Document unsynchronized HDMI/SDI output.

[nageru-docs] / audio.rst

diff --git a/audio.rst b/audio.rst
index e17a2acd2bb5807a3602e9d63e77414f86b9bbfa..bb6876ecb85f5da3cf9c99a0428ab4ff4025dbf8 100644 (file)
--- a/audio.rst
+++ b/audio.rst
@@ -23,8 +23,7 @@ use, reusing such a mix isn't the worst choice you can make.
 Simple mode
 -----------
 
-**Simple** audio mode is the default, and was the only mode available
-up until Nageru 1.4.0. Despite its name, it contains a powerful
+**Simple** audio mode is the default. Despite its name, it contains a powerful
 audio processing chain; however, in many cases, you won't need to
 understand or twiddle any of the knobs available.
 
@@ -136,7 +135,7 @@ of taste (and also depends on the speaker), but the main point
 is that it gets rid of low-frequency hum and a lot of the background
 noise that is not related to the speaker's voice. (If you were
 producing music, you'd probably want it there to make room for
-music *under* it, but the you'd want it higher than the default 120 Hz.)
+music *under* it, but then you'd want it higher than the default 120 Hz.)
 
 Next comes a chain of no less than four compressors. They are
 based on the same basic structure, but have very different settings,
@@ -322,14 +321,14 @@ headroom, while some are much more variable and need tighter settings.
 Nearly at the top (and nearly first in the chain), there's the EQ section. The **lo-cut** is again
 well-known from the simple audio mode (the filter is separate for each
 bus, the cutoff **frequency** is the same across all buses),
-but there's now also a simple **three-band EQ** per bus. Simply ask the speaker
+but there's now also a simple **three-band EQ** per bus. Ask the speaker
 to talk normally for a bit, and tweak the controls until it sounds good.
 People have different voices and different ways of holding the microphone,
 and if you have a reasonable ear, you can use the EQ to your advantage to
 make them sound a little more even on the stream. Either that, or just
 put it in neutral, and the entire EQ code will be bypassed.
 
-Finally (or, well, first), since 1.7.3, there's the **stereo width** knob.
+Finally (or, well, first), there's the **stereo width** knob.
 At the default, 100%, it makes no change to the signal, but if you turn it
 to 0% (at the middle), the signal becomes perfect mono. Between these two,
 there's a range where the channels leak partially over into each other.
@@ -415,7 +414,7 @@ Unless you have a reference sheet for your MIDI controller, specifying which
 controller and number numbers the different physical knobs and faders
 emit, inputting these numbers by hand can be a frustrating procedure.
 (Actually, even with a reference sheet, it probably is.) Thus, the preferred
-way is by autosensing; simply select the given mapping with the mouse
+way is by autosensing; select the given mapping with the mouse
 and use the control you want to bind it to, and Nageru automatically
 fills it in.
 
@@ -465,7 +464,7 @@ same position for the two controllers. (There is a similar problem
 when starting up Nageru for the first time, where the controllers
 are not necessarily in the place matching Nageru's startup settings.)
 Some more expensive controllers support *motorized faders*, where
-the host can simply tell the control to move to the right place
+the host can tell the control to move to the right place
 and thus solve the problem, but Nageru does not currently support them.
 
 .. image:: images/highlight.png