, but does not
155 touch the frame contents. Another example is the @code{setpts} filter, which
156 only sets timestamps and otherwise passes the frames unchanged.
158 @subsection Complex filtergraphs
159 Complex filtergraphs are those which cannot be described as simply a linear
160 processing chain applied to one stream. This is the case, for example, when the graph has
161 more than one input and/or output, or when output stream type is different from
162 input. They can be represented with the following diagram:
167 | input 0 |\ __________
169 \ _________ /| output 0 |
171 _________ \| complex | /
173 | input 1 |---->| filter |\
174 |_________| | | \ __________
177 _________ / |_________| |__________|
184 Complex filtergraphs are configured with the @option{-filter_complex} option.
185 Note that this option is global, since a complex filtergraph, by its nature,
186 cannot be unambiguously associated with a single stream or file.
188 The @option{-lavfi} option is equivalent to @option{-filter_complex}.
190 A trivial example of a complex filtergraph is the @code{overlay} filter, which
191 has two video inputs and one video output, containing one video overlaid on top
192 of the other. Its audio counterpart is the @code{amix} filter.
195 Stream copy is a mode selected by supplying the @code{copy} parameter to the
196 @option{-codec} option. It makes @command{ffmpeg} omit the decoding and encoding
197 step for the specified stream, so it does only demuxing and muxing. It is useful
198 for changing the container format or modifying container-level metadata. The
199 diagram above will, in this case, simplify to this:
202 _______ ______________ ________
204 | input | demuxer | encoded data | muxer | output |
205 | file | ---------> | packets | -------> | file |
206 |_______| |______________| |________|
210 Since there is no decoding or encoding, it is very fast and there is no quality
211 loss. However, it might not work in some cases because of many factors. Applying
212 filters is obviously also impossible, since filters work on uncompressed data.
214 @c man end DETAILED DESCRIPTION
216 @chapter Stream selection
217 @c man begin STREAM SELECTION
219 By default, @command{ffmpeg} includes only one stream of each type (video, audio, subtitle)
220 present in the input files and adds them to each output file. It picks the
221 "best" of each based upon the following criteria: for video, it is the stream
222 with the highest resolution, for audio, it is the stream with the most channels, for
223 subtitles, it is the first subtitle stream. In the case where several streams of
224 the same type rate equally, the stream with the lowest index is chosen.
226 You can disable some of those defaults by using the @code{-vn/-an/-sn/-dn} options. For
227 full manual control, use the @code{-map} option, which disables the defaults just
230 @c man end STREAM SELECTION
235 @include fftools-common-opts.texi
237 @section Main options
241 @item -f @var{fmt} (@emph{input/output})
242 Force input or output file format. The format is normally auto detected for input
243 files and guessed from the file extension for output files, so this option is not
244 needed in most cases.
246 @item -i @var{url} (@emph{input})
249 @item -y (@emph{global})
250 Overwrite output files without asking.
252 @item -n (@emph{global})
253 Do not overwrite output files, and exit immediately if a specified
254 output file already exists.
256 @item -stream_loop @var{number} (@emph{input})
257 Set number of times input stream shall be looped. Loop 0 means no loop,
258 loop -1 means infinite loop.
260 @item -c[:@var{stream_specifier}] @var{codec} (@emph{input/output,per-stream})
261 @itemx -codec[:@var{stream_specifier}] @var{codec} (@emph{input/output,per-stream})
262 Select an encoder (when used before an output file) or a decoder (when used
263 before an input file) for one or more streams. @var{codec} is the name of a
264 decoder/encoder or a special value @code{copy} (output only) to indicate that
265 the stream is not to be re-encoded.
269 ffmpeg -i INPUT -map 0 -c:v libx264 -c:a copy OUTPUT
271 encodes all video streams with libx264 and copies all audio streams.
273 For each stream, the last matching @code{c} option is applied, so
275 ffmpeg -i INPUT -map 0 -c copy -c:v:1 libx264 -c:a:137 libvorbis OUTPUT
277 will copy all the streams except the second video, which will be encoded with
278 libx264, and the 138th audio, which will be encoded with libvorbis.
280 @item -t @var{duration} (@emph{input/output})
281 When used as an input option (before @code{-i}), limit the @var{duration} of
282 data read from the input file.
284 When used as an output option (before an output url), stop writing the
285 output after its duration reaches @var{duration}.
287 @var{duration} must be a time duration specification,
288 see @ref{time duration syntax,,the Time duration section in the ffmpeg-utils(1) manual,ffmpeg-utils}.
290 -to and -t are mutually exclusive and -t has priority.
292 @item -to @var{position} (@emph{output})
293 Stop writing the output at @var{position}.
294 @var{position} must be a time duration specification,
295 see @ref{time duration syntax,,the Time duration section in the ffmpeg-utils(1) manual,ffmpeg-utils}.
297 -to and -t are mutually exclusive and -t has priority.
299 @item -fs @var{limit_size} (@emph{output})
300 Set the file size limit, expressed in bytes. No further chunk of bytes is written
301 after the limit is exceeded. The size of the output file is slightly more than the
304 @item -ss @var{position} (@emph{input/output})
305 When used as an input option (before @code{-i}), seeks in this input file to
306 @var{position}. Note that in most formats it is not possible to seek exactly,
307 so @command{ffmpeg} will seek to the closest seek point before @var{position}.
308 When transcoding and @option{-accurate_seek} is enabled (the default), this
309 extra segment between the seek point and @var{position} will be decoded and
310 discarded. When doing stream copy or when @option{-noaccurate_seek} is used, it
313 When used as an output option (before an output url), decodes but discards
314 input until the timestamps reach @var{position}.
316 @var{position} must be a time duration specification,
317 see @ref{time duration syntax,,the Time duration section in the ffmpeg-utils(1) manual,ffmpeg-utils}.
319 @item -sseof @var{position} (@emph{input/output})
321 Like the @code{-ss} option but relative to the "end of file". That is negative
322 values are earlier in the file, 0 is at EOF.
324 @item -itsoffset @var{offset} (@emph{input})
325 Set the input time offset.
327 @var{offset} must be a time duration specification,
328 see @ref{time duration syntax,,the Time duration section in the ffmpeg-utils(1) manual,ffmpeg-utils}.
330 The offset is added to the timestamps of the input files. Specifying
331 a positive offset means that the corresponding streams are delayed by
332 the time duration specified in @var{offset}.
334 @item -timestamp @var{date} (@emph{output})
335 Set the recording timestamp in the container.
337 @var{date} must be a date specification,
338 see @ref{date syntax,,the Date section in the ffmpeg-utils(1) manual,ffmpeg-utils}.
340 @item -metadata[:metadata_specifier] @var{key}=@var{value} (@emph{output,per-metadata})
341 Set a metadata key/value pair.
343 An optional @var{metadata_specifier} may be given to set metadata
344 on streams, chapters or programs. See @code{-map_metadata}
345 documentation for details.
347 This option overrides metadata set with @code{-map_metadata}. It is
348 also possible to delete metadata by using an empty value.
