smaller than number of channels all remaining channels will not be delayed.
If you want to delay exact number of samples, append 'S' to number.
If you want instead to delay in seconds, append 's' to number.
+
+@item all
+Use last set delay for all remaining channels. By default is disabled.
+This option if enabled changes how option @code{delays} is interpreted.
@end table
@subsection Examples
@example
adelay=0|500S|700S
@end example
+
+@item
+Delay all channels by same number of samples:
+@example
+adelay=delays=64S:all=1
+@end example
@end itemize
@section aderivative, aintegral
@end example
@item
-If delay is very short, then it sound like a (metallic) robot playing music:
+If delay is very short, then it sounds like a (metallic) robot playing music:
@example
aecho=0.8:0.88:6:0.4
@end example
@end table
@item win_size
-Set window size.
-
-It accepts the following values:
-@table @samp
-@item w16
-@item w32
-@item w64
-@item w128
-@item w256
-@item w512
-@item w1024
-@item w2048
-@item w4096
-@item w8192
-@item w16384
-@item w32768
-@item w65536
-@end table
-Default is @code{w4096}
+Set window size. Allowed range is from 16 to 131072.
+Default is @code{4096}
@item win_func
Set window function. Default is @code{hann}.
@example
afftfilt="'real=re * (1-clip((b/nb)*b,0,1))':imag='im * (1-clip((b/nb)*b,0,1))'"
@end example
+
+@item
+Apply robotize effect:
+@example
+afftfilt="real='hypot(re,im)*sin(0)':imag='hypot(re,im)*cos(0)':win_size=512:overlap=0.75"
+@end example
+
+@item
+Apply whisper effect:
+@example
+afftfilt="real='hypot(re,im)*cos((random(0)*2-1)*2*3.14)':imag='hypot(re,im)*sin((random(1)*2-1)*2*3.14)':win_size=128:overlap=0.8"
+@end example
@end itemize
@anchor{afir}
room equalization, cross talk cancellation, wavefield synthesis,
auralization, ambiophonics, ambisonics and spatialization.
-This filter uses second stream as FIR coefficients.
-If second stream holds single channel, it will be used
-for all input channels in first stream, otherwise
-number of channels in second stream must be same as
-number of channels in first stream.
+This filter uses the second stream as FIR coefficients.
+If the second stream holds a single channel, it will be used
+for all input channels in the first stream, otherwise
+the number of channels in the second stream must be same as
+the number of channels in the first stream.
It accepts the following parameters:
16-bit integers
@end table
+@item mix
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
+
@item response
-Show IR frequency response, magnitude and phase in additional video stream.
+Show IR frequency response, magnitude(magenta), phase(green) and group delay(yellow) in additional video stream.
By default it is disabled.
@item channel
@item width, w
Specify the band-width of a filter in width_type units.
+@item mix, m
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
+
@item channels, c
Specify which channels to filter, by default all available are filtered.
@end table
@item width, w
Change allpass width.
Syntax for the command is : "@var{width}"
+
+@item mix, m
+Change allpass mix.
+Syntax for the command is : "@var{mix}"
@end table
@section aloop
context similarity is defined by comparing their surrounding patches of size
@option{p}. Patches are searched in an area of @option{r} around the sample.
-The filter accepts the following options.
+The filter accepts the following options:
@table @option
@item s
@item n
Pass only noise.
+Default value is @var{o}.
+@end table
+
+@item m
+Set smooth factor. Default value is @var{11}. Allowed range is from @var{1} to @var{15}.
+@end table
+
+@subsection Commands
+
+This filter supports the following commands:
+@table @option
+@item s
+Change denoise strength. Argument is single float number.
+Syntax for the command is : "@var{s}"
+
+@item o
+Change output mode.
+Syntax for the command is : "i", "o" or "n" string.
+@end table
+
+@section anlms
+Apply Normalized Least-Mean-Squares algorithm to the first audio stream using the second audio stream.
+
+This adaptive filter is used to mimic a desired filter by finding the filter coefficients that
+relate to producing the least mean square of the error signal (difference between the desired,
+2nd input audio stream and the actual signal, the 1st input audio stream).
+
+A description of the accepted options follows.
+
+@table @option
+@item order
+Set filter order.
+
+@item mu
+Set filter mu.
+
+@item eps
+Set the filter eps.
+
+@item leakage
+Set the filter leakage.
+
+@item out_mode
+It accepts the following values:
+@table @option
+@item i
+Pass the 1st input.
+
+@item d
+Pass the 2nd input.
+
+@item o
+Pass filtered samples.
+
+@item n
+Pass difference between desired and filtered samples.
+
Default value is @var{o}.
@end table
@end table
+@subsection Examples
+
+@itemize
+@item
+One of many usages of this filter is noise reduction, input audio is filtered
+with same samples that are delayed by fixed amount, one such example for stereo audio is:
+@example
+asplit[a][b],[a]adelay=32S|32S[a],[b][a]anlms=order=128:leakage=0.0005:mu=.5:out_mode=o
+@end example
+@end itemize
+
+@subsection Commands
+
+This filter supports the same commands as options, excluding option @code{order}.
+
@section anull
Pass the audio source unchanged to the output.
@end example
@end itemize
+@subsection Commands
+
+This filter supports the following commands:
+@table @option
+@item tempo
+Change filter tempo scale factor.
+Syntax for the command is : "@var{tempo}"
+@end table
+
@section atrim
Trim the input so that the output contains one continuous subpart of the input.
@item width, w
Specify the band-width of a filter in width_type units.
+@item mix, m
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
+
@item channels, c
Specify which channels to filter, by default all available are filtered.
@end table
@item width, w
Change bandpass width.
Syntax for the command is : "@var{width}"
+
+@item mix, m
+Change bandpass mix.
+Syntax for the command is : "@var{mix}"
@end table
@section bandreject
@item width, w
Specify the band-width of a filter in width_type units.
+@item mix, m
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
+
@item channels, c
Specify which channels to filter, by default all available are filtered.
@end table
@item width, w
Change bandreject width.
Syntax for the command is : "@var{width}"
+
+@item mix, m
+Change bandreject mix.
+Syntax for the command is : "@var{mix}"
@end table
@section bass, lowshelf
@item width, w
Determine how steep is the filter's shelf transition.
+@item mix, m
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
+
@item channels, c
Specify which channels to filter, by default all available are filtered.
@end table
@item gain, g
Change bass gain.
Syntax for the command is : "@var{gain}"
+
+@item mix, m
+Change bass mix.
+Syntax for the command is : "@var{mix}"
@end table
@section biquad
@item b2
Change biquad parameter.
Syntax for the command is : "@var{value}"
+
+@item mix, m
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
@end table
@section bs2b
positions of microphones or speakers.
For example, you have recorded guitar with two microphones placed in
-different location. Because the front of sound wave has fixed speed in
+different locations. Because the front of sound wave has fixed speed in
normal conditions, the phasing of microphones can vary and depends on
their location and interposition. The best sound mix can be achieved when
-these microphones are in phase (synchronized). Note that distance of
-~30 cm between microphones makes one microphone to capture signal in
-antiphase to another microphone. That makes the final mix sounding moody.
+these microphones are in phase (synchronized). Note that a distance of
+~30 cm between microphones makes one microphone capture the signal in
+antiphase to the other microphone. That makes the final mix sound moody.
This filter helps to solve phasing problems by adding different delays
to each microphone track and make them synchronized.
Remember that synchronization/delay tolerance depends on sample rate, too.
Higher sample rates will give more tolerance.
-It accepts the following parameters:
+The filter accepts the following parameters:
@table @option
@item mm
Default is 1.
