pads must be connected. A filtergraph is considered valid if all the
filter input and output pads of all the filterchains are connected.
-Libavfilter will automatically insert scale filters where format
+Libavfilter will automatically insert @ref{scale} filters where format
conversion is required. It is possible to specify swscale flags
for those automatically inserted scalers by prepending
@code{sws_flags=@var{flags};}
Pass the audio source unchanged to the output.
+@section asetpts
+
+Change the PTS (presentation timestamp) of the input audio frames.
+
+This filter accepts the following options:
+
+@table @option
+
+@item expr
+The expression which is evaluated for each frame to construct its timestamp.
+
+@end table
+
+The expression is evaluated through the eval API and can contain the following
+constants:
+
+@table @option
+@item PTS
+the presentation timestamp in input
+
+@item PI
+Greek PI
+
+@item PHI
+golden ratio
+
+@item E
+Euler number
+
+@item N
+Number of the audio samples pass through the filter so far, starting at 0.
+
+@item S
+Number of the audio samples in the current frame.
+
+@item SR
+Audio sample rate.
+
+@item STARTPTS
+the PTS of the first frame
+
+@item PREV_INPTS
+previous input PTS
+
+@item PREV_OUTPTS
+previous output PTS
+
+@item RTCTIME
+wallclock (RTC) time in microseconds
+
+@item RTCSTART
+wallclock (RTC) time at the start of the movie in microseconds
+
+@end table
+
+Some examples follow:
+
+@example
+# start counting PTS from zero
+asetpts=expr=PTS-STARTPTS
+
+#generate timestamps by counting samples
+asetpts=expr=N/SR/TB
+
+# generate timestamps from a "live source" and rebase onto the current timebase
+asetpts='(RTCTIME - RTCSTART) / (TB * 1000000)"
+@end example
+
+
@section ashowinfo
Show a line containing various information for each input audio frame.
@end table
+@section atrim
+Trim the input so that the output contains one continuous subpart of the input.
+
+This filter accepts the following options:
+@table @option
+@item start
+Timestamp (in seconds) of the start of the kept section. I.e. the audio sample
+with the timestamp @var{start} will be the first sample in the output.
+
+@item end
+Timestamp (in seconds) of the first audio sample that will be dropped. I.e. the
+audio sample immediately preceding the one with the timestamp @var{end} will be
+the last sample in the output.
+
+@item start_pts
+Same as @var{start}, except this option sets the start timestamp in samples
+instead of seconds.
+
+@item end_pts
+Same as @var{end}, except this option sets the end timestamp in samples instead
+of seconds.
+
+@item duration
+Maximum duration of the output in seconds.
+
+@item start_sample
+Number of the first sample that should be passed to output.
+
+@item end_sample
+Number of the first sample that should be dropped.
+@end table
+
+Note that the first two sets of the start/end options and the @option{duration}
+option look at the frame timestamp, while the _sample options simply count the
+samples that pass through the filter. So start/end_pts and start/end_sample will
+give different results when the timestamps are wrong, inexact or do not start at
+zero. Also note that this filter does not modify the timestamps. If you wish
+that the output timestamps start at zero, insert the asetpts filter after the
+atrim filter.
+
+If multiple start or end options are set, this filter tries to be greedy and
+keep all samples that match at least one of the specified constraints. To keep
+only the part that matches all the constraints at once, chain multiple atrim
+filters.
+
+The defaults are such that all the input is kept. So it is possible to set e.g.
+just the end values to keep everything before the specified time.
+
+Examples:
+@itemize
+@item
+drop everything except the second minute of input
+@example
+avconv -i INPUT -af atrim=60:120
+@end example
+
+@item
+keep only the first 1000 samples
+@example
+avconv -i INPUT -af atrim=end_sample=1000
+@end example
+
+@end itemize
+
@section channelsplit
Split each channel in input audio stream into a separate output stream.
avconv -i in.wav -filter 'channelmap=1|2|0|5|3|4:channel_layout=5.1' out.wav
@end example
+@section compand
+Compress or expand audio dynamic range.
