the corresponding numeric value defined in @file{libavutil/samplefmt.h}.
@var{channel_layout} specifies the channel layout, and can be a string
-or the corresponding number value defined in @file{libavutil/chlayout.h}.
+or the corresponding number value defined in @file{libavutil/audioconvert.h}.
@var{packing_format} specifies the type of packing in output, can be one
of "planar" or "packed", or the corresponding numeric values "0" or "1".
@item pos
position of the frame in the input stream, -1 if this information in
-unavailable and/or meanigless (for example in case of synthetic audio)
+unavailable and/or meaningless (for example in case of synthetic audio)
@item fmt
sample format name
if the packing format is planar, 0 if packed
@item checksum
-Adler-32 checksum of all the planes of the input frame
+Adler-32 checksum (printed in hexadecimal) of all the planes of the input frame
@item plane_checksum
-Adler-32 checksum for each input frame plane, expressed in the form
-"[@var{c0} @var{c1} @var{c2} @var{c3} @var{c4} @var{c5} @var{c6} @var{c7}]"
+Adler-32 checksum (printed in hexadecimal) for each input frame plane,
+expressed in the form "[@var{c0} @var{c1} @var{c2} @var{c3} @var{c4} @var{c5}
+@var{c6} @var{c7}]"
@end table
+@section earwax
+
+Make audio easier to listen to on headphones.
+
+This filter adds `cues' to 44.1kHz stereo (i.e. audio CD format) audio
+so that when listened to on headphones the stereo image is moved from
+inside your head (standard for headphones) to outside and in front of
+the listener (standard for speakers).
+
+Ported from SoX.
+
+@section pan
+
+Mix channels with specific gain levels. The filter accepts the output
+channel layout followed by a set of channels definitions.
+
+The filter accepts parameters of the form:
+"@var{l}:@var{outdef}:@var{outdef}:..."
+
+@table @option
+@item l
+output channel layout or number of channels
+
+@item outdef
+output channel specification, of the form:
+"@var{out_name}=[@var{gain}*]@var{in_name}[+[@var{gain}*]@var{in_name}...]"
+
+@item out_name
+output channel to define, either a channel name (FL, FR, etc.) or a channel
+number (c0, c1, etc.)
+
+@item gain
+multiplicative coefficient for the channel, 1 leaving the volume unchanged
+
+@item in_name
+input channel to use, see out_name for details; it is not possible to mix
+named and numbered input channels
+@end table
+
+If the `=' in a channel specification is replaced by `<', then the gains for
+that specification will be renormalized so that the total is 1, thus
+avoiding clipping noise.
+
+For example, if you want to down-mix from stereo to mono, but with a bigger
+factor for the left channel:
+@example
+pan=1:c0=0.9*c0+0.1*c1
+@end example
+
+A customized down-mix to stereo that works automatically for 3-, 4-, 5- and
+7-channels surround:
+@example
+pan=stereo: FL < FL + 0.5*FC + 0.6*BL + 0.6*SL : FR < FR + 0.5*FC + 0.6*BR + 0.6*SR
+@end example
+
+Note that @file{ffmpeg} integrates a default down-mix (and up-mix) system
+that should be preferred (see "-ac" option) unless you have very specific
+needs.
+
+@section volume
+
+Adjust the input audio volume.
+
+The filter accepts exactly one parameter @var{vol}, which expresses
+how the audio volume will be increased or decreased.
+
+Output values are clipped to the maximum value.
+
+If @var{vol} is expressed as a decimal number, and the output audio
+volume is given by the relation:
+@example
+@var{output_volume} = @var{vol} * @var{input_volume}
+@end example
+
+If @var{vol} is expressed as a decimal number followed by the string
+"dB", the value represents the requested change in decibels of the
+input audio power, and the output audio volume is given by the
+relation:
+@example
+@var{output_volume} = 10^(@var{vol}/20) * @var{input_volume}
+@end example
+
+Otherwise @var{vol} is considered an expression and its evaluated
+value is used for computing the output audio volume according to the
+first relation.
+
+Default value for @var{vol} is 1.0.
+
+@subsection Examples
+
+@itemize
+@item
+Half the input audio volume:
+@example
+volume=0.5
+@end example
+
+The above example is equivalent to:
+@example
+volume=1/2
+@end example
+
+@item
+Decrease input audio power by 12 decibels:
+@example
+volume=-12dB
+@end example
+@end itemize
+
@c man end AUDIO FILTERS
@chapter Audio Sources
@end itemize
+@section deshake
+
+Attempt to fix small changes in horizontal and/or vertical shift. This
+filter helps remove camera shake from hand-holding a camera, bumping a
+tripod, moving on a vehicle, etc.