@item temp
-Set temperature degree in Celsius. This is the temperature of the environment.
+Set temperature in degrees Celsius. This is the temperature of the environment.
Default is 20.
@end table
used to prevent clipping.
@end table
+@section deesser
+
+Apply de-essing to the audio samples.
+
+@table @option
+@item i
+Set intensity for triggering de-essing. Allowed range is from 0 to 1.
+Default is 0.
+
+@item m
+Set amount of ducking on treble part of sound. Allowed range is from 0 to 1.
+Default is 0.5.
+
+@item f
+How much of original frequency content to keep when de-essing. Allowed range is from 0 to 1.
+Default is 0.5.
+
+@item s
+Set the output mode.
+
+It accepts the following values:
+@table @option
+@item i
+Pass input unchanged.
+
+@item o
+Pass ess filtered out.
+
+@item e
+Pass only ess.
+
+Default value is @var{o}.
+@end table
+
+@end table
+
@section drmeter
Measure audio dynamic range.
of the dynamic range *within* each section of the audio file.
@table @option
-@item f
+@item framelen, f
Set the frame length in milliseconds. In range from 10 to 8000 milliseconds.
Default is 500 milliseconds.
The Dynamic Audio Normalizer processes the input audio in small chunks,
Note that the exact frame length, in number of samples, will be determined
automatically, based on the sampling rate of the individual input audio file.
-@item g
+@item gausssize, g
Set the Gaussian filter window size. In range from 3 to 301, must be odd
number. Default is 31.
Probably the most important parameter of the Dynamic Audio Normalizer is the
contrary, the more you decrease this value, the more the Dynamic Audio
Normalizer will behave like a dynamic range compressor.
-@item p
+@item peak, p
Set the target peak value. This specifies the highest permissible magnitude
level for the normalized audio input. This filter will try to approach the
target peak magnitude as closely as possible, but at the same time it also
magnitude. The default value is 0.95 and thus leaves a headroom of 5%*.
It is not recommended to go above this value.
-@item m
+@item maxgain, m
Set the maximum gain factor. In range from 1.0 to 100.0. Default is 10.0.
The Dynamic Audio Normalizer determines the maximum possible (local) gain
factor for each input frame, i.e. the maximum gain factor that does not
gain factors will smoothly approach the threshold value, but never exceed that
value.
-@item r
+@item targetrms, r
Set the target RMS. In range from 0.0 to 1.0. Default is 0.0 - disabled.
By default, the Dynamic Audio Normalizer performs "peak" normalization.
This means that the maximum local gain factor for each frame is defined
Note, however, that the maximum local gain factor is still restricted by the
frame's highest magnitude sample, in order to prevent clipping.
-@item n
+@item coupling, n
Enable channels coupling. By default is enabled.
By default, the Dynamic Audio Normalizer will amplify all channels by the same
amount. This means the same gain factor will be applied to all channels, i.e.
only on the individual channel's highest magnitude sample. This allows for
harmonizing the volume of the different channels.
-@item c
+@item correctdc, c
Enable DC bias correction. By default is disabled.
An audio signal (in the time domain) is a sequence of sample values.
In the Dynamic Audio Normalizer these sample values are represented in the
boundaries, the DC correction offset values will be interpolated smoothly
between neighbouring frames.
-@item b
+@item altboundary, b
Enable alternative boundary mode. By default is disabled.
The Dynamic Audio Normalizer takes into account a certain neighbourhood
around each frame. This includes the preceding frames as well as the
of exactly 1.0 for the missing frames, resulting in a smooth "fade in" and
"fade out" at the beginning and at the end of the input, respectively.
-@item s
+@item compress, s
Set the compress factor. In range from 0.0 to 30.0. Default is 0.0.
By default, the Dynamic Audio Normalizer does not apply "traditional"
compression. This means that signal peaks will not be pruned and thus the
Set the required gain or attenuation in dB.
Beware of clipping when using a positive gain.
+@item mix, m
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
+
@item channels, c
Specify which channels to filter, by default all available are filtered.
@end table
@item gain, g
Change equalizer gain.
Syntax for the command is : "@var{gain}"
+
+@item mix, m
+Change equalizer mix.
+Syntax for the command is : "@var{mix}"
@end table
@section extrastereo
Applies only to double-pole filter.
The default is 0.707q and gives a Butterworth response.
+@item mix, m
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
+
@item channels, c
Specify which channels to filter, by default all available are filtered.
@end table
@item width, w
Change highpass width.
Syntax for the command is : "@var{width}"
+
+@item mix, m
+Change highpass mix.
+Syntax for the command is : "@var{mix}"
@end table
@section join
Applies only to double-pole filter.
The default is 0.707q and gives a Butterworth response.
+@item mix, m
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
+
@item channels, c
Specify which channels to filter, by default all available are filtered.
@end table
@item width, w
Change lowpass width.
Syntax for the command is : "@var{width}"
+
+@item mix, m
+Change lowpass mix.
+Syntax for the command is : "@var{mix}"
@end table
@section lv2
@end table
@end table
+@subsection Commands
+
+This filter supports the following commands:
+@table @option
+@item tempo
+Change filter tempo scale factor.
+Syntax for the command is : "@var{tempo}"
+
+@item pitch
+Change filter pitch scale factor.
+Syntax for the command is : "@var{pitch}"
+@end table
+
@section sidechaincompress
This filter acts like normal compressor but has the ability to compress
@example
silenceremove=stop_periods=-1:stop_duration=1:stop_threshold=-90dB
@end example
+
+@item
+Trim all digital silence samples, using peak detection, from beginning to end
+where there is more than 0 samples of digital silence in audio and digital
+silence is detected in all channels at same positions in stream:
+@example
+silenceremove=window=0:detection=peak:stop_mode=all:start_mode=all:stop_periods=-1:stop_threshold=0
+@end example
@end itemize
@section sofalizer
@item width, w
Determine how steep is the filter's shelf transition.
+@item mix, m
+How much to use filtered signal in output. Default is 1.
+Range is between 0 and 1.
+
@item channels, c
Specify which channels to filter, by default all available are filtered.
@end table
@item gain, g
Change treble gain.
Syntax for the command is : "@var{gain}"
+
+@item mix, m
+Change treble mix.
+Syntax for the command is : "@var{mix}"
@end table
@section tremolo
Below is a description of the currently available video filters.
+@section addroi
+
+Mark a region of interest in a video frame.
+
+The frame data is passed through unchanged, but metadata is attached
+to the frame indicating regions of interest which can affect the
+behaviour of later encoding. Multiple regions can be marked by
+applying the filter multiple times.
+
+@table @option
+@item x
+Region distance in pixels from the left edge of the frame.
+@item y
+Region distance in pixels from the top edge of the frame.
+@item w
+Region width in pixels.
+@item h
+Region height in pixels.
+
+The parameters @var{x}, @var{y}, @var{w} and @var{h} are expressions,
+and may contain the following variables:
+@table @option
+@item iw
+Width of the input frame.
+@item ih
+Height of the input frame.
+@end table
+
+@item qoffset
+Quantisation offset to apply within the region.
+
+This must be a real value in the range -1 to +1. A value of zero
+indicates no quality change. A negative value asks for better quality
+(less quantisation), while a positive value asks for worse quality
+(greater quantisation).
+
+The range is calibrated so that the extreme values indicate the
+largest possible offset - if the rest of the frame is encoded with the
+worst possible quality, an offset of -1 indicates that this region
+should be encoded with the best possible quality anyway. Intermediate
+values are then interpolated in some codec-dependent way.