350 For example, for setting the title in the output file:
352 ffmpeg -i in.avi -metadata title="my title" out.flv
355 To set the language of the first audio stream:
357 ffmpeg -i INPUT -metadata:s:a:0 language=eng OUTPUT
360 @item -disposition[:stream_specifier] @var{value} (@emph{output,per-stream})
361 Sets the disposition for a stream.
363 This option overrides the disposition copied from the input stream. It is also
364 possible to delete the disposition by setting it to 0.
366 The following dispositions are recognized:
375 @item hearing_impaired
376 @item visual_impaired
383 For example, to make the second audio stream the default stream:
385 ffmpeg -i in.mkv -disposition:a:1 default out.mkv
388 To make the second subtitle stream the default stream and remove the default
389 disposition from the first subtitle stream:
391 ffmpeg -i INPUT -disposition:s:0 0 -disposition:s:1 default OUTPUT
394 @item -program [title=@var{title}:][program_num=@var{program_num}:]st=@var{stream}[:st=@var{stream}...] (@emph{output})
396 Creates a program with the specified @var{title}, @var{program_num} and adds the specified
397 @var{stream}(s) to it.
399 @item -target @var{type} (@emph{output})
400 Specify target file type (@code{vcd}, @code{svcd}, @code{dvd}, @code{dv},
401 @code{dv50}). @var{type} may be prefixed with @code{pal-}, @code{ntsc-} or
402 @code{film-} to use the corresponding standard. All the format options
403 (bitrate, codecs, buffer sizes) are then set automatically. You can just type:
406 ffmpeg -i myfile.avi -target vcd /tmp/vcd.mpg
409 Nevertheless you can specify additional options as long as you know
410 they do not conflict with the standard, as in:
413 ffmpeg -i myfile.avi -target vcd -bf 2 /tmp/vcd.mpg
416 @item -dframes @var{number} (@emph{output})
417 Set the number of data frames to output. This is an obsolete alias for
418 @code{-frames:d}, which you should use instead.
420 @item -frames[:@var{stream_specifier}] @var{framecount} (@emph{output,per-stream})
421 Stop writing to the stream after @var{framecount} frames.
423 @item -q[:@var{stream_specifier}] @var{q} (@emph{output,per-stream})
424 @itemx -qscale[:@var{stream_specifier}] @var{q} (@emph{output,per-stream})
425 Use fixed quality scale (VBR). The meaning of @var{q}/@var{qscale} is
427 If @var{qscale} is used without a @var{stream_specifier} then it applies only
428 to the video stream, this is to maintain compatibility with previous behavior
429 and as specifying the same codec specific value to 2 different codecs that is
430 audio and video generally is not what is intended when no stream_specifier is
433 @anchor{filter_option}
434 @item -filter[:@var{stream_specifier}] @var{filtergraph} (@emph{output,per-stream})
435 Create the filtergraph specified by @var{filtergraph} and use it to
438 @var{filtergraph} is a description of the filtergraph to apply to
439 the stream, and must have a single input and a single output of the
440 same type of the stream. In the filtergraph, the input is associated
441 to the label @code{in}, and the output to the label @code{out}. See
442 the ffmpeg-filters manual for more information about the filtergraph
445 See the @ref{filter_complex_option,,-filter_complex option} if you
446 want to create filtergraphs with multiple inputs and/or outputs.
448 @item -filter_script[:@var{stream_specifier}] @var{filename} (@emph{output,per-stream})
449 This option is similar to @option{-filter}, the only difference is that its
450 argument is the name of the file from which a filtergraph description is to be
453 @item -filter_threads @var{nb_threads} (@emph{global})
454 Defines how many threads are used to process a filter pipeline. Each pipeline
455 will produce a thread pool with this many threads available for parallel processing.
456 The default is the number of available CPUs.
458 @item -pre[:@var{stream_specifier}] @var{preset_name} (@emph{output,per-stream})
459 Specify the preset for matching stream(s).
461 @item -stats (@emph{global})
462 Print encoding progress/statistics. It is on by default, to explicitly
463 disable it you need to specify @code{-nostats}.
465 @item -progress @var{url} (@emph{global})
466 Send program-friendly progress information to @var{url}.
468 Progress information is written approximately every second and at the end of
469 the encoding process. It is made of "@var{key}=@var{value}" lines. @var{key}
470 consists of only alphanumeric characters. The last key of a sequence of
471 progress information is always "progress".
474 Enable interaction on standard input. On by default unless standard input is
475 used as an input. To explicitly disable interaction you need to specify
478 Disabling interaction on standard input is useful, for example, if
479 ffmpeg is in the background process group. Roughly the same result can
480 be achieved with @code{ffmpeg ... < /dev/null} but it requires a
483 @item -debug_ts (@emph{global})
484 Print timestamp information. It is off by default. This option is
485 mostly useful for testing and debugging purposes, and the output
486 format may change from one version to another, so it should not be
487 employed by portable scripts.
489 See also the option @code{-fdebug ts}.
491 @item -attach @var{filename} (@emph{output})
492 Add an attachment to the output file. This is supported by a few formats
493 like Matroska for e.g. fonts used in rendering subtitles. Attachments
494 are implemented as a specific type of stream, so this option will add
495 a new stream to the file. It is then possible to use per-stream options
496 on this stream in the usual way. Attachment streams created with this
497 option will be created after all the other streams (i.e. those created
498 with @code{-map} or automatic mappings).
500 Note that for Matroska you also have to set the mimetype metadata tag:
502 ffmpeg -i INPUT -attach DejaVuSans.ttf -metadata:s:2 mimetype=application/x-truetype-font out.mkv
504 (assuming that the attachment stream will be third in the output file).
506 @item -dump_attachment[:@var{stream_specifier}] @var{filename} (@emph{input,per-stream})
507 Extract the matching attachment stream into a file named @var{filename}. If
508 @var{filename} is empty, then the value of the @code{filename} metadata tag
511 E.g. to extract the first attachment to a file named 'out.ttf':
513 ffmpeg -dump_attachment:t:0 out.ttf -i INPUT
515 To extract all attachments to files determined by the @code{filename} tag:
517 ffmpeg -dump_attachment:t "" -i INPUT
520 Technical note -- attachments are implemented as codec extradata, so this
521 option can actually be used to extract extradata from any stream, not just
525 Disable automatically rotating video based on file metadata.
529 @section Video Options
532 @item -vframes @var{number} (@emph{output})
533 Set the number of video frames to output. This is an obsolete alias for
534 @code{-frames:v}, which you should use instead.
535 @item -r[:@var{stream_specifier}] @var{fps} (@emph{input/output,per-stream})
536 Set frame rate (Hz value, fraction or abbreviation).
538 As an input option, ignore any timestamps stored in the file and instead
539 generate timestamps assuming constant frame rate @var{fps}.
540 This is not the same as the @option{-framerate} option used for some input formats
541 like image2 or v4l2 (it used to be the same in older versions of FFmpeg).
542 If in doubt use @option{-framerate} instead of the input option @option{-r}.
544 As an output option, duplicate or drop input frames to achieve constant output
545 frame rate @var{fps}.
547 @item -s[:@var{stream_specifier}] @var{size} (@emph{input/output,per-stream})
550 As an input option, this is a shortcut for the @option{video_size} private
551 option, recognized by some demuxers for which the frame size is either not
552 stored in the file or is configurable -- e.g. raw video or video grabbers.