+
+The filter accepts parameters as a string of the form
+"@var{x}:@var{y}:@var{w}:@var{h}:@var{rx}:@var{ry}:@var{edge}:@var{blocksize}:@var{contrast}:@var{search}:@var{filename}"
+
+A description of the accepted parameters follows.
+
+@table @option
+
+@item x, y, w, h
+Specify a rectangular area where to limit the search for motion
+vectors.
+If desired the search for motion vectors can be limited to a
+rectangular area of the frame defined by its top left corner, width
+and height. These parameters have the same meaning as the drawbox
+filter which can be used to visualise the position of the bounding
+box.
+
+This is useful when simultaneous movement of subjects within the frame
+might be confused for camera motion by the motion vector search.
+
+If any or all of @var{x}, @var{y}, @var{w} and @var{h} are set to -1
+then the full frame is used. This allows later options to be set
+without specifying the bounding box for the motion vector search.
+
+Default - search the whole frame.
+
+@item rx, ry
+Specify the maximum extent of movement in x and y directions in the
+range 0-64 pixels. Default 16.
+
+@item edge
+Specify how to generate pixels to fill blanks at the edge of the
+frame. An integer from 0 to 3 as follows:
+@table @option
+@item 0
+Fill zeroes at blank locations
+@item 1
+Original image at blank locations
+@item 2
+Extruded edge value at blank locations
+@item 3
+Mirrored edge at blank locations
+@end table
+
+The default setting is mirror edge at blank locations.
+
+@item blocksize
+Specify the blocksize to use for motion search. Range 4-128 pixels,
+default 8.
+
+@item contrast
+Specify the contrast threshold for blocks. Only blocks with more than
+the specified contrast (difference between darkest and lightest
+pixels) will be considered. Range 1-255, default 125.
+
+@item search
+Specify the search strategy 0 = exhaustive search, 1 = less exhaustive
+search. Default - exhaustive search.
+
+@item filename
+If set then a detailed log of the motion search is written to the
+specified file.
+
+@end table
+
@section drawbox
Draw a colored box on the input image.
Apply fade-in/out effect to input video.
It accepts the parameters:
-@var{type}:@var{start_frame}:@var{nb_frames}
+@var{type}:@var{start_frame}:@var{nb_frames}[:@var{options}]
@var{type} specifies if the effect type, can be either "in" for
fade-in, or "out" for a fade-out effect.
will have the same intensity as the input video, at the end of the
fade-out transition the output video will be completely black.
+@var{options} is an optional sequence of @var{key}=@var{value} pairs,
+separated by ":". The description of the accepted options follows.
+
+@table @option
+
+@item type, t
+See @var{type}.
+
+@item start_frame, s
+See @var{start_frame}.
+
+@item nb_frames, n
+See @var{nb_frames}.
+
+@item alpha
+If set to 1, fade only alpha channel, if one exists on the input.
+Default value is 0.
+@end table
+
A few usage examples follow, usable too as test scenarios.
@example
# fade in first 30 frames of video
# make first 5 frames black, then fade in from frame 5-24
fade=in:5:20
+
+# fade in alpha over first 25 frames of video
+fade=in:0:25:alpha=1
@end example
@section fieldorder
For example:
@example
-./ffmpeg -i in.vob -vf "fieldorder=bff" out.dv
+ffmpeg -i in.vob -vf "fieldorder=bff" out.dv
@end example
@section fifo
It takes two inputs and one output, the first input is the "main"
video on which the second input is overlayed.
-It accepts the parameters: @var{x}:@var{y}.
+It accepts the parameters: @var{x}:@var{y}[:@var{options}].
@var{x} is the x coordinate of the overlayed video on the main video,
-@var{y} is the y coordinate. The parameters are expressions containing
+@var{y} is the y coordinate. @var{x} and @var{y} are expressions containing
the following parameters:
@table @option
same as @var{overlay_w} and @var{overlay_h}
@end table
+@var{options} is an optional list of @var{key}=@var{value} pairs,
+separated by ":".
+
+The description of the accepted options follows.
+
+@table @option
+@item rgb
+If set to 1, force the filter to accept inputs in the RGB
+colorspace. Default value is 0.