+
+For example, in 10-bit H.264 the quantisation parameter varies between
+-12 and 51. A typical qoffset value of -1/10 therefore indicates that
+this region should be encoded with a QP around one-tenth of the full
+range better than the rest of the frame. So, if most of the frame
+were to be encoded with a QP of around 30, this region would get a QP
+of around 24 (an offset of approximately -1/10 * (51 - -12) = -6.3).
+An extreme value of -1 would indicate that this region should be
+encoded with the best possible quality regardless of the treatment of
+the rest of the frame - that is, should be encoded at a QP of -12.
+@item clear
+If set to true, remove any existing regions of interest marked on the
+frame before adding the new one.
+@end table
+
+@subsection Examples
+
+@itemize
+@item
+Mark the centre quarter of the frame as interesting.
+@example
+addroi=iw/4:ih/4:iw/2:ih/2:-1/10
+@end example
+@item
+Mark the 100-pixel-wide region on the left edge of the frame as very
+uninteresting (to be encoded at much lower quality than the rest of
+the frame).
+@example
+addroi=0:0:100:ih:+1/5
+@end example
+@end itemize
+
@section alphaextract
Extract the alpha component from the input as a grayscale video. This
Default is @code{0}.
@end table
+@subsection Commands
+This filter supports same commands as options.
+The command accepts the same syntax of the corresponding option.
+
+If the specified expression is not valid, it is kept at its current
+value.
+
@section bbox
Compute the bounding box for the non-black pixels in the input frame
top field first will be assumed.
@item deint
-Specify which frames to deinterlace. Accept one of the following
+Specify which frames to deinterlace. Accepts one of the following
values:
@table @option
@item cie1931
@item rec709, hdtv
@item uhdtv, rec2020
+@item dcip3
@end table
@item cie
@end example
@end itemize
+@section colorchannelmixer
+
+Adjust video input frames by re-mixing color channels.
+
+This filter modifies a color channel by adding the values associated to
+the other channels of the same pixels. For example if the value to
+modify is red, the output value will be:
+@example
+@var{red}=@var{red}*@var{rr} + @var{blue}*@var{rb} + @var{green}*@var{rg} + @var{alpha}*@var{ra}
+@end example
+
+The filter accepts the following options:
+
+@table @option
+@item rr
+@item rg
+@item rb
+@item ra
+Adjust contribution of input red, green, blue and alpha channels for output red channel.
+Default is @code{1} for @var{rr}, and @code{0} for @var{rg}, @var{rb} and @var{ra}.
+
+@item gr
+@item gg
+@item gb
+@item ga
+Adjust contribution of input red, green, blue and alpha channels for output green channel.
+Default is @code{1} for @var{gg}, and @code{0} for @var{gr}, @var{gb} and @var{ga}.
+
+@item br
+@item bg
+@item bb
+@item ba
+Adjust contribution of input red, green, blue and alpha channels for output blue channel.
+Default is @code{1} for @var{bb}, and @code{0} for @var{br}, @var{bg} and @var{ba}.
+
+@item ar
+@item ag
+@item ab
+@item aa
+Adjust contribution of input red, green, blue and alpha channels for output alpha channel.
+Default is @code{1} for @var{aa}, and @code{0} for @var{ar}, @var{ag} and @var{ab}.
+
+Allowed ranges for options are @code{[-2.0, 2.0]}.
+@end table
+
+@subsection Examples
+
+@itemize
+@item
+Convert source to grayscale:
+@example
+colorchannelmixer=.3:.4:.3:0:.3:.4:.3:0:.3:.4:.3
+@end example
+@item
+Simulate sepia tones:
+@example
+colorchannelmixer=.393:.769:.189:0:.349:.686:.168:0:.272:.534:.131
+@end example
+@end itemize
+
@section colorkey
RGB colorspace color keying.
@end example
@end itemize
-@section colorchannelmixer
+@section colormatrix
-Adjust video input frames by re-mixing color channels.
-
-This filter modifies a color channel by adding the values associated to
-the other channels of the same pixels. For example if the value to
-modify is red, the output value will be:
-@example
-@var{red}=@var{red}*@var{rr} + @var{blue}*@var{rb} + @var{green}*@var{rg} + @var{alpha}*@var{ra}
-@end example
-
-The filter accepts the following options:
-
-@table @option
-@item rr
-@item rg
-@item rb
-@item ra
-Adjust contribution of input red, green, blue and alpha channels for output red channel.
-Default is @code{1} for @var{rr}, and @code{0} for @var{rg}, @var{rb} and @var{ra}.
-
-@item gr
-@item gg
-@item gb
-@item ga
-Adjust contribution of input red, green, blue and alpha channels for output green channel.
-Default is @code{1} for @var{gg}, and @code{0} for @var{gr}, @var{gb} and @var{ga}.
-
-@item br
-@item bg
-@item bb
-@item ba
-Adjust contribution of input red, green, blue and alpha channels for output blue channel.
-Default is @code{1} for @var{bb}, and @code{0} for @var{br}, @var{bg} and @var{ba}.
-
-@item ar
-@item ag
-@item ab
-@item aa
-Adjust contribution of input red, green, blue and alpha channels for output alpha channel.
-Default is @code{1} for @var{aa}, and @code{0} for @var{ar}, @var{ag} and @var{ab}.
-
-Allowed ranges for options are @code{[-2.0, 2.0]}.
-@end table
-
-@subsection Examples
-
-@itemize
-@item
-Convert source to grayscale:
-@example
-colorchannelmixer=.3:.4:.3:0:.3:.4:.3:0:.3:.4:.3
-@end example
-@item
-Simulate sepia tones:
-@example
-colorchannelmixer=.393:.769:.189:0:.349:.686:.168:0:.272:.534:.131
-@end example
-@end itemize
-
-@section colormatrix
-
-Convert color matrix.
+Convert color matrix.
The filter accepts the following options:
@end example
@end itemize
+@section cover_rect
+
+Cover a rectangular object
+
+It accepts the following options:
+
+@table @option
+@item cover
+Filepath of the optional cover image, needs to be in yuv420.
+
+@item mode
+Set covering mode.
+
+It accepts the following values:
+@table @samp
+@item cover
+cover it by the supplied image
+@item blur
+cover it by interpolating the surrounding pixels
+@end table
+
+Default value is @var{blur}.
+@end table
+
+@subsection Examples
+
+@itemize
+@item
+Cover a rectangular object by the supplied image of a given video using @command{ffmpeg}:
+@example
+ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv
+@end example
+@end itemize
+
@section crop
Crop the input video to given dimensions.
@end itemize
+@section derain
+
+Remove the rain in the input image/video by applying the derain methods based on
+convolutional neural networks. Supported models:
+
+@itemize
+@item
+Recurrent Squeeze-and-Excitation Context Aggregation Net (RESCAN).
+See @url{http://openaccess.thecvf.com/content_ECCV_2018/papers/Xia_Li_Recurrent_Squeeze-and-Excitation_Context_ECCV_2018_paper.pdf}.
+@end itemize
+
+Training as well as model generation scripts are provided in
+the repository at @url{https://github.com/XueweiMeng/derain_filter.git}.
+
+Native model files (.model) can be generated from TensorFlow model
+files (.pb) by using tools/python/convert.py
+
+The filter accepts the following options:
+
+@table @option
+@item filter_type
+Specify which filter to use. This option accepts the following values:
+
+@table @samp
+@item derain
+Derain filter. To conduct derain filter, you need to use a derain model.
+
+@item dehaze
+Dehaze filter. To conduct dehaze filter, you need to use a dehaze model.
+@end table
+Default value is @samp{derain}.
+
+@item dnn_backend
+Specify which DNN backend to use for model loading and execution. This option accepts
+the following values:
+
+@table @samp
+@item native
+Native implementation of DNN loading and execution.