554 As an output option, this inserts the @code{scale} video filter to the
555 @emph{end} of the corresponding filtergraph. Please use the @code{scale} filter
556 directly to insert it at the beginning or some other place.
558 The format is @samp{wxh} (default - same as source).
560 @item -aspect[:@var{stream_specifier}] @var{aspect} (@emph{output,per-stream})
561 Set the video display aspect ratio specified by @var{aspect}.
563 @var{aspect} can be a floating point number string, or a string of the
564 form @var{num}:@var{den}, where @var{num} and @var{den} are the
565 numerator and denominator of the aspect ratio. For example "4:3",
566 "16:9", "1.3333", and "1.7777" are valid argument values.
568 If used together with @option{-vcodec copy}, it will affect the aspect ratio
569 stored at container level, but not the aspect ratio stored in encoded
570 frames, if it exists.
572 @item -vn (@emph{output})
573 Disable video recording.
575 @item -vcodec @var{codec} (@emph{output})
576 Set the video codec. This is an alias for @code{-codec:v}.
578 @item -pass[:@var{stream_specifier}] @var{n} (@emph{output,per-stream})
579 Select the pass number (1 or 2). It is used to do two-pass
580 video encoding. The statistics of the video are recorded in the first
581 pass into a log file (see also the option -passlogfile),
582 and in the second pass that log file is used to generate the video
583 at the exact requested bitrate.
584 On pass 1, you may just deactivate audio and set output to null,
585 examples for Windows and Unix:
587 ffmpeg -i foo.mov -c:v libxvid -pass 1 -an -f rawvideo -y NUL
588 ffmpeg -i foo.mov -c:v libxvid -pass 1 -an -f rawvideo -y /dev/null
591 @item -passlogfile[:@var{stream_specifier}] @var{prefix} (@emph{output,per-stream})
592 Set two-pass log file name prefix to @var{prefix}, the default file name
593 prefix is ``ffmpeg2pass''. The complete file name will be
594 @file{PREFIX-N.log}, where N is a number specific to the output
597 @item -vf @var{filtergraph} (@emph{output})
598 Create the filtergraph specified by @var{filtergraph} and use it to
601 This is an alias for @code{-filter:v}, see the @ref{filter_option,,-filter option}.
604 @section Advanced Video options
607 @item -pix_fmt[:@var{stream_specifier}] @var{format} (@emph{input/output,per-stream})
608 Set pixel format. Use @code{-pix_fmts} to show all the supported
610 If the selected pixel format can not be selected, ffmpeg will print a
611 warning and select the best pixel format supported by the encoder.
612 If @var{pix_fmt} is prefixed by a @code{+}, ffmpeg will exit with an error
613 if the requested pixel format can not be selected, and automatic conversions
614 inside filtergraphs are disabled.
615 If @var{pix_fmt} is a single @code{+}, ffmpeg selects the same pixel format
616 as the input (or graph output) and automatic conversions are disabled.
618 @item -sws_flags @var{flags} (@emph{input/output})
623 @item -rc_override[:@var{stream_specifier}] @var{override} (@emph{output,per-stream})
624 Rate control override for specific intervals, formatted as "int,int,int"
625 list separated with slashes. Two first values are the beginning and
626 end frame numbers, last one is quantizer to use if positive, or quality
630 Force interlacing support in encoder (MPEG-2 and MPEG-4 only).
631 Use this option if your input file is interlaced and you want
632 to keep the interlaced format for minimum losses.
633 The alternative is to deinterlace the input stream with
634 @option{-deinterlace}, but deinterlacing introduces losses.
636 Calculate PSNR of compressed frames.
638 Dump video coding statistics to @file{vstats_HHMMSS.log}.
639 @item -vstats_file @var{file}
640 Dump video coding statistics to @var{file}.
641 @item -vstats_version @var{file}
642 Specifies which version of the vstats format to use. Default is 2.
646 @code{frame= %5d q= %2.1f PSNR= %6.2f f_size= %6d s_size= %8.0fkB time= %0.3f br= %7.1fkbits/s avg_br= %7.1fkbits/s}
650 @code{out= %2d st= %2d frame= %5d q= %2.1f PSNR= %6.2f f_size= %6d s_size= %8.0fkB time= %0.3f br= %7.1fkbits/s avg_br= %7.1fkbits/s}
651 @item -top[:@var{stream_specifier}] @var{n} (@emph{output,per-stream})
652 top=1/bottom=0/auto=-1 field first
653 @item -dc @var{precision}
655 @item -vtag @var{fourcc/tag} (@emph{output})
656 Force video tag/fourcc. This is an alias for @code{-tag:v}.
657 @item -qphist (@emph{global})
659 @item -vbsf @var{bitstream_filter}
662 @item -force_key_frames[:@var{stream_specifier}] @var{time}[,@var{time}...] (@emph{output,per-stream})
663 @item -force_key_frames[:@var{stream_specifier}] expr:@var{expr} (@emph{output,per-stream})
664 Force key frames at the specified timestamps, more precisely at the first
665 frames after each specified time.
667 If the argument is prefixed with @code{expr:}, the string @var{expr}
668 is interpreted like an expression and is evaluated for each frame. A
669 key frame is forced in case the evaluation is non-zero.
671 If one of the times is "@code{chapters}[@var{delta}]", it is expanded into
672 the time of the beginning of all chapters in the file, shifted by
673 @var{delta}, expressed as a time in seconds.
674 This option can be useful to ensure that a seek point is present at a
675 chapter mark or any other designated place in the output file.
677 For example, to insert a key frame at 5 minutes, plus key frames 0.1 second
678 before the beginning of every chapter:
680 -force_key_frames 0:05:00,chapters-0.1
683 The expression in @var{expr} can contain the following constants:
686 the number of current processed frame, starting from 0
688 the number of forced frames
690 the number of the previous forced frame, it is @code{NAN} when no
691 keyframe was forced yet
693 the time of the previous forced frame, it is @code{NAN} when no
694 keyframe was forced yet
696 the time of the current processed frame
699 For example to force a key frame every 5 seconds, you can specify:
701 -force_key_frames expr:gte(t,n_forced*5)
704 To force a key frame 5 seconds after the time of the last forced one,
705 starting from second 13:
707 -force_key_frames expr:if(isnan(prev_forced_t),gte(t,13),gte(t,prev_forced_t+5))
710 Note that forcing too many keyframes is very harmful for the lookahead
711 algorithms of certain encoders: using fixed-GOP options or similar
712 would be more efficient.
714 @item -copyinkf[:@var{stream_specifier}] (@emph{output,per-stream})
715 When doing stream copy, copy also non-key frames found at the
718 @item -hwaccel[:@var{stream_specifier}] @var{hwaccel} (@emph{input,per-stream})
719 Use hardware acceleration to decode the matching stream(s). The allowed values
720 of @var{hwaccel} are:
723 Do not use any hardware acceleration (the default).
726 Automatically select the hardware acceleration method.
729 Use Apple VDA hardware acceleration.
732 Use VDPAU (Video Decode and Presentation API for Unix) hardware acceleration.
735 Use DXVA2 (DirectX Video Acceleration) hardware acceleration.
738 Use the Intel QuickSync Video acceleration for video transcoding.
740 Unlike most other values, this option does not enable accelerated decoding (that
741 is used automatically whenever a qsv decoder is selected), but accelerated
742 transcoding, without copying the frames into the system memory.