+
+A description of the accepted options follows.
+
+@table @option
+
+@item attacks
+@item decays
+Set list of times in seconds for each channel over which the instantaneous level
+of the input signal is averaged to determine its volume. @var{attacks} refers to
+increase of volume and @var{decays} refers to decrease of volume. For most
+situations, the attack time (response to the audio getting louder) should be
+shorter than the decay time because the human ear is more sensitive to sudden
+loud audio than sudden soft audio. A typical value for attack is 0.3 seconds and
+a typical value for decay is 0.8 seconds.
+
+@item points
+Set list of points for the transfer function, specified in dB relative to the
+maximum possible signal amplitude. Each key points list must be defined using
+the following syntax: @code{x0/y0|x1/y1|x2/y2|....}
+
+The input values must be in strictly increasing order but the transfer function
+does not have to be monotonically rising. The point @code{0/0} is assumed but
+may be overridden (by @code{0/out-dBn}). Typical values for the transfer
+function are @code{-70/-70|-60/-20}.
+
+@item soft-knee
+Set the curve radius in dB for all joints. Defaults to 0.01.
+
+@item gain
+Set additional gain in dB to be applied at all points on the transfer function.
+This allows easy adjustment of the overall gain. Defaults to 0.
+
+@item volume
+Set initial volume in dB to be assumed for each channel when filtering starts.
+This permits the user to supply a nominal level initially, so that, for
+example, a very large gain is not applied to initial signal levels before the
+companding has begun to operate. A typical value for audio which is initially
+quiet is -90 dB. Defaults to 0.
+
+@item delay
+Set delay in seconds. The input audio is analyzed immediately, but audio is
+delayed before being fed to the volume adjuster. Specifying a delay
+approximately equal to the attack/decay times allows the filter to effectively
+operate in predictive rather than reactive mode. Defaults to 0.
+
+@end table
+
+@subsection Examples
+
+@itemize
+@item
+Make music with both quiet and loud passages suitable for listening in a noisy
+environment:
+@example
+compand=.3|.3:1|1:-90/-60|-60/-40|-40/-30|-20/-20:6:0:-90:0.2
+@end example
+
+@item
+Noise gate for when the noise is at a lower level than the signal:
+@example
+compand=.1|.1:.2|.2:-900/-900|-50.1/-900|-50/-50:.01:0:-90:.1
+@end example
+
+@item
+Here is another noise gate, this time for when the noise is at a higher level
+than the signal (making it, in some ways, similar to squelch):
+@example
+compand=.1|.1:.1|.1:-45.1/-45.1|-45/-900|0/-900:.01:45:-90:.1
+@end example
+@end itemize
+
@section join
Join multiple input streams into one multi-channel stream.
format=pix_fmts=yuv420p|yuv444p|yuv410p
@end example
+@anchor{fps}
@section fps
Convert the video to specified constant framerate by duplicating or dropping
@item fps
Desired output framerate.
+@item start_time
+Assume the first PTS should be the given value, in seconds. This allows for
+padding/trimming at the start of stream. By default, no assumption is made
+about the first frame's expected PTS, so no padding or trimming is done.
+For example, this could be set to 0 to pad the beginning with duplicates of
+the first frame if a video stream starts after the audio stream or to trim any
+frames with a negative PTS.
+
@end table
+@section framepack
+
+Pack two different video streams into a stereoscopic video, setting proper
+metadata on supported codecs. The two views should have the same size and
+framerate and processing will stop when the shorter video ends. Please note
+that you may conveniently adjust view properties with the @ref{scale} and
+@ref{fps} filters.
+
+This filter accepts the following named parameters:
+@table @option
+
+@item format
+Desired packing format. Supported values are:
+
+@table @option
+
+@item sbs
+Views are next to each other (default).