+
+@item tensorflow
+TensorFlow backend. To enable this backend you
+need to install the TensorFlow for C library (see
+@url{https://www.tensorflow.org/install/install_c}) and configure FFmpeg with
+@code{--enable-libtensorflow}
+@end table
+Default value is @samp{native}.
+
+@item model
+Set path to model file specifying network architecture and its parameters.
+Note that different backends use different file formats. TensorFlow and native
+backend can load files for only its format.
+@end table
+
@section deshake
Attempt to fix small changes in horizontal and/or vertical shift. This
@end example
@end itemize
+@subsection Commands
+This filter supports same commands as options.
+The command accepts the same syntax of the corresponding option.
+
+If the specified expression is not valid, it is kept at its current
+value.
+
@section drawgrid
Draw a grid on the input image.
@end example
@end itemize
+@subsection Commands
+This filter supports same commands as options.
+The command accepts the same syntax of the corresponding option.
+
+If the specified expression is not valid, it is kept at its current
+value.
+
@anchor{drawtext}
@section drawtext
the x and y offset coordinates where the text is drawn.
These parameters allow the @var{x} and @var{y} expressions to refer
-each other, so you can for example specify @code{y=x/dar}.
+to each other, so you can for example specify @code{y=x/dar}.
+
+@item pict_type
+A one character description of the current frame's picture type.
+
+@item pkt_pos
+The current packet's position in the input file or stream
+(in bytes, from the start of the input). A value of -1 indicates
+this info is not available.
+
+@item pkt_duration
+The current packet's duration, in seconds.
+
+@item pkt_size
+The current packet's size (in bytes).
@end table
@anchor{drawtext_expansion}
The second argument is optional and specifies a default value, used when the
metadata key is not found or empty.
+Available metadata can be identified by inspecting entries
+starting with TAG included within each frame section
+printed by running @code{ffprobe -show_frames}.
+
+String metadata generated in filters leading to
+the drawtext filter are also available.
+
@item n, frame_num
The frame number, starting from 0.
@item pict_type
-A 1 character description of the current picture type.
+A one character description of the current picture type.
@item pts
The timestamp of the current frame.
@end example
@end itemize
+@section elbg
+
+Apply a posterize effect using the ELBG (Enhanced LBG) algorithm.
+
+For each input image, the filter will compute the optimal mapping from
+the input to the output given the codebook length, that is the number
+of distinct output colors.
+
+This filter accepts the following options.
+
+@table @option
+@item codebook_length, l
+Set codebook length. The value must be a positive integer, and
+represents the number of distinct output colors. Default value is 256.
+
+@item nb_steps, n
+Set the maximum number of iterations to apply for computing the optimal
+mapping. The higher the value the better the result and the higher the
+computation time. Default value is 1.
+
+@item seed, s
+Set a random seed, must be an integer included between 0 and
+UINT32_MAX. If not specified, or if explicitly set to -1, the filter
+will try to use a good random seed on a best effort basis.
+
+@item pal8
+Set pal8 output pixel format. This option does not work with codebook
+length greater than 256.
+@end table
+
+@section entropy
+
+Measure graylevel entropy in histogram of color channels of video frames.
+
+It accepts the following parameters:
+
+@table @option
+@item mode
+Can be either @var{normal} or @var{diff}. Default is @var{normal}.
+
+@var{diff} mode measures entropy of histogram delta values, absolute differences
+between neighbour histogram values.
+@end table
+
@section eq
Set brightness, contrast, saturation and approximate gamma adjustment.
@table @option
@item contrast
Set the contrast expression. The value must be a float value in range
-@code{-2.0} to @code{2.0}. The default value is "1".
+@code{-1000.0} to @code{1000.0}. The default value is "1".
@item brightness
Set the brightness expression. The value must be a float value in
@end example
@end itemize
-@section elbg
-
-Apply a posterize effect using the ELBG (Enhanced LBG) algorithm.
-
-For each input image, the filter will compute the optimal mapping from
-the input to the output given the codebook length, that is the number
-of distinct output colors.
-
-This filter accepts the following options.
-
-@table @option
-@item codebook_length, l
-Set codebook length. The value must be a positive integer, and
-represents the number of distinct output colors. Default value is 256.
-
-@item nb_steps, n
-Set the maximum number of iterations to apply for computing the optimal
-mapping. The higher the value the better the result and the higher the
-computation time. Default value is 1.
-
-@item seed, s
-Set a random seed, must be an integer included between 0 and
-UINT32_MAX. If not specified, or if explicitly set to -1, the filter
-will try to use a good random seed on a best effort basis.
-
-@item pal8
-Set pal8 output pixel format. This option does not work with codebook
-length greater than 256.
-@end table
-
-@section entropy
-
-Measure graylevel entropy in histogram of color channels of video frames.
-
-It accepts the following parameters:
-
-@table @option
-@item mode
-Can be either @var{normal} or @var{diff}. Default is @var{normal}.
-
-@var{diff} mode measures entropy of histogram delta values, absolute differences
-between neighbour histogram values.
-@end table
-
@section fade
Apply a fade-in/out effect to the input video.
@end itemize
+@section fftdnoiz
+Denoise frames using 3D FFT (frequency domain filtering).
+
+The filter accepts the following options:
+
+@table @option
+@item sigma
+Set the noise sigma constant. This sets denoising strength.
+Default value is 1. Allowed range is from 0 to 30.
+Using very high sigma with low overlap may give blocking artifacts.
+
+@item amount
+Set amount of denoising. By default all detected noise is reduced.
+Default value is 1. Allowed range is from 0 to 1.
+
+@item block
+Set size of block, Default is 4, can be 3, 4, 5 or 6.
+Actual size of block in pixels is 2 to power of @var{block}, so by default
+block size in pixels is 2^4 which is 16.
+
+@item overlap
+Set block overlap. Default is 0.5. Allowed range is from 0.2 to 0.8.
+
+@item prev
+Set number of previous frames to use for denoising. By default is set to 0.
+
+@item next
+Set number of next frames to to use for denoising. By default is set to 0.
+
+@item planes
+Set planes which will be filtered, by default are all available filtered
+except alpha.
+@end table
+
@section fftfilt
Apply arbitrary expressions to samples in frequency domain
@end itemize
-@section fftdnoiz
-Denoise frames using 3D FFT (frequency domain filtering).
-
-The filter accepts the following options:
-
-@table @option
-@item sigma
-Set the noise sigma constant. This sets denoising strength.
-Default value is 1. Allowed range is from 0 to 30.
-Using very high sigma with low overlap may give blocking artifacts.
-
-@item amount
-Set amount of denoising. By default all detected noise is reduced.
-Default value is 1. Allowed range is from 0 to 1.
-
-@item block
-Set size of block, Default is 4, can be 3, 4, 5 or 6.
-Actual size of block in pixels is 2 to power of @var{block}, so by default
-block size in pixels is 2^4 which is 16.
-
-@item overlap
-Set block overlap. Default is 0.5. Allowed range is from 0.2 to 0.8.
-
-@item prev
-Set number of previous frames to use for denoising. By default is set to 0.
-
-@item next
-Set number of next frames to to use for denoising. By default is set to 0.
-
-@item planes
-Set planes which will be filtered, by default are all available filtered
-except alpha.
-@end table
-
@section field
Extract a single field from an interlaced image using stride
@itemize
@item
-Generate a representative palette of a given video using @command{ffmpeg}:
-@example
-ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv
-@end example
-@end itemize
-
-@section cover_rect
-
-Cover a rectangular object
-
-It accepts the following options:
-
-@table @option
-@item cover
-Filepath of the optional cover image, needs to be in yuv420.