744 For it to work, both the decoder and the encoder must support QSV acceleration
745 and no filters must be used.
748 This option has no effect if the selected hwaccel is not available or not
749 supported by the chosen decoder.
751 Note that most acceleration methods are intended for playback and will not be
752 faster than software decoding on modern CPUs. Additionally, @command{ffmpeg}
753 will usually need to copy the decoded frames from the GPU memory into the system
754 memory, resulting in further performance loss. This option is thus mainly
757 @item -hwaccel_device[:@var{stream_specifier}] @var{hwaccel_device} (@emph{input,per-stream})
758 Select a device to use for hardware acceleration.
760 This option only makes sense when the @option{-hwaccel} option is also
761 specified. Its exact meaning depends on the specific hardware acceleration
766 For VDPAU, this option specifies the X11 display/screen to use. If this option
767 is not specified, the value of the @var{DISPLAY} environment variable is used
770 For DXVA2, this option should contain the number of the display adapter to use.
771 If this option is not specified, the default adapter is used.
774 For QSV, this option corresponds to the values of MFX_IMPL_* . Allowed values
789 List all hardware acceleration methods supported in this build of ffmpeg.
793 @section Audio Options
796 @item -aframes @var{number} (@emph{output})
797 Set the number of audio frames to output. This is an obsolete alias for
798 @code{-frames:a}, which you should use instead.
799 @item -ar[:@var{stream_specifier}] @var{freq} (@emph{input/output,per-stream})
800 Set the audio sampling frequency. For output streams it is set by
801 default to the frequency of the corresponding input stream. For input
802 streams this option only makes sense for audio grabbing devices and raw
803 demuxers and is mapped to the corresponding demuxer options.
804 @item -aq @var{q} (@emph{output})
805 Set the audio quality (codec-specific, VBR). This is an alias for -q:a.
806 @item -ac[:@var{stream_specifier}] @var{channels} (@emph{input/output,per-stream})
807 Set the number of audio channels. For output streams it is set by
808 default to the number of input audio channels. For input streams
809 this option only makes sense for audio grabbing devices and raw demuxers
810 and is mapped to the corresponding demuxer options.
811 @item -an (@emph{output})
812 Disable audio recording.
813 @item -acodec @var{codec} (@emph{input/output})
814 Set the audio codec. This is an alias for @code{-codec:a}.
815 @item -sample_fmt[:@var{stream_specifier}] @var{sample_fmt} (@emph{output,per-stream})
816 Set the audio sample format. Use @code{-sample_fmts} to get a list
817 of supported sample formats.
819 @item -af @var{filtergraph} (@emph{output})
820 Create the filtergraph specified by @var{filtergraph} and use it to
823 This is an alias for @code{-filter:a}, see the @ref{filter_option,,-filter option}.
826 @section Advanced Audio options
829 @item -atag @var{fourcc/tag} (@emph{output})
830 Force audio tag/fourcc. This is an alias for @code{-tag:a}.
831 @item -absf @var{bitstream_filter}
833 @item -guess_layout_max @var{channels} (@emph{input,per-stream})
834 If some input channel layout is not known, try to guess only if it
835 corresponds to at most the specified number of channels. For example, 2
836 tells to @command{ffmpeg} to recognize 1 channel as mono and 2 channels as
837 stereo but not 6 channels as 5.1. The default is to always try to guess. Use
838 0 to disable all guessing.
841 @section Subtitle options
844 @item -scodec @var{codec} (@emph{input/output})
845 Set the subtitle codec. This is an alias for @code{-codec:s}.
846 @item -sn (@emph{output})
847 Disable subtitle recording.
848 @item -sbsf @var{bitstream_filter}
852 @section Advanced Subtitle options
856 @item -fix_sub_duration
857 Fix subtitles durations. For each subtitle, wait for the next packet in the
858 same stream and adjust the duration of the first to avoid overlap. This is
859 necessary with some subtitles codecs, especially DVB subtitles, because the
860 duration in the original packet is only a rough estimate and the end is
861 actually marked by an empty subtitle frame. Failing to use this option when
862 necessary can result in exaggerated durations or muxing failures due to
863 non-monotonic timestamps.
865 Note that this option will delay the output of all data until the next
866 subtitle packet is decoded: it may increase memory consumption and latency a
869 @item -canvas_size @var{size}
870 Set the size of the canvas used to render subtitles.
874 @section Advanced options
877 @item -map [-]@var{input_file_id}[:@var{stream_specifier}][?][,@var{sync_file_id}[:@var{stream_specifier}]] | @var{[linklabel]} (@emph{output})
879 Designate one or more input streams as a source for the output file. Each input
880 stream is identified by the input file index @var{input_file_id} and
881 the input stream index @var{input_stream_id} within the input
882 file. Both indices start at 0. If specified,
883 @var{sync_file_id}:@var{stream_specifier} sets which input stream
884 is used as a presentation sync reference.
886 The first @code{-map} option on the command line specifies the
887 source for output stream 0, the second @code{-map} option specifies
888 the source for output stream 1, etc.
890 A @code{-} character before the stream identifier creates a "negative" mapping.
891 It disables matching streams from already created mappings.
893 A trailing @code{?} after the stream index will allow the map to be
894 optional: if the map matches no streams the map will be ignored instead
895 of failing. Note the map will still fail if an invalid input file index
896 is used; such as if the map refers to a non-existant input.
898 An alternative @var{[linklabel]} form will map outputs from complex filter
899 graphs (see the @option{-filter_complex} option) to the output file.
900 @var{linklabel} must correspond to a defined output link label in the graph.
902 For example, to map ALL streams from the first input file to output
904 ffmpeg -i INPUT -map 0 output
907 For example, if you have two audio streams in the first input file,
908 these streams are identified by "0:0" and "0:1". You can use
909 @code{-map} to select which streams to place in an output file. For
912 ffmpeg -i INPUT -map 0:1 out.wav
914 will map the input stream in @file{INPUT} identified by "0:1" to
915 the (single) output stream in @file{out.wav}.
917 For example, to select the stream with index 2 from input file
918 @file{a.mov} (specified by the identifier "0:2"), and stream with
919 index 6 from input @file{b.mov} (specified by the identifier "1:6"),
920 and copy them to the output file @file{out.mov}:
922 ffmpeg -i a.mov -i b.mov -c copy -map 0:2 -map 1:6 out.mov
925 To select all video and the third audio stream from an input file:
927 ffmpeg -i INPUT -map 0:v -map 0:a:2 OUTPUT
930 To map all the streams except the second audio, use negative mappings
932 ffmpeg -i INPUT -map 0 -map -0:a:1 OUTPUT
935 To map the video and audio streams from the first input, and using the
936 trailing @code{?}, ignore the audio mapping if no audio streams exist in
939 ffmpeg -i INPUT -map 0:v -map 0:a? OUTPUT
942 To pick the English audio stream:
944 ffmpeg -i INPUT -map 0:m:language:eng OUTPUT
947 Note that using this option disables the default mappings for this output file.
949 @item -ignore_unknown
950 Ignore input streams with unknown type instead of failing if copying
951 such streams is attempted.