+
+@item tab
+Views are on top of each other.
+
+@item lines
+Views are packed by line.
+
+@item columns
+Views are eacked by column.
+
+@item frameseq
+Views are temporally interleaved.
+
+@end table
+
+@end table
+
+Some examples follow:
+
+@example
+# Convert left and right views into a frame sequential video.
+avconv -i LEFT -i RIGHT -filter_complex framepack=frameseq OUTPUT
+
+# Convert views into a side-by-side video with the same output resolution as the input.
+avconv -i LEFT -i RIGHT -filter_complex [0:v]scale=w=iw/2[left],[1:v]scale=w=iw/2[right],[left][right]framepack=sbs OUTPUT
+@end example
+
@anchor{frei0r}
@section frei0r
Simple interlacing filter from progressive contents. This interleaves upper (or
lower) lines from odd frames with lower (or upper) lines from even frames,
-halving the frame rate and preserving image height.
+halving the frame rate and preserving image height. A vertical lowpass filter
+is always applied in order to avoid twitter effects and reduce moiré patterns.
@example
Original Original New Frame
@item scan
determines whether the interlaced frame is taken from the even (tff - default)
or odd (bff) lines of the progressive frame.
-
-@item lowpass
-Enable (default) or disable the vertical lowpass filter to avoid twitter
-interlacing and reduce moire patterns.
@end table
@section lut, lutrgb, lutyuv
@item w, h
same as @var{overlay_w} and @var{overlay_h}
+
+@item eof_action
+The action to take when EOF is encountered on the secondary input, accepts one
+of the following values:
+
+@table @option
+@item repeat
+repeat the last frame (the default)
+@item endall
+end both streams
+@item pass
+pass through the main input
+@end table
+
@end table
Be aware that frames are taken from each input video in timestamp
# add a transparent color layer on top of the main video,
# WxH specifies the size of the main input to the overlay filter
color=red@.3:WxH [over]; [in][over] overlay [out]
+
+# mask 10-20 seconds of a video by applying the delogo filter to a section
+avconv -i test.avi -codec:v:0 wmv2 -ar 11025 -b:v 9000k
+-vf '[in]split[split_main][split_delogo];[split_delogo]trim=start=360:end=371,delogo=0:0:640:480[delogoed];[split_main][delogoed]overlay=eof_action=pass[out]'
+masked.avi
@end example
You can chain together more overlays but the efficiency of such
can be used to test the monowhite pixel format descriptor definition.
+@anchor{scale}
@section scale
Scale the input video and/or convert the image format.
@item ow, oh
same as @var{out_w} and @var{out_h}
-@item dar, a
-input display aspect ratio, same as @var{iw} / @var{ih}
+@item a
+same as @var{iw} / @var{ih}
@item sar
input sample aspect ratio
+@item dar
+input display aspect ratio, it is the same as (@var{iw} / @var{ih}) * @var{sar}
+
@item hsub, vsub
horizontal and vertical chroma subsample values. For example for the
pixel format "yuv422p" @var{hsub} is 2 and @var{vsub} is 1.
@table @option
@item dar
-Output display aspect ratio, as a rational or a decimal number.
+Output display aspect ratio.
@end table
+The parameter @var{dar} is an expression containing
+the following constants:
+
+@table @option
+@item E, PI, PHI
+the corresponding mathematical approximated values for e
+(euler number), pi (greek PI), phi (golden ratio)
+
+@item w, h
+the input width and height
+
+@item a
+same as @var{w} / @var{h}
+
+@item sar
+input sample aspect ratio
+
+@item dar
+input display aspect ratio, it is the same as (@var{w} / @var{h}) * @var{sar}
+
+@item hsub, vsub
+horizontal and vertical chroma subsample values. For example for the
+pixel format "yuv422p" @var{hsub} is 2 and @var{vsub} is 1.