-
-@item mode
-Set covering mode.
-
-It accepts the following values:
-@table @samp
-@item cover
-cover it by the supplied image
-@item blur
-cover it by interpolating the surrounding pixels
-@end table
-
-Default value is @var{blur}.
-@end table
-
-@subsection Examples
-
-@itemize
-@item
-Generate a representative palette of a given video using @command{ffmpeg}:
+Cover a rectangular object by the supplied image of a given video using @command{ffmpeg}:
@example
ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv
@end example
Default is @code{-1}.
@end table
+@subsection Commands
+This filter supports same commands as options.
+The command accepts the same syntax of the corresponding option.
+
+If the specified expression is not valid, it is kept at its current
+value.
+
@section geq
Apply generic equation to each pixel.
@code{haldclut} also has the same interpolation options as @ref{lut3d} (both
filters share the same internals).
+This filter also supports the @ref{framesync} options.
+
More information about the Hald CLUT can be found on Eskil Steenberg's website
(Hald CLUT author) at @url{http://www.quelsolaar.com/technology/clut.html}.
Note that this filter is faster than using @ref{overlay} and @ref{pad} filter
to create same output.
-The filter accept the following option:
+The filter accepts the following option:
@table @option
@item inputs
@end table
@end table
-This filter also supports the @ref{framesync} options.
-
@section lumakey
Turn certain luma values into transparency.
or "bilateral". The default value is "gaussian".
The meaning of @var{param1}, @var{param2}, @var{param3}, and @var{param4}
-depend on the smooth type. @var{param1} and
+depends on the smooth type. @var{param1} and
@var{param2} accept integer positive values or 0. @var{param3} and
@var{param4} accept floating point values.
@end table
@end table
+@section photosensitivity
+Reduce various flashes in video, so to help users with epilepsy.
+
+It accepts the following options:
+@table @option
+@item frames, f
+Set how many frames to use when filtering. Default is 30.
+
+@item threshold, t
+Set detection threshold factor. Default is 1.
+Lower is stricter.
+
+@item skip
+Set how many pixels to skip when sampling frames. Defalt is 1.
+Allowed range is from 1 to 1024.
+
+@item bypass
+Leave frames unchanged. Default is disabled.
+@end table
+
@section pixdesctest
Pixel format descriptor test filter, mainly useful for internal
Alter frame colors in video with pseudocolors.
-This filter accept the following options:
+This filter accepts the following options:
@table @option
@item c0
@item chp
Enable checking the parity bit. In the event of a parity error, the filter will output
@code{0x00} for that character. Default is false.
+
+@item lp
+Lowpass lines prior to further processing. Default is disabled.
@end table
@subsection Examples
will have Xmap/Ymap video stream dimensions.
Xmap and Ymap input video streams are 16bit depth, single channel.
+@table @option
+@item format
+Specify pixel format of output from this filter. Can be @code{color} or @code{gray}.
+Default is @code{color}.
+@end table
+
@section removegrain
The removegrain filter is a spatial denoiser for progressive video.
Commission (FCC) Code of Federal Regulations (CFR) Title 47 (2003) 73.682 (a).
@item bt601
+@item bt470
+@item smpte170m
Set color space conforming to:
@itemize
@item smpte240m
Set color space conforming to SMPTE ST 240:1999.
+
+@item bt2020
+Set color space conforming to ITU-R BT.2020 non-constant luminance system.
@end table
@item in_range
or @option{h}, you still need to specify the output resolution for this option
to work.
+@item force_divisible_by Ensures that the output resolution is divisible by the
+given integer when used together with @option{force_original_aspect_ratio}. This
+works similar to using -n in the @option{w} and @option{h} options.
+
+This option respects the value set for @option{force_original_aspect_ratio},
+increasing or decreasing the resolution accordingly. This may slightly modify
+the video's aspect ration.
+
+This can be handy, for example, if you want to have a video fit within a defined
+resolution using the @option{force_original_aspect_ratio} option but have
+encoder restrictions when it comes to width or height.
+
@end table
The values of the @option{w} and @option{h} options are expressions
@end example
@end itemize
+@section scroll
+Scroll input video horizontally and/or vertically by constant speed.
+
+The filter accepts the following options:
+@table @option
+@item horizontal, h
+Set the horizontal scrolling speed. Default is 0. Allowed range is from -1 to 1.
+Negative values changes scrolling direction.
+
+@item vertical, v
+Set the vertical scrolling speed. Default is 0. Allowed range is from -1 to 1.
+Negative values changes scrolling direction.
+
+@item hpos
+Set the initial horizontal scrolling position. Default is 0. Allowed range is from 0 to 1.
+
+@item vpos
+Set the initial vertical scrolling position. Default is 0. Allowed range is from 0 to 1.
+@end table
+
@anchor{selectivecolor}
@section selectivecolor
If a chroma option is not explicitly set, the corresponding luma value
is set.
+@section sobel
+Apply sobel operator to input video stream.
+
+The filter accepts the following option:
+
+@table @option
+@item planes
+Set which planes will be processed, unprocessed planes will be copied.
+By default value 0xf, all planes will be processed.
+
+@item scale
+Set value which will be multiplied with filtered result.
+
+@item delta
+Set value which will be added to filtered result.
+@end table
+
+@anchor{spp}
+@section spp
+
+Apply a simple postprocessing filter that compresses and decompresses the image
+at several (or - in the case of @option{quality} level @code{6} - all) shifts
+and average the results.
+
+The filter accepts the following options:
+
+@table @option
+@item quality
+Set quality. This option defines the number of levels for averaging. It accepts
+an integer in the range 0-6. If set to @code{0}, the filter will have no
+effect. A value of @code{6} means the higher quality. For each increment of
+that value the speed drops by a factor of approximately 2. Default value is
+@code{3}.
+
+@item qp
+Force a constant quantization parameter. If not set, the filter will use the QP
+from the video stream (if available).
+
+@item mode
+Set thresholding mode. Available modes are:
+
+@table @samp
+@item hard
+Set hard thresholding (default).
+@item soft
+Set soft thresholding (better de-ringing effect, but likely blurrier).
+@end table
+
+@item use_bframe_qp
+Enable the use of the QP from the B-Frames if set to @code{1}. Using this
+option may cause flicker since the B-Frames have often larger QP. Default is
+@code{0} (not enabled).
+@end table
+
+@section sr
+
+Scale the input by applying one of the super-resolution methods based on
+convolutional neural networks. Supported models:
+
+@itemize
+@item
+Super-Resolution Convolutional Neural Network model (SRCNN).
+See @url{https://arxiv.org/abs/1501.00092}.
+
+@item
+Efficient Sub-Pixel Convolutional Neural Network model (ESPCN).
+See @url{https://arxiv.org/abs/1609.05158}.
+@end itemize
+
+Training scripts as well as scripts for model file (.pb) saving can be found at
+@url{https://github.com/XueweiMeng/sr/tree/sr_dnn_native}. Original repository
+is at @url{https://github.com/HighVoltageRocknRoll/sr.git}.
+
+Native model files (.model) can be generated from TensorFlow model
+files (.pb) by using tools/python/convert.py
+
+The filter accepts the following options:
+
+@table @option
+@item dnn_backend
+Specify which DNN backend to use for model loading and execution. This option accepts
+the following values:
+
+@table @samp
+@item native
+Native implementation of DNN loading and execution.
+
+@item tensorflow
+TensorFlow backend. To enable this backend you
+need to install the TensorFlow for C library (see
+@url{https://www.tensorflow.org/install/install_c}) and configure FFmpeg with
+@code{--enable-libtensorflow}
+@end table
+
+Default value is @samp{native}.