954 Allow input streams with unknown type to be copied instead of failing if copying
955 such streams is attempted.
957 @item -map_channel [@var{input_file_id}.@var{stream_specifier}.@var{channel_id}|-1][:@var{output_file_id}.@var{stream_specifier}]
958 Map an audio channel from a given input to an output. If
959 @var{output_file_id}.@var{stream_specifier} is not set, the audio channel will
960 be mapped on all the audio streams.
962 Using "-1" instead of
963 @var{input_file_id}.@var{stream_specifier}.@var{channel_id} will map a muted
966 For example, assuming @var{INPUT} is a stereo audio file, you can switch the
967 two audio channels with the following command:
969 ffmpeg -i INPUT -map_channel 0.0.1 -map_channel 0.0.0 OUTPUT
972 If you want to mute the first channel and keep the second:
974 ffmpeg -i INPUT -map_channel -1 -map_channel 0.0.1 OUTPUT
977 The order of the "-map_channel" option specifies the order of the channels in
978 the output stream. The output channel layout is guessed from the number of
979 channels mapped (mono if one "-map_channel", stereo if two, etc.). Using "-ac"
980 in combination of "-map_channel" makes the channel gain levels to be updated if
981 input and output channel layouts don't match (for instance two "-map_channel"
982 options and "-ac 6").
984 You can also extract each channel of an input to specific outputs; the following
985 command extracts two channels of the @var{INPUT} audio stream (file 0, stream 0)
986 to the respective @var{OUTPUT_CH0} and @var{OUTPUT_CH1} outputs:
988 ffmpeg -i INPUT -map_channel 0.0.0 OUTPUT_CH0 -map_channel 0.0.1 OUTPUT_CH1
991 The following example splits the channels of a stereo input into two separate
992 streams, which are put into the same output file:
994 ffmpeg -i stereo.wav -map 0:0 -map 0:0 -map_channel 0.0.0:0.0 -map_channel 0.0.1:0.1 -y out.ogg
997 Note that currently each output stream can only contain channels from a single
998 input stream; you can't for example use "-map_channel" to pick multiple input
999 audio channels contained in different streams (from the same or different files)
1000 and merge them into a single output stream. It is therefore not currently
1001 possible, for example, to turn two separate mono streams into a single stereo
1002 stream. However splitting a stereo stream into two single channel mono streams
1005 If you need this feature, a possible workaround is to use the @emph{amerge}
1006 filter. For example, if you need to merge a media (here @file{input.mkv}) with 2
1007 mono audio streams into one single stereo channel audio stream (and keep the
1008 video stream), you can use the following command:
1010 ffmpeg -i input.mkv -filter_complex "[0:1] [0:2] amerge" -c:a pcm_s16le -c:v copy output.mkv
1013 @item -map_metadata[:@var{metadata_spec_out}] @var{infile}[:@var{metadata_spec_in}] (@emph{output,per-metadata})
1014 Set metadata information of the next output file from @var{infile}. Note that
1015 those are file indices (zero-based), not filenames.
1016 Optional @var{metadata_spec_in/out} parameters specify, which metadata to copy.
1017 A metadata specifier can have the following forms:
1020 global metadata, i.e. metadata that applies to the whole file
1022 @item @var{s}[:@var{stream_spec}]
1023 per-stream metadata. @var{stream_spec} is a stream specifier as described
1024 in the @ref{Stream specifiers} chapter. In an input metadata specifier, the first
1025 matching stream is copied from. In an output metadata specifier, all matching
1026 streams are copied to.
1028 @item @var{c}:@var{chapter_index}
1029 per-chapter metadata. @var{chapter_index} is the zero-based chapter index.
1031 @item @var{p}:@var{program_index}
1032 per-program metadata. @var{program_index} is the zero-based program index.
1034 If metadata specifier is omitted, it defaults to global.
1036 By default, global metadata is copied from the first input file,
1037 per-stream and per-chapter metadata is copied along with streams/chapters. These
1038 default mappings are disabled by creating any mapping of the relevant type. A negative
1039 file index can be used to create a dummy mapping that just disables automatic copying.
1041 For example to copy metadata from the first stream of the input file to global metadata
1044 ffmpeg -i in.ogg -map_metadata 0:s:0 out.mp3
1047 To do the reverse, i.e. copy global metadata to all audio streams:
1049 ffmpeg -i in.mkv -map_metadata:s:a 0:g out.mkv
1051 Note that simple @code{0} would work as well in this example, since global
1052 metadata is assumed by default.
1054 @item -map_chapters @var{input_file_index} (@emph{output})
1055 Copy chapters from input file with index @var{input_file_index} to the next
1056 output file. If no chapter mapping is specified, then chapters are copied from
1057 the first input file with at least one chapter. Use a negative file index to
1058 disable any chapter copying.
1060 @item -benchmark (@emph{global})
1061 Show benchmarking information at the end of an encode.
1062 Shows CPU time used and maximum memory consumption.
1063 Maximum memory consumption is not supported on all systems,
1064 it will usually display as 0 if not supported.
1065 @item -benchmark_all (@emph{global})
1066 Show benchmarking information during the encode.
1067 Shows CPU time used in various steps (audio/video encode/decode).
1068 @item -timelimit @var{duration} (@emph{global})
1069 Exit after ffmpeg has been running for @var{duration} seconds.
1070 @item -dump (@emph{global})
1071 Dump each input packet to stderr.
1072 @item -hex (@emph{global})
1073 When dumping packets, also dump the payload.
1074 @item -re (@emph{input})
1075 Read input at native frame rate. Mainly used to simulate a grab device,
1076 or live input stream (e.g. when reading from a file). Should not be used
1077 with actual grab devices or live input streams (where it can cause packet
1079 By default @command{ffmpeg} attempts to read the input(s) as fast as possible.
1080 This option will slow down the reading of the input(s) to the native frame rate
1081 of the input(s). It is useful for real-time output (e.g. live streaming).
1083 Loop over the input stream. Currently it works only for image
1084 streams. This option is used for automatic FFserver testing.
1085 This option is deprecated, use -loop 1.
1086 @item -loop_output @var{number_of_times}
1087 Repeatedly loop output for formats that support looping such as animated GIF
1088 (0 will loop the output infinitely).
1089 This option is deprecated, use -loop.
1090 @item -vsync @var{parameter}
1092 For compatibility reasons old values can be specified as numbers.
1093 Newly added values will have to be specified as strings always.
1096 @item 0, passthrough
1097 Each frame is passed with its timestamp from the demuxer to the muxer.
1099 Frames will be duplicated and dropped to achieve exactly the requested
1100 constant frame rate.
1102 Frames are passed through with their timestamp or dropped so as to
1103 prevent 2 frames from having the same timestamp.
1105 As passthrough but destroys all timestamps, making the muxer generate
1106 fresh timestamps based on frame-rate.
1108 Chooses between 1 and 2 depending on muxer capabilities. This is the
1112 Note that the timestamps may be further modified by the muxer, after this.
1113 For example, in the case that the format option @option{avoid_negative_ts}
1116 With -map you can select from which stream the timestamps should be
1117 taken. You can leave either video or audio unchanged and sync the
1118 remaining stream(s) to the unchanged one.