+@end table
+
For example to change the display aspect ratio to 16:9, specify:
@example
setdar=dar=16/9
@item RTCSTART
wallclock (RTC) time at the start of the movie in microseconds
+@item TB
+timebase of the input timestamps
+
@end table
Some examples follow:
@table @option
@item sar
-Output sample aspect ratio, as a rational or decimal number.
+Output sample aspect ratio.
+
+@end table
+
+The parameter @var{sar} is an expression containing
+the following constants:
+
+@table @option
+@item E, PI, PHI
+the corresponding mathematical approximated values for e
+(euler number), pi (greek PI), phi (golden ratio)
+
+@item w, h
+the input width and height
+
+@item a
+same as @var{w} / @var{h}
+
+@item sar
+input sample aspect ratio
+
+@item dar
+input display aspect ratio, it is the same as (@var{w} / @var{h}) * @var{sar}
+@item hsub, vsub
+horizontal and vertical chroma subsample values. For example for the
+pixel format "yuv422p" @var{hsub} is 2 and @var{vsub} is 1.
@end table
For example to change the sample aspect ratio to 10:11, specify:
"[@var{c0} @var{c1} @var{c2} @var{c3}]"
@end table
+@section shuffleplanes
+
+Reorder and/or duplicate video planes.
+
+This filter accepts the following options:
+
+@table @option
+
+@item map0
+The index of the input plane to be used as the first output plane.
+
+@item map1
+The index of the input plane to be used as the second output plane.
+
+@item map2
+The index of the input plane to be used as the third output plane.
+
+@item map3
+The index of the input plane to be used as the fourth output plane.
+
+@end table
+
+The first plane has the index 0. The default is to keep the input unchanged.
+
+E.g.
+@example
+avconv -i INPUT -vf shuffleplanes=0:2:1:3 OUTPUT
+@end example
+swaps the second and third planes of the input.
+
@section split
Split input video into several identical outputs.
@end example
@end table
+@section trim
+Trim the input so that the output contains one continuous subpart of the input.
+
+This filter accepts the following options:
+@table @option
+@item start
+Timestamp (in seconds) of the start of the kept section. I.e. the frame with the
+timestamp @var{start} will be the first frame in the output.
+
+@item end
+Timestamp (in seconds) of the first frame that will be dropped. I.e. the frame
+immediately preceding the one with the timestamp @var{end} will be the last
+frame in the output.
+
+@item start_pts
+Same as @var{start}, except this option sets the start timestamp in timebase
+units instead of seconds.
+
+@item end_pts
+Same as @var{end}, except this option sets the end timestamp in timebase units
+instead of seconds.
+
+@item duration
+Maximum duration of the output in seconds.
+
+@item start_frame
+Number of the first frame that should be passed to output.
+
+@item end_frame
+Number of the first frame that should be dropped.
+@end table
+
+Note that the first two sets of the start/end options and the @option{duration}
+option look at the frame timestamp, while the _frame variants simply count the
+frames that pass through the filter. Also note that this filter does not modify
+the timestamps. If you wish that the output timestamps start at zero, insert a
+setpts filter after the trim filter.
+
+If multiple start or end options are set, this filter tries to be greedy and
+keep all the frames that match at least one of the specified constraints. To keep
+only the part that matches all the constraints at once, chain multiple trim
+filters.
+
+The defaults are such that all the input is kept. So it is possible to set e.g.
+just the end values to keep everything before the specified time.
+
+Examples:
+@itemize
+@item
+drop everything except the second minute of input
+@example
+avconv -i INPUT -vf trim=60:120
+@end example
+
+@item
+keep only the first second
+@example
+avconv -i INPUT -vf trim=duration=1
+@end example
+
+@end itemize
@section unsharp
Sharpen or blur the input video.
Set the chroma matrix vertical size. It can be an integer between 3
and 13, default value is 5.
-@item luma_amount
+@item chroma_amount
Set the chroma effect strength. It can be a float number between -2.0
and 5.0, default value is 0.0.
projects / ffmpeg / blobdiff