+
+@item model
+Set path to model file specifying network architecture and its parameters.
+Note that different backends use different file formats. TensorFlow backend
+can load files for both formats, while native backend can load files for only
+its format.
+
+@item scale_factor
+Set scale factor for SRCNN model. Allowed values are @code{2}, @code{3} and @code{4}.
+Default value is @code{2}. Scale factor is necessary for SRCNN model, because it accepts
+input upscaled using bicubic upscaling with proper scale factor.
+@end table
+
@section ssim
Obtain the SSIM (Structural SImilarity Metric) between two input videos.
(right eye left, left eye right)
@item abl
+@item tbl
above-below (left eye above, right eye below)
@item abr
+@item tbr
above-below (right eye above, left eye below)
@item ab2l
+@item tb2l
above-below with half height resolution
(left eye above, right eye below)
@item ab2r
+@item tb2r
above-below with half height resolution
(right eye above, left eye below)
(right eye left, left eye right)
@item abl
+@item tbl
above-below (left eye above, right eye below)
@item abr
+@item tbr
above-below (right eye above, left eye below)
@item ab2l
+@item tb2l
above-below with half height resolution
(left eye above, right eye below)
@item ab2r
+@item tb2r
above-below with half height resolution
(right eye above, left eye below)
Set number of inputs. Default is 2.
@item map
-Set input indexes to remap to outputs.
-@end table
-
-@subsection Commands
-
-The @code{streamselect} and @code{astreamselect} filter supports the following
-commands:
-
-@table @option
-@item map
-Set input indexes to remap to outputs.
-@end table
-
-@subsection Examples
-
-@itemize
-@item
-Select first 5 seconds 1st stream and rest of time 2nd stream:
-@example
-sendcmd='5.0 streamselect map 1',streamselect=inputs=2:map=0
-@end example
-
-@item
-Same as above, but for audio:
-@example
-asendcmd='5.0 astreamselect map 1',astreamselect=inputs=2:map=0
-@end example
-@end itemize
-
-@section sobel
-Apply sobel operator to input video stream.
-
-The filter accepts the following option:
-
-@table @option
-@item planes
-Set which planes will be processed, unprocessed planes will be copied.
-By default value 0xf, all planes will be processed.
-
-@item scale
-Set value which will be multiplied with filtered result.
-
-@item delta
-Set value which will be added to filtered result.
-@end table
-
-@anchor{spp}
-@section spp
-
-Apply a simple postprocessing filter that compresses and decompresses the image
-at several (or - in the case of @option{quality} level @code{6} - all) shifts
-and average the results.
-
-The filter accepts the following options:
-
-@table @option
-@item quality
-Set quality. This option defines the number of levels for averaging. It accepts
-an integer in the range 0-6. If set to @code{0}, the filter will have no
-effect. A value of @code{6} means the higher quality. For each increment of
-that value the speed drops by a factor of approximately 2. Default value is
-@code{3}.
-
-@item qp
-Force a constant quantization parameter. If not set, the filter will use the QP
-from the video stream (if available).
-
-@item mode
-Set thresholding mode. Available modes are:
-
-@table @samp
-@item hard
-Set hard thresholding (default).
-@item soft
-Set soft thresholding (better de-ringing effect, but likely blurrier).
-@end table
-
-@item use_bframe_qp
-Enable the use of the QP from the B-Frames if set to @code{1}. Using this
-option may cause flicker since the B-Frames have often larger QP. Default is
-@code{0} (not enabled).
-@end table
-
-@section sr
-
-Scale the input by applying one of the super-resolution methods based on
-convolutional neural networks. Supported models:
-
-@itemize
-@item
-Super-Resolution Convolutional Neural Network model (SRCNN).
-See @url{https://arxiv.org/abs/1501.00092}.
-
-@item
-Efficient Sub-Pixel Convolutional Neural Network model (ESPCN).
-See @url{https://arxiv.org/abs/1609.05158}.
-@end itemize
-
-Training scripts as well as scripts for model generation can be found at
-@url{https://github.com/XueweiMeng/sr/tree/sr_dnn_native}. Original repository
-is at @url{https://github.com/HighVoltageRocknRoll/sr.git}.
-
-The filter accepts the following options:
-
-@table @option
-@item dnn_backend
-Specify which DNN backend to use for model loading and execution. This option accepts
-the following values:
-
-@table @samp
-@item native
-Native implementation of DNN loading and execution.
-
-@item tensorflow
-TensorFlow backend. To enable this backend you
-need to install the TensorFlow for C library (see
-@url{https://www.tensorflow.org/install/install_c}) and configure FFmpeg with
-@code{--enable-libtensorflow}
+Set input indexes to remap to outputs.
@end table
-Default value is @samp{native}.
+@subsection Commands
-@item model
-Set path to model file specifying network architecture and its parameters.
-Note that different backends use different file formats. TensorFlow backend
-can load files for both formats, while native backend can load files for only
-its format.
+The @code{streamselect} and @code{astreamselect} filter supports the following
+commands:
-@item scale_factor
-Set scale factor for SRCNN model. Allowed values are @code{2}, @code{3} and @code{4}.
-Default value is @code{2}. Scale factor is necessary for SRCNN model, because it accepts
-input upscaled using bicubic upscaling with proper scale factor.
+@table @option
+@item map
+Set input indexes to remap to outputs.
@end table
+@subsection Examples
+
+@itemize
+@item
+Select first 5 seconds 1st stream and rest of time 2nd stream:
+@example
+sendcmd='5.0 streamselect map 1',streamselect=inputs=2:map=0
+@end example
+
+@item
+Same as above, but for audio:
+@example
+asendcmd='5.0 astreamselect map 1',astreamselect=inputs=2:map=0
+@end example
+@end itemize
+
@anchor{subtitles}
@section subtitles
Available value for @var{flags} is:
@table @option
-@item low_pass_filter, vlfp
+@item low_pass_filter, vlpf
Enable linear vertical low-pass filtering in the filter.
Vertical low-pass filtering is required when creating an interlaced
destination from a progressive source which contains high-frequency
vertical detail. Filtering will reduce interlace 'twitter' and Moire
patterning.
-@item complex_filter, cvlfp
+@item complex_filter, cvlpf
Enable complex vertical low-pass filtering.
This will slightly less reduce interlace 'twitter' and Moire
patterning but better retain detail and subjective sharpness impression.
from the video stream (if available).
@end table
+@section v360
+
+Convert 360 videos between various formats.
+
+The filter accepts the following options:
+
+@table @option
+
+@item input
+@item output
+Set format of the input/output video.
+
+Available formats:
+
+@table @samp
+
+@item e
+@item equirect
+Equirectangular projection.
+
+@item c3x2
+@item c6x1
+@item c1x6
+Cubemap with 3x2/6x1/1x6 layout.
+
+Format specific options:
+
+@table @option
+@item in_pad
+@item out_pad
+Set padding proportion for the input/output cubemap. Values in decimals.
+
+Example values:
+@table @samp
+@item 0
+No padding.
+@item 0.01
+1% of face is padding. For example, with 1920x1280 resolution face size would be 640x640 and padding would be 3 pixels from each side. (640 * 0.01 = 6 pixels)
+@end table
+
+Default value is @b{@samp{0}}.
+
+@item fin_pad
+@item fout_pad
+Set fixed padding for the input/output cubemap. Values in pixels.
+
+Default value is @b{@samp{0}}. If greater than zero it overrides other padding options.
+
+@item in_forder
+@item out_forder
+Set order of faces for the input/output cubemap. Choose one direction for each position.