1120 @item -frame_drop_threshold @var{parameter}
1121 Frame drop threshold, which specifies how much behind video frames can
1122 be before they are dropped. In frame rate units, so 1.0 is one frame.
1123 The default is -1.1. One possible usecase is to avoid framedrops in case
1124 of noisy timestamps or to increase frame drop precision in case of exact
1127 @item -async @var{samples_per_second}
1128 Audio sync method. "Stretches/squeezes" the audio stream to match the timestamps,
1129 the parameter is the maximum samples per second by which the audio is changed.
1130 -async 1 is a special case where only the start of the audio stream is corrected
1131 without any later correction.
1133 Note that the timestamps may be further modified by the muxer, after this.
1134 For example, in the case that the format option @option{avoid_negative_ts}
1137 This option has been deprecated. Use the @code{aresample} audio filter instead.
1140 Do not process input timestamps, but keep their values without trying
1141 to sanitize them. In particular, do not remove the initial start time
1144 Note that, depending on the @option{vsync} option or on specific muxer
1145 processing (e.g. in case the format option @option{avoid_negative_ts}
1146 is enabled) the output timestamps may mismatch with the input
1147 timestamps even when this option is selected.
1149 @item -start_at_zero
1150 When used with @option{copyts}, shift input timestamps so they start at zero.
1152 This means that using e.g. @code{-ss 50} will make output timestamps start at
1153 50 seconds, regardless of what timestamp the input file started at.
1155 @item -copytb @var{mode}
1156 Specify how to set the encoder timebase when stream copying. @var{mode} is an
1157 integer numeric value, and can assume one of the following values:
1161 Use the demuxer timebase.
1163 The time base is copied to the output encoder from the corresponding input
1164 demuxer. This is sometimes required to avoid non monotonically increasing
1165 timestamps when copying video streams with variable frame rate.
1168 Use the decoder timebase.
1170 The time base is copied to the output encoder from the corresponding input
1174 Try to make the choice automatically, in order to generate a sane output.
1177 Default value is -1.
1179 @item -enc_time_base[:@var{stream_specifier}] @var{timebase} (@emph{output,per-stream})
1180 Set the encoder timebase. @var{timebase} is a floating point number,
1181 and can assume one of the following values:
1185 Assign a default value according to the media type.
1187 For video - use 1/framerate, for audio - use 1/samplerate.
1190 Use the input stream timebase when possible.
1192 If an input stream is not available, the default timebase will be used.
1195 Use the provided number as the timebase.
1197 This field can be provided as a ratio of two integers (e.g. 1:24, 1:48000)
1198 or as a floating point number (e.g. 0.04166, 2.0833e-5)
1203 @item -shortest (@emph{output})
1204 Finish encoding when the shortest input stream ends.
1205 @item -dts_delta_threshold
1206 Timestamp discontinuity delta threshold.
1207 @item -muxdelay @var{seconds} (@emph{input})
1208 Set the maximum demux-decode delay.
1209 @item -muxpreload @var{seconds} (@emph{input})
1210 Set the initial demux-decode delay.
1211 @item -streamid @var{output-stream-index}:@var{new-value} (@emph{output})
1212 Assign a new stream-id value to an output stream. This option should be
1213 specified prior to the output filename to which it applies.
1214 For the situation where multiple output files exist, a streamid
1215 may be reassigned to a different value.
1217 For example, to set the stream 0 PID to 33 and the stream 1 PID to 36 for
1218 an output mpegts file:
1220 ffmpeg -i inurl -streamid 0:33 -streamid 1:36 out.ts
1223 @item -bsf[:@var{stream_specifier}] @var{bitstream_filters} (@emph{output,per-stream})
1224 Set bitstream filters for matching streams. @var{bitstream_filters} is
1225 a comma-separated list of bitstream filters. Use the @code{-bsfs} option
1226 to get the list of bitstream filters.
1228 ffmpeg -i h264.mp4 -c:v copy -bsf:v h264_mp4toannexb -an out.h264
1231 ffmpeg -i file.mov -an -vn -bsf:s mov2textsub -c:s copy -f rawvideo sub.txt
1234 @item -tag[:@var{stream_specifier}] @var{codec_tag} (@emph{input/output,per-stream})
1235 Force a tag/fourcc for matching streams.
1237 @item -timecode @var{hh}:@var{mm}:@var{ss}SEP@var{ff}
1238 Specify Timecode for writing. @var{SEP} is ':' for non drop timecode and ';'
1241 ffmpeg -i input.mpg -timecode 01:02:03.04 -r 30000/1001 -s ntsc output.mpg
1244 @anchor{filter_complex_option}
1245 @item -filter_complex @var{filtergraph} (@emph{global})
1246 Define a complex filtergraph, i.e. one with arbitrary number of inputs and/or
1247 outputs. For simple graphs -- those with one input and one output of the same
1248 type -- see the @option{-filter} options. @var{filtergraph} is a description of
1249 the filtergraph, as described in the ``Filtergraph syntax'' section of the
1250 ffmpeg-filters manual.
1252 Input link labels must refer to input streams using the
1253 @code{[file_index:stream_specifier]} syntax (i.e. the same as @option{-map}
1254 uses). If @var{stream_specifier} matches multiple streams, the first one will be
1255 used. An unlabeled input will be connected to the first unused input stream of
1258 Output link labels are referred to with @option{-map}. Unlabeled outputs are
1259 added to the first output file.
1261 Note that with this option it is possible to use only lavfi sources without
1264 For example, to overlay an image over video
1266 ffmpeg -i video.mkv -i image.png -filter_complex '[0:v][1:v]overlay[out]' -map
1269 Here @code{[0:v]} refers to the first video stream in the first input file,
1270 which is linked to the first (main) input of the overlay filter. Similarly the
1271 first video stream in the second input is linked to the second (overlay) input
1274 Assuming there is only one video stream in each input file, we can omit input
1275 labels, so the above is equivalent to
1277 ffmpeg -i video.mkv -i image.png -filter_complex 'overlay[out]' -map
1281 Furthermore we can omit the output label and the single output from the filter
1282 graph will be added to the output file automatically, so we can simply write
1284 ffmpeg -i video.mkv -i image.png -filter_complex 'overlay' out.mkv
1287 To generate 5 seconds of pure red video using lavfi @code{color} source:
1289 ffmpeg -filter_complex 'color=c=red' -t 5 out.mkv
1292 @item -filter_complex_threads @var{nb_threads} (@emph{global})
1293 Defines how many threads are used to process a filter_complex graph.
1294 Similar to filter_threads but used for @code{-filter_complex} graphs only.
1295 The default is the number of available CPUs.
1297 @item -lavfi @var{filtergraph} (@emph{global})
1298 Define a complex filtergraph, i.e. one with arbitrary number of inputs and/or
1299 outputs. Equivalent to @option{-filter_complex}.
1301 @item -filter_complex_script @var{filename} (@emph{global})
1302 This option is similar to @option{-filter_complex}, the only difference is that
1303 its argument is the name of the file from which a complex filtergraph
1304 description is to be read.
1306 @item -accurate_seek (@emph{input})
1307 This option enables or disables accurate seeking in input files with the
1308 @option{-ss} option. It is enabled by default, so seeking is accurate when
1309 transcoding. Use @option{-noaccurate_seek} to disable it, which may be useful
1310 e.g. when copying some streams and transcoding the others.