+@end table
+
Be aware that frames are taken from each input video in timestamp
order, hence, if their initial timestamps differ, it is a a good idea
to pass the two inputs through a @var{setpts=PTS-STARTPTS} filter to
color=red@.3:WxH [over]; [in][over] overlay [out]
@end example
-You can chain togheter more overlays but the efficiency of such
+You can chain together more overlays but the efficiency of such
approach is yet to be tested.
@section pad
@section scale
-Scale the input video to @var{width}:@var{height} and/or convert the image format.
+Scale the input video to @var{width}:@var{height}[:@var{interl}=@{1|-1@}] and/or convert the image format.
The parameters @var{width} and @var{height} are expressions containing
the following constants:
The default value of @var{width} and @var{height} is 0.
+Valid values for the optional parameter @var{interl} are:
+
+@table @option
+@item 1
+force interlaced aware scaling
+
+@item -1
+select interlaced aware scaling depending on whether the source frames
+are flagged as interlaced or not
+@end table
+
Some examples follow:
@example
# scale the input video to a size of 200x100.
@file{libavutil/avutil.h}.
@item checksum
-Adler-32 checksum of all the planes of the input frame
+Adler-32 checksum (printed in hexadecimal) of all the planes of the input frame
@item plane_checksum
-Adler-32 checksum of each plane of the input frame, expressed in the form
-"[@var{c0} @var{c1} @var{c2} @var{c3}]"
+Adler-32 checksum (printed in hexadecimal) of each plane of the input frame,
+expressed in the form "[@var{c0} @var{c1} @var{c2} @var{c3}]"
@end table
@section slicify
slices.
@example
-./ffmpeg -i in.avi -vf "slicify=32" out.avi
+ffmpeg -i in.avi -vf "slicify=32" out.avi
@end example
The filter accepts the slice height as parameter. If the parameter is
unsharp=7:7:-2:7:7:-2
# Use the default values with @command{ffmpeg}
-./ffmpeg -i in.avi -vf "unsharp" out.mp4
+ffmpeg -i in.avi -vf "unsharp" out.mp4
@end example
@section vflip
Flip the input video vertically.
@example
-./ffmpeg -i in.avi -vf "vflip" out.avi
+ffmpeg -i in.avi -vf "vflip" out.avi
@end example
@section yadif
It accepts the following parameters:
@var{width}:@var{height}:@var{pix_fmt_string}:@var{timebase_num}:@var{timebase_den}:@var{sample_aspect_ratio_num}:@var{sample_aspect_ratio.den}:@var{scale_params}
-All the parameters but @var{scale_params} need to be explicitely
+All the parameters but @var{scale_params} need to be explicitly
defined.
Follows the list of the accepted parameters.
will generate a "dc_luma" test pattern.
-@section nullsrc
-
-Null video source, never return images. It is mainly useful as a
-template and to be employed in analysis / debugging tools.
-
-It accepts as optional parameter a string of the form
-@var{width}:@var{height}:@var{timebase}.
-
-@var{width} and @var{height} specify the size of the configured
-source. The default values of @var{width} and @var{height} are
-respectively 352 and 288 (corresponding to the CIF size format).
-
-@var{timebase} specifies an arithmetic expression representing a
-timebase. The expression can contain the constant
-"AVTB" (the default timebase), and defaults to the value "AVTB".
-
@section frei0r_src
Provide a frei0r source.
frei0r_src=200x200:10:partik0l=1234 [overlay]; [in][overlay] overlay
@end example
-@section rgbtestsrc, testsrc
+@section nullsrc, rgbtestsrc, testsrc
+
+The @code{nullsrc} source returns unprocessed video frames. It is
+mainly useful to be employed in analysis / debugging tools, or as the
+source for filters which ignore the input data.
The @code{rgbtestsrc} source generates an RGB test pattern useful for
detecting RGB vs BGR issues. You should see a red, green and blue
color pattern, a scrolling gradient and a timestamp. This is mainly
intended for testing purposes.
-Both sources accept an optional sequence of @var{key}=@var{value} pairs,
+These sources accept an optional sequence of @var{key}=@var{value} pairs,
separated by ":". The description of the accepted options follows.
@table @option
will generate a video with a duration of 5.3 seconds, with size
176x144 and a framerate of 10 frames per second.
+If the input content is to be ignored, @code{nullsrc} can be used. The
+following command generates noise in the luminance plane by employing
+the @code{mp=geq} filter:
+@example
+nullsrc=s=256x256, mp=geq=random(1)*255:128:128
+@end example
+
@c man end VIDEO SOURCES
@chapter Video Sinks
projects / ffmpeg / blobdiff