+
+Designation of directions:
+@table @samp
+@item r
+right
+@item l
+left
+@item u
+up
+@item d
+down
+@item f
+forward
+@item b
+back
+@end table
+
+Default value is @b{@samp{rludfb}}.
+
+@item in_frot
+@item out_frot
+Set rotation of faces for the input/output cubemap. Choose one angle for each position.
+
+Designation of angles:
+@table @samp
+@item 0
+0 degrees clockwise
+@item 1
+90 degrees clockwise
+@item 2
+180 degrees clockwise
+@item 3
+270 degrees clockwise
+@end table
+
+Default value is @b{@samp{000000}}.
+@end table
+
+@item eac
+Equi-Angular Cubemap.
+
+@item flat
+@item gnomonic
+@item rectilinear
+Regular video. @i{(output only)}
+
+Format specific options:
+@table @option
+@item h_fov
+@item v_fov
+@item d_fov
+Set horizontal/vertical/diagonal field of view. Values in degrees.
+
+If diagonal field of view is set it overrides horizontal and vertical field of view.
+@end table
+
+@item dfisheye
+Dual fisheye.
+
+Format specific options:
+@table @option
+@item in_pad
+@item out_pad
+Set padding proportion. Values in decimals.
+
+Example values:
+@table @samp
+@item 0
+No padding.
+@item 0.01
+1% padding.
+@end table
+
+Default value is @b{@samp{0}}.
+@end table
+
+@item barrel
+@item fb
+Facebook's 360 format.
+
+@item sg
+Stereographic format.
+
+Format specific options:
+@table @option
+@item h_fov
+@item v_fov
+@item d_fov
+Set horizontal/vertical/diagonal field of view. Values in degrees.
+
+If diagonal field of view is set it overrides horizontal and vertical field of view.
+@end table
+
+@item mercator
+Mercator format.
+
+@item ball
+Ball format, gives significant distortion toward the back.
+
+@item hammer
+Hammer-Aitoff map projection format.
+
+@item sinusoidal
+Sinusoidal map projection format.
+
+@end table
+
+@item interp
+Set interpolation method.@*
+@i{Note: more complex interpolation methods require much more memory to run.}
+
+Available methods:
+
+@table @samp
+@item near
+@item nearest
+Nearest neighbour.
+@item line
+@item linear
+Bilinear interpolation.
+@item cube
+@item cubic
+Bicubic interpolation.
+@item lanc
+@item lanczos
+Lanczos interpolation.
+@end table
+
+Default value is @b{@samp{line}}.
+
+@item w
+@item h
+Set the output video resolution.
+
+Default resolution depends on formats.
+
+@item in_stereo
+@item out_stereo
+Set the input/output stereo format.
+
+@table @samp
+@item 2d
+2D mono
+@item sbs
+Side by side
+@item tb
+Top bottom
+@end table
+
+Default value is @b{@samp{2d}} for input and output format.
+
+@item yaw
+@item pitch
+@item roll
+Set rotation for the output video. Values in degrees.
+
+@item rorder
+Set rotation order for the output video. Choose one item for each position.
+
+@table @samp
+@item y, Y
+yaw
+@item p, P
+pitch
+@item r, R
+roll
+@end table
+
+Default value is @b{@samp{ypr}}.
+
+@item h_flip
+@item v_flip
+@item d_flip
+Flip the output video horizontally(swaps left-right)/vertically(swaps up-down)/in-depth(swaps back-forward). Boolean values.
+
+@item ih_flip
+@item iv_flip
+Set if input video is flipped horizontally/vertically. Boolean values.
+
+@item in_trans
+Set if input video is transposed. Boolean value, by default disabled.
+
+@item out_trans
+Set if output video needs to be transposed. Boolean value, by default disabled.
+
+@end table
+
+@subsection Examples
+
+@itemize
+@item
+Convert equirectangular video to cubemap with 3x2 layout and 1% padding using bicubic interpolation:
+@example
+ffmpeg -i input.mkv -vf v360=e:c3x2:cubic:out_pad=0.01 output.mkv
+@end example
+@item
+Extract back view of Equi-Angular Cubemap:
+@example
+ffmpeg -i input.mkv -vf v360=eac:flat:yaw=180 output.mkv
+@end example
+@item
+Convert transposed and horizontally flipped Equi-Angular Cubemap in side-by-side stereo format to equirectangular top-bottom stereo format:
+@example
+v360=eac:equirect:in_stereo=sbs:in_trans=1:ih_flip=1:out_stereo=tb
+@end example
+@end itemize
+
@section vaguedenoiser
Apply a wavelet based denoiser.
Note that this filter is faster than using @ref{overlay} and @ref{pad} filter
to create same output.
-The filter accept the following option:
+The filter accepts the following options:
@table @option
@item inputs
Easterbrook for BBC R&D, the Weston 3 field deinterlacing filter
uses filter coefficients calculated by BBC R&D.
-This filter use field-dominance information in frame to decide which
+This filter uses field-dominance information in frame to decide which
of each pair of fields to place first in the output.
If it gets it wrong use @ref{setfield} filter before @code{w3fdif} filter.
-There are two sets of filter coefficients, so called "simple":
+There are two sets of filter coefficients, so called "simple"
and "complex". Which set of filter coefficients is used can
be set by passing an optional parameter:
Default value is @samp{complex}.
@item deint
-Specify which frames to deinterlace. Accept one of the following values:
+Specify which frames to deinterlace. Accepts one of the following values:
@table @samp
@item all
@item xflat
Similar as above, but use different colors.
+@item yflat
+Similar as above, but again with different colors.
+
@item chroma
Displays only chroma.
@item orange
Display orange graticule showing legal broadcast ranges.
+
+@item invert
+Display invert graticule showing legal broadcast ranges.
@end table
@item opacity, o
@section xmedian
Pick median pixels from several input videos.
-The filter accept the following options:
+The filter accepts the following options:
@table @option
-@item nb_inputs
-Set number of inputs. This must be odd number.
+@item inputs
+Set number of inputs.
Default is 3. Allowed range is from 3 to 255.
+If number of inputs is even number, than result will be mean value between two median values.
@item planes
Set which planes to filter. Default value is @code{15}, by which all planes are processed.
All streams must be of same pixel format.
-The filter accept the following option:
+The filter accepts the following options:
@table @option
@item inputs
Multiple values can be used when separated by '+'. In such
case values are summed together.
+Note that if inputs are of different sizes gaps may appear, as not all of
+the output video frame will be filled. Similarly, videos can overlap each
+other if their position doesn't leave enough space for the full frame of
+adjoining videos.
+
For 2 inputs, a default layout of @code{0_0|w0_0} is set. In all other cases,
a layout must be set by the user.
@itemize
@item
-Display 4 inputs into 2x2 grid,
-note that if inputs are of different sizes unused gaps might appear,
-as not all of output video is used.
+Display 4 inputs into 2x2 grid.
+
+Layout:
+@example
+input1(0, 0) | input3(w0, 0)
+input2(0, h0) | input4(w0, h0)
+@end example
+
@example
xstack=inputs=4:layout=0_0|0_h0|w0_0|w0_h0
@end example
+Note that if inputs are of different sizes, gaps or overlaps may occur.
+
@item
-Display 4 inputs into 1x4 grid,
-note that if inputs are of different sizes unused gaps might appear,
-as not all of output video is used.
+Display 4 inputs into 1x4 grid.
+
+Layout:
+@example
+input1(0, 0)
+input2(0, h0)
+input3(0, h0+h1)
+input4(0, h0+h1+h2)
+@end example
+
@example
xstack=inputs=4:layout=0_0|0_h0|0_h0+h1|0_h0+h1+h2
@end example
+Note that if inputs are of different widths, unused space will appear.