1312 @item -seek_timestamp (@emph{input})
1313 This option enables or disables seeking by timestamp in input files with the
1314 @option{-ss} option. It is disabled by default. If enabled, the argument
1315 to the @option{-ss} option is considered an actual timestamp, and is not
1316 offset by the start time of the file. This matters only for files which do
1317 not start from timestamp 0, such as transport streams.
1319 @item -thread_queue_size @var{size} (@emph{input})
1320 This option sets the maximum number of queued packets when reading from the
1321 file or device. With low latency / high rate live streams, packets may be
1322 discarded if they are not read in a timely manner; raising this value can
1325 @item -override_ffserver (@emph{global})
1326 Overrides the input specifications from @command{ffserver}. Using this
1327 option you can map any input stream to @command{ffserver} and control
1328 many aspects of the encoding from @command{ffmpeg}. Without this
1329 option @command{ffmpeg} will transmit to @command{ffserver} what is
1330 requested by @command{ffserver}.
1332 The option is intended for cases where features are needed that cannot be
1333 specified to @command{ffserver} but can be to @command{ffmpeg}.
1335 @item -sdp_file @var{file} (@emph{global})
1336 Print sdp information for an output stream to @var{file}.
1337 This allows dumping sdp information when at least one output isn't an
1338 rtp stream. (Requires at least one of the output formats to be rtp).
1340 @item -discard (@emph{input})
1341 Allows discarding specific streams or frames of streams at the demuxer.
1342 Not all demuxers support this.
1349 Default, which discards no frames.
1352 Discard all non-reference frames.
1355 Discard all bidirectional frames.
1358 Discard all frames excepts keyframes.
1364 @item -abort_on @var{flags} (@emph{global})
1365 Stop and abort on various conditions. The following flags are available:
1369 No packets were passed to the muxer, the output is empty.
1372 @item -xerror (@emph{global})
1373 Stop and exit on error
1375 @item -max_muxing_queue_size @var{packets} (@emph{output,per-stream})
1376 When transcoding audio and/or video streams, ffmpeg will not begin writing into
1377 the output until it has one packet for each such stream. While waiting for that
1378 to happen, packets for other streams are buffered. This option sets the size of
1379 this buffer, in packets, for the matching output stream.
1381 The default value of this option should be high enough for most uses, so only
1382 touch this option if you are sure that you need it.
1386 As a special exception, you can use a bitmap subtitle stream as input: it
1387 will be converted into a video with the same size as the largest video in
1388 the file, or 720x576 if no video is present. Note that this is an
1389 experimental and temporary solution. It will be removed once libavfilter has
1390 proper support for subtitles.
1392 For example, to hardcode subtitles on top of a DVB-T recording stored in
1393 MPEG-TS format, delaying the subtitles by 1 second:
1395 ffmpeg -i input.ts -filter_complex \
1396 '[#0x2ef] setpts=PTS+1/TB [sub] ; [#0x2d0] [sub] overlay' \
1397 -sn -map '#0x2dc' output.mkv
1399 (0x2d0, 0x2dc and 0x2ef are the MPEG-TS PIDs of respectively the video,
1400 audio and subtitles streams; 0:0, 0:3 and 0:7 would have worked too)
1402 @section Preset files
1403 A preset file contains a sequence of @var{option}=@var{value} pairs,
1404 one for each line, specifying a sequence of options which would be
1405 awkward to specify on the command line. Lines starting with the hash
1406 ('#') character are ignored and are used to provide comments. Check
1407 the @file{presets} directory in the FFmpeg source tree for examples.
1409 There are two types of preset files: ffpreset and avpreset files.
1411 @subsection ffpreset files
1412 ffpreset files are specified with the @code{vpre}, @code{apre},
1413 @code{spre}, and @code{fpre} options. The @code{fpre} option takes the
1414 filename of the preset instead of a preset name as input and can be
1415 used for any kind of codec. For the @code{vpre}, @code{apre}, and
1416 @code{spre} options, the options specified in a preset file are
1417 applied to the currently selected codec of the same type as the preset
1420 The argument passed to the @code{vpre}, @code{apre}, and @code{spre}
1421 preset options identifies the preset file to use according to the
1424 First ffmpeg searches for a file named @var{arg}.ffpreset in the
1425 directories @file{$FFMPEG_DATADIR} (if set), and @file{$HOME/.ffmpeg}, and in
1426 the datadir defined at configuration time (usually @file{PREFIX/share/ffmpeg})
1427 or in a @file{ffpresets} folder along the executable on win32,
1428 in that order. For example, if the argument is @code{libvpx-1080p}, it will
1429 search for the file @file{libvpx-1080p.ffpreset}.
1431 If no such file is found, then ffmpeg will search for a file named
1432 @var{codec_name}-@var{arg}.ffpreset in the above-mentioned
1433 directories, where @var{codec_name} is the name of the codec to which
1434 the preset file options will be applied. For example, if you select
1435 the video codec with @code{-vcodec libvpx} and use @code{-vpre 1080p},
1436 then it will search for the file @file{libvpx-1080p.ffpreset}.
1438 @subsection avpreset files
1439 avpreset files are specified with the @code{pre} option. They work similar to
1440 ffpreset files, but they only allow encoder- specific options. Therefore, an
1441 @var{option}=@var{value} pair specifying an encoder cannot be used.
1443 When the @code{pre} option is specified, ffmpeg will look for files with the
1444 suffix .avpreset in the directories @file{$AVCONV_DATADIR} (if set), and
1445 @file{$HOME/.avconv}, and in the datadir defined at configuration time (usually
1446 @file{PREFIX/share/ffmpeg}), in that order.
1448 First ffmpeg searches for a file named @var{codec_name}-@var{arg}.avpreset in
1449 the above-mentioned directories, where @var{codec_name} is the name of the codec
1450 to which the preset file options will be applied. For example, if you select the
1451 video codec with @code{-vcodec libvpx} and use @code{-pre 1080p}, then it will
1452 search for the file @file{libvpx-1080p.avpreset}.
1454 If no such file is found, then ffmpeg will search for a file named
1455 @var{arg}.avpreset in the same directories.
1460 @c man begin EXAMPLES
1462 @section Video and Audio grabbing
1464 If you specify the input format and device then ffmpeg can grab video
1468 ffmpeg -f oss -i /dev/dsp -f video4linux2 -i /dev/video0 /tmp/out.mpg
1471 Or with an ALSA audio source (mono input, card id 1) instead of OSS:
1473 ffmpeg -f alsa -ac 1 -i hw:1 -f video4linux2 -i /dev/video0 /tmp/out.mpg
1476 Note that you must activate the right video source and channel before
1477 launching ffmpeg with any TV viewer such as
1478 @uref{http://linux.bytesex.org/xawtv/, xawtv} by Gerd Knorr. You also
1479 have to set the audio recording levels correctly with a
1482 @section X11 grabbing
1484 Grab the X11 display with ffmpeg via
1487 ffmpeg -f x11grab -video_size cif -framerate 25 -i :0.0 /tmp/out.mpg
1490 0.0 is display.screen number of your X11 server, same as
1491 the DISPLAY environment variable.
