Pass the audio source unchanged to the output.
+@section ashowinfo
+
+Show a line containing various information for each input audio frame.
+The input audio is not modified.
+
+The shown line contains a sequence of key/value pairs of the form
+@var{key}:@var{value}.
+
+A description of each shown parameter follows:
+
+@table @option
+@item n
+sequential number of the input frame, starting from 0
+
+@item pts
+Presentation timestamp of the input frame, in time base units; the time base
+depends on the filter input pad, and is usually 1/@var{sample_rate}.
+
+@item pts_time
+presentation timestamp of the input frame in seconds
+
+@item fmt
+sample format
+
+@item chlayout
+channel layout
+
+@item rate
+sample rate for the audio frame
+
+@item nb_samples
+number of samples (per channel) in the frame
+
+@item checksum
+Adler-32 checksum (printed in hexadecimal) of the audio data. For planar audio
+the data is treated as if all the planes were concatenated.
+
+@item plane_checksums
+A list of Adler-32 checksums for each data plane.
+@end table
+
@section asplit
Split input audio into several identical outputs.
@table @option
@item compensate
-Enable stretching/squeezing the data to make it match the timestamps.
+Enable stretching/squeezing the data to make it match the timestamps. Disabled
+by default. When disabled, time gaps are covered with silence.
@item min_delta
Minimum difference between timestamps and audio data (in seconds) to trigger
-adding/dropping samples.
+adding/dropping samples. Default value is 0.1. If you get non-perfect sync with
+this filter, try setting this parameter to 0.
@item max_comp
-Maximum compensation in samples per second.
+Maximum compensation in samples per second. Relevant only with compensate=1.
+Default value 500.
@item first_pts
Assume the first pts should be this value.
whenever conversion is needed. Use the @var{aformat} filter to force a specific
conversion.
+@section volume
+
+Adjust the input audio volume.
+
+The filter accepts the following named parameters:
+@table @option
+
+@item volume
+Expresses how the audio volume will be increased or decreased.
+
+Output values are clipped to the maximum value.
+
+The output audio volume is given by the relation:
+@example
+@var{output_volume} = @var{volume} * @var{input_volume}
+@end example
+
+Default value for @var{volume} is 1.0.
+
+@item precision
+Mathematical precision.
+
+This determines which input sample formats will be allowed, which affects the
+precision of the volume scaling.
+
+@table @option
+@item fixed
+8-bit fixed-point; limits input sample format to U8, S16, and S32.
+@item float
+32-bit floating-point; limits input sample format to FLT. (default)
+@item double
+64-bit floating-point; limits input sample format to DBL.
+@end table
+@end table
+
+@subsection Examples
+
+@itemize
+@item
+Halve the input audio volume:
+@example
+volume=volume=0.5
+volume=volume=1/2
+volume=volume=-6.0206dB
+@end example
+
+@item
+Increase input audio power by 6 decibels using fixed-point precision:
+@example
+volume=volume=6dB:precision=fixed
+@end example
+@end itemize
+
@c man end AUDIO FILTERS
@chapter Audio Sources
of @var{channel_layout} is 3, which corresponds to CH_LAYOUT_STEREO.
Check the channel_layout_map definition in
-@file{libavcodec/audioconvert.c} for the mapping between strings and
+@file{libavutil/channel_layout.c} for the mapping between strings and
channel layout values.
Follow some examples:
The @var{lut} filter requires either YUV or RGB pixel formats in
input, and accepts the options:
@table @option
-@var{c0} (first pixel component)
-@var{c1} (second pixel component)
-@var{c2} (third pixel component)
-@var{c3} (fourth pixel component, corresponds to the alpha component)
+@item @var{c0} (first pixel component)
+@item @var{c1} (second pixel component)
+@item @var{c2} (third pixel component)
+@item @var{c3} (fourth pixel component, corresponds to the alpha component)
@end table
The exact component associated to each option depends on the format in
The @var{lutrgb} filter requires RGB pixel formats in input, and
accepts the options:
@table @option
-@var{r} (red component)
-@var{g} (green component)
-@var{b} (blue component)
-@var{a} (alpha component)
+@item @var{r} (red component)
+@item @var{g} (green component)
+@item @var{b} (blue component)
+@item @var{a} (alpha component)
@end table
The @var{lutyuv} filter requires YUV pixel formats in input, and
accepts the options:
@table @option
-@var{y} (Y/luminance component)
-@var{u} (U/Cb component)
-@var{v} (V/Cr component)
-@var{a} (alpha component)
+@item @var{y} (Y/luminance component)
+@item @var{u} (U/Cb component)
+@item @var{v} (V/Cr component)
+@item @var{a} (alpha component)
@end table
The expressions can contain the following constants and functions:
"[@var{c0} @var{c1} @var{c2} @var{c3}]"
@end table
-@section slicify
-
-Pass the images of input video on to next video filter as multiple
-slices.
-
-@example
-./avconv -i in.avi -vf "slicify=32" out.avi
-@end example
-
-The filter accepts the slice height as parameter. If the parameter is
-not specified it will use the default value of 16.
-
-Adding this in the beginning of filter chains should make filtering
-faster due to better use of the memory cache.
-
@section split
Split input video into several identical outputs.
with format "yuv410p", assuming 1/24 as the timestamps timebase and
square pixels (1:1 sample aspect ratio).
Since the pixel format with name "yuv410p" corresponds to the number 6
-(check the enum PixelFormat definition in @file{libavutil/pixfmt.h}),
+(check the enum AVPixelFormat definition in @file{libavutil/pixfmt.h}),
this example corresponds to:
@example
buffer=320:240:6:1:24
projects / ffmpeg / blobdiff