+
+@item
+Display 9 inputs into 3x3 grid.
+
+Layout:
+@example
+input1(0, 0) | input4(w0, 0) | input7(w0+w3, 0)
+input2(0, h0) | input5(w0, h0) | input8(w0+w3, h0)
+input3(0, h0+h1) | input6(w0, h0+h1) | input9(w0+w3, h0+h1)
+@end example
+
+@example
+xstack=inputs=9:layout=0_0|0_h0|0_h0+h1|w0_0|w0_h0|w0_h0+h1|w0+w3_0|w0+w3_h0|w0+w3_h0+h1
+@end example
+
+Note that if inputs are of different sizes, gaps or overlaps may occur.
+
@item
-Display 9 inputs into 3x3 grid,
-note that if inputs are of different sizes unused gaps might appear,
-as not all of output video is used.
+Display 16 inputs into 4x4 grid.
+
+Layout:
+@example
+input1(0, 0) | input5(w0, 0) | input9 (w0+w4, 0) | input13(w0+w4+w8, 0)
+input2(0, h0) | input6(w0, h0) | input10(w0+w4, h0) | input14(w0+w4+w8, h0)
+input3(0, h0+h1) | input7(w0, h0+h1) | input11(w0+w4, h0+h1) | input15(w0+w4+w8, h0+h1)
+input4(0, h0+h1+h2)| input8(w0, h0+h1+h2)| input12(w0+w4, h0+h1+h2)| input16(w0+w4+w8, h0+h1+h2)
+@end example
+
@example
-xstack=inputs=9:layout=w3_0|w3_h0+h2|w3_h0|0_h4|0_0|w3+w1_0|0_h1+h2|w3+w1_h0|w3+w1_h1+h2
+xstack=inputs=16:layout=0_0|0_h0|0_h0+h1|0_h0+h1+h2|w0_0|w0_h0|w0_h0+h1|w0_h0+h1+h2|w0+w4_0|
+w0+w4_h0|w0+w4_h0+h1|w0+w4_h0+h1+h2|w0+w4+w8_0|w0+w4+w8_h0|w0+w4+w8_h0+h1|w0+w4+w8_h0+h1+h2
@end example
+
+Note that if inputs are of different sizes, gaps or overlaps may occur.
+
@end itemize
@anchor{yadif}
top field first will be assumed.
@item deint
-Specify which frames to deinterlace. Accept one of the following
+Specify which frames to deinterlace. Accepts one of the following
values:
@table @option
top field first will be assumed.
@item deint
-Specify which frames to deinterlace. Accept one of the following
+Specify which frames to deinterlace. Accepts one of the following
values:
@table @option
@end example
@end itemize
+@section deshake_opencl
+Feature-point based video stabilization filter.
+
+The filter accepts the following options:
+
+@table @option
+@item tripod
+Simulates a tripod by preventing any camera movement whatsoever from the original frame. Defaults to @code{0}.
+
+@item debug
+Whether or not additional debug info should be displayed, both in the processed output and in the console.
+
+Note that in order to see console debug output you will also need to pass @code{-v verbose} to ffmpeg.
+
+Viewing point matches in the output video is only supported for RGB input.
+
+Defaults to @code{0}.
+
+@item adaptive_crop
+Whether or not to do a tiny bit of cropping at the borders to cut down on the amount of mirrored pixels.
+
+Defaults to @code{1}.
+
+@item refine_features
+Whether or not feature points should be refined at a sub-pixel level.
+
+This can be turned off for a slight performance gain at the cost of precision.
+
+Defaults to @code{1}.
+
+@item smooth_strength
+The strength of the smoothing applied to the camera path from @code{0.0} to @code{1.0}.
+
+@code{1.0} is the maximum smoothing strength while values less than that result in less smoothing.
+
+@code{0.0} causes the filter to adaptively choose a smoothing strength on a per-frame basis.
+
+Defaults to @code{0.0}.
+
+@item smooth_window_multiplier
+Controls the size of the smoothing window (the number of frames buffered to determine motion information from).
+
+The size of the smoothing window is determined by multiplying the framerate of the video by this number.
+
+Acceptable values range from @code{0.1} to @code{10.0}.
+
+Larger values increase the amount of motion data available for determining how to smooth the camera path,
+potentially improving smoothness, but also increase latency and memory usage.
+
+Defaults to @code{2.0}.
+
+@end table
+
+@subsection Examples
+
+@itemize
+@item
+Stabilize a video with a fixed, medium smoothing strength:
+@example
+-i INPUT -vf "hwupload, deshake_opencl=smooth_strength=0.5, hwdownload" OUTPUT
+@end example
+
+@item
+Stabilize a video with debugging (both in console and in rendered video):
+@example
+-i INPUT -filter_complex "[0:v]format=rgba, hwupload, deshake_opencl=debug=1, hwdownload, format=rgba, format=yuv420p" -v verbose OUTPUT
+@end example
+@end itemize
+
@section nlmeans_opencl
Non-local Means denoise filter through OpenCL, this filter accepts same options as @ref{nlmeans}.
@end itemize
+@section sierpinski
+
+Generate a Sierpinski carpet/triangle fractal, and randomly pan around.
+
+This source accepts the following options:
+
+@table @option
+@item size, s
+Set frame size. For the syntax of this option, check the @ref{video size syntax,,"Video
+size" section in the ffmpeg-utils manual,ffmpeg-utils}. Default value is "640x480".
+
+@item rate, r
+Set frame rate, expressed as number of frames per second. Default
+value is "25".
+
+@item seed
+Set seed which is used for random panning.
+
+@item jump
+Set max jump for single pan destination. Allowed range is from 1 to 10000.
+
+@item type
+Set fractal type, can be default @code{carpet} or @code{triangle}.
+@end table
+
@c man end VIDEO SOURCES
@chapter Video Sinks
scope.
The filter is used to measure the difference between channels of stereo
-audio stream. A monoaural signal, consisting of identical left and right
+audio stream. A monaural signal, consisting of identical left and right
signal, results in straight vertical line. Any stereo separation is visible
as a deviation from this line, creating a Lissajous figure.
If the straight (or deviation from it) but horizontal line appears this
@item expr
Values are interpreted as floats, returns true if expression from option @code{expr}
evaluates to true.
+
+@item ends_with
+Values are interpreted as strings, returns true if metadata value ends with
+the @code{value} option string.
@end table
@item expr
option instead.
@item font
-Specify fontconfig pattern. This has lower priority than @var{fontfile}.
-The : in the pattern may be replaced by | to avoid unnecessary escaping.
+Specify fontconfig pattern. This has lower priority than @var{fontfile}. The
+@code{:} in the pattern may be replaced by @code{|} to avoid unnecessary
+escaping.
@item fontcolor
Specify font color expression. This is arithmetic expression that should return
Default is @code{lin}.
@item win_size
-Set window size.
+Set window size. Allowed range is from 16 to 65536.
-It accepts the following values:
-@table @samp
-@item w16
-@item w32
-@item w64
-@item w128
-@item w256
-@item w512
-@item w1024
-@item w2048
-@item w4096
-@item w8192
-@item w16384
-@item w32768
-@item w65536
-@end table
-Default is @code{w2048}
+Default is @code{2048}
@item win_func
Set windowing function.
@section spectrumsynth
-Sythesize audio from 2 input video spectrums, first input stream represents
+Synthesize audio from 2 input video spectrums, first input stream represents
magnitude across time and second represents phase across time.
The filter will transform from frequency domain as displayed in videos back
to time domain as presented in audio output.
projects / ffmpeg / blobdiff