Fix a duplicate --sout-mux-caching argument in an example.

[nageru-docs] / audio.rst

diff --git a/audio.rst b/audio.rst
index 8aa2078b6dbbea43b1684943189960c7db2cc344..58e3ed07a71df0f3d11c2dc144e8f5ac1abfe4c6 100644 (file)
--- a/audio.rst
+++ b/audio.rst
@@ -169,7 +169,7 @@ the distinction won't matter, but for multichannel, the previous
 effects are separate per-bus and the remaining are applied
 after the mix. (More on this below.) The mastering section begins
 with a **limiter**, basically a compressor with very high ratio.
 effects are separate per-bus and the remaining are applied
 after the mix. (More on this below.) The mastering section begins
 with a **limiter**, basically a compressor with very high ratio.

-It's there as an emergency brake for really loud compressors
+It's there as an emergency brake for really loud sounds

 that got through the other compressors—a classic example is a
 speaker suddenly coughing, or a very loud bass drum. This prevents
 both clipping and blowing out the speakers' ears.
 that got through the other compressors—a classic example is a
 speaker suddenly coughing, or a very loud bass drum. This prevents
 both clipping and blowing out the speakers' ears.


@@ -220,7 +220,8 @@ The input mapping dialog should be pretty much self-explanatory;
 you can use the + button to add a new bus, and the - button to remove
 the currently selected one (you select by clicking on it). The up and
 down buttons rearrange the order by moving the currently selected bus
 you can use the + button to add a new bus, and the - button to remove
 the currently selected one (you select by clicking on it). The up and
 down buttons rearrange the order by moving the currently selected bus

-up or down, if possible.
+up or down, if possible. Note that you can create a mono bus by
+assigning the same input channel to the left and right inputs.

 
 Because mappings can be tedious to setup, you wouldn't want to set up
 a complicated one every time you started Nageru. Therefore, mappings
 
 Because mappings can be tedious to setup, you wouldn't want to set up
 a complicated one every time you started Nageru. Therefore, mappings


@@ -284,7 +285,7 @@ effect as pulling the fader all the way down, ie., it will make the bus
 go all silent.
 
 Then there's the **peak meter** to the left of that. For each bus, unlike
 go all silent.
 
 Then there's the **peak meter** to the left of that. For each bus, unlike

-for the meters used for mastering (see :ref:`audio meters`),
+for the meters used for mastering (see :ref:`audio-meters`),

 you don't want to know loudness; you want to know recording levels,
 so this is a peak meter, *not* a loudness meter. (There's some holdoff
 so you can see the actual peaks over a short period.) In particular,
 you don't want to know loudness; you want to know recording levels,
 so this is a peak meter, *not* a loudness meter. (There's some holdoff
 so you can see the actual peaks over a short period.) In particular,