1494 ffmpeg -f x11grab -video_size cif -framerate 25 -i :0.0+10,20 /tmp/out.mpg
1497 0.0 is display.screen number of your X11 server, same as the DISPLAY environment
1498 variable. 10 is the x-offset and 20 the y-offset for the grabbing.
1500 @section Video and Audio file format conversion
1502 Any supported file format and protocol can serve as input to ffmpeg:
1507 You can use YUV files as input:
1510 ffmpeg -i /tmp/test%d.Y /tmp/out.mpg
1513 It will use the files:
1515 /tmp/test0.Y, /tmp/test0.U, /tmp/test0.V,
1516 /tmp/test1.Y, /tmp/test1.U, /tmp/test1.V, etc...
1519 The Y files use twice the resolution of the U and V files. They are
1520 raw files, without header. They can be generated by all decent video
1521 decoders. You must specify the size of the image with the @option{-s} option
1522 if ffmpeg cannot guess it.
1525 You can input from a raw YUV420P file:
1528 ffmpeg -i /tmp/test.yuv /tmp/out.avi
1531 test.yuv is a file containing raw YUV planar data. Each frame is composed
1532 of the Y plane followed by the U and V planes at half vertical and
1533 horizontal resolution.
1536 You can output to a raw YUV420P file:
1539 ffmpeg -i mydivx.avi hugefile.yuv
1543 You can set several input files and output files:
1546 ffmpeg -i /tmp/a.wav -s 640x480 -i /tmp/a.yuv /tmp/a.mpg
1549 Converts the audio file a.wav and the raw YUV video file a.yuv
1553 You can also do audio and video conversions at the same time:
1556 ffmpeg -i /tmp/a.wav -ar 22050 /tmp/a.mp2
1559 Converts a.wav to MPEG audio at 22050 Hz sample rate.
1562 You can encode to several formats at the same time and define a
1563 mapping from input stream to output streams:
1566 ffmpeg -i /tmp/a.wav -map 0:a -b:a 64k /tmp/a.mp2 -map 0:a -b:a 128k /tmp/b.mp2
1569 Converts a.wav to a.mp2 at 64 kbits and to b.mp2 at 128 kbits. '-map
1570 file:index' specifies which input stream is used for each output
1571 stream, in the order of the definition of output streams.
1574 You can transcode decrypted VOBs:
1577 ffmpeg -i snatch_1.vob -f avi -c:v mpeg4 -b:v 800k -g 300 -bf 2 -c:a libmp3lame -b:a 128k snatch.avi
1580 This is a typical DVD ripping example; the input is a VOB file, the
1581 output an AVI file with MPEG-4 video and MP3 audio. Note that in this
1582 command we use B-frames so the MPEG-4 stream is DivX5 compatible, and
1583 GOP size is 300 which means one intra frame every 10 seconds for 29.97fps
1584 input video. Furthermore, the audio stream is MP3-encoded so you need
1585 to enable LAME support by passing @code{--enable-libmp3lame} to configure.
1586 The mapping is particularly useful for DVD transcoding
1587 to get the desired audio language.
1589 NOTE: To see the supported input formats, use @code{ffmpeg -demuxers}.
1592 You can extract images from a video, or create a video from many images:
1594 For extracting images from a video:
1596 ffmpeg -i foo.avi -r 1 -s WxH -f image2 foo-%03d.jpeg
1599 This will extract one video frame per second from the video and will
1600 output them in files named @file{foo-001.jpeg}, @file{foo-002.jpeg},
1601 etc. Images will be rescaled to fit the new WxH values.
1603 If you want to extract just a limited number of frames, you can use the
1604 above command in combination with the @code{-frames:v} or @code{-t} option,
1605 or in combination with -ss to start extracting from a certain point in time.
1607 For creating a video from many images:
1609 ffmpeg -f image2 -framerate 12 -i foo-%03d.jpeg -s WxH foo.avi
1612 The syntax @code{foo-%03d.jpeg} specifies to use a decimal number
1613 composed of three digits padded with zeroes to express the sequence
1614 number. It is the same syntax supported by the C printf function, but
1615 only formats accepting a normal integer are suitable.
1617 When importing an image sequence, -i also supports expanding
1618 shell-like wildcard patterns (globbing) internally, by selecting the
1619 image2-specific @code{-pattern_type glob} option.
1621 For example, for creating a video from filenames matching the glob pattern
1624 ffmpeg -f image2 -pattern_type glob -framerate 12 -i 'foo-*.jpeg' -s WxH foo.avi
1628 You can put many streams of the same type in the output:
1631 ffmpeg -i test1.avi -i test2.avi -map 1:1 -map 1:0 -map 0:1 -map 0:0 -c copy -y test12.nut
1634 The resulting output file @file{test12.nut} will contain the first four streams
1635 from the input files in reverse order.
1638 To force CBR video output:
1640 ffmpeg -i myfile.avi -b 4000k -minrate 4000k -maxrate 4000k -bufsize 1835k out.m2v
1644 The four options lmin, lmax, mblmin and mblmax use 'lambda' units,
1645 but you may use the QP2LAMBDA constant to easily convert from 'q' units:
1647 ffmpeg -i src.ext -lmax 21*QP2LAMBDA dst.ext
1653 @include config.texi
1655 @ifset config-avutil
1658 @ifset config-avcodec
1659 @include codecs.texi
1660 @include bitstream_filters.texi
1662 @ifset config-avformat
1663 @include formats.texi
1664 @include protocols.texi
1666 @ifset config-avdevice
1667 @include devices.texi
1669 @ifset config-swresample
1670 @include resampler.texi
1672 @ifset config-swscale
1673 @include scaler.texi
1675 @ifset config-avfilter
1676 @include filters.texi
1684 @url{ffmpeg.html,ffmpeg}
1686 @ifset config-not-all
1687 @url{ffmpeg-all.html,ffmpeg-all},
1689 @url{ffplay.html,ffplay}, @url{ffprobe.html,ffprobe}, @url{ffserver.html,ffserver},
1690 @url{ffmpeg-utils.html,ffmpeg-utils},
1691 @url{ffmpeg-scaler.html,ffmpeg-scaler},
1692 @url{ffmpeg-resampler.html,ffmpeg-resampler},
1693 @url{ffmpeg-codecs.html,ffmpeg-codecs},
1694 @url{ffmpeg-bitstream-filters.html,ffmpeg-bitstream-filters},
1695 @url{ffmpeg-formats.html,ffmpeg-formats},
1696 @url{ffmpeg-devices.html,ffmpeg-devices},
1697 @url{ffmpeg-protocols.html,ffmpeg-protocols},
1698 @url{ffmpeg-filters.html,ffmpeg-filters}
1705 @ifset config-not-all
1708 ffplay(1), ffprobe(1), ffserver(1),
1709 ffmpeg-utils(1), ffmpeg-scaler(1), ffmpeg-resampler(1),
1710 ffmpeg-codecs(1), ffmpeg-bitstream-filters(1), ffmpeg-formats(1),
1711 ffmpeg-devices(1), ffmpeg-protocols(1), ffmpeg-filters(1)
1714 @include authors.texi
1719 @settitle ffmpeg video converter